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Dramatic Literature, Criticism and Theory Commons™
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Articles 1 - 15 of 15
Full-Text Articles in Dramatic Literature, Criticism and Theory
"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski
"You Know The Rules": A Dramatic Experiment In Aromantic Literary Theory, April Chronowski
English
This paper proposes a new literary theory framework based on the zine "an aromantic manifesto" by yingchen and yingtong, as well as the work of Erving Goffman, using theater as a device to examine romantic relationships. Blending English and sociology, I focus each chapter on a different literary period and examine two plays each: early modern (Christopher Marlowe's Doctor Faustus and William Shakespeare's Much Ado About Nothing), modern (Edward Albee's Who's Afraid of Virginia Woolf? and Djuna Barnes' "To The Dogs"), and contemporary (Caryl Churchill's Cloud 9 and Margaret Edson's W;t). In tandem with analysis of formal elements---like …
Ancient Shakespeare: Examining Classical Influence Upon Shakespeare's Plays, John Fritch
Ancient Shakespeare: Examining Classical Influence Upon Shakespeare's Plays, John Fritch
University Honors College
The enduring position of William Shakespeare as the greatest playwright in the English language stems in part from the classical world. This relationship with ancient Greek and Roman literature has sparked scholarly curiosity and conflict in the centuries after his death. The minimal details that are known about Shakespeare’s personal life and experiences make this topic a challenging one. This essay embarks on an exploration of Shakespeare’s engagement with classical themes, characters, and storytelling techniques, as well as the thematic resonances between ancient Greek plays and his own works. Through an examination of key characteristics and themes prevalent in ancient …
Ataka, Anthony H. Chambers
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Mime Journal
No abstract provided.
Mochizuki: History And Context, Michael Watson
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
Mime Journal
Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Mime Journal
No abstract provided.
Terrence Mcnally’S Universalizing Model: The Role Of Disability In Andre’S Mother; Lips Together, Teeth Apart; And Love! Valour! Compassion!, Alexa Burnstine
Terrence Mcnally’S Universalizing Model: The Role Of Disability In Andre’S Mother; Lips Together, Teeth Apart; And Love! Valour! Compassion!, Alexa Burnstine
English (MA) Theses
In his works such as Andre’s Mother; Lips Together, Teeth Apart; and Love! Valour! Compassion!, playwright Terrence McNally utilizes categorically gay themes such as homophobia and living with HIV and AIDS in a time when little was understood about the illnesses. For these reasons, McNally critics customarily analyze McNally’s plays with a queer theory lens. This work examines those same topics and others, but with a critical disability lens. Inspired by Robert McRuer’s analytical partnership of queer, AIDS, and disabilities studies, this work assesses McNally’s use of various types of languages and finds the figures who are …
Saving Pocahontas: A Conversation On Gender, Culture, And Power In The Storied Saving Moment, Claire Ehr
Saving Pocahontas: A Conversation On Gender, Culture, And Power In The Storied Saving Moment, Claire Ehr
Undergraduate Honors Papers
Pocahontas is a figure with much cultural capital, even today, and her influence was historically important to Native and European agendas alike. Pocahontas as a person indeed had a life that seemed to influence political relations between Native and European (specifically Powhatan, specifically English). However, the storied construct of Pocahontas has had significantly more cultural sway, influencing (or at least representing changes in) everything from gendered power dynamics to the interplay between the European Colonizer and the Indigenous Other.1 Pocahontas’ image has been re-appropriated over and over throughout time to further political agendas and to represent the female and …
The Making Of A Raisin In The Sun, Judith E. Smith
The Making Of A Raisin In The Sun, Judith E. Smith
American Studies Faculty Publication Series
Lorraine Hansberry’s play A Raisin in the Sun premiered on the Broadway stage in January 1959 just as the edifice of national segregation was cracking open. Response to the momentous 1954 Supreme Court decision in Brown v. Bd. of Education included both the important early challenges to long-accepted practices of white supremacy and the intensified mobilization of widespread white defiance to the ruling. Black Bus boycotters in Montgomery, Alabama, and their young minister leader, Martin Luther King, Jr., and Black high school students attempting to attend Little Rock’s Central High and their families faced organized harassment and dangerous forms …
From Humiliation To Epiphany: The Role Of Onstage Spaces In T. S. Eliot’S Middle Plays, Ria Banerjee
From Humiliation To Epiphany: The Role Of Onstage Spaces In T. S. Eliot’S Middle Plays, Ria Banerjee
Publications and Research
This essay looks at T. S. Eliot's major dramatic productions from the 1930s-40s: Murder in the Cathedral, The Family Reunion, and The Cocktail Party as a series of investigations into spatial expressions of faith. By using onstage space in unique ways, Eliot encourages audiences to consider the connections between performance and belief, the knowable and unknowable.
Bloudy Tygrisses: Murderous Women In Early Modern English Drama And Popular Literature, Alexandra Hill
Bloudy Tygrisses: Murderous Women In Early Modern English Drama And Popular Literature, Alexandra Hill
Electronic Theses and Dissertations
This thesis examines artistic and literary images of murderous women in popular print published in sixteenth and seventeenth-century England. The construction of murderous women in criminal narratives, published between 1558 and 1625 in pamphlet, ballad, and play form, is examined in the context of contemporary historical records and cultural discourse. Chapter One features a literature review of the topic in recent scholarship. Chapter Two, comprised of two subsections, discusses representations of early modern women in contemporary literature and criminal archives. The subsections in Chapter Two examine early modern treatises, sermons, and essays concerning the nature of women, the roles and …
La Fragilitat Del Paisatge, Sharon G. Feldman
La Fragilitat Del Paisatge, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
Dins de la galáxia teatral formada per estrelles de grans i petites dimensions que és l'escena catalana contemporània, Josep M. Benet i Jornet (Barcelona, 1940) és com un cometa; no un d'aquells estels fugaços que apareix en una de les seves obres més reeixides (Fugaç, 1992), sinó com un cometa la trajectória creativa del qual ha estat marcada per un procés constant d'evolució i renovació estètiques, un cometa que ha deixat una lluïssor indeleble, que li ha permès d'omplir el buit entre generacions. Es podria afirmar que Benet i Jornet és el dramaturg en vida més eminent i …
Isolation In The Dramas Of T.S. Eliot, Jean Conway
Isolation In The Dramas Of T.S. Eliot, Jean Conway
Masters Theses & Specialist Projects
T.S. Eliot is a monumental figure in literature. He distinguished himself as a poet in his youth, as a critic in his middle age, and as a dramatist in his later years. Because of the vitality of Eliot’s early literary works, his dramas are frequently bypassed by critics when discussing the major themes that interested him as an artist. The purpose this study is to examine thoroughly Eliot’s position on isolation and alienation as revealed in his seven plays: Sweeney Agonistes (1926), The Rock (1934), Murder in the Cathedral (1935), The Family Reunion (1939), The Cocktail Party (1949), The Confidential …
The Major Qualities Of Oscar Wilde's Comedies, Milton Woodell Hamlin
The Major Qualities Of Oscar Wilde's Comedies, Milton Woodell Hamlin
Graduate Student Research Papers
This paper will attempt to provide a comparative survey of the four comedies of Oscar Wilde (Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband, and The Importance of Being Earnest) with an emphasis on the differences between the first three comedies and the last. Background material germane to Wilde's development as a playwright, and a brief evaluation of Wilde's position in English literature, largely based on his reputation as a playwright, will be included.