Open Access. Powered by Scholars. Published by Universities.®
Dramatic Literature, Criticism and Theory Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Acting (2)
- Performance Studies (2)
- African American Studies (1)
- African History (1)
- Africana Studies (1)
-
- American Studies (1)
- Business (1)
- Cultural History (1)
- Entrepreneurial and Small Business Operations (1)
- Feminist, Gender, and Sexuality Studies (1)
- Fine Arts (1)
- History (1)
- Jewish Studies (1)
- Music (1)
- Other Arts and Humanities (1)
- Other Languages, Societies, and Cultures (1)
- Other Music (1)
- Other Philosophy (1)
- Other Religion (1)
- Other Theatre and Performance Studies (1)
- Philosophy (1)
- Philosophy of Mind (1)
- Playwriting (1)
- Race, Ethnicity and Post-Colonial Studies (1)
- Religion (1)
- Religious Thought, Theology and Philosophy of Religion (1)
- United States History (1)
- Keyword
Articles 1 - 3 of 3
Full-Text Articles in Dramatic Literature, Criticism and Theory
An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu
An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu
Electronic Theses and Dissertations
This thesis reflects my process assimilating into the role of Chelle in the production of Detroit '67 at the University of Louisville. Although there have been instances of actors crossing lines of gender, nationality, race, and even sexuality, to perform roles in contemporary theatre, discussion about generational differences is almost non-existent. Through historical research, first-hand interviews, and conventional acting methods, I explore the world of my role, searching for spirituality, authenticity, and identity. Additionally, I explain my use of The WAY Method ®, a process I began creating in 2014 to help actors be clear with who they are before …
Gestures Of Creative Recovery For The Egocentric Actor Through Performance In Wertenbaker's Our Country's Good., Ross Joel Shenker
Gestures Of Creative Recovery For The Egocentric Actor Through Performance In Wertenbaker's Our Country's Good., Ross Joel Shenker
Electronic Theses and Dissertations
This document serves as a travelogue for the creation of two roles for the U of L Fall 2017 Production of Timberlake Wertenbaker’s Our Country’s Good. At odds throughout the process were intellect and vulnerability. In an attempt to find openness with my primary scene partner, I tried a variety of techniques including, but not limited to: Konstantin Stanislavski’s “Bits and Tasks”; Michael Chekhov’s “Psychological Gesture”; Carl Jung’s theories on Archetype; F.M. Alexander’s notions of “Inhibition” and “Nondoing” as expounded upon by Betsy Polatin; and Julia Cameron’s “Morning Pages.” My original goal of achieving vulnerability on stage became consumed …
A New Tradition : Understanding Othello Through The Performance Of Emilia., Megg Ward
A New Tradition : Understanding Othello Through The Performance Of Emilia., Megg Ward
College of Arts & Sciences Senior Honors Theses
No abstract provided.