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Articles 421 - 450 of 693
Full-Text Articles in Theatre and Performance Studies
Shanghai Quartet With Ying Huang, Soprano, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
Shanghai Quartet With Ying Huang, Soprano, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2012-2013 Exceptions Rule: No Compromise
Through two dynamic programs, the Shanghai Quartet celebrates their 30th anniversary by demonstrating the amazing breadth of repertoire that has become the group’s hallmark. In the fall, the group collaborates with cellist Jan Vogler to perform Franz Schubert’s breathtaking String Quartet in C Major. In the spring, internationally renowned soprano Ying Huang joins the Quartet in performing Chinasong, a spectacular mix of traditional and popular Chinese folk music written and arranged by Shanghai Quartet violinist Yi-Wen Jiang. Together, both programs represent the special east-meets-west style that has become the touchstone of the Shanghai Quartet’s illustrious career.
Welcome To 'Notes And Discoveries'
Welcome To 'Notes And Discoveries'
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
The New Science And Women’S Literary Discourse: Prefiguring Frankenstein, Ed. By Judy A. Hayden, Laura Miller
The New Science And Women’S Literary Discourse: Prefiguring Frankenstein, Ed. By Judy A. Hayden, Laura Miller
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Women’S Literacy In Early Modern Spain And The New World, Ed. By Anne J. Cruz And Rosilie Hernández, Kirsten Schultz
Women’S Literacy In Early Modern Spain And The New World, Ed. By Anne J. Cruz And Rosilie Hernández, Kirsten Schultz
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Dutch And Flemish Masterworks From The Rose-Marie And Eijk Van Otterloo Collection Mfa-Houston (Nov. 13 2011-Feb. 12, 2012), David Mazella
Dutch And Flemish Masterworks From The Rose-Marie And Eijk Van Otterloo Collection Mfa-Houston (Nov. 13 2011-Feb. 12, 2012), David Mazella
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
The Experience Of Domestic Service For Women In Early Modern London, Ed. By Paula Humfrey, Marisa Iglesias
The Experience Of Domestic Service For Women In Early Modern London, Ed. By Paula Humfrey, Marisa Iglesias
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Multiplying Worlds: Romanticism, Modernity, And The Emergence Of Virtual Reality, By Peter Otto, Stacey Kikendall
Multiplying Worlds: Romanticism, Modernity, And The Emergence Of Virtual Reality, By Peter Otto, Stacey Kikendall
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Separated By Their Sex: Women In Public And Private In The Colonial Atlantic World, By Mary Beth Norton, Leigh Johnson
Separated By Their Sex: Women In Public And Private In The Colonial Atlantic World, By Mary Beth Norton, Leigh Johnson
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Living In A Digital World: Rethinking Peer Review, Collaboration, And Open Access, Sheila Cavanagh
Living In A Digital World: Rethinking Peer Review, Collaboration, And Open Access, Sheila Cavanagh
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
In Search Of Lady Isabella’S Library; Or, A Question Of Access, Patricia L. Hamilton
In Search Of Lady Isabella’S Library; Or, A Question Of Access, Patricia L. Hamilton
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Digitally Reconstructing The Reynolds Retrospective Attended By Jane Austen In 1813: A Report On E-Work-In-Progress, Janine Barchas
Digitally Reconstructing The Reynolds Retrospective Attended By Jane Austen In 1813: A Report On E-Work-In-Progress, Janine Barchas
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Place And Contemplative Pedagogy, Laura Runge
Place And Contemplative Pedagogy, Laura Runge
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Gender & Genre, Sharon Harrow
Gender & Genre, Sharon Harrow
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Dangerous Delusions, Nora Nachumi
Dangerous Delusions, Nora Nachumi
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Accessing Liberal Education, Alison Conway
Accessing Liberal Education, Alison Conway
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Teaching Eighteenth-Century Literature As A Feminist Scholar In The New Millennium, Alison Conway, Sharon Harrow, Nora Nachumi, Laura Runge
Teaching Eighteenth-Century Literature As A Feminist Scholar In The New Millennium, Alison Conway, Sharon Harrow, Nora Nachumi, Laura Runge
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
‘The Only Beguiled Person’: Accessing Fantomina In The Feminist Classroom, Kate Levin
‘The Only Beguiled Person’: Accessing Fantomina In The Feminist Classroom, Kate Levin
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
A Reflection On Teaching, Multiculturalism, And Access, Srividhya Swaminathan
A Reflection On Teaching, Multiculturalism, And Access, Srividhya Swaminathan
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
’A Strange Sympathy’: The Rhetoric Of Emotion In The History Of The Nun; Or, The Fair Vow-Breaker, Elizabeth J. Mathews
’A Strange Sympathy’: The Rhetoric Of Emotion In The History Of The Nun; Or, The Fair Vow-Breaker, Elizabeth J. Mathews
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
The Limits Of Genre: Women And ‘History’ In Frances Sheridan’S The Memoirs Of Miss Sidney Bidulph And Elizabeth Griffith’S The History Of Lady Barton, Kaley Kramer
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Fatally Enjoy’D: Rape, Resilience, And The Accessibility In Aphra Behn’S The Dumb Virgin, Emily Bowles
Fatally Enjoy’D: Rape, Resilience, And The Accessibility In Aphra Behn’S The Dumb Virgin, Emily Bowles
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
At The Precipice Of Community: Feral Openness And The Work Of Mary Robinson, Anne Milne
At The Precipice Of Community: Feral Openness And The Work Of Mary Robinson, Anne Milne
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Note From The Editor: Issue 2, Open Access, Laura Runge
Note From The Editor: Issue 2, Open Access, Laura Runge
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Fem And Funny: Three Women Who Changed The Face Of Stand-Up Comedy, Rachel Eliza Blackburn
Fem And Funny: Three Women Who Changed The Face Of Stand-Up Comedy, Rachel Eliza Blackburn
Theses and Dissertations
Phyllis Diller, Joan Rivers, and Lisa Lampanelli as performers demonstrate an arc of evolving female empowerment in the world of stand-up comedy. In this thesis I shall study the development of each woman’s career by examining her material, progression of her comic persona, and relationship to women’s gender roles, both personally and professionally. While there are many other female comics who contribute to the story of women’s stand-up comedy in the contemporary period (in particular, Moms Mabley and Elayne Boosler), Diller, Rivers and Lampanelli each represent a distinct shift in how their persona combined with subject matter, allowing women to …
Madam Britannia: Women, Church, And Nation, 1712-1812, By Emma Major, Kathryn Stasio
Madam Britannia: Women, Church, And Nation, 1712-1812, By Emma Major, Kathryn Stasio
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
A Political Biography Of Eliza Haywood, By Kathryn R. King, Kristin M. Girten
A Political Biography Of Eliza Haywood, By Kathryn R. King, Kristin M. Girten
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Reading Jane Austen, By Mona Scheuermann (2009) ; Reading Jane Austen, By Mona Scheuermann (2012) ; Why Jane Austen?, By Rachel M. Brownstein, Karen Gevirtz
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Orlando: Women's Writing In The British Isles From The Beginnings To The Present, Edited By Susan Brown, Patricia Clements, And Isobel Grundy, Melanie Bigold
Orlando: Women's Writing In The British Isles From The Beginnings To The Present, Edited By Susan Brown, Patricia Clements, And Isobel Grundy, Melanie Bigold
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Dangerous Women, Libertine Epicures, And The Rise Of Sensibility, 1670-1730, By Laura Linker, Courtney Beggs
Dangerous Women, Libertine Epicures, And The Rise Of Sensibility, 1670-1730, By Laura Linker, Courtney Beggs
ABO: Interactive Journal for Women in the Arts, 1640–1830
No abstract provided.
Interactive Aphra: Skyping Behn Into Your Classroom, Cheryl Wanko
Interactive Aphra: Skyping Behn Into Your Classroom, Cheryl Wanko
ABO: Interactive Journal for Women in the Arts, 1640–1830
Beginning by asking how teachers manage the presence of the author in their literature classrooms, this article describes the classroom experiment of interviewing Karen Eterovich, an actor who portrays Aphra Behn, using Skype. It describes the planning and scripting processes, explains the particular interests of this group of students, and assesses the final activity. Questions arose about topics for the interview, appropriate ways for Behn to respond, and the need for a script. The pedagogical opportunities for preparing students as interviewers and of expanding their understanding of performance, historical reenactment, and the construct of the author are discussed. Possible extensions …