Dance Commons^™

Shrek: The Musical, David Lindsay-Abaire, Jeanine Tesori

Taylor Theatre Playbills

The playbill for Taylor University's performance of Shrek: The Musical with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori.

Performed November 20-22, 2025 in the Mitchell Theatre at Taylor University.

Shrek is, on the surface, a whimsical fairy tale full of comedy, color, and charm. But beneath the humor lies a story about seeing and being seen—about belonging, forgiveness, and the quiet courage it takes to live authentically in a world that too easily labels and excludes. “For you created my inmost being; you knit me together in my mother’s womb. I praise you because I am …

Footloose: The Musical, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

Beehive: The '60s Musical, Otterbein Theatre And Dance Department

2024 Summer Theatre

No abstract provided.

White Christmas

Taylor Theatre Playbills

The playbill for Taylor University's performance of White Christmas. Book by David Ives & Paul Blake. Music & lyrics by Irving Berlin.

Performed November 11-13, 18, 20 & December 2-4, 2022 at the Mitchell Theatre.

White Christmas is a heartwarming musical based on the 1954 film of the same name, with a book by David Ives and Paul Blake, and music and lyrics by Irving Berlin. The story follows two World War II veterans, Bob Wallace and Phil Davis, who have become successful song-and-dance performers. They team up with a sister act, Betty and Judy Haynes, and travel to Vermont …

Masculinity In American Movie-Musical Films, Christopher Sparks

Fall Showcase for Research and Creative Inquiry

My presentation explores the relation between American masculinity and film musicals. I demonstrate how the dominance of the musical at the box office in the middle of the 20^th century reflects historical events and technological change. Drawing on both scholarly and popular criticism, I show how the images of masculinity that Americans once encountered on the silver screen have transformed as musicals became marginal to popular culture in the United States. My research considers both classic 20^th century musicals, such as Wizard of Oz (1939) and 42^nd Street (1933), and more recent experiments with the genre, including …

Meet And Run, Gia M. Binner

Theses and Dissertations

A defense for Gia Binner’s MFA Thesis, Meet and Run, argues that accessible art, known in this paper as commercial dance, is a meaningful vehicle for social change and that it has the ability to dismantle the outdated, European concert dance dominance by modeling the interdependency of both worlds.

Program: The Sound Of Music, University Of Dayton, Teejai Dorsey

Dance and Theater Programs

Music by RICHARD RODGERS

Lyrics by OSCAR HAMMERSTEIN II

Book by HOWARD LINDSAY and RUSSEL CROUSE

Suggested by "The Trapp Family Singers" by Maria Augusta Trapp

Music and Lyrics for "I Have Confidence" and "Something Good" by Richard Rodgers

April 8-9, 2022

Boll Theatre in Kennedy Union

Co-produced by the Theatre, Dance, and Performance Technology program and the Department of Music

Set in 1938 amidst the rise of nationalism, The Sound of Music is a story of being true to one’s authentic self in the face of social and religious division. Maria is a novitiate who struggles with the constriction …

The 2022 Classroom Project: Land Of Ours, Otterbein Theatre And Dance Department

2021-2022 Season Production

LAND OF OURS is a brand-new play devised in rehearsal by an ensemble of Otterbein University actors, designers, stage managers, and directors. The play explores the centrality of travel and journeying to human experience. Drawing on the ensemble's personal experiences, stories of mythical travel from legend and folklore, and travel explorations invented in rehearsal, LAND OF OURS is a theatrical journey that will transport you beyond the theater walls to a destination of the imagination.

A Gentleman's Guide To Love And Murder, Otterbein Theatre And Dance Department

2021-2022 Season Production

Join us as we celebrate a return to live theater with a very special staged concert version of the show that was cancelled due to the COVID-19 pandemic in March of 2020. While we are unable to fully realize the elaborate design of this hilarious knock-em-dead musical romp, the script will be performed in full with much of the original cast, and you will not leave without having a hearty laugh. Poor, low-born Monty Navarro is desperate to inherit the dukedom by surpassing no fewer than eight members of the well-to-do D’Ysquith family in line before him. Just wait until …

Disney And Cameron Mackintosh's Mary Poppins: The Broadway Musical

Taylor Theatre Playbills

The playbill for Taylor University’s performance of Disney and Cameron Mackintosh’s Marry Poppins: The Broadway Musical.

Performed April 27-29 and May 4-6, 2018 at the Mitchell Theatre.

Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren't the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the …

Rodgers & Hammerstein's Oklahoma!

Taylor Theatre Playbills

The playbill for Taylor University’s performance of Oklahoma!. Books and lyrics by Oscar Hammerstein II, music by Richard Rogers.

Performed on November 11-13, 18-20, 2016 at the Mitchell Theatre.

The high-spirited rivalry between the farmers and cowmen of the Western Indian Territory provides the colorful, turn-of-the-century backdrop for Curley and Laurey’s love story. But with these headstrong romantics holding the reins, the road to love is as bumpy as a surrey ride down a dusty road. Despite many hardships, their rocky romance leads to a new life beginning in a brand new state. Rodgers & Hammerstein's first collaboration remains, …

I Love A Piano

Taylor Theatre Playbills

Taylor University Theatre presents its spring musical, "I Love A Piano", a celebration of the iconic compositions and lyrics of Irving Berlin.

Godspell

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2013 performance of Godspell by Stephen Schwartz and John-Michael Tebelak.

Gospell is a musical telling the parables and life of Jesus found in the gospel of Matthew.

Something's Afoot: A New Murder Mystery Musical, Otterbein University Theatre And Dance Department

2012 Summer Theatre

Something's Afoot is a murder mystery musical that spoofs detective stories, mainly the works of Agatha Christie, and especially her detective novel And Then There Were None (a.k.a. Ten Little Indians). The play involves a group of people who are invited to the lake estate of Lord Dudley Rancour, When the wealthy lord is found dead, it's a race against the clock to find out whodunnit.

https://en.wikipedia.org/wiki/Something%27s_Afoot

A Christmas Carol: The Musical

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2011 performance of A Christmas Carol, based on the story by Charles Dickens. Music by Alan Menken, book by Mike Ockrent and Lynn Ahrens, and lyrics by Lynn Ahrens.

A Christmas Carol tells the story of elderly miser Ebenezer Scrooge, who is visited by the ghost of his deceased business partner, and the spirits of Christmas Past, Present, and Future. Through the encounters Scrooge is transformed into a kinder man.

Peter Pan

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2002 performance of Peter Pan based on the play by J. M. Barrie with music by Jule Styne, Mark Charlap, and Trude Rittmann, and lyrics by Betty Comden, Adolph Green, and Carolyn Leigh.

Peter Pan tells the story of the Darling children, Wendy, John, and Michael, and their adventures with Peter Pan, the boy who never grows older and lives in the fantastical land of Neverland.

Big River

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1994 performance of Big River music and lyrics by Roger Miller, book by William Hauptman.

Quilters

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1992 performance of Quilters by Molly Newman and Barbara Damashek, with music and lyrics by Barbara Damashek.

Quilters is a musical of a mother and her six daughters on the American frontier. Through music and quilts they explore the life of a woman from childhood to death.

The King And I

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1988 performance of The King and I by Richard Rodgers and Oscar Hammerstein.

The King and I is the story of a British schoolteacher named Anna, who is hired by the King of Siam to help modernize his country and the relationship between between them.

Cotton Patch Gospel

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1987 performance of Cotton Patch Gospel book by Tom Key and Russel Treyz, music and lyrics by Harry Chapin.

The Roar Of The Greasepaint ̶ The Smell Of The Crowd

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1975 performance of The Roar of Greasepaint, the Smell of the Crowd by Leslie Bricusse and Anthony Newley.

The Roar of Greasepaint, the Smell of the Crowd is an allegorical exploration of the status quo between the upper and lower classes in 1960s British society through the lens of characters Sir and Cocky.

Oklahoma!

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1969 performance of Oklahoma!. Books and lyrics by Oscar Hammerstein II, music by Richard Rogers.

The high-spirited rivalry between the farmers and cowmen of the Western Indian Territory provides the colorful, turn-of-the-century backdrop for Curley and Laurey’s love story. But with these headstrong romantics holding the reins, the road to love is as bumpy as a surrey ride down a dusty road. Despite many hardships, their rocky romance leads to a new life beginning in a brand new state. Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set …