Theatre and Performance Studies Commons^™

Virtual Touch: Embodied Experiences Of (Dis)Embodied Intimacy In Mediatized Performance, Naomi Petrea Bennett

LSU Doctoral Dissertations

In this dissertation, I explore a phenomenon I call virtual touch, in which embodied sensations of touch are felt through non-tactile senses. In the digital age, online interactivity has expanded the ways in which individuals experience connection, intimacy, and touch. Digital media, which have traditionally been thought of as disembodied, nevertheless have the ability to elicit intense feelings of touch. Through analysis of digital and virtual installation art, I examine the ways that non-tactile touch remains rooted in the embodied experience. The works I include in this study create a feeling of virtual touch through a co-functioning of the …

Theater Of The Obsessed, Cynthia Sampson

LSU Doctoral Dissertations

Theater of the Obsessed uses fandom to illustrate how audiencing can be a form of queer worldmaking. I begin by establishing that audiencing is a process that takes place over time and is not confined to the seat you’re sitting in while consuming various media. Because audiencing is a nearly invisible process, I turn to fandom and fanworks to demonstrate what some of the other parts look like. From there, I take a mystorical approach. That is, I use mystory to braid my personal audiencing, popular culture examples, and professional scholarship together to create a wide image. What becomes apparent …

Creating And Producing Immersive Theatre Performances In Found Spaces, Anthony Doyle

Honors Capstones

No abstract provided.

The Choreo-Story Workshops: Devising Body Narratives, Montana J. Smith

LSU Doctoral Dissertations

This multi-methodological project analyzes the utility of the proposed performance method, the Choreo-Story, within the field of Performance Studies. The Choreo-Story is a movement-based performance method, mode of devising, and performance product. It is a performance tool that can be used to understand how embodiment and dance help individuals make sense of the many identities they perform. This method highlights the body as both a text and tool for storytelling. To analyze the Choreo-Story method, I use Kenneth Burke’s Dramatistic Approach to examine three performance acts that occurred in the HopKins Black Box theatre between 2016 and 2018: my …

Mini-Actors, Mega-Stages: Examining The Use Of Theatre Among Children And Youth In U.S. Evangelical Megachurches, Carla Elisha Lahey

LSU Doctoral Dissertations

How do children and youth first encounter the performing arts? While schools may stand out as an obvious answer, a recent study conducted by the U.S. Department of Education shows that the percentage of public schools offering theatre classes dropped at both the primary and secondary level from 2000-2010 (Brenchley). Yet, even as arts offerings experience a decline in some public schools, many students are being introduced to performance through another venue – the evangelical megachurch.

Since the birth of the church growth movement in the 1970s, megachurches (defined as Protestant congregations that average at least 2,000 weekly attendees) have …

Wake With Me, Sarah Nansubuga

LSU Master's Theses

This thesis outlines my research, writing, and performance process, leading up to and reflecting on the final product of my MFA Solo Thesis project. The project is entitled Wake With Me, and its performance is a shamanistic portrayal of a folklore story from my native place of origin; Kampala, Uganda. It is an exploration of the metaphorical loss of cultural identity through the literal loss of a family member, and the journey through story telling as a method to reclaim or preserve what was lost. Throughout the piece, the performer plays the role of narrator, using voice, body and mind …

In Search Of National Identity: Portraits Of Motherless Women In Clarín And Galdós, Leslie I. Quezada

LSU Master's Theses

Drawing on novels by Leopoldo Alas Clarín and Benito Pérez Galdós, I will examine the portraits of women in La Regenta (1885), Tristana (1892), andLa de San Quintín (1894). By exploring how women in the works are reflected in terms of identity and nature of their role from a male-authored perspective, I will study how different aspects influence the development of their character, as well as the issues they face when searching for their identity. Galdós and Clarín unravel the women to embody the nation of Spain and the conditions it was going through before the …

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

Modes Of Cartoon Corporeal Performance, Gregory Langner

LSU Doctoral Dissertations

This dissertation project works to introduce and interrogate a phenomenon I am calling cartoon corporeality. The phenomenon refers to the varied ways in which cartoons “escape” their usual two-dimensionality through performance, appearing to manifest in physical environments in ways that should be understood as culturally impactful. Cartoon corporeality encompasses different modes of performance wherein the explicit visual presence of a cartoon subject informs an immediately observable physical impact through the body of the performer. I interrogate the phenomenon by focusing on four select modes of cartoon corporeal performance: videogame play, cosplay, theatrical adaptation, and the active weaving of cartoons …

A Narrative And Performative Methodology For Understanding Adolescent Cancer Stories, Patrick Mcelearney

LSU Doctoral Dissertations

The field of health communication places considerable attention on coping with cancer, typically using social scientific approaches to investigate uncertainty, information, and/or social networks. Social scientific models of coping with adolescent cancer often measure how behaviors seek to manage cancer’s uncontrollability and/or uncertainty; however, how adolescents cope with cancer has been unclear. Short-term studies show adolescents typically and atypically cope. Long-term studies show a significant portion of survivors exhibit post-traumatic stress. The narrative and performative turns expose the role narratives and performatives play in shaping human subjects as meaning makers rather than merely information sharers. A narrative subject reframes cancer’s …

Labor And Delivery: Television Performances By Pregnant Actresses From 1948-2016, Evleen Michelle Nasir

LSU Doctoral Dissertations

Labor and Delivery: Television Actresses’ Pregnant Performances from 1948-2016, examines the labor of six pregnant actresses working on United States television. Mary Kay Stearns, Lucille Ball, Jane Leeves, Kerry Washington, and Katey Sagal all worked through pregnancies while filming their respective television shows. These women exemplify the multitude of actresses who maintained their careers and their pregnancies in the television industry. This is the first study of its kind to examine the labor of an actresses’ pregnant body on film while she performs a role other than herself. Previous examinations of pregnancy in performance are few but have largely focused …

Designing A World: A Foray Into Scenography And Settling, Nathan David Ynacay

LSU Master's Theses

This work examines the design process as taught and what was practiced during Louisiana State University’s production of LMNOP the Muzical.

This will examine the design process as typically taught to undergraduate theatre students in all aspects of the discipline. The collaborative nature of the design process as taught to cast members, directors, and production team will be examined. After this examination, the design process for Louisiana State University’s production of LMNOP the Muzical will be used to compare and contrast the actual process with the theory of a collaborative design process. After, there will be an evaluation of …

A Tale Of Two Birds: Lighting Design And Implementation Of Anton Chekhov's The Seagull And Aaron Posner's Stupid Fucking Bird Running In Repertory At Swine Palace Theatre, Chelsea G. Touchet

LSU Master's Theses

The course of creation never did run smooth. Every act of creation is a process of creation. While theatrical creation and execution may follow the same basic steps each time, the process will always be evolving. One may take many paths to reach the same destination.

This project is a study of the process of creation and execution of a repertory theatrical lighting design for a professional company in an academic setting. In the spring of 2017, Swine Palace Theatre, the professional company associated with Louisiana State University’s (LSU) School of Theatre, produced Anton Chekhov’s The Seagull in full rotating …

Precarious Democracy: "It Can't Happen Here" As The Federal Theatre's Site Of Mass Resistance, Macy Donyce Jones

LSU Doctoral Dissertations

The scholarly consensus of the Federal Theatre Project (FTP) is that it was a massive undertaking set to employ theatre professionals during the Great Depression. That undertaking resulted in vibrant, relevant theatre that helped to build a theatre audience across the nation. Outside of the overview-style scholarship, specialized studies have delved into the FTP as a community-building enterprise, a site of racial/ethnic study, and an essential new play creator.

My scholarship fills a hole that previous FTP scholarship has left open. The FTP was a political machine engaged in producing pro-American propaganda. That aspect of production has been largely left …

A Man Without: A Search For Personal Identity, Nitin Govindrao Mane

LSU Master's Theses

This thesis documents the process of devising, writing, rehearsing, and performing a solo show named A Man Without. The play depicts the posthumous trial of a multi-religious man named Neelkanth Khan. To be freed from limbo, Neelkanth must defend his life before Jesus, Krishna and Allah. Unfortunately, Neelkanth loses his case; yet another failure for a man whose life was a series of failures due to his circumstances and his character flaws. On the thematic level, this story implies that mankind’s failure to understand religion and the Gods leads to religious fanaticism. The backbone of this project is the training …

Me Paenitet, Joshua Stenvick

LSU Master's Theses

The coming pages will document my journey from the initial creative spark, to the final performance of a one-man show. The first chapter will chronicle the creative process and how I came about the idea. The second chapter will show you the performance text along with analysis to give a side-by-side example. The third and final chapter will detail what this thesis project means to me personally, my graduate degree and how my views on art have evolved. What was my one-man show about? It’s a story about the moment our moral compass is turned upside down, and finding our …

The Treasure Of Welks-Kreer, Lance Rasmussen

LSU Master's Theses

This paper is intended to document the process of developing and performing The Treasure of Welks-Kreer, a one-man show written by Lance Rasmussen in fulfillment of the requirement for his Master of Fine Arts in Acting degree at Louisiana State University. Harkening back to the memories of his childhood and his current passions and interests, Lance wrote The Treasure of Welks-Kreer as a story of hope and exploration. The story follows The Metaphor, a superhero who finds himself transported back to the basement where he used to play table-top roleplaying games with the group of friends who eventually formed his …

Terrible Telegrams, Cara Lindsay Reid

LSU Master's Theses

In compliance to the curriculum at Louisiana State University and Swine Palace’s Actor Training Program, M.F.A. Acting candidates are required to create and develop a one-person show. The objective is to foster the actor’s creative virtuosity and to give them the confidence, capability, and skill set to continue to create their own work after graduation. My play is about Lucy James, a recent college graduate, who moves to New York to follow her dreams of becoming an actress. Lucy's love for the craft is challenged when she takes a demoralizing job and her life begins to spiral out of control. …

Main Line, Michael Pepp

LSU Master's Theses

Main Line was developed as a 20-minute solo performance piece by the influence of my graduate training at Louisiana State University’s M.F.A. acting program. The writing and the performance of this project served as a graduation requirement as well professional experience and exploration of my personal aesthetics of storytelling, actors craft, production design, and independent theatre making. This thesis acts like a guide to my process of devising theatre. I was inspired and determined to produce work that was meaningful, political, and entertaining. Main Line explores the narrative of black experiences within a New Orleans culture that centers the movement …

The Machine Gun Hand: Robots, Performance, And American Ideology In The Twentieth Century, Benjamin Michael Phelan

LSU Doctoral Dissertations

Twentieth-century Marxist philosopher Louis Althusser argued in his famous essay “Ideology and Ideological State Apparatuses” that capitalism reproduces itself by interpellating individuals as subjects. For Althusser, the subject has a dual definition: a person who imagines him or herself to be a free subject who then “chooses” capitalism, and a person who, once they have “chosen” capitalism, gives up their free will to the Subject (Law, God, Authority, the State). This dual definition of the subject mirrors the dual definition of “robot.” A robot is both a mechanical being that moves on its own and a person who acts in …

Redefining The Word, Jalea Jackson

Honors Capstones

No abstract provided.

Nightmares Are Dreams, Too, Camilla Meg Morrison

LSU Master's Theses

This work explores themes of womanhood through the creation of an installation that is a blend of visual art and costume design. Often the initial creative impulse of a costume design can be compromised by the needs or necessity of a production. Using this instinct as a guide to the exploration of themes of womanhood, this journey will yield the design and production of highly theatrical and emotional pieces of art. The purpose of this work is to tell stories and share experiences of being a woman. The pieces will be displayed as an environmental installation that will invite the …

Cuban Routes Of Avant-Garde Theatre: Havana, New York, Miami, 1965-1991., Eric Mayer-Garcia

LSU Doctoral Dissertations

My dissertation interrogates how the movement of artists between Havana, New York, and Miami shaped experimental theatre aesthetics, formed a shared discourse of theatrical thought, and introduced a particular vein of experimental practices into U.S. American avant-garde theatre, especially as it intersects with U.S. Latina/o theatre and LGBTQ theatre. I interrogate the theatre history of these three cities as horizontal and contiguous, challenging historical narratives of U.S. American neocolonial dominance and superiority, as well as narratives of diaspora that position Havana as an authentic origin. The central contribution of my dissertation is to synthesize the archival evidence that documents connections …

Professional Wrestling: Local Performance History, Global Performance Praxis, Neal Anderson Hebert

LSU Doctoral Dissertations

Professional Wrestling: Local Performance History, Global Performance Praxis, is a work of interdisciplinary scholarship (combining elements of theatre history, performance studies, and philosophy) that addresses an area of performance currently under-researched within the liberal arts and humanities: professional wrestling. My dissertation directs much-needed attention to the fact that professional wrestling is the only kind of live drama many Americans ever see (or even want to see). Although it is no doubt easy for theatre historians and performance theorists to dismiss this performance practice because of its location somewhere between “illegitimate sport” and “lowbrow popular entertainment,” I contend that United States …

Violent Conventions: An Analysis Of The Unintended Aesthetics Of On-Stage Accidents, Jeremy Matthew Reynolds

LSU Doctoral Dissertations

In theatre scholarship, the event of the on-stage accident is a fairly neglected area of research. Aside from brief archival detailing of some of the more tragic events, scholars have not approached the accidents from a theoretical or historiographical position. Many, I surmise, find little of interest in an on-stage accident due to its lack of aesthetic purpose or intentionality. In this project, I focus on those neglected accidents and, more specifically, accidents that take place due to a violent failure of theatrical convention. I discuss three specific moments where a theatre convention – established to concretize the world of …

Prisoner In The Darkness, Joseph Lee Morris

LSU Master's Theses

This thesis details the writing process and performance of the author’s one man show, PRISONER IN THE DARKNESS. Adapted with special permission from Naghmeh Abedini, PRISONER IN THE DARKNESS is based on the letters, correspondences, and reports of Saeed Abedini, an American citizen, imprisoned in Iran. Pastor Saeed went back to his homeland to work on humanitarian efforts; however, he was wrongfully arrested and sent to Evin Prison in September 2012. In January 2013, Saeed was sentenced to eight years in prison for conspiring to undermine the Iranian government. His crime? His Christian faith. This thesis will explain the different …

Props Management In Professional And Educational Institutions, Matthew David Duvall

LSU Master's Theses

This thesis is a study of common practices and unique challenges of theatrical prop shop management in universities and how this compares to professional theaters and other prop producing organizations. The following pages will identify the commonalities and differences between prop shops in terms of management of budgets, schedules and personnel and will offer examples of common current practices. Also reproduced here is a survey of prop managers and its results, which was developed to produce facts and figures which are used as evidence. A direct comparison of educational and professional theater institutions has not been published. The evidence presented …

Joan: A Play With Broken Songs, Colton James Neidhardt

LSU Master's Theses

ABSTRACT This thesis details the writing process, rehearsals and performance of the author‘s devised play, Joan: A Play With Broken Songs. The play aims to reimagine events occurring the evening before the death of French folk hero and Catholic Saint, Joan of Arc. The play exists in the moments between sleep and waking, in which Joan is visited by her own patron Saints (Margaret and Catherine,) as well as the Archangel Michael. The Saints then guide Joan through the dreamscape revealing to her images of the past, present, and future that allow her to come to peace with the sacrifice …

A Cleansing Breath: A Journey Of Creation On The Hard Road, Addie Leigh Barnhart

LSU Master's Theses

To adhere to the structure of Louisiana State University and Swine Palace’s Actor Training program, the M.F.A. candidates are required to develop new work. This project is in place to cultivate the individual actor’s sensitivities to his/her own process in theatre making, grow as an artist, and begin the long journey of devising and constructing work, in this case a solo play, that has the potential to continue to grow after graduation. My piece is derived from several of the classic Greek plays and myths but told with a twist on the traditional stories and entirely from different women’s perspectives. …

Reupholstery: A Guide For Prop Masters, Kathryn Leigh Brittingham

LSU Master's Theses

Upholstery is something that is often looked upon as a daunting task. With a full guide to reinforcement for stage use, options in foundations, and charts to compute fabric yardages, this thesis will provide professional prop masters with a guide to heighten their standards of upholstery onstage. Featuring options and ideals for varying skill sets; it will assist prop masters with more information regarding the topic with options particular to the theatrical profession. In lieu of an expansive library of upholstery books that feature a variety of techniques, the information included in this document will serve as a supplemental guide …