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Full-Text Articles in Dramatic Literature, Criticism and Theory

Limboland: A One-Act Play About Death, For Kids, Megan Huggins Apr 2020

Limboland: A One-Act Play About Death, For Kids, Megan Huggins

Honors Scholars Collaborative Projects

LimboLand: A One-Act Play about Death, for kids

Megan Huggins

Thesis Director: James Al-Shamma, Ph.D

Thesis Committee: Shawn Knight, Jessica Mueller

A loose adaptation of Dante Alighieri’s epic poem Inferno, LimboLand uses Alighieri’s model of the nine circles of Hell to illustrate the five stages of grief. In a script designed for theatre for young audiences, Dante, a young child, travels through different rooms as he attempts to cope with and understand his sister’s death. Dante follows Virgil, an older child, who knows a lot about the afterlife system without understanding any of it. The play includes an appendix …


Three Forms Of Death In David Rabe’S The Basic Training Of Pavlo Hummel And Sticks And Bones, Sloan Garner May 2019

Three Forms Of Death In David Rabe’S The Basic Training Of Pavlo Hummel And Sticks And Bones, Sloan Garner

Honors Theses

In this thesis, I argue there are three main forms of death that progress chronologically in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones. First, the death of civilian identity as the soldier conforms to the military. Secondly, the soldier’s killing—metaphoric or literal—of others, which is part of his attempt to fit with his new military identity. Third, the soldier’s sacrificial suicide as his escape from the military identity. In this paper, I provide evidence and close reading to support my argument that the protagonists in both plays, Pavlo and David, encounter, enact, or experience …


Everyone’S Their Own Worst Critic Or How I Learned Not To Fear The End, Audrey Belle Rosenblith Jan 2016

Everyone’S Their Own Worst Critic Or How I Learned Not To Fear The End, Audrey Belle Rosenblith

Senior Projects Spring 2016

Jean Genet, author ofThe Balcony, and Dante Alighieri, author of Inferno, have more in common than you might think. For one thing, they were both obsessed with death.

The Vestibule (a devised theater piece) was made to examine this obsession with (and fear of) death further.

Art is a tool we can use to confront our fear of death. All people fear death.