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Articles 1 - 5 of 5
Full-Text Articles in Dramatic Literature, Criticism and Theory
Revolution, Song Lyrics By John Lennon And Paul Mccartney Playscript, Leroy C. Boyd Iii
Revolution, Song Lyrics By John Lennon And Paul Mccartney Playscript, Leroy C. Boyd Iii
Institute for the Humanities Theses
Revolution is a two-act play inspired by the works of John Lennon and Paul McCartney, formerly of the rock and roll music quartet known as The Beatles. Originally meant for a production, the play studies the lack of respect people have for the performing arts. It also examines the negative stereotypes that society places upon people who are actively involved within the arts and humanities.
The selection of songs from the Lennon-McCartney catalogue are synthesized with an original story line. The songs will reflect the feelings of a particular character at the time of a vocal performance.
Los Gatos: Gómez-Arcos's Spectacle Of Sacrifice, Sharon G. Feldman
Los Gatos: Gómez-Arcos's Spectacle Of Sacrifice, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
Agustfn Gómez-Arcos's Los gatos is a powerful, chilling piece of theater, a sacrificial spectacle steeped in passion, violence, and death, which straddles the balustrade between the emotional intensity of a Lorcan tragedy and the grotesque hyperbolism and dark humor of Valle-lnclán's esperpentos. In 1965, a censored production of Los gatos, directed by Juan de Prat-Gay, premiered to a somewhat lukewarm reception at Madrid's Teatro Marquina. Then, in November 1992, nearly thirty years after its original première, director Carme Portaceli resuscitated and restaged this post-Civil-War allegory for a new generation of theatergoers. …
Sanctifying The Scatological And Debasing The Divine: Postmordernist Allegory And Gómez-Arcos's Interview De Mrs. Muerta Smith Por Sus Fantasmas, Sharon G. Feldman
Sanctifying The Scatological And Debasing The Divine: Postmordernist Allegory And Gómez-Arcos's Interview De Mrs. Muerta Smith Por Sus Fantasmas, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
In February 1991, when Agustin Gómez-Arcos's Interview de Mrs. Muerta Smith por sus fantasmas premiered at Madrid's Sala Olimpia, the voice of one of Europe's most distinguished living writers triumphantly returned to the Spanish stage after an absence that had endured nearly twenty-six years. Born in Almería at the outset of the Spanish Civil War, Gómez-Arcos began his career in Madrid as an award-winning playwright. Eventually his ongoing struggle against Francoist censorship prompted his voluntary exile from Spain in 1966, and following a two-year sojourn in London, he arrived in Paris amid the clamor of 1968. Since that time he …
Eugene O'Neill International Conference 1995: O'Neill's People, Schedule Of Events, Eugene O'Neill Society
Eugene O'Neill International Conference 1995: O'Neill's People, Schedule Of Events, Eugene O'Neill Society
Frederick Wilkins Papers (MS 110)
This item is related to a series of Eugene O'Neill Conferences convened at Suffolk University by Suffolk Professor Fred Wilkins and the Eugene O'Neill Society in the 1980s and 1990s.
Eugene O'Neill International Conference 1995: O'Neill's People, Program, Eugene O'Neill Society
Eugene O'Neill International Conference 1995: O'Neill's People, Program, Eugene O'Neill Society
Frederick Wilkins Papers (MS 110)
This item is related to a series of Eugene O'Neill Conferences convened at Suffolk University by Suffolk Professor Fred Wilkins and the Eugene O'Neill Society in the 1980s and 1990s.