Dance Commons^™

Anastasia

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1958 performance of Anastasia by Marcelle Maurette.

Anastasia is based on the legend of the sole-surviving daughter of Russia’s last Czar. In 1926 Berlin, young Anya, suicidal and suffering amnesia, is chosen to impersonate Anastasia in a scam to collect ten million pounds promised to the missing heiress.

The Late Christopher Bean

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1958 performance of The Late Christopher Bean by Sidney Howard.

The Late Christopher Bean is the story of a not well-off family who discovered they have inherited the paintings from an artists whose work has become very valuable, and how their greed impacts their home.

The Robe

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1957 performance of The Robe adapted by John McGreevey from Lloyd C. Douglas’s work of the same name.

The Robe tells the story of Marcellus, a young Roman officer who wins the robe of Jesus when he is crucified, and how Marcellus’s life is changed after that encounter.

The School For Scandal

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1957 performance of The School for Scandal by Richard Brinsley Sheridan.

The School for Scandal tells the story of a conniving gossiper Lady Sneerwell, and her plot with other unscrupulous persons to separate couples and redirect love interests through slander and gossip.

Androcles And The Lion

Taylor Theatre Playbills

The playbill for Taylor University’s 1956 performance of Androcles and the Lion by George Bernard Shaw.

Androcles and the Lion is the story of a Christian in early Rome named Androcles, who helps a Lion that later comes to his aid when Androcles is captured and brought to the Colosseum for torture and death.

Twelve Hours By The Clock

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1946 performance of Twelve Hours by the Clock by Lindsey Barbee.

Performed by the Junior Class.

The Merchant Of Venice

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1940 performance of The Merchant of Venice by William Shakespeare.

The Merchant of Venice is a story of a Venice merchant named Antonio who must pay off a loan to a Jewish moneylender, Shylock.

The Importance Of Being Earnest

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1940 performance of The Importance of Being Earnest by Oscar Wilde.

The Importance of Being Earnest, A Trivial Comedy for Serious People, is a farcical comedy about two men who each take on the personas with the name of Earnest in order to escape the burdens of social obligations.

"Rosemary--For Remembrance"

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1940 performance of “Rosemary—For Rememberance.” A Romantic Drama in Three Acts by Priscilla Wayne and Wayne Sprague.

Forever True

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1939 performance of Forever True by Priscilla Wayne Sprague.

Romeo And Juliet

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1938 performance of Romeo and Juliet by William Shakespeare.

Romeo and Juliet is a tragedy about two young lovers from feuding families and how their relationship and deaths reconcile their families.

Tiger House

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1938 performance of “Tiger House.” A novel mystery comedy in three acts by Robert St. Clair.

All three acts take place in the library of “Mystery Manor” a lonely country estate two miles from the nearest village.

The Lone Eagle

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1937 performance of The Lone Eagle by Charles E. Roach.

Presented by the Play-Production Class.

Smilin' Through

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1935 performance of Smilin’ Through by Jane Cowl and Jane Murfin (under the pseudonym, Allan Langdon Martin).

Smilin’ Through tells the story of a young Irish woman, Kathleen Dungannon and her romantic relationship with Kenneth Wayne, which is opposed by her adopted father, still bitter about a failed relationship with Kathleen’s aunt years before.

The Taming Of The Shrew

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1927 performance of The Taming of the Shrew by William Shakespeare.

The Taming of the Shrew follows the courtship and marriage of Petruchio and Katherina, a headstrong shrew and how Petruchio "tames" her.