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Full-Text Articles in Dramatic Literature, Criticism and Theory

Burgtheater. „Major Barbara“ Von Bernard Shaw., Regine Altmann Dec 1925

Burgtheater. „Major Barbara“ Von Bernard Shaw., Regine Altmann

Essays

No abstract provided.


Franz Karl Ginzken: „Der Seltsame Soldat.“, Regine Altmann Dec 1925

Franz Karl Ginzken: „Der Seltsame Soldat.“, Regine Altmann

Essays

No abstract provided.


Akademietheater. „Candida“ Von Bernhard Shaw. – Deutsch Von Siegfried Trebitsch., Regine Altmann Dec 1925

Akademietheater. „Candida“ Von Bernhard Shaw. – Deutsch Von Siegfried Trebitsch., Regine Altmann

Essays

No abstract provided.


Burgtheater. („Erfüllung“. Von Georg Terramare.), Regine Altmann Nov 1925

Burgtheater. („Erfüllung“. Von Georg Terramare.), Regine Altmann

Essays

No abstract provided.


Akademietheater. Eine Alte Erfahrung, Regine Altmann Oct 1925

Akademietheater. Eine Alte Erfahrung, Regine Altmann

Essays

No abstract provided.


Burgtheater. (Der Ewige Jüngling), Regine Altmann Oct 1925

Burgtheater. (Der Ewige Jüngling), Regine Altmann

Essays

No abstract provided.


Burgtheater. Neueinstudiert: „Romeo Und Julia“ Von Shakespeare, Musik Von Franz Salmhofer., Regine Altmann Oct 1925

Burgtheater. Neueinstudiert: „Romeo Und Julia“ Von Shakespeare, Musik Von Franz Salmhofer., Regine Altmann

Essays

No abstract provided.


Akademietheater. (Ohne Entschiedenen Geschmack), Regine Altmann Oct 1925

Akademietheater. (Ohne Entschiedenen Geschmack), Regine Altmann

Essays

No abstract provided.


Burgtheater. „Ein Idealer Gatte“ Von Oskar Wilde., Regine Altmann Jun 1925

Burgtheater. „Ein Idealer Gatte“ Von Oskar Wilde., Regine Altmann

Essays

No abstract provided.


The Motive Principle Of The Drama, Augustus James Slater Jun 1925

The Motive Principle Of The Drama, Augustus James Slater

Bachelors’ Theses

This brief paragraph, found in George Pierce Baker's recent Dramatic Technique, re-opens a controversy that has commanded the attention of the great minds in the field of dramatic criticism from the very beginning, for though all recognize some distinction between drama and the epic, or its modern equivalent, the novel, and indeed this recognition is inevitable, still there are those who deny this difference to be an essential one.


Akademietheater. „Weg Im Nebel“, Lustspiel In Drei Akten Von Leo Feld., Regine Altmann May 1925

Akademietheater. „Weg Im Nebel“, Lustspiel In Drei Akten Von Leo Feld., Regine Altmann

Essays

No abstract provided.