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Articles 31 - 36 of 36
Full-Text Articles in Dramatic Literature, Criticism and Theory
Hamlet #Princeofdenmark: Exploring Gender And Technology Through A Contemporary Feminist Re-Interpretation Of Hamlet, Allegra B. Breedlove
Hamlet #Princeofdenmark: Exploring Gender And Technology Through A Contemporary Feminist Re-Interpretation Of Hamlet, Allegra B. Breedlove
Scripps Senior Theses
Exploring the process of designing, producing, directing and starring in a multimedia feminist re-interpretation of Shakespeare's Hamlet set in a contemporary social media landscape.
Interdisciplinary Connections Between Science & Theatre, Jessica N. Dotson
Interdisciplinary Connections Between Science & Theatre, Jessica N. Dotson
Theses and Dissertations
Abstract
INTERDISCIPLINARY CONNECTIONS BETWEEN SCIENCE & THEATRE
Jessica Nicole Dotson
A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University.
Virginia Commonwealth University, 2015.
Major Director: Dr. Noreen C. Barnes, Director of Graduate Studies, Associate Professor of Theatre
In the 1990s, astronomer Peter Usher was searching for new ways to teach his introductory astronomy class at Pennsylvania State University. He began to engage his students by searching for astronomical connections from other disciplines. His focus was turned to the arts, especially the works of William Shakespeare. Usher found, while …
Anarchist Strategy And Visual Rhetoric In Brazil, 1970: The Living Theatre As “The People In The Street”, Chelsea R. Roberts
Anarchist Strategy And Visual Rhetoric In Brazil, 1970: The Living Theatre As “The People In The Street”, Chelsea R. Roberts
All Master's Theses
The dominant narrative of the Living Theatre, an anarchist-pacifist, activist performance group, situates the company within a historical framework of the "New Left". Implications of this strategy are identified and critiqued. Both due to the simplification of historical time periods between the fields of theatre and politics, or "periodization" (Postlewait), and because of the ways in which the "New Left" is identified as overtly American in much theatre scholarship, historicizing the Living Theatre as "in-line" with the New Left has resulted in the erasure of the Living Theatre's founding philosophies of anarchism and pacifism. The visual implications of these findings …
"Nayles Large And Lang": Masculine Identity And The Anachronic Object In The York Crucifixion Play, Daisy Black
"Nayles Large And Lang": Masculine Identity And The Anachronic Object In The York Crucifixion Play, Daisy Black
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
Shakespeare In The Nineteenth Century; Shakespeare, Time And The Victorians: A Pictorial Exploration, Daniel Pollack-Pelzner
Shakespeare In The Nineteenth Century; Shakespeare, Time And The Victorians: A Pictorial Exploration, Daniel Pollack-Pelzner
Faculty Publications
Daniel Pollack-Pelzner reviews Shakespeare in the Nineteenth Century (edited by Gail Marshall) and Shakespeare, Time and the Victorians: A Pictorial Exploration (by Stuart Sillars) for Victorian Studies.
“Frailty, Thy Name Is Woman”: Depictions Of Female Madness, Julianna Little
“Frailty, Thy Name Is Woman”: Depictions Of Female Madness, Julianna Little
Theses and Dissertations
Concepts of mental health and normality cannot be understood apart from cultural norms and values. The most significant of cultural constructions that shape our view of madness is gender. Madness has been perceived for centuries metaphorically and symbolically as a feminine illness and continues to be gendered into the twenty-first century. Works of art and literature and psychiatric medicine influence each other as well as our understanding and perception of mental illness. Throughout history, images of mental illness in women send the message that women are weak, dangerous, and require containment. What are the cultural links between femininity and insanity, …