Dance Commons^™

Who Can Dance If They Want To?: Intersections Of Dance, Gender, And Political Control In Late Archaic And Early Classical Athens, Adeline P. Strickler

Undergraduate Honors Thesis Collection

This thesis investigates the evidence for women's public choruses in the polis of Athens and the wider Greek world prior to the 6th century BCE and their decline in Athens following the Kleisthenic reforms of 509/508 BCE. Emphasising analysis of visual sources through Athenian fabric vases in the Beazley archive, and supporting literary evidence, this research seeks to establish a base of evidence for a neglected area of dance and women's research in the classics. Additionally, by analyzing the significance of choral dance in polis social and political life, this research seeks potential reasons for the lack of a culture …

The Playground: Redefining The Artistic Experience And Expression With Technology, Meghan Hutto

Undergraduate Honors Thesis Collection

Throughout the artistic community, many creators are exploring new ways to generate innovative works for growing audiences. With the emergence of endless technology, dance makers are searching for mediums to include new lighting techniques and music composition. Across this past year, I have researched and explored new frontiers of artistic mediums to further my project’s artistic expression. By developing and investigating new systems of lighting and musical composition, I created a fifteen-minute work called “Metaphysical Mindscape”. When solidifying the through-line that carried the expression of my piece, I uncovered a piece of myself. The themes that I explored were thoughts …

A Feasibility Study Of Creating A Model For A Dance Outreach Program In Chesterfield County Public Schools, Katelyn Elizabeth Roberts

Undergraduate Honors Thesis Collection

Exposure to dance at a young age has many proven benefits for children and their communities, including healthier brain development, deeper cultural understandings, and higher rates of supporting the arts in the future. Unfortunately, most dance education options are costly, greatly limiting which families have access to the opportunity to allow their children to experience training in dance. Dance outreach programs, which focus on introducing dance to communities and children that may otherwise never have access to dance education, are one way the arts community is working to dismantle this elitism. Partnering with public schools is the most common way …

Federal Funding For The Arts & Developmental Success In Western Nations, Sophia Ciokajlo

Undergraduate Honors Thesis Collection

Culture is undeniably a vital part of any society. To preserve and develop their culture, a majority of modern states allocate some part of their annual expenditure to the arts. The amount of money and system through which it is distributed varies from country to country, but the principle remains the same. Not only do countries value the contribution of culture to their common well-being, but it is also widely accepted that participation in the arts, as a performer or viewer, holds benefit for the individual. All of this considered, I sought to investigate whether or not the size of …

Cultural, Political, And Choreographic Developments Of Feminism In Classical Ballet, Lydia Mariya Wirth

Undergraduate Honors Thesis Collection

This thesis was an exploration of how the female ballerina can be better represented in the culture, aesthetics, and politics of ballet. Despite the patriarchal and misogynistic traditions that this artform is steeped in, women have made significant strides in reclaiming ballet as a tool of female empowerment, rather than of suppression or objectification. A disparity of leadership positions, a traditionally disempowering training system, misogynistic ballet narratives, and patterns of abuse and harassment all combine to create a world which disempowers female dancers on multiple levels. Despite these realities, women have been at the forefront of narrowing wage and opportunity …

The Vulnerability Of The Acetabulofemoral Joint: Examining Acetabular Labral Tears In Classical Ballet Dancers, Rebecca Tschan

Undergraduate Honors Thesis Collection

The acetabulofemoral joint, more commonly referred to as the hip joint, is an extremely important mechanism of the human body. It plays a crucial role in a person's ability to sit and stand, walk and run, jump and crouch, and more. Not only this, but the hip joint bears most of the weight of the body, making it necessary for the joint and surrounding anatomical structures to be strong and stable. Fortunately, hip joints are built in such a way that allow for an extreme range of motion while simultaneously providing support for the rest of the body. Additionally, the …

Silent Dreaming: Response To Henry Jenkins, Sophie Benn

School of Music Scholarship and Professional Works

No abstract provided.

"Becoming-Pite: An Application Of Deleuzian Theory To Crystal Pite’S Choreography, Kyra Laubacher

Undergraduate Honors Thesis Collection

Art destabilizes the human, rupturing the concept of the individual as primary universal organizer. The artist recognizes infinite potential in the virtual as expressed through intensity, something semantically inarticulable but nonetheless accessible via artistic production. Chrystal Pite, contemporary dance choreographer, is one such artist in whose creations the workings of affect make themselves perceptibly clear. We may turn to poststructuralist philosopher Gilles Deleuze and his theories of multiplicity, repetition, and nomadism in order to further understand the work that she has put forth. Pite, through art and affect, reminds us of the human condition of the de-centered individual, and Deleuze’s …

The Specificity Behind The Sparkle: The In’S And Out’S Of Disney Choreography And Park Productions, Laura Theisen

Undergraduate Honors Thesis Collection

The Walt Disney Company has revolutionized the use of choreography and dance in commercial settings to showcase the value, talent, and passion of the dancer while impacting and inspiring their guests. This has led to the development of their signature style felt throughout all of their productions. Dance is vital to the Disney aesthetic as they use the art form to illuminate the “Magic.” People have very high expectations for the Disney brand, especially the theme parks. To make sure that the Disney quality is upheld they utilize their foundational rules and promote their trademark style. The creative teams ensure …

Governmental Funding Of K-12 Arts Programs, Elizabeth Abbick

Undergraduate Honors Thesis Collection

Among the significant political debates of our time is how to dedicate resources to different programs, and what types of ideas will be funded and subsidized by the government. Unfortunately, even the United States is not a nation of unlimited resources. In general, arts programs are one of the first to be cut from schools, as they are not seen to be equal to math, reading, or even sports. However, arts programs could be an integral part of the successes of the elementary, middle, and high school student. In my thesis, I will explore the differences between students who have …

National Dances Of The Nutcracker : A Study Of Racial, Cultural, And National Depictions In A Classical Ballet, Meredith Hunter-Mason

Undergraduate Honors Thesis Collection

Character development is a large component of ballet performance that is integrated into each rehearsal process leading up to the show. In this year’s production of The Nutcracker, I danced the role of Chinese Soloist. As I began my character development, I asked myself, “How does a Chinese girl dance?” When the question is asked about other roles, it is easy to respond; however, when the character is tied to a specific nationality it becomes much more difficult. Generalization and cultural misrepresentation become possible risks. Alastair Macaulay explains in his article Stereotypes in Toeshoes¸ “The ranks of ballet companies contain …

An Exploration Of Dance Therapy, Its Origins, And Its Applications In Parkinson’S Disease, Emilia Floody

Undergraduate Honors Thesis Collection

Throughout history, dance has been used as a means of promoting health and wellbeing and for healing the sick. These practices date back to some of the earliest Neolithic societies with the advent of the circle dance in shamanistic cultures and continue into today’s society. Notable examples of healing dances include dances devoted to Apollo in ancient Greek culture, the dancing manias of medieval Europe, and the tarantism of southern Italy that dates back to the fourteenth century. Today, the primary role of dance in healing is the use of dance/movement therapy which, according to the website of the American …

The Link Between American Deaf Culture And Dance: Assessing Nonverbal Communication And Recognizing The Value Of Deaf Dancers., Chloe Edelstein

Undergraduate Honors Thesis Collection

As a dancer, it is of the utmost importance to know the history behind the origins of movement with intent. In a collegiate setting, we are immersed in the different styles and origins that have shaped the refinement and adaptations of dance into the genres that it exists today. But, I have recognized a lack of knowledge in one extraordinary facet; dance performed by those who are deaf. With this project, I have educated a group of dancers on the different aspects and struggles of being deaf within America and through the creation of a dance that mimics the rehearsal …

Perceiving Dance: Examining The Foundations Of American Ballet And Influence Of The Press In Establishing Today's Perception Of Dance, Robyn Jutsum

Undergraduate Honors Thesis Collection

The 20th century for dance brought forth some of the most iconic names and choreographic pieces to date. This time period also introduced the U.S. to the potential for the arts, with attention from the press guiding dance’s way into the public eye. A major focus was the idea of being American and discovering what being part of America meant and could mean in the future. Establishing a uniquely American identity became a goal of early pioneers of dance in the U.S., and the emergence of the Ballets Russes spurred development of American ballet. As American ballet found its footing, …

Movement And Music: Exploring The Relationship Between Movement And Dance, Savannah Dunn

Undergraduate Honors Thesis Collection

This thesis will examine the goals of dance performance, the craft behind choreographic art, and their respective relationships to music. As it would be impossible to rewrite the discourse and philosophy of dance or reach any concrete conclusions in that regard, I merely aim to present some of the primary theories surrounding this topic and discuss the roles they took on in the dance I created as part of this project, titled Ash Fighting Balance. I worked with a composer, Harriet Steinke, over the course of the 2015-2016 school year to choreograph a dance in three parts. I conscientiously pursued …

An Investigation Of Howard Gardner's Intrapersonal And Interpersonal Intelligence In Dance Educational Outreach Programs, Catherine Lynn Jue

Undergraduate Honors Thesis Collection

Can you remember the first time you were exposed to the arts? Might it have been in elementary school? Many schools in today's society face budget cuts to art programs since they are overlooked for their educational benefit. However, one might not even realize that these art programs, such as dance classes, can have positive effects on a student's self esteem and social interactions with others.

An alternate way for students to become exposed to the arts is through educational outreach programs. Dance educational outreach programs have been established by schools, community centers, and dance companies as a means of …

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …

Genu Recurvatum In Dance Training: Assessing And Addressing The Structural Deformity In Dancers, Anne Mercedes Mushrush

Undergraduate Honors Thesis Collection

Genu recurvatum is a medical condition in which the knee curves baac kwar d past the normal range of extension predominantly in the sagittal plane. Hyperextension can be attributed to extra laxity in the body, therefore the surrounding ligaments of the knee allow for the femur and tibia to be placed past a sagittal alignment of 180°, which is the possible knee extension of normal knee alignment. Genu recurvatum, medically viewed as a deformity, is desirable and considered a positive attribute in the dance world, especially classical ballet. Hyperextension also makes the line of the leg appear longer and straighter …

Exploring The Relationship Between Text And Dance: Seeking Music In Spoken Word, Anastasia Ellis

Undergraduate Honors Thesis Collection

I assert that dance exists as more than a worthwhile ,inventive ,and ever-advancing art form; it also thrives as a language. The language of dance cannot say everything on its own, for body language is limited to the interpretive. Yet, speech carries limitations as well. Spoken language houses the potential for dishonesty and fails to encompass all that we notably call thought, seeing as the human mind can think in pictures and invent concepts that present themselves without labels. The two languages therefore have the opportunity to complete each other-an opportunity that I, as a dancer and choreographer, fully believe …

An Exploration Of Self-Empowerment And Truthful Expression Through Movement And Rudolf Laban's Theory Of Effort, Morgan Raquel Sicklick

Undergraduate Honors Thesis Collection

My ultimate goal in completing my Honors Thesis was to make a very personal discovery: to feel and see what it was like to become self-empowered and thus, give myself and others within the field of dance permission to engage in truthful expression. To accomplish this, I used Rudolf Laban's theory of Effort to explore, through movement, my "inner" and "outer" Effort life as well as created a large-scale choreographic work entitled "In the Moment of Not Knowing." Creating this work allowed me to project my own journey towards self-empowerment onto a universal, physical and artistic canvas, and evaluate the …

Latvian Folk Dance: Sustaining Cultural Heritage In The Context Of Christianity And Communism, Emilija Karina Grinvalds

Undergraduate Honors Thesis Collection

In times of chaos and violence, brutality and oppression, one would not think of the arts as a guiding light for maintaining cultural identity and establishing peace and independence. However, the small country of Latvia serves as a prime example of how the arts, specifically folk dance, helped to maintain Latvian culture through centuries of oppression and war. As Swedish and German missionaries sought to spread Christianity throughout the pagan tribes in the 11th century, dance helped to sustain the cultural and religious beliefs of the ancient Latvians. Folk dance created a sense of unity within their communities, and the …

Dancing The Numinous: Sacred And Spiritual Techniques Of Contemporary American Belly Dancers, Jeana Jorgensen

Scholarship and Professional Work - LAS

In this paper, I explore how contemporary American practitioners of belly dance (as Middle Eastern dance and its many varieties are often called in the English-speaking world) conceptualize not only the spiritual dimensions of their dance, but also how the very notion of performance affects sacred and spiritual dance practices. Drawing on interviews with this community, I describe the techniques of sacred and spiritual belly dancers, how these dancers theorize performance, and how the conflicts inherent to patriarchal mind-body dualism are resolved in these practices. My purpose here is twofold: to document an emergent dance tradition and to analyze its …

Whether It’S Coins, Fringe, Or Just Stuff That’S Sparkly': Aesthetics And Utility In A Tribal Fusion Belly Dance Troupe’S Costumes, Jeana Jorgensen

Scholarship and Professional Work - LAS

As both a scholar and a belly dancer, I believe that belly dance is recognizable on aesthetic grounds. In addition to the movements that belly dancers typically perform—muscle isolations, undulations, graceful hand motions and turns, and lots of hip work—belly dancers wear costumes that are visually identifiable as belly dance costumes. While this description may seem tautological, there are recognizable standards both in the public sphere and among dancers for what constitutes the belly dance image—or images, as belly dance is a diverse phenomenon that encompasses teaching, learning, performing, watching, socializing, and costuming.

Dmitri Shostakovich, Lady Macbeth, And The Soviet Government, Bianca Nicole Dudeck-Wiseman

Undergraduate Honors Thesis Collection

Dmitri Shostakovich's opera, Lady Macbeth of Misenk, has suffered through more social changes than any other work in Russian music history. It brought Shostakovich unprecedented fame, and also brought about his downfall by the Soviet Government The story behind Shostakovich, Lady Macbeth, and the Soviet Government is one of power, as well as the evolution of a nation and how it affected the struggling individual. Here, the artist, his art, the government, and the people are all inextricably linked.

The Reformatory And Choreographic Contributions Of Micheal Fokine, Elaine Louise Bauer

Undergraduate Honors Thesis Collection

Many individuals have contributed to the development of dance throughout its history--some as choreographers, some as teachers, and others as performing artists. But there is no personality more significant nor more relevant to dance as we know it today than the Russian artist, Micheal Fokine.