Theatre and Performance Studies Commons^™

Boundary As Borderland: Mexico City’S Central Plaza And The Politics Of Presence, Re'al Christian

Theses and Dissertations

In the postcolonial era, the land surrounding national borders—the borderland—has inherited a specific identity and relationship with those who navigate it. While national borderlands are oft discussed amid conversations on globalization, land disputes, and war, the Spanish colonization of the Americas in the fifteenth and sixteenth centuries saw the new establishment of borderlands from within in the form of segregative boundaries that purported to separate Indigenous and European peoples. This thesis concerns the manifestation of the borderland as not only an external entity, but an internal one as well. Using Mexico City, the center of the Spanish colonial empire, as …

Homesick, Or Sacred Heterosexual Spaces, Ryan A. Drake

Theses and Dissertations

A dark satire about a young queer man who comes home under mysterious circumstances to find that he's been replaced by someone who looks just like him. He starts having dreams that his family is trying to kill him...but are they dreams?

Beirut/The Other Side Of The City: The Impact Of Visual Texture Production Of The Lebanese Postmemory Generation, 1989 - Present, Mohamed Moustafa Gameel Ebada

Theses and Dissertations

In 1989, after the Ta'if agreement, the war in Lebanon started to fade, which ended years of one of the most destructive civil conflicts in the region with no decisive winner or loser. The year also marked the birth of a new Lebanese generation who did not experience the war in person. It is a generation of postmemory, a term Maria Hirsch coined to describe the reminisces of those who did not have a personal encounter with past traumatic events. However, it was not before February 2005, when Rafic Al-Hariri's violent assassination occurred, when the postmemory generation started to question …

My Body, No Apologies, Maxine Montilus

Theses and Dissertations

“My Body, No Apologies” is a 20 - minute autobiographical dance film, conceived, choreographed and performed by Maxine Montilus, with text from Sonya Renee Taylor’s The Body is Not an Apology: The Power of Radical Self-Love. The supporting paper examines the impact of family, history and societal forces on her Black female body.

The film premiered on the Hunter College Dance Department’s website, www.hunterdances.com/mybody, on Saturday, May 1, 2021.

Clams Clams Clams Clams Clams Clams Clams Clams Clams Clams, Ella Boureau

Theses and Dissertations

CLAMS CLAMS CLAMS CLAMS CLAMS CLAMS CLAMS CLAMS CLAMS CLAMS is a multilingual retrofuturist couscous western starring two eco-militant sisters living on a polluted Mediterranean beach.

The Communal Roots Of The Tree Of Life: The Performativity Of The Torah Scroll In Jewish Ritual, Joseph Maybloom

Theses and Dissertations

The Torah scroll’s materiality is central to its use in ritual and encourages a performance-based analysis. The object acts as a physical connection to the divine, a material embodiment of Jewishness. The congregation’s participation in the scroll’s lifecycle rituals fosters their communion with the object and with each other.

Eagle Eye Vs. Gear Jammer, Jessica Danielle Ellis

Theses and Dissertations

Where similarities in class struggle have historically operated as a unifying force globally, the American crafted mythos isolates the individual and dehumanizes those that do not fall within the parameters of the cowboy archetype. The national protagonist is turned into a class traitor and an extension of government power.

Bewitching The Blame: The Crucible's Legacy Of Appropriation And Sexual Shame In Popular Culture, Hope Kristine Morris

Theses and Dissertations

In The Crucible Arthur Miller uses tropes of female characters, Abigail and Tituba, to tell a story of male heroism. In the process, he dismisses and appropriates the true stories of women who suffered during the Salem witch trials for his own political and personal gain. In this thesis, I argue that Miller’s appropriation and sexualization of women continues into contemporary popular culture depictions of the Salem witch trials including the movie adaptation of The Crucible and the television shows Salem and American Horror Story: Coven. These depictions appropriate and sexualize women’s stories in order to fulfill the male gaze. …

14 Minutes In Purgatory, Jennifer Moody Sanchez

Theses and Dissertations

14 Minutes in Purgatory is about the trials and tribulations of growing up female. Inspired by the Greek myth, Prometheus, and the #MeToo movement, this solo show takes a cold hard look at the social, economic, and cultural oppression of women. In the story of Prometheus, he was found guilty by giving the gift of fire to the humans. In 14 Minutes in Purgatory, the character is held in purgatory for the crime of giving wisdom to another generation of women, in a world of privileged men. Using real life stories, I was able to portray individuals that molded me …

This New Colossus, Sean M. Ardor

Theses and Dissertations

This New Colossus was an original work of theater which I conceived, wrote, designed, directed, and performed four times over three consecutive evenings in mid-November 2019 at the Center for Performance Experiment in Columbia, South Carolina (A video recording of this performance is included in my thesis submission). This New Colossus tells the a story of an unnamed Grandfather and his Grandson struggling against a fictional communist government of the United States during its rise in the 1930's and its fall in the 1970's. The work was inspired by the lives of 20th century leftist revolutionaries, the poetry of Walt …

Failure And The Amiable Lie, Timothy Giles

Theses and Dissertations

This document details the creation and execution of my solo theatrical piece The Man and the Demon. The first chapter serves as an exploration of how the show was conceived, created, rehearsed, and presented before an audience. In the second chapter, I detail why this piece resists traditional standardization for the purpose of repetition. Through both chapters I investigate the intimacy and immediacy of theatre, the benefits of risk, the essence of storytelling, and the usefulness of theatre’s “amiable lie.”

Step By Step, Iuliia Khamidullina

Theses and Dissertations

STEP BY STEP is a new work of theatre written and performed by me, Iuliia Khamidullina. This script is the one in which I appeared in four performances at the Center of Performance Experiment, within the Department of Theatre and Dance at USC. It tells the story of how a beloved daughter learns to become an artist, even as life’s difficulties are thrown in her way. And it examines her teachers, and most particularly her father. It asks the question: who are Siberian men? What makes them unique? And it examines how this daughter learns from her father’s courage and …

Seven Phases Of The Moon, Muhammed Can Yasar

Theses and Dissertations

While studying for my MFA in Theatre, with a concentration in acting at the University of South Carolina, I was asked to write a solo show. I wanted to write about all the lives inside of me. As a Turkish Muslim man who lives in the United States, I lived so many lives, I met many people and seen many places. It made me who I am today, and writing became part of me forever. Creating a solo show was the most eye-opening learning experience. It changed my perspective towards my art, theatre. It helped me spotlight people, philosophy and …

Inside The Designer: A Costume Designer’S Process, Kennedy Reid Roberts

Theses and Dissertations

Through an analysis of my Costume Design process for The Revolutionists, by Lauren Gunderson (2019), Eurydice by Sarah Ruhl (2020), Of Mice and Men by John Steinbeck (2020), presented at The University of South Carolina, my goal is to explain the knowledge and experience I received as a student and Costume Designer. By observing my journey as a first-year graduate student to a third-year graduate student and bridal designer, I will analyze my work and achievements. This program taught me to be the designer I am today. This included designing 3 shows and creating a business plan for my own …

The Music Festival: A Case Study On The Establishment, Development, And Long-Term Success Of An Instrumental Music Education Event From A Logistical Perspective, Dakota Corbliss

Theses and Dissertations

In this paper, I will combine insight collected from interviews of people involved with events related to the arts, particularly in the field of the music. These discussions include a variety of perspectives including executive directors, logistics personnel, operations managers, faculty, guest artists, as well as festival participants. Through a multi-layered and thoroughly filtered lens, I aim to establish an outline for a guide that will allow individuals in the field of music set their extracurricular educational program up for success.

There are many factors that need to be considered when establishing a music festival, but this paper will mainly …

Five Dollar Ticket, Gabe Reitemeier

Theses and Dissertations

Despite the fact that American culture seems to hold tightly to the notion that happiness is only deserved by those who work for it, experiences which require some work to fully appreciate struggle to survive due to an apparent unwillingness to undertake said work by the vast majority of American consumers. In Five Dollar Ticket, I examine the struggles of such experiences to find purchase in the American market and offer suggestions on how to make the “work” aspect of their appreciation more appealing and worthwhile. Specifically, I use the examples of attending foreign language operas and eating spicy foods …

Giglife.Nyc: Blood, Sweat, Tears And Glitter., Erik B. Slavin

Theses and Dissertations

In New York City there's a community of artists who have rejected the obvious choices that the world has offered them and pursued a life of performance and glitter, of bright lights and fire and sensuality.

These performers are extraordinarily compelling. They're artists with lives crafted to entice and delight our gaze. GigLife.NYC: Blood, Sweat, Tears & Glitter is an observational documentary film that invites the viewer, drawn in with the promise of titillating spectacle, to discover the object of their desire is engaged in artistic, romantic, political and economic struggle.

Gus Solomons Jr.: Analyzing The Dances Of An Early Black Postmodernist, Zsuzsanna Orban

Theses and Dissertations

Gus Solomons jr. was one of the first Black dancers to participate in the Judson Dance Theater workshops, but was never fully integrated into the white, postmodern dance world. This thesis looks at several of his works which exemplify his use of site-specificity and innovative technologies, including dual-screen video dances.

Be Coming - Transcendence Born From The Concrete, Kathryn Alter

Theses and Dissertations

My interactive virtual world, be coming, is a response to the question, “what happens when art that is made to be performed cannot be shared in a live performance?” In answering this question, I also use as theoretical tools certain works of Benjamin, Deleuze, Guattari and Peter Zumthor.

Us, Abundantly: From Africa To The Americas, Karisma Jay

Theses and Dissertations

"Us, AbunDantly," a Live theatrical dance performance and film, delves into the African Diaspora and its influences. An artistic and academic project built upon the amplification of Black excellence and Black pride, this paper contextualizes a work within the oral histories and contemporary dance studies of a powerfully ancestral community.

672 Years Of Plague: Reconquest, The Last Dream Of King Alfonso Xi Of Castile: Hermeneutics Of A Play, Jose Sarzi Amade

Theses and Dissertations

The proposed work here is a literary creation: a play accompanied by a critical study on it. The work (second part) introduces us to characters that thanks to the contest of the dream dimension - the invention of the last dream of the King of Castile, Alfonso XI - make a trip in the future. They flee from the medieval plague of 1348, sail to the unknown and meet, after crossing the Atlantic Ocean, in 2020, in dystopia. Things are deteriorating and navigators end up being expelled from this place. The framework of the play was built around stories of …

Tya And Educational Outreach In Higher Education: An Asset To Undergraduates And Their Community, Emily J. Mattison

Theses and Dissertations

Undergraduate students pursuing a career in theatre are at the beginning of their life-long training and understanding and appreciation for the art. Performing in a Theatre for Young Audiences (TYA) touring production alongside the responsibility of crafting educational outreach opportunities provides the students with a unique chance to comprehend the art they have chosen to devote their lives to. This paper details the value of offering a course I crafted entitled “TYA Educational Outreach”, for both the undergraduates enrolled and the community they would be reaching. While undergraduates develop an understanding of the impact theatre can have on an individual …

Evolving Perspectives: How Research, Age, And A Global Pandemic Alters The Mind's Eye In Costume Design, Audrey Reed

Theses and Dissertations

This thesis explores how various factors can affect how something is viewed and appreciated. It specifically relates to James and the Giant Peach the musical as it is as a halted production for the VCU theatre due to COVID-19. This document encompasses facts about Roald Dahl’s life, details about my designs for the production, as well as how a global pandemic affected the life of theatre. Included in this document are research and renderings.

The Living Theatre Of Horror: Examining How Centuries Of Western Theatrical Practice And Theory Inform The Modern-Day Haunted House, Scott Dittman

Theses and Dissertations

This work will discuss the growing modern phenomenon of theme park and regional haunt events in the United States. In it, we will explore the history of how horror has been presented on stage, the themes within horror that creators grapple with, and how by using traditional theatrical elements creators of modern haunt events are able to make the audience a part of the story, transforming them from passive observers of the scenarios presented to complicit participants. How does the history of horror theatre inform the production of modern haunt events (and how has a global pandemic affected them), what …

"With The Commodity In The Hand": A Practical Investigation Of The Intersection Of Material Culture With Performance Theory, Katharine M. Given

Theses and Dissertations

This thesis examines the intersection of performance theory and material culture through the practices of garment reconstruction. In chapter 1, I examine key theorists in the fields of material culture and performance studies and articulate the connections between the two fields. In chapter 2, Using practice as research, I recount the experience of building reproduction garments from the eighteenth century using historically appropriate tools and methods, as well as the experience of wearing those garments. Finally, in Chapter 3, I walk through a possible historical examination of my encounter with these reconstructed garments, and consider the way in which feminine …

In Search Of A Stimulating Visual Dance Art Medium: Overlapping Realities In Live And Screen Dance, Yael Levitin Saban

Theses and Dissertations

This thesis paper captures research into historical examples of artistic performance pioneers who integrated multiple layers of imagery into complex dialogue and describes how this research inspired and influenced the creation of an original 17-minute video work, “Overlay.”. My interest throughout my MFA Thesis Project has been to understand the effect of fusing or layering multiple movement-based art forms, the application and integration of modern technology to established traditional stage performance, and the creation of engaging new art form.

Staying In The Moment: Acting Methods Through Video For The Novice And Veteran Actor, Cortland D. Ellis

Theses and Dissertations

High school is a great place to start acting and learn about theatre, but it can also be a place where actors develop substandard practices. Nevertheless, there are several acting methods that can be used to combat these habits. By delivering videos that focus on these techniques and are tailored to both young and seasoned actors, actors can obtain a better understanding of acting and can be more well-equipped as they approach their work. In order to create these videos, research into the different acting methods and their respective creators was conducted. The information gained from this inquiry was then …

Concept To Rendering To Shop To Stage: A Process In Costumes, Molly A. Morgan

Theses and Dissertations

The costume design and technology program at the University of South Carolina demands that students learn each facet of the profession extensively. The highlights and most growth-inducing experiences for me were the opportunities to design costumes for four main stage productions. I gained an understanding of costume-based research, watercolor and digital rendering, building ideas with a director, working out a cohesive look with other designers, and communicating about garment construction with a costume shop. I also built up my costume construction skills and learned to flat pattern and drape. With opportunities to work professionally, I honed my shop management and …

Lighting Design: An Assortment, Tyler Omundsen

Theses and Dissertations

The ensuing is an analytical examination of three years within the Master of Fine Arts program at the University of South Carolina, focusing in the concentration of Lighting Design. It examines three main stage productions that were assigned to Tyler Omundsen and provides insight into his process and experiences within the program. This text provides the story of the original script and how the artist was able to decipher it into a working design.

Composing With Light And Color: Storytelling Through Art And Science, Allison A. Newcombe

Theses and Dissertations

Composing with Color and Light: Storytelling through Art and Science is an exploration of all of theatrical productions that I designed within the Master of Fine Arts program at the University of South Carolina, with a concentration in Lighting Design and focuses on the design process from beginning to end. Each production had its own set of challenges and lessons that have prepared me for more professional design opportunities as my career expands around the world. Each University of South Carolina production presented specific and unique challenges. From paperwork, to learning and understanding how to communicate with a team and …