Dance Commons^™

Symbolism And Choreographic Practice: Exploring The Application Of Symbolism To Dance Through The Creation Of A Solo Choreographic Work, Ruby Brazzalotto

Theses : Honours

This research project explored the significance of symbolism as a communicative tool within dance theatre. The project drew upon Symbolist theory and Pina Bausch’s choreographic approaches, in an attempt to understand how the symbolic use of props and gestural movement can communicate and elevate meaning within dance performance. This project involved the creation of a new solo dance work, self-reflexivity, and analysis of how Bausch’s and Symbolists’ modes of presenting ideas overlap. The project sought to document how symbolic props can be chosen, developed and combined with theatrical choreography to convey meaning to audiences.

The Travelling Dancer: The Exploration Of Strength And Conditioning And Lifestyle Strategies To Mitigate The Risk Of Posterior Ankle Impingement Whilst Dancing Abroad, Emma Tucker

Theses : Honours

Ballet dancers commonly experience posterior ankle impingement (PAI), and while there is research regarding the biomechanical risk factors for PAI in ballet dancers, and mitigation and rehabilitation strategies for this type of injury, there is little research conducted surrounding further barriers posed by international travel. This study investigated the implications of international travel on the risk mitigation and rehabilitation of posterior ankle impingement in ballet dancers, exploring barriers posed by international travel to regular strength and conditioning and lifestyle practices. Three ballet dancers and two physiotherapists were interviewed and shared their lived experience with, or treating, posterior ankle impingement in …

Applying The Principles Of Periodisation To Supplementary Training For Dance To Reduce Risks Of Overtraining, Sophie Molony

Theses : Honours

This research investigated the necessity of individualised training adaptations in dance, informed by physiological and psychological factors to nurture dancer physical and emotional wellbeing. Periodisation is a well known framework used, by professional athletes, as a way of dividing the training plan into smaller training cycles to develop skills and biomotor abilities to allow the athlete to perform optimally (physically, technically and mentally) and ensure peak performance at a specific time (Wyon & Allard, 2023). However, it is not yet well studied and implemented in dance (Wyon, 2010). Preparing the dancer with a periodisation model could potentially assist in supporting …

From Pedestal To Power, From Floating Fairies To Feminine Fury: How The Portrayal Of Women In Contemporary Performance Work Reflects Changes And The Lack Thereof In Societal Perceptions Of Women In The 21st Century, Lillany Weber

Theses : Honours

Dance can stand as a social commentary that can improve and progress social and societal development, positively impacting society, widely held views and the world. The research examines shifting gender perceptions in feminist dance practices, delving into how the portrayal of women in contemporary dance performance reflects changes and the lack thereof in societal perceptions of women in the 21st century. Given the extreme complexity of the modern world, this project seeks to build on past research to bring relevant exploration into today’s context. Utilising a qualitative case study analysis of 2023 work Body Body Commodity by Australian choreographer Jenni …

Pleasures And Politics: Moving Towards A Feminist Performance Practice, Delaney Burke

Theses : Honours

The focus of this research is the use of the female body as a tool for developing a feminist performance practice. This research interrogated the use of neo-burlesque and erotic dance in contemporary postdramatic performance. Contemporary feminist performance artists, such as Emma Maye Gibson (aka Betty Grumble), often use the female body as a tool for entertainment and political statement, and this trend parallels an increase of women moving into the burlesque and erotic dance spheres as professional performers and hobbyists. Despite this suggestion that the female body is a fertile site for feminist action and statement, its use is …

The Space Between Writing And Dancing: Dancingwords/Wordsthatdance, Lara Dorling

Theses : Honours

This practice-led research investigates the figurative space between writing and dancing through a looped feedback cycle. The project explores the ‘conversation’ between writing and improvisational dance and how it forms a responsive process named dancingwords/wordsthatdance. Conducted in sessions lasting 30 minutes at a time, this project asks: how can writing and dancing intersect to create a broader and clearer understanding of embodied knowledge, improvisation, creative research process and personal practice? This research project involved solo studio investigation and an hour-long interview with dancer, writer, researcher, and choreographer Dr Jo Pollitt, who is a Post-Doctoral Research Fellow at the ECU School …

Su Dansi. A Dance Film – And – Dancing Elements: The Making Of Su Dansi - A Dance Film. An Exegesis, Johanna Omodei

Theses : Honours

This research project titled Dancing Elements explores choreographic conversations between the body and natural elements, specifically water on film. I question how natural elements when viewed in relation to the dancing body, can begin to be seen as a dancing entity. This research is divided between scholarship and the creation of a new dance film, su dansi which is Turkish for ‘water dance.’ su dansi is a collaborative and explorative outcome that plays with the dancing body and water through the art form of film. Drawing from author Sylvie Vitaglione (2016), I have adopted her term “natural elements’’ in reference …

Creative Awareness At Link Dance Company 2017, Lauren Ebony Sherlock

Theses : Honours

LINK Dance Company at the Western Australian Academy of Performing Arts (WAAPA) offers postgraduate students the opportunity to bridge the gap between graduate level studies in dance and professional practice. Students gain company experience whilst being able to further their research interests in dance throughout their pre-professional year. LINK Dance Company also encourages students to contribute to the choreographic process where possible to enhance professional practice. Using the Company in 2017 for an exploratory case study, the aim of this research was to investigate the presence of creative awareness in the choreographic process between choreographers and dancers. The research methodology …

The Interaction Between Postminimalist Music And Contemporary Dance, Azariah Felton

Theses : Honours

This dissertation examines the manner in which postminimalist compositional techniques such as phasing, polymeter, etc., can be used to aid the creation of music for dance. Music presented with dance generally serves at least two crucial roles: providing the dancers with a framework and impetus to aid movement; and reflecting the concept and meaning, where applicable, of the choreography. Many composers writing for dance must find ways to unite these goals in a way that best suits the total work, and find a balance between supporting the concept and assisting the dancers. This dissertation discusses the relationship between choreography and …

Cognitive Imagery Training In A Dancer’S Deliberate Practice: Skills Development, Confidence And Creativity, Sasha Brampton

Theses : Honours

Cognitive imagery training is an effective tool in improving skill learning, technique, confidence, anxiety and arousal management, recovery, rehabilitation, and performance in dancers. Multiple studies (Abbott & Collins 2004; Hall 2009; and Nordin and Cumming 2006, 2011) have established the positive influence imagery can have on dance and sport, and numerous researchers in these fields promote the incorporation of cognitive imagery training into ‘deliberate’ practice. Cognitive imagery, in relation to dance, is the detailed imaging of the execution/performance of movement in the mind. This thesis will outline imagery use: such as the types of imagery and how it can be …

Edges Of Resting And Going: The Possibilities And Limitations Of Recovering From Chronic Fatigue Syndrome In A Dance-Training Environment, Daisy Sanders

Theses : Honours

Chronic Fatigue Syndrome (CFS) is a common but poorly understood condition that includes limited exercise tolerance. Exercise undertaken via a balanced, holistic approach in which exertion is balanced with rest is recommended in recovery from CFS. This research project investigated how a contemporary dance-­‐training environment can/cannot support recovery from CFS. This investigation is significant given that fatigue, burnout and overtraining are prevalent in dance-­‐training environments. The project drew on the fields of exercise physiology and somatic inquiry to design a purpose-­‐built program of Graded Exercise Therapy and implement it within a tertiary dance-­‐training environment. The project was undertaken as practice-­‐led …

Choreographing Intimacy: The Making Of ‘[They] Slipped Briskly Into An Intimacy From Which They Never Recovered’ – A Dance Film, Antonio Rinaldi

Theses : Honours

In this investigation, I have utilised a practice-led research methodology to capture ‘intimacy’ in film, specifically, the medium of dance film. The exegetical work is divided into the written research with an accompanied dance film component; however they should be viewed as an integrated thesis. The aim of my research was to develop my choreographic practice through a film that is a sensory and evocative exploration of intimacy. I argue that the film components of dance film (directing, cinematography, editing and the like) uniquely capture an intangability of dance and the complexities of human intimacy in a manner that is …

Uncovering A Genre : The Integration Of Suspended Aerial Apparatus And Contemporary Dance Practice In Australia, Catherine Ryan

Theses : Honours

Genres in the performing arts are constantly shifting and changing, with many artforms evolving into new spheres of performance. It is not uncommon for creators to employ tools and techniques from various disciplines to support their artistic vision and enhance their work. A number of contemporary dance artists have begun to explore movement in the air by adapting skills or equipment from other disciplines and industries to suit their needs. At the same time, some circus artists and aerialists have been lowering their apparatus to incorporate ground-based movement into their work. It is this cross-pollination between art-forms that has formed …

Capturing Dance: The Art Of Documentation (An Exploration Of Distilling The Body In Motion), Kasey J. Lack

Theses : Honours

This research paper is an exploration of documenting and capturing live dance performance in regards to three artistic mediums, Notation, Photography and Film. This piece of writing discusses practitioners who have contributed to the development of these processes such as: Ann Hutchinson Guest, Rudolf von Laban, Eadweard Muybridge, Lois Greenfield, Ted Shawn, Norman McLaren and Sue Healey. In conjunction with historical and current day research the secondary document provided alongside this thesis describes the practical investigation undertaken. The reflections included define first-hand discoveries of how these three mediums of documenting interconnect to describe a contemporary dance solo. Thoughts, findings and …

The Synergy Of Visual Projections And Contemporary Dance, Hannah Molly Timbrell

Theses : Honours

Projections are becoming an increasingly common part of contemporary dance performance, however, I believe that choreographers do not always integrate the media to form a dependent synergy. My research addresses the principal question: What are the factors that indicate that there is a critical relationship (synergy) between projection, including art work, moving images or light and the dancer in a contemporary dance performance? A brief history explains the background and development of lighting technology, through to film and more recently motion capture technology. Through sources of pre-existing literature and my interpretation of video excerpts of contemporary dance, I explore various …

Intimate Encounters: A Study Of The Interaction Between Dancer And Observer, Caitlin Mackenzie

Theses : Honours

This paper explores the world of intimate performance, looking at the effect intimate spatial relations have on the connection between performer and audience. The constraints and unspoken formalities of traditional theatre conventions are examined, with a focus on the resulting relationship between the individual audience member and the performer. Comparisons of performances respecting traditional conventions, and those which are site-specific, one-on-one and involve audience interaction, will provide the basis of the examination of the nature of intimate performance and the audience-performer relationship. Performance interaction is compared to nonverbal social interaction and what the blurring of these phenomena means. Essentially I …

The Dancing Imagination: How Does Imaginative Imagery Facilitate Movement Qualities In Dance Training And Performance?, Rachel Perica

Theses : Honours

The purpose· of this case study was to explore how imagery facilitates movement quality in dance training and performance. A literature review on classifications of direct and indirect imagery and imagery in relation to neuroscience, was investigated to firstly define imagery. The confusion over defining movement quality led to a literature review on Kinesiology and Gaga methods and how these dance-training methods utilise imagery in different ways to enhance the movement quality of dance in training and performance. Qualitative research methodology was used in this case study. The case study used a purposeful sample of eight subjects who were undergraduate …

Dancing With Risk: Risk-Taking As A Performance Practice In Contemporary Dance, Gemma Dawkins

Theses : Honours

Why is risk intentionally cultivated in contemporary dance? What purpose does it serve, for performers, choreographers and audiences? This thesis explores the ways in which risk-taking affects the meaning and significance of a dance work. It seeks to question whether the use of risk can render a dance more powerful, affecting or confronting, or whether intentional risk overshadows and, thus, detracts attention away from the aesthetic content. I also ask how being 'at risk' affects the performer. Can it engender investment and authenticity? The risks explored in this thesis include both physical and emotional or intellectual risks. I refer to …

The Ephemerality Of Dance, Abby Frances Johnson

Theses : Honours

"A dancer is bound to the given form of the human body" (Hamalainen, 2009, p. 107). As an art form, dance relies on the movement of these bodies. Dance is not fixed but can leave a lasting impression on the viewer. As a performance art, dance is truly ephemeral- a term that has been defined as "lasting for only a short period of time and leaving no permanent trace" (Encarta®, 2009). As a dance performer and spectator, I am affected by this ephemerality on a daily basis. Within this thesis, I initially outline what constitutes dance as ephemeral. I then …

Historically And In The Context Of Globalisation, How Do Western European Perceptions Of Folk/ Traditional Dance Pervade And Shape The Field Of Dance?, Emma Fishwick

Theses : Honours

With the international dance community becoming increasingly globalised, how do Western European perceptions of folk/ traditional dance pervade and shape the field of dance? This paper will discuss Western European perspectives towards traditional and folk dance and investigate the origins of such perspectives, if they do indeed exist. In doing so the reasoning of Western European perspectives will be examined, considered and questioned alongside that of non-Western European perspectives. The thesis is compiled from a wide range of textual sources that explore Western European world views in relation to non-Western European perspectives to argue that such perspectives do, to a …

The Success And Sustainability Of Improvisation In A Live Performance Context, Ashleigh Rose Berry

Theses : Honours

I am interested in investigating the value improvisation holds when placed in a live dance performance context. I am discussing improvisation in terms of it being an individual exploration of one's movement potential to create a personal movement language. Within this, I place focus on the body as a source of knowledge and the embodied movement possibilities that inevitably make up each individual dancer's personal movement language. I am also interested in the audience's perceptions of what defines successful dance and the dancer and audience relationship that forms during the duration of a performance. Can the practice of improvising be …

Constellations, Pathways Through The Body : An Exploration Creating New Movement Pathways Using Dual Patterning, Gemma Laing

Theses : Honours

This research paper is an exploration of the creation of movement using dual patterning, which is the tracing of two patterns simultaneously as a dual task. This piece of writing discusses practitioners Twyla Tharp, Trisha Brown and Lisa Kraus in their experiments with altering bodily habit. It also discusses patterns, imagery, bodily knowledge, and coordination to help facilitate the experiment. Thoughts and findings from the studio are discussed from the process to gain understanding of the experiment. Utilizing bodily intelligence or bodily knowledge, the body initially experiences a separation of hemispheres or halves of the body to enable the process …

The Communicating Dance, Alison Plevey

Theses : Honours

Does dance have the ability to communicate universally to all observers at some level of human engagement? This paper discusses theatre dance as a human communicative medium, the characteristics of how it communicates and to a certain degree why and what it communicates. In doing so the intentions of the communicating dancer and choreographer are considered alongside that of the receptive and responsive audience. The thesis compiles a survey of textual sources pin pointing the unique communicative abilities of dance, as an artistic, expressive and meaningful form of non-verbal communication establishing suggestions of the ways it may be universally communicable.

'Youth Ventures Into The Unknown' Developing An Individual Style Of Dance Making, Kate Herron

Theses : Honours

As a new emerging dancer and artist who is highly interested in the form of choreography, the search for knowledge and understanding of where choreography has come from as well as how to generate works have been at the forefront of my personal journey in dance. My thesis looks at and asks how the formal choreographic elements and approaches can assist new choreographers in developing an individual style of dance making? This question leads to the various approaches and elements taken from famous choreographers over time, and assesses how new emerging artists can draw from these examples as a way …

Architects Of The Identity Of Dance: Gender Inequity In Achievement And Acknowledgment In Australian Contemporary Dance, Quindell Orton

Theses : Honours

Evidence suggests that males receive more opportunities, awards and dominate the dance scene in terms of artistic directorship of high visibility, large budget contemporary dance companies within Australia. This research investigates why and how males have come to be the architects of the identity of dance and the factors which may inhibit a counterpart female's likelihood of assuming the same role. Much of this paper deals with constructing hypotheses for how gender disparities in contemporary dance may have come about. In order to devise informed hypotheses, I have gathered data on government funding and national dance awards. In addition interviews …

The Relationship Between Working Memory Capacity And Movement Memory Of Dancers, Katrina Louise Muller-Townsend

Theses : Honours

Working memory capacity span tasks are suggested to predict complex cognitive behaviour across varied domains (Conway et al., 2005). However, it has been criticised that expert skills are highly situational and domain specific (Marteniuk, 1974). The current research aimed to investigate whether general memory span was related to movement span, and furthermore, whether this can predict dance learning. It was expected that memory for movement would be positively correlated with measures of working memory, due to the specific components of working memory, such as the capacity of the phonological loop. Furthermore, it was expected on the basis of previous research …

Dreaming In Motion: Maintaining Community, Culture And Identity Of First Australians, Ian R.T. Colless

Theses : Honours

No abstract provided.

The Classics And Her Cygnets: Classic Choreographies And Their Contemporary (Counter) Parts, Leeke Griffin

Theses : Honours

The proliferation of contemporary interpretations of classic works throughout the history of dance is substantial, yet there is little scholarly acknowledgement of contemporary interpretations as a genre unto themselves. Unlike other art forms, there is a lack of academic research into contemporary interpretations within dance and their place in dance history. This thesis delves into the genre of contemporary interpretations of classic choreographies, uncovering their popular appeal, the various approaches, their role and contribution to dance history. The second part is a comparative Swan Lake case study, examining the works of Mats Ek, Matthew Bourne and Garry Stewart in reference …

Is Dance Good For The Body Or Not? : An Examination Of Body Awareness And Injury Prevention For Specialised Tertiary Dance Students, Kylie Murray

Theses : Honours

The purpose of this research paper is to discover more about tertiary dance and the effects that dance has on the body. I will discuss the pressures that dance places on the body, looking specifically at the years during full time study as a tertiary student. I will address dance issues such as common injuries, the reasons these injuries occur, prevention strategies, the effect that dance has on the mind and training conditions generally. Research into tertiary dance education programs, dance injuries, injury prevention, and general dance patterns will be supported by survey responses to come to some conclusions about …

Cinematography And Choreography: "It Takes Two To Tango", Laura Boynes

Theses : Honours

As a practicing dancer and choreographer with a developing interest in film, the lifelong struggle (where many have gone before) to capture and accurately depict choreography on screen, intrigues me.

Who should dance the camera or the choreography? These are questions that have been pondered by choreographers and theorists for centuries, with pioneers such as Busby Berkeley and Maya Deren each finding their own answers to success.

This thesis discusses the creation and production of dance film, and the importance of movement in front of and behind the camera lens. I believe experimentation and research are the most effective methods …