Theatre and Performance Studies Commons^™

Gemstoning: Character Creation Exercise For The Classroom & Production, Abigail Dillard, Lucas Skjaret

Communication and Theater Association of Minnesota Journal

In the summer of 2023, we participated in an online training course with the Stella Adler Studio of Acting titled Awareness Without Judgement: A Teacher Training Intensive. Over the weeks, we studied with three main teachers at the Studio on Character, Technique, and Script Interpretation with ‘master classes’ led by actors and scholars scattered over the weeks. The course is designed for theatre practitioners who want more in-depth experience and exposure to the more pedagogical side of acting and performance; in other words, for acting teachers who want to use the techniques of Stella Adler within their teaching. Given this …

Beehive: The '60s Musical, Otterbein Theatre And Dance Department

2024 Summer Theatre

No abstract provided.

We Are...Marshall! (The Journey & Formation Of The Safd Archives), T. Fulton Burns

Theatre Faculty Research

The Society of American Fight Directors Archives now have a home at Marshall University in the Morrow Special Collection in the Marshall Library System. While the collection in these archives tells the history of the SAFD from its founding in 1979, the journey to become the current and future archival home is itself an interesting story.

Empowering English-Language Learners Through Acting, Translanguaging, And Collaborative Devising, Natasha L. Yannacanedo

Journal of English Learner Education

The author explores the transformative potential of using acting, translanguaging, and collaborative devising as tools for linguistic and personal development among English Language Learners (ELLs). Through a reflective narrative of teaching Acting I to ELL students, the paper delves into the challenges and successes encountered in integrating acting, translanguaging, and devising into the curriculum. Emphasizing the symbiotic relationship between acting and language learning, the author discusses how expressive language development, vocabulary acquisition, and enhanced pronunciation skills were cultivated. Additionally, the paper considers the role of translanguaging in creating a supportive and inclusive learning environment, where students' linguistic diversity is celebrated …

It's A Wonderful Life: A Live Radio Play, Otterbein Theatre And Dance Department

2024 Summer Theatre

No abstract provided.

Forever Plaid, Otterbein Theatre And Dance Department

2024 Summer Theatre

No abstract provided.

An Actor's Approach To Contemporary Theatre, Ethan Harbin

Undergraduate Honors Theses

This paper is a composite of research and reflection in regards to Comemedia dell'arte as well as contemporary theatre. It is a personal exploration of the life and legacy of Aurand Harris. My personal application of the research is documented in this thesis.

A Performance-Based Exploration Of Vocal Anatomy And Pedagogy: Maximizing Technical, Stylistic, And Physiological Frameworks For Superlative Vocal Technique In Artistic Function, Michael J. Civitano

LSU New Orleans Theses and Dissertations

This study investigates the influence of specific frameworks in performance and vocal pedagogy on artists' capacity to enact evidence-based learning outcomes, with emphasis on vocal physiology and educator-performer relationships. Employing an experimental design, five philosophies that support capacity-building were tested across two trial settings, varying in intensity. The participant utilized narrative reasoning, diversified methods, and mentorship from specialized educators to apply frameworks. Findings indicate that, in practicing evidence-based learning and maximizing anatomic foundations of the voice, substantial developments in artistic capacity ensued. Educator-performer relationships mediate this process through reciprocal collaborations that foster capacity-building. Performers display optimal artistic capacity by effectively …

Transforming Into A Politically Engaged Actor Through Gem Of The Ocean., Tajleed Steven Hardy

Electronic Theses and Dissertations

This thesis explores my transformation into a politically engaged theatre artist through my performance as Citizen Barlow in the University of Louisville's Department of Theatre Arts’ 2024 production of August Wilson's Gem of the Ocean. My thesis defines the characteristics of a politically engaged theatre artist and proposes specific ways actors can prepare to perform in any production of any play. My transformation into a politically engaged theatre artist resulted from a combination of the skills I gathered as an undergraduate student at Norfolk State University and the new analytical and acting techniques I learned as an MFA in …

Suspension Of The Scoundrel: Applying Mental Health Strategies To The Acting Process., Nicholas Wills

Electronic Theses and Dissertations

In this thesis, the benefits of having mental health resources, practices and/or coordinators on set or available to help mitigate the mental health challenges that actors may face when portraying complex characters or engaging in emotional experiences while acting, are examined. Actors are required to fully immerse themselves into characters to ensure a full embodiment of the role being played. Without appropriate measures in place to address the actors’ feelings, emotions, and psychological state before, during, and after a production, the actor stands the risk of absorbing the impact of the character with no strategy for how to address the …

Exploring Intention Mapping And Action In Pursuit Of Emotional Storytelling For Musicians, Douglas Carpenter

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document presents a novel approach to music education by integrating acting pedagogies, specifically the concepts of "Intention" and "Action," to enhance the expressive capabilities of musicians. Rooted in the methodologies of Konstantin Stanislavski, Sanford Meisner, and Michael Chekhov, this research seeks to bridge the gap between traditional music education, which often emphasizes technical execution, and the need for emotional expressivity and storytelling in musical performances.

The role of the musician as a 'human instrument,' capable of conveying complex human emotions and narratives through music is explored in this document. Drawing from acting techniques, the document proposes methods to help …

Singing While Acting: A Mixed Methods Study Of Classical Singers’ Application Of The Chekhov And Meisner Acting Methods, Amy C. Johnson

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

When considering the minimal acting training incorporated into most voice performance programs, it is understandable why many singers struggle to balance vocal demands with acting demands. Furthermore, the expectations on singers to deliver authentic and nuanced performances are increasing as opera evolves. There is little in-depth understanding of classical singers’ experiences with applying specific acting techniques to their singing. There is also little information about how different acting methods may affect classical singing. This mixed methods collective case study aims to identify the impact of training in a specific acting method on classical singing. The qualitative strand focuses on the …

Creating Consent Based Spaces In The Performing Arts, Laura Rikard

SC Upstate Research Symposium

In 1849 when Duke Saxe Meiningen created the role of the modern director in theatre he created an authoritarian model for creative power over production that would be replicated for the next one hundred and fifty years in the performing arts. This leadership model led to a performing arts industry reliant on performances being obedient and not fostering environments where creative collaboration can thrive. It created confusion between what it means to say, “yes” from a point of view of survival and not from a place of consent. For true collaboration to thrive in the product and process oriented spaces …

The Voice Actor And Their Double: Working As A Voice Actor And Teaching Voice Acting In The Age Of Ai Voice Cloning, Adam Paul

Tradition Innovations in Arts, Design, and Media Higher Education

The rapid development of Artificial Intelligence (AI) and voice cloning technology presents significant challenges and opportunities in the field of voice acting and performing arts. This article explores the profound transformations taking place in the voiceover industry due to the convergence of AI, voice synthesis, and personal voice cloning technologies. The author, a seasoned voice actor, reflects on the impact of these advancements on his profession, from the democratization of voiceover tools to the emergence of AI-generated voices that closely mimic human speech.

The article delves into the intricate interplay between technology and human creativity, investigating the implications for voice …

Introduction To Theatre Oer Course, Carmen R. Meyers

Open Educational Resources

Study of theatre and performance throughout history and across cultures including an examination of European, Carribean, and North and South American theatrical styles and genres.

This course is organized for a hybrid/asynchronous format. Our class meets on-campus every week for 75 minutes and the other 75 minutes will be completed asynchronously with weekly learning modules on Blackboard.

The first half of the course focuses on the history of theatre from Ancient Greece through Modern Realism. The second half of the course, students engage in the procedures of professional theatre artists through writing and refining a dramatic text; enacting a performance; …

The Dyslexic Actor: How Dyslexia Affects The Acting Process, Kate Milazzo

Graduate Thesis and Dissertation 2023-2024

Dyslexia can benefit an actor, especially if the individual is aware of how the challenges and advantages of dyslexia impact their personal acting process. Dyslexia is widely understood to be a learning disability that affects an individual's reading and writing abilities. Many forms of theater rely on the written word, and an actor's success lies in their ability to interpret the text, leading one to question whether a dyslexic individual can find success as an actor. Yet several famous actors, including Octavia Spencer and Henry Winkler, are known to be dyslexic. As a dyslexic individual, I have also successfully participated …

Love And Solitude In Latin America: An Actor’S Take, Performing Graciela In Diatriba De Amor Para Un Hombre Sentado By Gabriel Garcia Marquez, Claudia C. Sevilla

Graduate Theses, Dissertations, and Problem Reports (ETD)

In this thesis I take a journey through twentieth century Latin America through inhabiting the role of Graciela created by the late great Gabriel Garcia Marquez in his only work of theatre. Through detailed historical research I explore human topics such as marriage and isolation embodied in Graciela that in a sense mirror a people and a continent. The challenges of producing a play with no budget or partners and the freedoms and constraints of performing a one-person show, which included an audience that does not speak the language the play is written in. How does an actor adapt to …

From Class To Craft: An Investigation Into The Practice Of Acting Techniques Applied To Angelo In Shakespeare’S Measure For Measure, Charles Wesley Meeks

Graduate Theses, Dissertations, and Problem Reports (ETD)

This document examines the character development and performance process of Angelo in Measure for Measure by William Shakespeare. This production was directed by Professor Jerry McGonigle and performed in the mainstage season of 2022-2023 School of Theatre & Dance at West Virginia University. The ensuing text will outline the production process from the actor’s point of view including preparations, auditions, casting, rehearsals, performances, and final reflection. This text will include historical research, personal and directorial notes, textual analysis, table work and discussion, acting techniques, training, and education applied throughout the production period, and reflections of these experiences and discoveries.

Tragedy Personified: Crafting The Role Of Carol In Alice Birch's Anatomy Of A Suicide, Josey Miller

Graduate Theses, Dissertations, and Problem Reports (ETD)

The purpose of the document is to chronicle the character creation of Carol in West Virginia University’s fall 2023 production of Alice Birch’s Anatomy of a Suicide. The following text will provide a detailed look at research on the playwright and my personal textual analysis in tandem with consultations with mental health professionals. It will also describe how those resources in collaboration with imaginative work via the techniques of Sanford Meisner, Fitzmaurice Voicework®, and intentional intimacy choreography were utilized in the rehearsal and performance process. In summation, it will also include post-production evaluations from loved ones and mentors as well …

A Kind Of Burr: The Fantastic Lucio In Measure For Measure, Matt Frye

Graduate Theses, Dissertations, and Problem Reports (ETD)

The purpose of this document is to detail the process of developing the role of Lucio in West Virginia University’s spring 2023 production of William Shakespeare’s Measure for Measure. This document looks at the process and methods with which I crafted my role, as well as the research I used to build a well-defined world of the play. It will explain the rehearsal process, including text analysis and design aspects which affected the creation of the role, focusing on clarity through the use of scansion and interpretations of the references in the text. To conclude, I discuss my personal experience …

Ask The Duke, Why: How Fabrications Can Undermine Impact In Shakespeare’S Measure For Measure, Spencer D. Hansen

Graduate Theses, Dissertations, and Problem Reports (ETD)

The following document recounts the observations and consequences that result from my attempts at justifying the actions of Duke Vincentio in Shakespeare’s Measure for Measure. By following my experience through the duration of West Virginia University’s 2023 production of Measure for Measure, I examine the ramifications of justifying the Duke’s actions and the potentially harmful consequences such justifications could create with regard to the play’s reception. Additionally, this text outlines performance techniques, audience responses, rehearsal strategies, and progressive interpretations for one of Shakespeare’s most challenging characters in one of his most divisive plays.

Puppy Love And [Information] Play: An Intersection Of Theatre, Queer Kink, And Consent, Emily Kitchens

Faculty Articles

This note from the field centers on a nexus of queer kink subcultures and consent-based intimacy work in theatre. I report, investigate and wrangle with the process of incorporating queer kink aesthetics into the production of Love and Information by Caryl Churchill I directed at KSU February 2023. What I have learned and hope to demonstrate throughout the paper, is that queer kink subcultures are often paradigmatic examples of communities built on consent, and we as performing arts practitioners can more visibly expand the margins of our cultural competency dialogues to not only include them but look to them as …

The Disney College Experience: A Full Recollection Of Moments And Memories Of The Disney College Program Internship, Lauren Jumonville

Undergraduate Honors Theses

I decided to do the Disney College Program as my honors thesis because Disney is something I am very passionate about. I worked for the Disney Company before and knew that I wanted to continue my experience with them. I went into the program hoping to discover what the college program could do to prepare me (or any prospective programmer) for the profession and for a life in performance. In January of 2023, I made my way to Orlando, Florida, to start my next journey with the Walt Disney World Company. I went through four different orientation processes, as well …

Active Analysis In The Beginning Acting Classroom, Michael Shipley

Theatre Arts Faculty Publications

Often, the exercises in the acting classroom can feel at odds with the processes used in the rehearsal room. I believe Konstantin Stanislavsky’s rehearsal method of Active Analysis provides tools and perspectives for dealing with these challenges. At The S Word Symposium in November 2022, I outlined a process I developed for teaching beginning acting using principles of Active Analysis as a tool to bridge the gap between training and rehearsing. This article outlines the experiences and thought processes that went into creating this class structure and reviews the benefits for students. Applied in this way, Stanislavsky’s impulse to place …

Is Ai An Actor?, Emily Wirkus

AI Assignment Library

Students are taught a system of marking scripts and monologues using a series of steps to highlight the flow of action, including shifts in objectives and tactics (what the character wants, and the active language describing how they hope to get what they want). Students are challenged to mark a monologue themselves using these criteria taught in class. Students will then upload their monologue into ChatGPT and ask it to score the monologue using the same criteria. Students will compare and contrast the two monologues and evaluate what ChatGPT created that was useful, and what ChatGPT may have missed. Students …

Body Movement Syllabus - The City College Of New York - Department Of Theatre - Prof Timothy Allen, Timothy J. Allen

Open Educational Resources

This course will explore three modules of learning.

1. Anatomy and Psycho-Physical Centering, will explore two foundations: (1) the start of our research and practical application of the human anatomy in regards to how our body moves; and (2) your ability to tune into movement centers within the body by utilizing Chakra as a guiding study. Please note: Anatomy will be a continuous study throughout the entire semester.

2. THE SECOND MODULE, Partnered Connection, will focus on partnering with lifts, counter-balances, falls, and rolls that will build to a partnering sequence of the tools presented.

3. THE LAST MODULE, Global Archetypes, …

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One-Person Show: Field Notes On Writing, Producing, And Performing My Own Work, Riley Newsome

Graduate Theses and Dissertations

This thesis is an examination and journal for my process of writing my full-length one-person show Isolation, the organization and steps of producing it from scratch, and the preparation and performance of the show. It will also include the version of the Isolation used in the performance, a statement of artistry, some of my current acting materials such as a link to my website, a headshot, and a resume.

Memento Mori: Philosophy For The Actor, Edwin C. Green

Graduate Theses and Dissertations

This thesis explores a philosophy whose goal is to fuel and protect the spirit of the working professional actor. This philosophy greatly inspired my one person show performance and will serve me in my future. Included in this paper will be my artistic philosophy, my resume, headshot, website, photos, and my one person show script, developed in the spring of 2022, titled“Memento Mori”.

On The Brink Of Transformation : Becoming Ones True Self, Jordan Lee Williams

Graduate Theses and Dissertations

It brings me great joy to share with you the story of my journey through Academia. This thesis will cover some of the milestones I’ve reached throughout my studies here at the University of Arkansas, which led me to be able to attain an MFA in Theatre with an Acting Emphasis. You’ll be granted an all access pass into some of the works I’ve been able to produce while studying here at the U of A Including my one person show, statement of artistry, a link to my website, and information on my career as a professional stand-up comedian

A Woman On Fire: A Character Study Of Hedda Gabler, Leah Paige Smith

Graduate Theses and Dissertations

In this thesis I will be discussing my process in preparing and performing my thesis role of Hedda Gabler, and how it is relevant to modern struggles of women surrounding pregnancy, motherhood, and body autonomy. This is paralleled with the topic of my one-person show, titled 6 Weeks. I will include the events of both plays, the script of 6 Weeks, my character analysis of Hedda, the rehearsal process, production photos, resume, headshot, program, and a link to my website.