Other Theatre and Performance Studies Commons^™

December 2009 - Volume Ix, Number 1, Theatre Arts Department

Sides (Newsletter)

This issue includes items about Theatre Alumni Reunions, Dedication of the Green Room at the Doudna Fine Art Center (named after Lucille and E. Glendon Gabbard), and December Graduates.

June 2009 - Volume Viii, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VIII Number 2 includes pictures of the first year of operation of the Doudna Fine Arts Center.

December 2008 - Volume Viii, Number 1, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VIII Number 1 includes articles on Mammoth Follies, Second City, and a Makeup Workshop.

June 2008 - Volume Vii, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VII Number 2 features articles on the closing of the Village Theatre and welcoming new faculty Nicholas Shaw.

December 2007 - Volume Vii, Number 1, Theatre Arts Department

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SIDES Volume VII Number 1 includes articles on the new Doudna Fine Arts Center and also an obituary of Ernest Glendon Gabbard.

June 2007 - Volume Vi, Number 2, Theatre Arts Department

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SIDES Volume VI Number 2 includes a letter from former Chair John Oertling and a "Where Are They Now?" section.

December 2006 - Volume Vi, Number 1, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VI Number 1 includes articles about the construction of the Doudna Fine Arts Center and a visit from the National Association of the Schools of Theatre.

June 2006 - Volume V, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume V Number 2 features an article about an unofficial reunion of 1975-1983 Alumni and the obituary of Lucina "Lucy" Gabbard.

December 2005 - Volume V, Number 1, Theatre Arts Department

Sides (Newsletter)

SIDES Volume V Number 1 includes articles about the Doudna Fine Arts Center project and a "Where Are They Now?" section.

June 2005 - Volume Iv, Number 2, Theatre Arts Department

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SIDES Volume IV Number 2 features a piece about the construction of Doudna Fine Arts Center and a "Where Are They Now?" section.

December 2004 - Volume Iv, Number 1, Theatre Arts Department

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SIDES Volume IV Number 1 includes an article welcoming new faculty Allison Cameron, and a piece on the Liz Marfia and Phil Ash wedding on October 10, 2004, attending by 26 Theatre Arts alumni.

June 2004 - Volume Iii, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume III Number 2 includes a welcome to new faculty Chris Mitchell and a "Where Are They Now?" section.

December 2003 - Volume Iii, Number 1, Theatre Arts Department

Sides (Newsletter)

SIDES Volume III Number 1 includes an article about Jean Wolski being appointed Faculty Laureate and a piece about funding for the Doudna Fine Arts Center project.

An Analysis Of Using Dramatic Activities To Communicate And Stimulate Learning Of Biblical Principles Regarding Drug/Alcohol Abuse Among Teens, Victoria Norton

Masters Theses

No abstract provided.

An Investigation Of Educational Theatre And Professional Training Needs For Costume, Lighting, Sound, And Scenic Designers, Barry P. Johnson

Masters Theses

The educational theatre programs in the United States accept as one of their purposes the training of the professional theatre artist. Since the educational theatre began in the 1920's, university theatre departments have garnered criticism over their approach to professional training. No literature was found concerning research of the curriculum best suited to the training or educational development of the costume, lighting, sound, or scene design student.

In the attempt to determine what training or coursework is instrumental in the development of the theatre design student, a questionnaire was sent to two groups: the members of the New York League …

The Costuming Of Hair: An Interdisciplinary Study, Mary E. Yarbrough

Masters Theses

This paper discussed the interdisciplinary study of costuming in general and specifically that of the musical, Hair. In addition to the discipline of theatre, costuming employs several other art forms and thereby may be considered an interdisciplinary art form. Basic to the development of costumes for Hair was knowledge of literature, visual arts and history. It is necessary to read and interpret a play very carefully in terms of relating the written words of the script to the costumes of the character. The actual designing of costumes entails basic drawing and design abilities as well as a creative artistic …