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Full-Text Articles in Dramatic Literature, Criticism and Theory

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri May 2012

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri

University of New Orleans Theses and Dissertations

As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …


Why Are Comedy Films So Critically Underrated?, Michael Arell May 2012

Why Are Comedy Films So Critically Underrated?, Michael Arell

Honors College

This study explores the lack of critical and scholarly attention given to the film genre of comedy. Included as part of the study are both existing and original theories of the elements of film comedy. An extensive look into the development of film comedy traces the role of comedy in a socio-cultural and historical manner and identifies the major comic themes and conventions that continue to influence film comedy. Ten comedy film case studies are then presented, analyzing the recurring themes and conventions in practice and extracting the existing critical language used in the analysis of comedy film. The final …


Mediums Change, Fears Stay The Same, Lucy Wilhelms Jan 2012

Mediums Change, Fears Stay The Same, Lucy Wilhelms

Honors Theses

Although generally dismissed by scholars as being overly sentimental or superstitious, the gothic genre has survived for over four centuries and maintained significant cultural appeal, outlasting the sentimental novel and the travelogue as popular literature. What, then, makes this genre different? What is so special about the gothic?

In my thesis, I examine the evolving cultural appeal of the gothic genre that keeps it attractive and relevant for readers by tracing the gothic text, The Woman in Black by Susan Hill, through its initial inception and its subsequent adaptations. As a novel, The Woman in Black both repeats and revises …