Dance Commons^™

Letter From The Providence College Theatre Department To The Dominican Sisters, Providence College Theatre Department

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Providence College Theatre Department to the Dominican Sisters inviting them to the Blackfriars Dance Concert.

January 31, 2000

Blackfriars Dance Concert 2000 Press Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Dance Concert 2000 press release

January 2000

Dancing Boys, Anthony Shay

Pomona Faculty Publications and Research

The informal, and occasionally formal, institution of the dancing boy--the term used by most Western writers in their descriptions of the Islamic world--has been attested for centuries by European observers throughout the Middle East, North Africa, and Central Asia, as well as the Indian subcontinent and throughout the Islamic areas of Southeast Asia such as Indonesia and the southern Philippines. These individuals have been called by a variety of names: bachchec [batcha], literally "child" in Persian and some Turkish languages, luti (itinerant performer), raqqas (dancer) in many regions, kocek (little) and tavsan (rabbit) in Ottoman Turkey, khawal in …

From Interculturalism To Historicism: Reflections On Classical Indian Dance, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.

Minotaur Or The King’S Bull. By Jonathon Ward. Urban Youth Theater, Henry Street Settlement Abrons Arts Center, New York. 23 July 1999 (Performance Review), Patricia Herrera

Theatre and Dance Faculty Publications

The production of Minotaur was not only a reinterpretation of an ancient Greek myth, but an opportunity for Latino hip-hop artists to pass down a cultural tradition to the next generation. Latino artists situated hip-hop as a social movement, and the teen performers physically embodied this in the songs and dance. In this way, the Athenian rebellion became the breaking of stereotypes often associated with urban youths. The performers beautifully portrayed this act of resistance when Theseus took Minos’ golden crown, wore it, and passed it down for all the Athenians to wear.

Dance And Doctrine: Shaker And Mormon Dancing As A Manifestation Of Doctrinal Views Of The Physical Body, Lindsy Stewart Cieslewicz

Theses and Dissertations

This thesis compares the dancing of the Shakers (The United Society of Believers in Christ's Second Appearance) and the Mormons (The Church of Jesus Christ of Latter-day Saints or LDS Church) during the nineteenth century, as it was influenced by their doctrinal beliefs about the human body. Specifically, it examines how the role of the physical body in achieving mortal happiness and immortal salvation was viewed by each group and how these beliefs were reflected in their dancing. It describes the different forms of dancing performed by each religious group and how dance functioned as worship and recreation for the …

Tracing Image And Bodily Displacement In Modern And Postmodern Dance, Carolyn Margaret Griffiths

Theses: Doctorates and Masters

Through time the dancer has been both celebrated and disadvantaged by antithetical ideas: the division of soul and body, form and matter, life and death, artist and audience. For the romantics, the dancing body stood in a relationship to poetic thought in much the same way as the dancer stood to the body. Notions of the body in early modernism arose from cultural and political constructs through which poets and writers examined the nature of truth. These poets, Yeats in particular, hinted at a premise that a whole history of culture may be necessary to explain why women and art …