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Articles 1 - 26 of 26
Full-Text Articles in Dance
Glory, North Dakota State University--Fargo
Glory, North Dakota State University--Fargo
Promotional Material and Program
It’s Women’s Hockey meets A League of Their Own! Set in the Great Depression of the 1930’s, this highly engaging and humorous tale follows the journey of four women who set out to form one of the most iconic women’s hockey teams in history. Told with music and dance inspired from the jazz age, GLORY follows the true story of Canada’s own Preston Rivulettes – the pioneering Women’s Hockey Team that fought to play the game they loved, and to prove that hockey isn’t just a sport for men. This inspiring and thrilling play is the feel good story …
Glory, North Dakota State University--Fargo
Glory, North Dakota State University--Fargo
Dramaturgy
It’s Women’s Hockey meets A League of Their Own! Set in the Great Depression of the 1930’s, this highly engaging and humorous tale follows the journey of four women who set out to form one of the most iconic women’s hockey teams in history. Told with music and dance inspired from the jazz age, GLORY follows the true story of Canada’s own Preston Rivulettes – the pioneering Women’s Hockey Team that fought to play the game they loved, and to prove that hockey isn’t just a sport for men. This inspiring and thrilling play is the feel good story …
Mary Victor And The Monster, Otterbein Theatre And Dance Department
Mary Victor And The Monster, Otterbein Theatre And Dance Department
2025-2026 Season Productions
No abstract provided.
Urinetown: The Musical, Otterbein Theatre And Dance Department
Urinetown: The Musical, Otterbein Theatre And Dance Department
2025-2026 Season Productions
No abstract provided.
Dames At Sea, Otterbein Theatre And Dance Department
Dames At Sea, Otterbein Theatre And Dance Department
2025 Summer Theatre
No abstract provided.
Always... Patsy Cline, Otterbein Theatre And Dance Department
Always... Patsy Cline, Otterbein Theatre And Dance Department
2025 Summer Theatre
No abstract provided.
The Glass Menagerie, Otterbein Theatre And Dance Department
The Glass Menagerie, Otterbein Theatre And Dance Department
2025 Summer Theatre
No abstract provided.
Footloose: The Musical, Otterbein Theatre And Dance Department
Footloose: The Musical, Otterbein Theatre And Dance Department
2024-2025 Season Productions
No abstract provided.
The Laramie Project, Otterbein Theatre And Dance Department
The Laramie Project, Otterbein Theatre And Dance Department
2024-2025 Season Productions
No abstract provided.
The Launch: A Senior Cabaret, Otterbein Theatre And Dance Department
The Launch: A Senior Cabaret, Otterbein Theatre And Dance Department
2024-2025 Season Productions
No abstract provided.
The Sacred Duty Of The Christian Storyteller: The Rediscovery Of Divine Creative Heritage And Its Function In The Public Square, Trinity Wood
Senior Honors Theses
This thesis assesses the specific value of the storytelling medium and evaluates how one’s artistic duty coexists with their spiritual responsibility as a Bible-believing Christian. Storytelling has a proven power to evoke change within society and within the hearts of its members, and creativity is an innate characteristic we share with the original Divine Creator. Creativity is our birthright and our inheritance from God the Father, as beings made in His Image. The secular entertainment industry often appears as foreign enemy territory to the Christian creative – in most recent years, faith-based content has garnered a poor reputation for itself …
Natasha, Pierre, & The Great Comet Of 1812, Otterbein Theatre And Dance Department
Natasha, Pierre, & The Great Comet Of 1812, Otterbein Theatre And Dance Department
2024-2025 Season Productions
No abstract provided.
Beehive: The '60s Musical, Otterbein Theatre And Dance Department
Beehive: The '60s Musical, Otterbein Theatre And Dance Department
2024 Summer Theatre
No abstract provided.
It's A Wonderful Life: A Live Radio Play, Otterbein Theatre And Dance Department
It's A Wonderful Life: A Live Radio Play, Otterbein Theatre And Dance Department
2024 Summer Theatre
No abstract provided.
Forever Plaid, Otterbein Theatre And Dance Department
Forever Plaid, Otterbein Theatre And Dance Department
2024 Summer Theatre
No abstract provided.
Body Movement Syllabus - The City College Of New York - Department Of Theatre - Prof Timothy Allen, Timothy J. Allen
Body Movement Syllabus - The City College Of New York - Department Of Theatre - Prof Timothy Allen, Timothy J. Allen
Open Educational Resources
This course will explore three modules of learning.
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Anatomy and Psycho-Physical Centering, will explore two foundations: (1) the start of our research and practical application of the human anatomy in regards to how our body moves; and (2) your ability to tune into movement centers within the body by utilizing Chakra as a guiding study. Please note: Anatomy will be a continuous study throughout the entire semester.
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THE SECOND MODULE, Partnered Connection, will focus on partnering with lifts, counter-balances, falls, and rolls that will build to a partnering sequence of the tools presented.
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THE LAST MODULE, Global Archetypes, …
The 2022 Classroom Project: Land Of Ours, Otterbein Theatre And Dance Department
The 2022 Classroom Project: Land Of Ours, Otterbein Theatre And Dance Department
2021-2022 Season Production
LAND OF OURS is a brand-new play devised in rehearsal by an ensemble of Otterbein University actors, designers, stage managers, and directors. The play explores the centrality of travel and journeying to human experience. Drawing on the ensemble's personal experiences, stories of mythical travel from legend and folklore, and travel explorations invented in rehearsal, LAND OF OURS is a theatrical journey that will transport you beyond the theater walls to a destination of the imagination.
Silent And Accessible Theatre, Nicole Line
Silent And Accessible Theatre, Nicole Line
Honors Projects
Silent and Deaf accessible theatre challenges the stereotypes many people have of theatre and introduces audiences to new perceptions of the artform. When it comes to theatre, one often thinks of long, multi-act plays with lots of spoken dialogue. While this is the most common style of theatrical performance, there is more to theatre than staged language. When deciding my project’s concept this past year, I brainstormed many different ways to include all areas of my studies here at BGSU including theatre, dance, and American Sign Language (ASL). I am very passionate about these aspects and wanted my project to …
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
The Launch 2020: A Senior Cabaret, Otterbein Theatre And Dance Department
The Launch 2020: A Senior Cabaret, Otterbein Theatre And Dance Department
2020-2021 Season
No abstract provided.
Vocal Hygiene For Musical Theatre Performers, Anne M. Koziara, Dr. Ron Scherer
Vocal Hygiene For Musical Theatre Performers, Anne M. Koziara, Dr. Ron Scherer
Honors Projects
There have been numerous “do’s - and - don’t’s” vocal hygiene pamphlets made for voice users, however, a guide for vocal hygiene for musical theatre performers is not typically included in these pamphlets. Musical theatre performers differ from other professional voice users, because in addition to singing, they also have the taxing responsibilities of acting and dancing. As a result, many musical theatre performers have questions and often seem confused about what proper vocal hygiene should be for them. The goal of this honors project was to create an advisory brochure on vocal hygiene specifically for musical theatre performers. This …
Contents - Edward Gordon Craig Special Issue 2017, Jennifer A. Buckley, Anne Holt
Contents - Edward Gordon Craig Special Issue 2017, Jennifer A. Buckley, Anne Holt
Mime Journal
Cover, front matter, and contents for Mime Journal Special Issue, "Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig." Guest editors: Jennifer Buckley and Annie Holt.
Editors' Note - Action, Scene, And Voice: 21st-Century Dialogues With Edward Gordon Craig, Jennifer A. Buckley, Anne Holt
Editors' Note - Action, Scene, And Voice: 21st-Century Dialogues With Edward Gordon Craig, Jennifer A. Buckley, Anne Holt
Mime Journal
A roadmap to this Special Issue of Mime Journal. This issue emphasizes the tissue of influences that shaped Craig’s own work and continue to impact contemporary theater and performance. By focusing on the historical contexts in which his ideas were developed and those in which they have been received, the essays counter the widely held perception of Craig as the solitary genius of the “Art of the Theatre.” His claims of originality and singularity have too often obscured the connections between his work and that of other artists—especially the dancer Isadora Duncan, upon whom two of the pieces included here …
The Revolutionary: On Isadora Duncan And Edward Gordon Craig, Jennifer A. Buckley, Lori Belilove
The Revolutionary: On Isadora Duncan And Edward Gordon Craig, Jennifer A. Buckley, Lori Belilove
Mime Journal
Jennifer Buckley interviews dancer, choreographer, and teacher Lori Belilove on Isadora Duncan’s practice and legacy. Belilove argues for Duncan’s modernism, and emphasizes her impact upon Edward Gordon Craig’s developing aesthetic and his career. This edited transcription of their conversation takes its point of departure from Craig’s portfolio of six drawings of Duncan in action, Isadora Duncan: Sechs Bewegungsstudien, Insel Verlag, 1906. Belilove sees both Craig and Duncan as poised between late Victorianism and modernism, and she contends they shared a modernist impulse toward abstraction. Belilove also comments on her own practice as a performer and as a teacher passing …
The Dancer And The Übermarionette: Isadora Duncan And Edward Gordon Craig, Olga Taxidou
The Dancer And The Übermarionette: Isadora Duncan And Edward Gordon Craig, Olga Taxidou
Mime Journal
Olga Taxidou analyzes the ambiguous concept for which Edward Gordon Craig is best known—the “übermarionette”—alongside Isadora Duncan’s discussions of the liberated dancer. Highlighting the emphasis on futurity in Craig’s and Duncan’s manifestos and theories, she contends that this pairing works to undo the binaries between Hellenism and modernism, and between mechanistic and vitalistic aesthetics. Emphasizing the impact of Nietzsche’s The Birth of Tragedy (1872) and Charles Darwin’s evolutionary theories upon Duncan’s theory and practice, Taxidou locates Duncan within an intellectual vanguard that includes Jane Harrison and her fellow Cambridge Ritualists as well as major modernist poets.