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Full-Text Articles in Dance

« Look The King Is Naked » : Une Étude De The Naked King (2026) D’Alexei Ratmansky Vue À Travers Le Ballet De Cour Du Roi Soleil, Simone Gingerich-Boberg , '26 Jan 2026

« Look The King Is Naked » : Une Étude De The Naked King (2026) D’Alexei Ratmansky Vue À Travers Le Ballet De Cour Du Roi Soleil, Simone Gingerich-Boberg , '26

Senior Theses, Projects, and Awards

No abstract provided.


Noverre’S Lament: Inscription, Posterity, And The Ephemeral Art Of Dance, Olivia Sabee Jun 2025

Noverre’S Lament: Inscription, Posterity, And The Ephemeral Art Of Dance, Olivia Sabee

Dance Faculty Works

Jean-Georges Noverre defined pantomime ballet, or ballet d’action, as an ephemeral art. In his published writings, Noverre argued that to notate a ballet’s movement was both inadequate – in that the present day’s dance notation could not record a pantomime ballet – and inappropriate – in that the passions, the core of pantomime ballet, could not be recorded as discrete, repeatable units the way steps could have been. At the same time, Noverre was deeply invested in posterity, both his own, and that of pantomime ballet as a form. This essay examines the values of ephemerality and posterity in …


Review Of "La Danse Théâtrale En Europe: Identités, Altérités, Frontières" Edited By A. B. Fabbricatore, Olivia Sabee Apr 2020

Review Of "La Danse Théâtrale En Europe: Identités, Altérités, Frontières" Edited By A. B. Fabbricatore, Olivia Sabee

Dance Faculty Works

No abstract provided.


Effort Reduction In Articulation In Sign Languages And Dance, Donna Jo Napoli, Stephanie Liapis Jun 2019

Effort Reduction In Articulation In Sign Languages And Dance, Donna Jo Napoli, Stephanie Liapis

Linguistics Faculty Works

Sign languages exhibit the drive for ease of articulation found in spoken languages, particularly in fast and casual conversation, where the methods that reduce effort are shown here to be limited by the need to maintain recognizability. Participatory dance, which uses the same articulators as sign languages plus additional ones, also demonstrates methods of reducing biomechanical effort, analogous to those seen in sign languages, and, again, limited by the need to maintain recognizability of the dance figures/phrases. However, when we look at performance language (here, sign poetry) and performance dance, we find a contrast: sign language poetry uses reduced and …


Encyclopedic Definitions: Tracing Ballet From The "Encyclopédie" To The "Gazzetta Urbana Veneta", Olivia Sabee Apr 2019

Encyclopedic Definitions: Tracing Ballet From The "Encyclopédie" To The "Gazzetta Urbana Veneta", Olivia Sabee

Dance Faculty Works

No abstract provided.


Dance-Off Or A Battle For The Future: Dance Reality Shows In India, Pallabi Chakravorty Jan 2019

Dance-Off Or A Battle For The Future: Dance Reality Shows In India, Pallabi Chakravorty

Dance Faculty Works

The chapter examines the myriad meanings of dance competitions through the lens of Indian dance reality shows. It discusses reality shows such as Boogie Woogie, Dance India Dance, Naach Dhum Machale, and the production of new hybrid dances and remixes. The symbiotic relationship between Bollywood dance, reality shows, and the television industry creates the new aspirational aesthetics of “remix.” By combining ethnographic research and textual analysis of song-and-dance sequences of Bollywood films and reality shows, the chapter explores the transformation of the mythopoetic bhakti rasa of classical dances into the remix of Bollywood dances. It argues that “item numbers” and …


Review Of "La Querelle Des Pantomimes: Danse, Culture, Et Société Dans L'Europe Des Lumières" By A. Fabbricatore, Olivia Sabee Apr 2018

Review Of "La Querelle Des Pantomimes: Danse, Culture, Et Société Dans L'Europe Des Lumières" By A. Fabbricatore, Olivia Sabee

Dance Faculty Works

No abstract provided.


Cosmopolitan Then And Cosmopolitan Now: Rabindranrtiya Meets Dance Reality Shows, Pallabi Chakravorty Jan 2018

Cosmopolitan Then And Cosmopolitan Now: Rabindranrtiya Meets Dance Reality Shows, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


This Is How We Dance Now!: Performance In The Age Of Bollywood And Reality Shows, Pallabi Chakravorty Jan 2018

This Is How We Dance Now!: Performance In The Age Of Bollywood And Reality Shows, Pallabi Chakravorty

Dance Faculty Works

The cultural imagination of contemporary India is experiencing rapid change, especially among the middle classes. New communication technologies are being used to reach new audiences and spectators. This momentum of change has further facilitated blurring the strict boundaries between high and low, classical and folk, and Indian and Western cultural forms, creating multiple sites of amalgamation. One such ubiquitous form is the popular genre of dance reality shows on television. These Bollywood-inspired dance forms are arguably one among the most visible cultural products of India's new economy. Using multiple theoretical perspectives from Anthropology, Performance Studies, and Film and Media studies, …


Dance Matters Too: Markets, Memories, Identities, Pallabi Chakravorty, N. Gupta Jan 2018

Dance Matters Too: Markets, Memories, Identities, Pallabi Chakravorty, N. Gupta

Dance Faculty Works

Dance Matters Too: Markets, Memories, Identities is a rich intellectual contribution to the growing field of dance studies in India. It forges new avenues of scholarly inquiry and critical engagement and opens the field in innovative ways. This volume builds on Dance Matters (2009), which mapped the interdisciplinary breadth of the field. The chapters presented here continue to underline the uniqueness of a field that is a blend of critical scholarship on aesthetics and performance with the humanities and social sciences. Including diverse material, analytical approaches and perspectives from scholars and practitioners, this multidimensional volume explores debates on dance preservation …


Sensory Screens, Digitized Desires: Dancing Rasa From Bombay Cinema To Reality Tv, Pallabi Chakravorty Jan 2016

Sensory Screens, Digitized Desires: Dancing Rasa From Bombay Cinema To Reality Tv, Pallabi Chakravorty

Dance Faculty Works

Bombay cinema incorporated songs, dances, choreography, staging, and costumes from a variety of traditional forms to mark a modern national identity. The pioneering figure for using dance in films was Uday Shankar in his experimental film Kalpana. Bombay’s spectacular song-and-dance cinema then moves through films such as Chandralekha to contemporary Bollywood and its byproducts such as dance reality shows. The search for aesthetic modernity in India is embodied in the concept of “desire” as it evolved from traditional aesthetics to contemporary culture and new media technology; to uncover its evolution from Bombay cinema to reality show, I first analyze …


Autonomy Of The Student: Maintaining Ballet's Relevance As An Art Form Through Pedagogy, Daniel Cho , '15 Jan 2015

Autonomy Of The Student: Maintaining Ballet's Relevance As An Art Form Through Pedagogy, Daniel Cho , '15

Senior Theses, Projects, and Awards

No abstract provided.


Remixed Practice: Bollywood Dance And The Global Indian, Pallabi Chakravorty Jan 2010

Remixed Practice: Bollywood Dance And The Global Indian, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


Dance Matters: Performing India, Pallabi Chakravorty, N. Gupta Jan 2010

Dance Matters: Performing India, Pallabi Chakravorty, N. Gupta

Dance Faculty Works

This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.. Written by eminent and emergent scholars and practitioners of Indian dance, the articles make dance a foundational socio-cultural and aesthetic phenomena that reflects and impacts upon various cultural intercourses -- from art and architecture to popular culture, and social justice issues. They also highlight the interplay of various …


Review Of "Performing Konarak, Performing Hirapur: Documenting The Odissi Of Guru Surendranath Jena" And "Interpreting And (Re)Constructing Indonesian Dance And Music Heritage" By A. Lopez Y Royo, Pallabi Chakravorty Jul 2008

Review Of "Performing Konarak, Performing Hirapur: Documenting The Odissi Of Guru Surendranath Jena" And "Interpreting And (Re)Constructing Indonesian Dance And Music Heritage" By A. Lopez Y Royo, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


Bells Of Change: Kathak Dance, Women And Modernity In India, Pallabi Chakravorty Jan 2008

Bells Of Change: Kathak Dance, Women And Modernity In India, Pallabi Chakravorty

Dance Faculty Works

The first critical study of Kathak dance within the discourses of the modern and the global, tracing the arc of two centuries of Kathak: the colonial nautch dance, classical Kathak under nationalism and postcolonialism and 'innovation' and 'new directions' under transnationalism and globalization. It blends various approaches from anthropology, ethnomusicology, and performance, media and gender studies to map the journey of Kathak from baijis and tawaifs to the global stage. The book uses dance as a lens to explore the interaction between the actors and forces of cultural change from power and patronage to television and film.


Energy And Symmetry In Language And Yoga, Sally Hess, Donna Jo Napoli Jan 2008

Energy And Symmetry In Language And Yoga, Sally Hess, Donna Jo Napoli

Linguistics Faculty Works

The structures of syllables and of yoga poses are compared. Syllables are tripartite, with sound segments rising in sonority (acoustic energy) to a peak, then falling. Likewise, asanas are tripartite, with symmetrical movements flanking the sustaining, vital energy peak. In both entities, then, symmetric structure flanks energy peaks. This organization is not a physical necessity, but a cognitive preference.


Dancing Into Modernity: Multiple Narratives Of India's Kathak Dance, Pallabi Chakravorty Jul 2006

Dancing Into Modernity: Multiple Narratives Of India's Kathak Dance, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


Stitching It Together: A Report On The Live Tradition Festival, Pallabi Chakravorty Jan 2006

Stitching It Together: A Report On The Live Tradition Festival, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


Unheard Voices, Global Stage, Pallabi Chakravorty Jan 2006

Unheard Voices, Global Stage, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


Letter To The Editor, Pallabi Chakravorty Jul 2005

Letter To The Editor, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


Symposium On South Asian Dance, Pallabi Chakravorty Aug 2002

Symposium On South Asian Dance, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


Dance In South Asia: New Approaches, Politics, And Aesthetics, Pallabi Chakravorty Jan 2002

Dance In South Asia: New Approaches, Politics, And Aesthetics, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


From Interculturalism To Historicism: Reflections On Classical Indian Dance, Pallabi Chakravorty Jan 2000

From Interculturalism To Historicism: Reflections On Classical Indian Dance, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.


Review Of Marche Des Arts Du Spectacle Africain (Masa '97), Sharon E. Friedler Mar 1998

Review Of Marche Des Arts Du Spectacle Africain (Masa '97), Sharon E. Friedler

Dance Faculty Works

A panoply of over fifty dance, music, and theatre events from twenty African countries was performed at seven different venues, including indoor and outdoor theatres, clubs, concert halls, courtyards, gardens, and a sports stadium. The Moroccan company Ballet-Théâtre Zinoun presented Psyché Ou La Légende D'Adonis, a revisiting of the Adonis legend in which the balletic movement vocabulary and neoclassical choreographic techniques were interspersed with scenes in which a narrator alternated the words of Arab poets with riffs on his soprano saxophone.


Why I Practice Yoga, Sally Hess Sep 1996

Why I Practice Yoga, Sally Hess

Dance Faculty Works

No abstract provided.