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Full-Text Articles in Dramatic Literature, Criticism and Theory
Who Lives, Who Dies, Who Tells Your Story? A Marxist Analysis Of "Hamilton" And Its Relationship To The Broadway Economic System, Alana Ritt
Honors Projects
Lin-Manuel Miranda’s mega-hit Hamilton: An American Musical has been both a critical and academic darling since its premiere in 2015. A historical retelling of America’s inception through the eyes of an oft-ignored founding father, the musical weaves together a diverse cast and hip-hop musical stylings in order to tell the story of “America then, as told by America now.” While many critics and scholars alike have praised the musical for putting an exciting and accessible twist to American history, others have argued that the musical is not nearly as “revolutionary” as it claims to be. This essay is designed to …
Stealing Revelation: A Screenplay Of The Thief Accompanied By A Religious Analysis, Jean E. Sleight
Stealing Revelation: A Screenplay Of The Thief Accompanied By A Religious Analysis, Jean E. Sleight
Honors Projects
Megan Whalen Turner’s The Thief follows the story of a thief who seeks to steal an item for fame and glory and to save his country. Though he initially does not believe in the gods, he finds that they exist and are more involved in his life than he would want them to be. The screenplay is a loyal adaptation of the book. The analysis follows the thief’s journey from skepticism to faith and draws a comparison between the gods in the novel and the Christian God.