Other Theatre and Performance Studies Commons^™

The Ox On The Roof (Le Boeuf Sur Le Toit), Agnieszka Taborska, Aleksander F. Wierzbicki, Malcom Coelho, Lucy Bourgealt, John Donalds, Georgy Harvey, Michael J. Townsend, Rene Dimanche Jr., Mila Hermanovski, Marly J. Rogers, Susan Becker, Treva Offutt, Christopher Watts, Michael A. Tashji, Sol Armada, Mark Borok, George Page, Sean P. Oakes, Edward L. Guttman, Susan Unger, Timothy Mcelreath, Michael Wodkowski, Carsten Stehr, Julie Grass, Andrea Dassow, Julianna Ellman, Lynn Jaworski, Donna Lavalle, Judith Ribicoff, Vivienne Cho, Matthew Mcguire

Programs

Program for the third annual RISD Cabaret held in the Cellar of the Providence Art Club. Design and layout by Treva Offutt. View the Performance Recording.

Vienna, Paris, Berlin: The Golden Age Of European Cabaret, Agnieszka Taborska, William Damkoehler, Anne Johnson, Susan Sellers, Georgie Stout, Mark Borok, Michael Zimmerman, Bill Gold, Charles Oestreicher, Edward Guttman, Caroline Provost, Ed Hemingway, Holly Heerens, Eugene Mollica, Susan Unger, Michelle Talbot, Sarah Bishop, Malcom Coelho, Heather Frith, Charles Baudelaire, Paul Verlaine, Jacques Prevert, Don Keefer, Emliy Cohen, Martha Crawford, Susan Becker, Hanns Eisler, Molly Komacker, Vivienne Cho, Carsten Stehr

Programs

Program for the second annual RISD Cabaret held in the Cellar in the Pit. Design and layout by Anne Johnson, Susan Sellers and Georgie Stout.

View the Performance Recording.

From St. Petersburg To Krushchev's Boot, James O. Barnhill, Justin Kerr, Edward Guttman, Caroline Provost, Jennifer Bull, Marguerite White, Nancy Bach, Steve Overman, Josh Pearson, Jean Wasil, Mark Borok, Vivienne Cho, Karen Frishmann, Heather Firth, Lisa Hurwitz, Treva Offutt, Beth Whitney, Sarah Bishop, Richard Ross, Cara Reische, Walter Clarke, Rene Dimanche Jr., David Ross, Malcom Coelho, Andrew Sklar, Michael Wodkowski, Susan Ockerse, Paul Scagnetti, Martha Crawford, Holly Su Heerens

Programs

Program for the first annual RISD Cabaret held in Memorial Hall. Design and layout by Justin Kerr.

View the Performance Recording.

0417: Estelle "Bill" Belanger Papers, 1946-1984, Marshall University Special Collections

Guides to Manuscript Collections

Huntington, West Virginia, journalist and chronicler of arts and cultural affairs. Collection includes scrapbooks of clippings of her articles, columns, and reviews of books and plays.

0364: Oretha Morgan Foard Papers, 1855-1979, Marshall University Special Collections

Guides to Manuscript Collections

Huntington, West Virginia, resident. Papers consist primarily of printed pamphlets, play programs, and travel brochures. Includes some school papers while a student at West Virginia University in the 1920's. The collection as a whole reflects her interests in drama, especially Shakespeare.

0330: Ruth Katherine Jones Papers, 1927-1937, Marshall University Special Collections

Guides to Manuscript Collections

Scrapbooks and personal papers of Marshall alumna Ruth Katherine Jones, a 1924 Marshall College graduate who was active as a makeup artist for the Community Players and other Marshall theatre productions in the 1930s. Some items related to plastic surgery.

George W. Norris's Persuasion In The Campaign For The Unicameral Legislature, Phillip K. Tompkins

College of Education and Human Sciences: Dissertations, Theses, and Student Research

The people of forty-seven states in this country are governed by bicameral or two-house legislatures. The people of the forty-eighth, Nebraskans, are governed by a unicameral or one-house legislature.

On November 6, 1934, the people of Nebraska provided by amendment to their state constitution, a one-house legislature to be composed of between thirty and fifty members to be elected on a non-partisan ballot. The number of solons was later set at forty-three, and 1957 marked the twentieth anniversary of the first unicameral session in Nebraska.

Senator George W. Norris is generally regarded by all as the father of the unicameral …

A Historical Study Of The Theatre Of The Mother Lode During The Gold Rush Period, Berton Everett Trulsson

University of the Pacific Theses and Dissertations

Many events of the gold rush have been adequately narrated in numerous books and articles. The succeeding pages in this thesis will recall, historically by topic, important incidents of one phase of that period never before treated as a separate study that phase is the theatre of the Mother Lode region.

The argonauts of the Mother Lode wanted to be entertained and could pay for it. Many preferred the saloon and gamboling hall, but the theatre did not languish because of this, and in fact, developed in some instances directly out of the saloons and fandango halls.

It was the …

The Renaissance Movement In The Irish Theatre, 1899-1949, Margaret Flaherty Diehl

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

A History Of The Productions Of The Little Theatre, 1933-1935, Demarcus Brown

University of the Pacific Theses and Dissertations

The growth of interest in drama and the realization of the educational value of dramatics has developed a new place for the college theatre. Pacific Little Theatre was organized eleven years ago to fulfill a definite need and has since grown slowly and steadily into a most active producing unit, serving both school and community. Indeed Pacific Little Theatre can be taken as an excellent specific example of the contribution which can be made to campus and community life by the college aside from its main function as fundamental ground for students in the theatre arts.

Carte-De-Visite, Full Portrait Of Mr. & Mrs. "General Tom Thumb" In Their Wedding Costume, 1863, By Matthew Brady., Matthew B. Brady, E. & H.T. Anthony

Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection

Charles Sherwood Stratton (whose stage name was "General Tom Thumb" in P.T. Barnum's productions) is pictured with his wife Lavinia Stratton (maiden name: Warren). Stratton and Warren were married on February 10, 1863. Verso of CDV includes mimeographed inscriptions by the couple.

Phantastes Chapter 14: Winter's Tale, William Shakespeare

German Romantic and Other Influences

William Shakespeare (1564-1616), The Winter’s Tale, published in 1623 in the First Folio.

Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher

German Romantic and Other Influences

John Fletcher (1579-1625) was a contemporary of William Shakespeare and followed him as main playwright for the King’s Men. The Faithful Shepherdess (produced in 1608, probably published in 1609) is also important for Fletcher’s definition of tragicomedy, which highlights the importance of near-death to the genre.

Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur

German Romantic and Other Influences

Cyril Tourneur (1575-1626) was an English dramatist, a contemporary of Shakespeare; Tourneur was also a soldier and politician. The Revenger’s Tragedy (1607), as its name implies, is a revenge tragedy, and comments on the battle to avenge the destruction by the giants that lead to the brothers’ deaths. Literary critics now believe that the play was written by Thomas Middleton (1580-1627).

Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton

German Romantic and Other Influences

Thomas Dekker (1572-1632) was a dramatist and writer of popular pamphlets describing London life. This line comes from the play The Honest Whore, Part II (1605 or 1606). The Honest Whore, Part I, a collaboration between Dekker and Thomas Middleton, was performed in 1604.

Phantastes Chapter 15: Campaspe, John Lyly

German Romantic and Other Influences

Campaspe, an Elizabethan play by John Lyly (1584). The lines quoted are from Act 3, Scene 4, and they indicate the notion of a Platonic beauty, an ideal beauty that the artist can never capture perfectly