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2007

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Articles 1 - 17 of 17

Full-Text Articles in Dramatic Literature, Criticism and Theory

December 2007 - Volume Vii, Number 1, Theatre Arts Department Dec 2007

December 2007 - Volume Vii, Number 1, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VII Number 1 includes articles on the new Doudna Fine Arts Center and also an obituary of Ernest Glendon Gabbard.


«American Awakenings» Dos Nous Musicals, Sharon G. Feldman Dec 2007

«American Awakenings» Dos Nous Musicals, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

A Nova York, la temporada teatral 2006-2007 ha estat marcada per la presència de dos nous musicals que han tingut un gran èxit de públic i que han rebut diversos premis i distincions: Grey Gardens (música de Scott Frankel, llibret de Doug Wright i lletres de Michael Korie), basat en el documental epònim d’Albert i David Maysles, de 1975; i Spring awakening (música de Duncan Sheik, llibret i lletres de Steven Sater), basat en una obra de teatre de Franz Wedekind de 1891. La premsa ha elogiat a bastament aquestes dues produccions, que han estat considerades les «estrelles» de la …


The Comedy Of Scholarship: Review Of Hugh Kenner’S Flaubert, Joyce And Beckett: The Stoic Comedians, Katherine Weiss Oct 2007

The Comedy Of Scholarship: Review Of Hugh Kenner’S Flaubert, Joyce And Beckett: The Stoic Comedians, Katherine Weiss

ETSU Faculty Works

Review of Flaubert, Joyce and Beckett: The Stoic Comedians. by Hugh Kenner


2007 Cave Run Storytelling Festival Poster, Cave Run Storytelling Festival Committee (Morehead, Ky.), Morehead Tourism Commission (Morehead, Ky.) Sep 2007

2007 Cave Run Storytelling Festival Poster, Cave Run Storytelling Festival Committee (Morehead, Ky.), Morehead Tourism Commission (Morehead, Ky.)

Cave Run Storytelling Festival Posters

Promotional development poster for the Cave Run Storytelling Festival held on September 28 to September 29, 2007. Those performing included: Donald Davis, Kevin Kling, Elizabeth Ellis, Gayle Ross, Syd Lieberman, Marty Hamilton, and Sparky and Rhonda Rucker.


The York Mysteries: Carnivalesque?, Clifford Davidson Aug 2007

The York Mysteries: Carnivalesque?, Clifford Davidson

Clifford Davidson

No abstract available.


York Mysteries: Seeing And Listening, Clifford Davidson Jul 2007

York Mysteries: Seeing And Listening, Clifford Davidson

Clifford Davidson

No abstract available.


June 2007 - Volume Vi, Number 2, Theatre Arts Department Jun 2007

June 2007 - Volume Vi, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VI Number 2 includes a letter from former Chair John Oertling and a "Where Are They Now?" section.


Perpetuality In Print: Musing Nature In Sylvia Plath’S The Bell Jar, Kacey Silvia May 2007

Perpetuality In Print: Musing Nature In Sylvia Plath’S The Bell Jar, Kacey Silvia

Senior Honors Projects

I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another …


Can't, Shouldn't, And Love Juice: A Midsummer Night's Dream And The Phaedra-Hippolytus Myth, Katherine Shakespeare May 2007

Can't, Shouldn't, And Love Juice: A Midsummer Night's Dream And The Phaedra-Hippolytus Myth, Katherine Shakespeare

Undergraduate Honors Capstone Projects

One of the oldest recurring western mythical traditions finds its roots in the Ancient Near East. At the core of this abiding tale is a high-ranking woman, often married, who attempts to seduce a young man, who spurns her. The affronted woman then accuses the youth of assault and either he or both meet a violent end. Often at the heart of each tale lies something monstrous about the potential union of the two individuals.

In the Greek and Roman tradition, one example of this "spurned-woman" motif manifests itself in the Phaedra-Hippolytus myth. No fewer than three ancient playwrights-Sophocles, Euripides, …


Beowulf, Anthony Alvarado Apr 2007

Beowulf, Anthony Alvarado

Masters Theses

My composition is a tone poem based on the Old English epic poem Beowulf Specifically, this piece depicts Beowulf s three battles with three diverse monsters. The first Grendel, second Grendel's mother, and last a dragon. In this composition, the music does not follow any specific or traditional forms. Instead, each episode is presented as a picture of each event.

The choice to depict the story of Beowulf was an interesting choice. While historically the story is significant, it is not a very popular one. The poem is the oldest surviving manuscript written in Old English. However, more recent (relatively) …


The Imaginary Invalid: Moliere In A Nutshell, Andrew Vorder Bruegge Jan 2007

The Imaginary Invalid: Moliere In A Nutshell, Andrew Vorder Bruegge

College of Visual and Performing Arts Faculty Publications

Dramaturgical analysis of "The Imaginary Invalid" for program of the production at the Shakespeare Theatre in Washington, DC.


Dickens's Hamlet Burlesque, Daniel Pollack-Pelzner Jan 2007

Dickens's Hamlet Burlesque, Daniel Pollack-Pelzner

Faculty Publications

Daniel Pollack-Pelzner considers what an interlude in Great Expectations involving a spectacularly bad production of Hamlet can do for Hamlet. Specifically, Pollack-Pelzner looks at what Dickens's rendering of Mr. Wopsle's travesty reveals about Hamlet's openness to an audience's derisive laughter. Wopsle’s production may be a travesty, but Dickens’s narrative of that production is a burlesque, with Hamlet as much its target as Wopsle.


Els Paisatges Europeus De Carles Batlle, Sharon G. Feldman Jan 2007

Els Paisatges Europeus De Carles Batlle, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

A l'escena final d'Oasi (2001) de Carles Batlle, en un moment que conjura, curiosament, reminiscències de L'hort dels cirerers d'Anton Txékhov, el personatge d'Abdal·là, un vell home àrab, roman a l'interior de la casa (situada a Ia Catalunya rural) que és a punt de desaparèixer sota les aigües d'un nou pantà. Abdal·là se serveix un got de vi, un gest més europeu que àrab, mentre descriu el joc del guetan. El joc, una invenció de l'autor i de lleugera semblança al joc dels escacs, és una al·legoria dels encreuaments transnacionals, des del sud cap al nord i des del nord …


Exploding Bombs: Masculinity And War Trauma In Sam Shepard’S Drama, Katherine Weiss Jan 2007

Exploding Bombs: Masculinity And War Trauma In Sam Shepard’S Drama, Katherine Weiss

ETSU Faculty Works

This paper examines violence and masculinity in Sam Shepard's work as a symptom of war trauma, apparent in his characterization of several of his male characters as war veterans and the violent language accompanying his other characters. War becomes a cultural disease infesting and destroying the family on Shepard's stage.


“Whosoever Loves Not Picture, Is Injurious To Truth": Costumes And The Stuart Masque, Robert Lublin Dec 2006

“Whosoever Loves Not Picture, Is Injurious To Truth": Costumes And The Stuart Masque, Robert Lublin

Robert Lublin

No abstract provided.


“An Vnder Black Dubblett Signifying A Spanish Hart”: Costumes And Politics In Middleton’S A Game At Chess, Robert Lublin Dec 2006

“An Vnder Black Dubblett Signifying A Spanish Hart”: Costumes And Politics In Middleton’S A Game At Chess, Robert Lublin

Robert Lublin

The political significance of Middleton’s A Game at Chess has drawn scholarly attention in the past, but one promising area of study has gone largely unconsidered: the play’s visual presentation. How did the actors appear when they first performed the play and how was that visual information received by early modern London audiences? This essay seeks to establish what costumes were worn by the King’s Men for their production of Middelton’s play and, more importantly, how they were received by their contemporary audience. Through such a study, we learn that Middleton employed costumes as skillfully as he used dialogue to …


The Imaginary Invalid: Moliere In A Nutshell, Andrew Vorder Bruegge Dec 2006

The Imaginary Invalid: Moliere In A Nutshell, Andrew Vorder Bruegge

Andrew Vorder Bruegge, Ph.D.

Dramaturgical analysis of "The Imaginary Invalid" for program of the production at the Shakespeare Theatre in Washington, DC.