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Articles 271 - 300 of 534
Full-Text Articles in Theatre and Performance Studies
St. Louis To Arizona: What Tom Wingfield Taught Me About Playing Myself, Christopher Scott Tennison
St. Louis To Arizona: What Tom Wingfield Taught Me About Playing Myself, Christopher Scott Tennison
Graduate Theses and Dissertations
This thesis consists of my statement of artistry/teaching philosophy, and documentation of artistic materials and thesis related performances.
Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson
Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson
Dissertations, Theses, and Capstone Projects
When classically trained cellist Charlotte Moorman (1933-1991) moved to New York City in 1957, she swiftly positioned herself at the intersection of experimental music, performance, video, and the visual arts. She interpreted works by composers like John Cage, collaborated with artists such as Nam June Paik, and founded and organized the New York Avant Garde Festival from 1963 to 1980. This dissertation argues that Moorman’s career sheds new light on what it meant to be an artist in this post-medium-specific moment and proposes that Moorman’s deterritorialization of authorship exerts pressure on traditional art histories. The generative dynamics of her collaborations …
Physics Of Acting, Cassidy Mccartan
Physics Of Acting, Cassidy Mccartan
Senior Honors Projects
Training for actors is a multi-disciplinary practice with study in three main categories: the actor’s voice, the actor’s body, and text studies. Unlike ballet dancing or learning a musical instrument, actor training is a culmination of various different techniques for each of these areas of study. The study of the actor’s body, through movement, is the most intricate area to decipher because it incorporates more varying techniques than voice and text studies.
With the mentorship of Joe Short, the theatre department’s professor of voice and movement at the University of Rhode Island, I investigated and compared the movement techniques of …
Takin' Care Of Business, Cody Levi Shelton
Takin' Care Of Business, Cody Levi Shelton
Graduate Theses and Dissertations
This thesis consists of my statement of artistry, and documentation of artistic materials and thesis related performances.
Beside Myself, Grant Hockenbrough
Beside Myself, Grant Hockenbrough
Graduate Theses and Dissertations
This thesis consists of my statement of artistry, and documentation of artistic materials and thesis related performances.
Bat Boy: The Musical Auditions Poster, Department Of Theatre, Dance & Film
Bat Boy: The Musical Auditions Poster, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
John Bowab Black Box Studio Theatre
Bat Boy: The Musical auditions
April 29, 2018, 7pm
Episode 12: All Things In Murderation, Tanner Elrod
Episode 12: All Things In Murderation, Tanner Elrod
Season 3: Standards of Behavior
No abstract provided.
“Alexander Hamilton Embodies Hip Hop.”: The Words That Sparked A Revolution, Lindsey Garrant
“Alexander Hamilton Embodies Hip Hop.”: The Words That Sparked A Revolution, Lindsey Garrant
The Review: A Journal of Undergraduate Student Research
This paper focuses on Alexander Hamilton, one of the most influential founding fathers, and how he embodies a genre of music known as hip hop. There are many aspects of hip hop culture that Alexander Hamilton embodied. The examples of hip hop culture used in this article are the Tupac Shakur and Biggie Small rivalry, Nas writing his way out of the Queens housing project, the “Ten Crack Commandments”, and “Fight the Power” by Public Enemy. Examples from Alexander Hamilton’s life consist of his rivalry with Aaron Burr, writing his way out of poverty, the duel code of honor, the …
Spring Dance Concert 2018 Playbill, Providence College
Spring Dance Concert 2018 Playbill, Providence College
Playbill and Promotion
Providence College Dance Company
Spring Dance Concert 2018
Student Choreography Showcase
Friday, April 27, 7:30PM
Saturday, April 28, 2:00PM
DIRECTOR: Dr. Wendy Oliver
LIGHTING DESIGNERS
Tim Brown ’20
Thomas Edwards ’20
We’ll Be Okay
Choreographer: Abby Raser
Music: “All At Once” by The Airborne Toxic Event featuring The Calder Quartet
Dancers: Alanna Daley, Caroline Mallon, Erin McDonald. Deirdre McMahon, Samantha Oakley, & Abigail Raser
What Kind of Man
Choreographer: Maria Fonts
Music: “What Kind Of Man” by Florence + the Machine
Dancers: Maria Fonts, Meghan Frazier, Emma Lederer, Kaitlin McGovern, Jaime Podracky, & Anna Sabo
Care About Us
Choreographer: Samantha …
Spring Dance Concert 2018 Poster, Providence College
Spring Dance Concert 2018 Poster, Providence College
Playbill and Promotion
Providence College Dance Company
Spring Dance Concert
Student Choreography Showcase
Friday, April 27, 7:30PM
Saturday, April 28, 2:00PM
Disney And Cameron Mackintosh's Mary Poppins: The Broadway Musical
Disney And Cameron Mackintosh's Mary Poppins: The Broadway Musical
Taylor Theatre Playbills
The playbill for Taylor University’s performance of Disney and Cameron Mackintosh’s Marry Poppins: The Broadway Musical.
Performed April 27-29 and May 4-6, 2018 at the Mitchell Theatre.
Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren't the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the …
Episode 11: Blunt Force Drama, Michael Painter
Episode 11: Blunt Force Drama, Michael Painter
Season 3: Standards of Behavior
No abstract provided.
Shake My Hand, Karenna R. Versalovic, Whitney Bagley, Linwan Lewis, Sarah Hoffman, Vernae Gallaread, John Hammond, William Bernick, Clifford Phillips
Shake My Hand, Karenna R. Versalovic, Whitney Bagley, Linwan Lewis, Sarah Hoffman, Vernae Gallaread, John Hammond, William Bernick, Clifford Phillips
Creative Activity and Research Day - CARD
The purpose of this project is to explore the inevitable intertwining of the worlds of dance and disability. It investigates what can happen when a group of people of all abilities use movement as a source of connection. This project was based on a nine minute dance piece created over a seven month period with rehearsals once a week for three hours sessions. The final piece consisted of seven dancers, five of whom had intellectual and developmental disabilities. The performance utilized improvisation, discussions, choreography, and contact work as tools for the creative process. The intent of the piece was to …
The Resistable Rise Of Arturo Ui
Episode 10: He's Come Undone, Kristen Daly
Episode 10: He's Come Undone, Kristen Daly
Season 3: Standards of Behavior
No abstract provided.
The Craftsman Mirroring The Creator: Explorations In Theatrical Theology, Andrew Noah
The Craftsman Mirroring The Creator: Explorations In Theatrical Theology, Andrew Noah
Celebrating Scholarship and Creativity Day (2018-)
This will be my presentation given to theology faculty on Scholarship and Creativity Day required for the Theology Capstone course. I will be discussing the idea that when doing theology in a theatrical mode, it becomes a way to focus on God working in the world and our call as the audience to take part in the performance. Because God does not just exist in the abstract, but makes Godself known through the senses, theatre, as a sensual art, becomes the perfect mode to explore and make relevant God’s divine revelation.
Episode 09: Killer Heels, Rachel Collinsworth
Episode 09: Killer Heels, Rachel Collinsworth
Season 3: Standards of Behavior
No abstract provided.
How To Be The Perfect Asian Wife!, Sophia Hill
How To Be The Perfect Asian Wife!, Sophia Hill
Art and Art History Honors Projects
“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.
Episode 08: Ghost In The Rearview Mirror, Kate Devantier
Episode 08: Ghost In The Rearview Mirror, Kate Devantier
Season 3: Standards of Behavior
No abstract provided.
Episode 07: Flirting Under The Influence, Binglin Wu
Episode 07: Flirting Under The Influence, Binglin Wu
Season 3: Standards of Behavior
No abstract provided.
Episode 06: Forgive Me, Father, For I Have Ginned, Austin Williamson
Episode 06: Forgive Me, Father, For I Have Ginned, Austin Williamson
Season 3: Standards of Behavior
No abstract provided.
Episode 05: Who's To Blame, Laylah Funk
Episode 05: Who's To Blame, Laylah Funk
Season 3: Standards of Behavior
No abstract provided.
Episode 04: Fresh Blood, Elizabeth Kyle
Episode 04: Fresh Blood, Elizabeth Kyle
Season 3: Standards of Behavior
No abstract provided.
Esta Breve Tragedia De La Carne, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
Esta Breve Tragedia De La Carne, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2017-2018 Women Innovators in the Performing Arts
With Esta Breve Tragedia de la Carne (This Brief Tragedy of the Flesh), Peak Performances introduces audiences to the singular work of the confrontational Spanish writer, director and performance artist Angélica Liddell. All the major European festivals – d’Avignon and d’Automne in France, Vie in Italy, Théâtre Vidy-Lausanne in Switzerland – embrace Liddell with the adoration usually reserved for Romeo Castellucci and Robert Wilson. Esta Breve Tragedia epitomizes her willingness to put herself and her performers through intense physical challenges to explore politics and the human condition. Here she immerses herself in Emily Dickinson, who spent much of her life …
Spring Dance Concert (April 19-21, 2018), Lindenwood University
Spring Dance Concert (April 19-21, 2018), Lindenwood University
Student Dance Programs & Brochures
No abstract provided.
Episode 03: Livin' La Vida Loko, Nancy Pertierra
Episode 03: Livin' La Vida Loko, Nancy Pertierra
Season 3: Standards of Behavior
No abstract provided.
Male Gaze Theory And Ratmansky: Exploring Ballet’S Ability To Adapt To A Feminist Viewpoint, Gillian T. Ebersole
Male Gaze Theory And Ratmansky: Exploring Ballet’S Ability To Adapt To A Feminist Viewpoint, Gillian T. Ebersole
Dance Department Best Student Papers
No abstract provided.
Chance Isn’T Always Random: How “Chaos” Led To Modern Structure, Celine Chai
Chance Isn’T Always Random: How “Chaos” Led To Modern Structure, Celine Chai
Dance Department Best Student Papers
No abstract provided.
Planning A Year End Formal, Anna Volkman
Planning A Year End Formal, Anna Volkman
Honors Theses
The intended outcome of this project was to create an event not only to celebrate the successes of the Department of Dance at Western Michigan University, but also to gain visibility for the student-ran organization, Orchesis Dance Society while emphasizing the power art has to unify communities. This project is an example for the organization and the Department of Dance as to how events like this are important for visibility, community involvement, and the celebration of art’s power. I created a year-end formal as an example of how art brings communities of people together and should be celebrated in order …
Center For Art & Theater News, Georgia Southern University
Center For Art & Theater News, Georgia Southern University
Center for Art & Theater (Archived)
- Art seniors to showcase portfolios and capstone projects in upcoming exhibition