Open Access. Powered by Scholars. Published by Universities.®
Dramatic Literature, Criticism and Theory Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Keyword
-
- A Christian Turn'd Turk (1)
- Alizia (1)
- Apostata (1)
- Barbary (1)
- Bernadette Andrea (1)
-
- Captive women (1)
- Captivity Narratives (1)
- Collaboration (1)
- Dance (1)
- Daniel Vitkus (1)
- Despina (1)
- Early modern England (1)
- Early modern Morocco (1)
- Early modern North Africa (1)
- Early modern conversion (1)
- Early modern religion (1)
- Emanuel D'Aranda (1)
- Female slaves (1)
- Hiren: or the Fair Greek (1)
- Iphigenia (1)
- Iraq (1)
- Irene myth (1)
- Lodowick Carlell (1)
- Mee (1)
- Nabil Matar (1)
- Osmond the Great Turk (1)
- Ottoman Empire (1)
- Philip Massinger (1)
- Piracy (1)
- Pirates (1)
Articles 1 - 2 of 2
Full-Text Articles in Dramatic Literature, Criticism and Theory
Artmaking On The Edge Of A Cliff: Directing Iphigenia 2.0, Shannon E. Cameron
Artmaking On The Edge Of A Cliff: Directing Iphigenia 2.0, Shannon E. Cameron
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis contains written documentation regarding the process of directing a theatrical production in fulfillment of the partial requirements for Master of Fine Arts in Directing for Stage and Screen at the University of Nebraska Lincoln.
Topics addressed include play selection, script analysis, director/designer collaboration, coaching and actors and evaluation of final product.
Advisor: Virginia Smith
Piracy, Slavery, And Assimilation: Women In Early Modern Captivity Literature, David C. Moberly
Piracy, Slavery, And Assimilation: Women In Early Modern Captivity Literature, David C. Moberly
Department of English: Dissertations, Theses, and Student Research
This thesis examines a hitherto neglected body of works featuring female characters enslaved in Islamicate lands. During the sixteenth and seventeenth centuries, many Englishmen and women were taken captive by pirates and enslaved in what is now the Middle East and North Africa. Several writers of the time created narratives and dramas about the experiences of such captives. Recent scholarship has brought to light many of these works and pointed out their importance in establishing what was still a young, unsure, and developing English identity in this early period. Most of this scholarship, however, has dealt with narratives of the …