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Theatre and Performance Studies Commons

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2018

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Articles 271 - 300 of 534

Full-Text Articles in Theatre and Performance Studies

St. Louis To Arizona: What Tom Wingfield Taught Me About Playing Myself, Christopher Scott Tennison May 2018

St. Louis To Arizona: What Tom Wingfield Taught Me About Playing Myself, Christopher Scott Tennison

Graduate Theses and Dissertations

This thesis consists of my statement of artistry/teaching philosophy, and documentation of artistic materials and thesis related performances.


Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson May 2018

Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson

Dissertations, Theses, and Capstone Projects

When classically trained cellist Charlotte Moorman (1933-1991) moved to New York City in 1957, she swiftly positioned herself at the intersection of experimental music, performance, video, and the visual arts. She interpreted works by composers like John Cage, collaborated with artists such as Nam June Paik, and founded and organized the New York Avant Garde Festival from 1963 to 1980. This dissertation argues that Moorman’s career sheds new light on what it meant to be an artist in this post-medium-specific moment and proposes that Moorman’s deterritorialization of authorship exerts pressure on traditional art histories. The generative dynamics of her collaborations …


Physics Of Acting, Cassidy Mccartan May 2018

Physics Of Acting, Cassidy Mccartan

Senior Honors Projects

Training for actors is a multi-disciplinary practice with study in three main categories: the actor’s voice, the actor’s body, and text studies. Unlike ballet dancing or learning a musical instrument, actor training is a culmination of various different techniques for each of these areas of study. The study of the actor’s body, through movement, is the most intricate area to decipher because it incorporates more varying techniques than voice and text studies.

With the mentorship of Joe Short, the theatre department’s professor of voice and movement at the University of Rhode Island, I investigated and compared the movement techniques of …


Takin' Care Of Business, Cody Levi Shelton May 2018

Takin' Care Of Business, Cody Levi Shelton

Graduate Theses and Dissertations

This thesis consists of my statement of artistry, and documentation of artistic materials and thesis related performances.


Beside Myself, Grant Hockenbrough May 2018

Beside Myself, Grant Hockenbrough

Graduate Theses and Dissertations

This thesis consists of my statement of artistry, and documentation of artistic materials and thesis related performances.


Bat Boy: The Musical Auditions Poster, Department Of Theatre, Dance & Film Apr 2018

Bat Boy: The Musical Auditions Poster, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

John Bowab Black Box Studio Theatre

Bat Boy: The Musical auditions

April 29, 2018, 7pm


Episode 12: All Things In Murderation, Tanner Elrod Apr 2018

Episode 12: All Things In Murderation, Tanner Elrod

Season 3: Standards of Behavior

No abstract provided.


“Alexander Hamilton Embodies Hip Hop.”: The Words That Sparked A Revolution, Lindsey Garrant Apr 2018

“Alexander Hamilton Embodies Hip Hop.”: The Words That Sparked A Revolution, Lindsey Garrant

The Review: A Journal of Undergraduate Student Research

This paper focuses on Alexander Hamilton, one of the most influential founding fathers, and how he embodies a genre of music known as hip hop. There are many aspects of hip hop culture that Alexander Hamilton embodied. The examples of hip hop culture used in this article are the Tupac Shakur and Biggie Small rivalry, Nas writing his way out of the Queens housing project, the “Ten Crack Commandments”, and “Fight the Power” by Public Enemy. Examples from Alexander Hamilton’s life consist of his rivalry with Aaron Burr, writing his way out of poverty, the duel code of honor, the …


Spring Dance Concert 2018 Playbill, Providence College Apr 2018

Spring Dance Concert 2018 Playbill, Providence College

Playbill and Promotion

Providence College Dance Company

Spring Dance Concert 2018

Student Choreography Showcase

Friday, April 27, 7:30PM

Saturday, April 28, 2:00PM

DIRECTOR: Dr. Wendy Oliver

LIGHTING DESIGNERS

Tim Brown ’20

Thomas Edwards ’20

We’ll Be Okay

Choreographer: Abby Raser

Music: “All At Once” by The Airborne Toxic Event featuring The Calder Quartet

Dancers: Alanna Daley, Caroline Mallon, Erin McDonald. Deirdre McMahon, Samantha Oakley, & Abigail Raser

What Kind of Man

Choreographer: Maria Fonts

Music: “What Kind Of Man” by Florence + the Machine

Dancers: Maria Fonts, Meghan Frazier, Emma Lederer, Kaitlin McGovern, Jaime Podracky, & Anna Sabo

Care About Us

Choreographer: Samantha …


Spring Dance Concert 2018 Poster, Providence College Apr 2018

Spring Dance Concert 2018 Poster, Providence College

Playbill and Promotion

Providence College Dance Company

Spring Dance Concert

Student Choreography Showcase

Friday, April 27, 7:30PM

Saturday, April 28, 2:00PM


Disney And Cameron Mackintosh's Mary Poppins: The Broadway Musical Apr 2018

Disney And Cameron Mackintosh's Mary Poppins: The Broadway Musical

Taylor Theatre Playbills

The playbill for Taylor University’s performance of Disney and Cameron Mackintosh’s Marry Poppins: The Broadway Musical.

Performed April 27-29 and May 4-6, 2018 at the Mitchell Theatre.

Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren't the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the …


Episode 11: Blunt Force Drama, Michael Painter Apr 2018

Episode 11: Blunt Force Drama, Michael Painter

Season 3: Standards of Behavior

No abstract provided.


Shake My Hand, Karenna R. Versalovic, Whitney Bagley, Linwan Lewis, Sarah Hoffman, Vernae Gallaread, John Hammond, William Bernick, Clifford Phillips Apr 2018

Shake My Hand, Karenna R. Versalovic, Whitney Bagley, Linwan Lewis, Sarah Hoffman, Vernae Gallaread, John Hammond, William Bernick, Clifford Phillips

Creative Activity and Research Day - CARD

The purpose of this project is to explore the inevitable intertwining of the worlds of dance and disability. It investigates what can happen when a group of people of all abilities use movement as a source of connection. This project was based on a nine minute dance piece created over a seven month period with rehearsals once a week for three hours sessions. The final piece consisted of seven dancers, five of whom had intellectual and developmental disabilities. The performance utilized improvisation, discussions, choreography, and contact work as tools for the creative process. The intent of the piece was to …


The Resistable Rise Of Arturo Ui Apr 2018

The Resistable Rise Of Arturo Ui

Theatre Programs

No abstract provided.


Episode 10: He's Come Undone, Kristen Daly Apr 2018

Episode 10: He's Come Undone, Kristen Daly

Season 3: Standards of Behavior

No abstract provided.


The Craftsman Mirroring The Creator: Explorations In Theatrical Theology, Andrew Noah Apr 2018

The Craftsman Mirroring The Creator: Explorations In Theatrical Theology, Andrew Noah

Celebrating Scholarship and Creativity Day (2018-)

This will be my presentation given to theology faculty on Scholarship and Creativity Day required for the Theology Capstone course. I will be discussing the idea that when doing theology in a theatrical mode, it becomes a way to focus on God working in the world and our call as the audience to take part in the performance. Because God does not just exist in the abstract, but makes Godself known through the senses, theatre, as a sensual art, becomes the perfect mode to explore and make relevant God’s divine revelation.


Episode 09: Killer Heels, Rachel Collinsworth Apr 2018

Episode 09: Killer Heels, Rachel Collinsworth

Season 3: Standards of Behavior

No abstract provided.


How To Be The Perfect Asian Wife!, Sophia Hill Apr 2018

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.


Episode 08: Ghost In The Rearview Mirror, Kate Devantier Apr 2018

Episode 08: Ghost In The Rearview Mirror, Kate Devantier

Season 3: Standards of Behavior

No abstract provided.


Episode 07: Flirting Under The Influence, Binglin Wu Apr 2018

Episode 07: Flirting Under The Influence, Binglin Wu

Season 3: Standards of Behavior

No abstract provided.


Episode 06: Forgive Me, Father, For I Have Ginned, Austin Williamson Apr 2018

Episode 06: Forgive Me, Father, For I Have Ginned, Austin Williamson

Season 3: Standards of Behavior

No abstract provided.


Episode 05: Who's To Blame, Laylah Funk Apr 2018

Episode 05: Who's To Blame, Laylah Funk

Season 3: Standards of Behavior

No abstract provided.


Episode 04: Fresh Blood, Elizabeth Kyle Apr 2018

Episode 04: Fresh Blood, Elizabeth Kyle

Season 3: Standards of Behavior

No abstract provided.


Esta Breve Tragedia De La Carne, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University Apr 2018

Esta Breve Tragedia De La Carne, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2017-2018 Women Innovators in the Performing Arts

With Esta Breve Tragedia de la Carne (This Brief Tragedy of the Flesh), Peak Performances introduces audiences to the singular work of the confrontational Spanish writer, director and performance artist Angélica Liddell. All the major European festivals – d’Avignon and d’Automne in France, Vie in Italy, Théâtre Vidy-Lausanne in Switzerland – embrace Liddell with the adoration usually reserved for Romeo Castellucci and Robert Wilson. Esta Breve Tragedia epitomizes her willingness to put herself and her performers through intense physical challenges to explore politics and the human condition. Here she immerses herself in Emily Dickinson, who spent much of her life …


Spring Dance Concert (April 19-21, 2018), Lindenwood University Apr 2018

Spring Dance Concert (April 19-21, 2018), Lindenwood University

Student Dance Programs & Brochures

No abstract provided.


Episode 03: Livin' La Vida Loko, Nancy Pertierra Apr 2018

Episode 03: Livin' La Vida Loko, Nancy Pertierra

Season 3: Standards of Behavior

No abstract provided.


Male Gaze Theory And Ratmansky: Exploring Ballet’S Ability To Adapt To A Feminist Viewpoint, Gillian T. Ebersole Apr 2018

Male Gaze Theory And Ratmansky: Exploring Ballet’S Ability To Adapt To A Feminist Viewpoint, Gillian T. Ebersole

Dance Department Best Student Papers

No abstract provided.


Chance Isn’T Always Random: How “Chaos” Led To Modern Structure, Celine Chai Apr 2018

Chance Isn’T Always Random: How “Chaos” Led To Modern Structure, Celine Chai

Dance Department Best Student Papers

No abstract provided.


Planning A Year End Formal, Anna Volkman Apr 2018

Planning A Year End Formal, Anna Volkman

Honors Theses

The intended outcome of this project was to create an event not only to celebrate the successes of the Department of Dance at Western Michigan University, but also to gain visibility for the student-ran organization, Orchesis Dance Society while emphasizing the power art has to unify communities. This project is an example for the organization and the Department of Dance as to how events like this are important for visibility, community involvement, and the celebration of art’s power. I created a year-end formal as an example of how art brings communities of people together and should be celebrated in order …


Center For Art & Theater News, Georgia Southern University Apr 2018

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

  • Art seniors to showcase portfolios and capstone projects in upcoming exhibition