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Dramatic Literature, Criticism and Theory Commons™
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- Newsletter (2)
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- "Another Ophelia" (1)
- A Doll's House (1)
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- John Osborne -- 1929-1994 -- Characters -- Mothers (1)
- John Osborne -- 1929-1994 -- Characters -- Women (1)
- John Osborne -- 1929-1994 -- Criticism and interpretation (1)
- Manuel Molins (1)
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Articles 1 - 8 of 8
Full-Text Articles in Dramatic Literature, Criticism and Theory
December 2008 - Volume Viii, Number 1, Theatre Arts Department
December 2008 - Volume Viii, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VIII Number 1 includes articles on Mammoth Follies, Second City, and a Makeup Workshop.
Ibsen’S Female Characters In Captivity: An Exploration Of Literature And Performance, Christina K. Forshey
Ibsen’S Female Characters In Captivity: An Exploration Of Literature And Performance, Christina K. Forshey
Senior Honors Theses
In Henrik Ibsen’s plays, A Doll’s House, The Wild Duck, The Lady from the Sea, and Hedda Gabler, the theme of captivity is demonstrated in the female protagonists Nora, Hedvig, Ellida, and Hedda. The theme of captivity also serves as a performance guide for the portrayal of these characters. Ibsen’s female protagonists are in bondage to an object or person that manipulates the character’s mental and emotional senses. The character’s inner captivity reaches a climax where a decision must be made to abolish the chains of captivity or forever remain enslaved. Since the nineteenth century, the actor has greatly benefitted …
2008 Cave Run Storytelling Festival Poster, Cave Run Storytelling Festival Committee (Morehead, Ky.), Morehead Tourism Commission (Morehead, Ky.)
2008 Cave Run Storytelling Festival Poster, Cave Run Storytelling Festival Committee (Morehead, Ky.), Morehead Tourism Commission (Morehead, Ky.)
Cave Run Storytelling Festival Posters
Promotional development poster for the Cave Run Storytelling Festival held on September 26 to September 27, 2008. Those performing included: Bill Lepp, Sheila Kay Adams, Andy Offutt Irwin, Antonio Rocha, Baba Jamal Koram, Lyn Ford, and Peter Cook.
June 2008 - Volume Vii, Number 2, Theatre Arts Department
June 2008 - Volume Vii, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VII Number 2 features articles on the closing of the Village Theatre and welcoming new faculty Nicholas Shaw.
Elisabeth, Alisa Roost
Sati In Philadelphia: The Widow(S) Of Malabar, Jeffrey H. Richards
Sati In Philadelphia: The Widow(S) Of Malabar, Jeffrey H. Richards
English Faculty Publications
No abstract provided.
Manuel Molins: Una Altra Ofèlia I Els Fantasmes De Shakespeare, Sharon G. Feldman
Manuel Molins: Una Altra Ofèlia I Els Fantasmes De Shakespeare, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
L'apropiació i reinscripció que de Hamlet ha fet Manuel Molins, titulada Una altra Ofèlia (2001, estrenada al Teatre Rialto de València el 2004), comença, com a l'obra de Shakespeare, amb l'aparició d'un fantasma. A la primera de les nou escenes, el personatge d'Ofèlia explica a la falstaffiana I pitonissa I herborista Dida (personatge síntesi que és el resum de molts personatges shakespearians) un somni que ha tingut i en el transcurs del qual ha presenciat la manifestació d'un espectre en l'esplanada del castell. D'alguna manera, des del moment que comença l’obra, Ofèlia sembla haver usurpat el paper de Hamlet, ja …
I Think My Mother Would Have Put Me Off Women For Life'; John Osborne And The Construction Of The Maternal Female In Four Of His Plays: Look Back In Anger, The Entertainer, Time Present And The Hotel In Amsterdam, Dierdre Mangan
Theses : Honours
The following thesis aims to provide an insight into the life of British playwright, John Osborne and to examine his relationship with both his mother and other significant females present in his life. In addition, the following document aims to consider the subsequent effect Osborne's relationships may have had upon both the construction and depiction of the maternal role in four of his plays: Look Back in Anger (1956), The Entertainer (1957), Time Present (1968) and The Hotel in Amsterdam (1968). Evidence to support the thesis was obtained from a wide variety of sources: autobiographies, biographies, plays, film, critical theory, …