Theatre and Performance Studies Commons^™

Lights, Camera, Acting! A Collaborative, Interdisciplinary Approach To Basic Filmmaking, Jessica Maloney, Chris Nelson

Communication and Theater Association of Minnesota Journal

No film studio? No problem! This activity is designed to introduce basic concepts of filmmaking across disciplines such as theatre and communications, but could be used by either. It includes an emphasis on acting as well as the technical processes and procedures on set. We have geared this activity specifically towards use in a cross-listed class in Communication and Theatre Arts.

Glory, North Dakota State University--Fargo

Promotional Material and Program

It’s Women’s Hockey meets A League of Their Own! Set in the Great Depression of the 1930’s, this highly engaging and humorous tale follows the journey of four women who set out to form one of the most iconic women’s hockey teams in history. Told with music and dance inspired from the jazz age, GLORY follows the true story of Canada’s own Preston Rivulettes – the pioneering Women’s Hockey Team that fought to play the game they loved, and to prove that hockey isn’t just a sport for men. This inspiring and thrilling play is the feel good story …

Glory, North Dakota State University--Fargo

Dramaturgy

It’s Women’s Hockey meets A League of Their Own! Set in the Great Depression of the 1930’s, this highly engaging and humorous tale follows the journey of four women who set out to form one of the most iconic women’s hockey teams in history. Told with music and dance inspired from the jazz age, GLORY follows the true story of Canada’s own Preston Rivulettes – the pioneering Women’s Hockey Team that fought to play the game they loved, and to prove that hockey isn’t just a sport for men. This inspiring and thrilling play is the feel good story …

Theatrical Roles: An Introduction To Theatre, Gibson A. Cima

Faculty Books & Book Chapters

 

Theatrical Roles: An Introduction to Theatre is an open educational resource (OER) created by Gibson Alessandro Cima for Introduction to Theatre at Northern Illinois University. Published through the Humanities LibreTexts platform under a Creative Commons CC BY 4.0 license, the textbook is designed as a free, accessible alternative to traditional introductory theatre textbooks.
Rather than organizing theatre history around a conventional Western canon, the OER approaches theatre through the major collaborative roles involved in production: playwright, director, performer, designer/technician, and audience. The structure emphasizes theatre as a collective human practice rather than a linear history of great men and canonical …

Here’S To Screaming And Healing: An Exploration Of Women’S Intergenerational Experienced Trauma Through Performance, Bellah Noelle Crawford

Graduate Theses and Dissertations

This thesis contains a glimpse into the inner workings of my process as an actor in approaching the role of Hecuba in The Trojan Women, the application of process in performance, script analysis, and the relevancy of the play’s thematic content as it relates to my artistry, womanhood, and our modern world. Additionally, I will offer insight into the creation of my one person show – Mr. Sandman. I will discuss the inspiration that curated the play, how it finds societal relevancy, and the performative aspect of cultivating a solo theatrical piece. It includes the lineage between both productions and …

Through The Looking-Glass: A Process Of Trust And Discovery, Selena Mykenzie Gordon

Graduate Theses and Dissertations

This thesis explores the process of joy, trust, and discovery I have cultivated as a professional actor and its application in various productions. I will examine my role as Sabine in Ken Ludwig’s The Three Musketeers at TheatreSquared in Fall of 2025, as well as the role of Alice in my One Person Show, titled Curiouser, developed in Spring of 2024. Included in this document is my artistic statement, my one-person show script, production posters and programs, production photos, website link, headshot and resume, my character analysis of Sabine, One-Person Show class writing prompts, and proof of permission for use …

Rationalizing The Despicable: Creating Talthybius In Euripides’ The Trojan Women, P Rob Brown

Graduate Theses and Dissertations

A reflection on my personal work and development as an actor and performer over the three years of this program, specifically focusing on the work of creating the character of Talthybius in Euripides’ The Trojan Women.

“Blessed Solace”: Playing The Stoically Vulnerable Marmee, Marjorie Joann Gast

Graduate Theses and Dissertations

In this thesis, I will explain my journey bringing a well-known literary character, Marmee March from Little Women: The Broadway Musical, to life on stage. This thesis will also discuss the development of my original one-person show Pearl, its drafts and iterations, and the intended future expansion of the piece. Finally, I will include my statement of artistry, production programs, posters, and photographs; website link, headshot, and resume.

Taking Up Space: A Love Letter To Healing, Heartbreak, And Hairspray, Hailee Amerson

Honors Program Theses

An Honors Thesis disguised as a one-woman show, "Taking Up Space: A Love Letter to Healing, Heartbreak, and Hairspray" is a cabaret revue-style performance. Through original monologues, and songs from the musical theatre canon, this cabaret takes audiences through where plus-size women fit (or do not fit) in the theatre industry. The piece takes a sociological perspective, beginning with the history of beauty and health standards, while asking audiences to confront their own views on what it means to be "fat". Interspersed through the show is my own story of growing up fat in an industry where thin is “in”, …

I Am Hookman: A Reflection, Fiona E. Larsen-Teskey

Scripps Senior Theses

I am Hookman is a reflection paper on my process, experience, and growth performing in the play, Hookman, as my senior thesis.

Stanislavski And Operatic Acting: What Caused The Divide Between Stanislavski’S Ideals And The Opera World?, Max Smith

Williams Honors College, Honors Research Projects

There is a difference between the realism of acting in opera and in other theatrical art forms. One reason for this might be due to theatre practitioner Konstantin Stanislavski’s ideals not being readily adopted in the opera world. Due to translation and publication issues in both the West and in the USSR, his work on opera has been largely neglected by theatre and opera historians. Certain demands of opera as an art form limit or make more difficult the ability for realism in portraying a character, but Stanislavski and others show that it is possible. A look at literature reflecting …

Creating The Role Of Aunt Eller In Oklahoma!, Phyllis Horridge

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in Theatre Arts with concentration in Musical Theatre. It is a detailed account of author Phyllis Horridge’s artistic process in creating the role of Aunt Eller in Minnesota State University, Mankato’s Fall 2025 production of Oklahoma! This thesis follows the actor’s process through pre-production analysis, an historical and critical perspective, journals detailing the rehearsal and performance process, a post-production analysis, and process development. Appendices and works cited follow the process development.

The Trojan Women, Otterbein Theatre And Dance Department

2025-2026 Season Productions

No abstract provided.

Mary Victor And The Monster, Otterbein Theatre And Dance Department

2025-2026 Season Productions

No abstract provided.

Urinetown: The Musical, Otterbein Theatre And Dance Department

2025-2026 Season Productions

No abstract provided.

Dames At Sea, Otterbein Theatre And Dance Department

2025 Summer Theatre

No abstract provided.

Always... Patsy Cline, Otterbein Theatre And Dance Department

2025 Summer Theatre

No abstract provided.

The Glass Menagerie, Otterbein Theatre And Dance Department

2025 Summer Theatre

No abstract provided.

A Black Sherlock Holmes: An Exploration Of Nonconforming Characterization., Faith Janaye Artis

Electronic Theses and Dissertations

In the wake of diversity initiatives in the greater American theatre landscape, we are now including more Black actors than ever. Whether that be through the inclusion of diverse playwrights or implementing new casting protocols, we now have Black people in the room. However, when portraying the Black “version” of a character (i.e. Black Annie, Black Ariel, Black Juliet) a question still plagues the Black Actor’s mind: how am I meant to fit here? I evaluate my process of portraying Sherlock Holmes as my thesis role. By challenging the implied white perspective in this “universal” story (despite its feminist retelling), …

Musical Theatre Nyc Industry Showcase -Senior Capstone, Erica Aubrey

SPARK Symposium Presentations

Musical Theatre BFA candidates put together and perform a 35-minute Senior Showcase for New York City Industry Personnel. This culminating performance was presented in NYC on April 8, 2025 for Casting Directors, Agents, Directors, Choreographers and Managers. Post this performance, students are asked to meetings with talent reps, and are are asked to auditions for projects they are right for, further launching them into their professional careers post graduation.

Footloose: The Musical, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

The Laramie Project, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

Stage Exit, Grady Munroe

LMU Theatre Arts Annual New Works Festival

An acting class struggles to free themselves from the room they are trapped in. Stage Exit is about the absurdity and horrors of being a student of theatre.

Black Bodies On American Stages, Gabrielle Burton

Honors College Theses

The following study explores the character types that have been historically available to Black actors in American theatre and how that representation enforced, resisted, or ignored stereotypes. To examine the impact of those roles on the performers who played them, I examine the documented approaches Black actors have taken to embody their characters, as well as my own evolving process used to portray the eight characters I have inhabited in my personal college performance career at Georgia Southern University. This research and retrospective analysis reveal that while a lazy or performative indifference leads to harm, color-conscious inclusion, challenging conversations, and …

A Review Of Glenn Mcgillivray's Actors, Audiences, And Emotions In The Eighteenth Century: Communities Of Sentiment, Semane Parsons

ABO: Interactive Journal for Women in the Arts, 1640–1830

A Review of Glen McGillivray's book Actors, Audiences, and Emotions in the Eighteenth Century: Communities of Sentiment (2023).

The Launch: A Senior Cabaret, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

The Sacred Duty Of The Christian Storyteller: The Rediscovery Of Divine Creative Heritage And Its Function In The Public Square, Trinity Wood

Senior Honors Theses

This thesis assesses the specific value of the storytelling medium and evaluates how one’s artistic duty coexists with their spiritual responsibility as a Bible-believing Christian. Storytelling has a proven power to evoke change within society and within the hearts of its members, and creativity is an innate characteristic we share with the original Divine Creator. Creativity is our birthright and our inheritance from God the Father, as beings made in His Image. The secular entertainment industry often appears as foreign enemy territory to the Christian creative – in most recent years, faith-based content has garnered a poor reputation for itself …

Natasha, Pierre, & The Great Comet Of 1812, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

The Importance Of Being Earnest, Otterbein Theatre And Dance Department

2024-2025 Season Productions

No abstract provided.

Bennett, Katelyn Shane, B. 2000 (Fa 1416), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1416. Audio interviews by WKU student Katelyn Bennett of members of the Fountain Square Players, a theater group in Bowling Green, Kentucky. Two of the interviews include transcripts, and three include an index/log. Also includes Bennett’s brief reflection on the project.