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Articles 61 - 63 of 63
Full-Text Articles in Dance
Acts Of Recognition: Gesture And National Identity In Agnes De Mille's 'Civil War Ballet', Ryan Donovan
Acts Of Recognition: Gesture And National Identity In Agnes De Mille's 'Civil War Ballet', Ryan Donovan
Graduate Student Publications and Research
Through both her dances and writings Agnes de Mille explored what it means to be American. I argue that, in addition to the explicitly America-themed material de Mille chose, her choreography performs national identity through its use of gesture – informed by de Mille’s interest in folk dance and the collective unconscious. When looking at much of de Mille’s choreography, one is visually struck by its Americanness. It is this act of recognition that begins this enquiry: how does one see de Mille’s choreography and recognize its intrinsic Americanness? How did de Mille’s choreographic process allow for the expression of …
Jarrell Keeps Dancing Traditions Alive At Siue, Aldemaro Romero Jr.
Jarrell Keeps Dancing Traditions Alive At Siue, Aldemaro Romero Jr.
Publications and Research
No abstract provided.
Dalí'S Musical Roundabouts, Antoni Pizà
Dalí'S Musical Roundabouts, Antoni Pizà
Publications and Research
Those familiar with Salvador Dalí's contradictory nature as well as his propensity to mask his own thoughts will not be surprised to learn that, publicly, he despised music, though obviously that was not the case at all. In fact, many witnesses say – Amanda Lear, for one – he was actually quite musical and, time and again, he could be caught off guard singing or humming Catalan folk songs, sardanas, zarzuelas, and cuplés – all folksy, kitschy, and, by most accounts, tacky popular songs. Dalí, however, went to a great length to conceal this spontaneous love for the simple, uncomplicated …