Theatre and Performance Studies Commons^™

Uncanny Performances In Colonial Narratives: Josephine Baker In "Princess Tam Tam", Elizabeth Coffman

School of Communication: Faculty Publications and Other Works

No abstract provided.

A Message From The New Executive Director, Jill Dolan

Center for LGBTQ Studies (CLAGS)

I'm honored and pleased to be succeeding Marty Duberman as Executive Director of CLAGS. I taught in theatre and drama and women's studies at the University of Wisconsin-Madison before I accepted my present position in the PhD Program in Theatre at the CUNY Graduate Center. At Madison, teaching and writing in lesbian performance theory, the fact that a national center for lesbian and gay studies had been established in New York gave me a sense that the field in which I worked was arriving, securing its legitimacy and its vibrancy and insisting on its visibility. In my two years at …

The July Festival In The Marquesas Islands: “Youth” And Identity In A Valley Community, Mary Martini

Pacific Studies

No abstract provided.

Ua12/2/2 Xposure - Spring 1996, Wku Student Affairs

WKU Administration Documents

1996 Xposure yearbook.

• Davis, Amanda. College Bands
• Witty, Patrick. Keeping His Composure: Award-Winning Conductor Visits – Karel Husa
• Noel, Anthony. Eyes in the Dark – Tara Higdon, Stalking
• Gamblin, Joe. The Thursday Night Ritual – Entertainment
• Portrait Gallery – Neal Thomas, Tamico Johnson, Elin Ramberg, Larry Danielson, John Hildreth
• Shain, Kimberly. Graves of Earthly Delights: Western Students Dig for Bones of Confederate Soldiers – Archaeology, Sons of Confederate Veterans
• Wade, Molly. College Habitats – Dormitories, Apartments
• Hieb, Dan. The Underground Club – Green River Grotto, Spelunking, Caves
• 35^th Annual Student Art Competition
• Gamblin, Joe. WWF . . . Or …

Ua12/2/2 Xposure - Fall 1995, Wku Student Affairs

WKU Administration Documents

1995 Xposure yearbook.

• Contributors
• Meese, Ray. Ethnic Harmony – International Festival
• Frazier, Stephan. The Unspoken Me – Scott Foster, Musicians
• Thomas, Kim. From the Front Page to Fruit Loops – College Heights Herald
• Shain, Kimberly. Politics? Who Cares!
• Hutchins, Chris. Live, Learn & Intern – Chris Daniel, Lisa Vaught
• Hutchins, Chris. The Power of Prayer – Eastside Church of Christ, Newman Center
• Meese, Ray. Cutting Up on Campus
• Gamblin, Joe. Comic Craze – Comic Books
• From the World of Art – Paintings
• Noel, Anthony. Achieving Greatness – Theatre & Dance
• Noel, Anthony. Precious Moments with the Duke – Duke Orsino, …

Asses And Wits: The Homoerotics Of Mastery In Satiric Comedy, Mario Digangi

Publications and Research

This essay explores master-servant homoeroticism in three seventeenth-century satiric comedies: Ben Jonson's Epicoene and Volpone and George Chapman's The Gentleman Usher. Whereas "sodomy" always signifies social disorder, "homoerotic" useful for describing same-sex relations that are socially normative or orderly. Thus homoerotic master-servant relations become "sodomitical" only when they are perceived to threaten social order. In Epicoene, the character associated with the disorder of "sodomy" is neither Dauphine or Epicoene, but the "unnatural" Morose, even though he has not literally had sex with the boy he marries. The erotic master-servant relationship in Volpone is sodomitical because it transgresses against …

Ua12/2/2 Xposure - Rites Of Passage, Wku Student Affairs

WKU Administration Documents

1995 Xposure yearbook.

• Contributors
• Dr. Martin Luther King, Jr. Day, 1996
• Frazier, Andy. My Cup Is the Cup of Life – Coffee
• Hinkebein, Dana. Behind the Curtains – Theatre & Dance
• Thomas, Kim. Rites of Passage – Mark Nethery, Jessica Nethery
• Cunnoe, James. College: Land of the Free & Home of Instant Pasta
• Thomas, Kim. The Search for Truth – Religion, Paul Miller, Native Americans, Clay Coleman, Candi Cabaniss, Atheism
• Meese, Ray. Confirmed in the Faith – Pam Page, Catholicism
• Broadbent, Stephanie. The Stigma Unearned: Virginity in College
• Davis, Amanda. Nontraditional Values – Nontraditional Students
• Spears, Brian. Turn On, Tune …

Group Therapy: A Play, Eleanor L. Earl

Institute for the Humanities Theses

Group Therapy is a modem drama set in Portsmouth, Virginia, a small Naval town which is part of a larger area called Hampton Roads. Hampton Roads is best known for its Naval shipyards, Naval bases, and historic landmarks. The year is 1994.

The play focuses on interpersonal communication in a setting that serves as a surrogate family. In the play, seven men and women from varied walks of life come together and share their most intimate joys and sorrows in group therapy. Together, with the assistance of a dedicated psychologist, they struggle to confront and overcome depression and anxiety.

Karen Stevenson's Review Of Greg Dening's Mr Bligh’S Bad Language: Passion, Power, And Theatre On The “Bounty”, Karen Stevenson

Pacific Studies

No abstract provided.

Vol. 17 No. 3 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 17 No. 3 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 17 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 17 (1994): Pacific Studies Full Issue 3

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 17, No 3 Edition of the Pacific Studies Journal

Richard Feinberg's Review Of William E. Mitchell's Clowning As Critical Practice: Performance Humor In The South Pacific, Richard Feinberg

Pacific Studies

No abstract provided.

Ua12/2/1 Hillside, Wku Student Affairs

WKU Administration Documents

Special magazine edition of the College Heights Herald:

• Mallon, T.J. Coming Out of the Dark – Kimberly Shain, Blind
• Anna, Cara. Not Everyone Can See It as Art – Vogue Theatre

Vol. 16 No. 1 (1993): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 16, No 1 Edition of the Pacific Studies Journal

Vol. 16 No. 1 (1993): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 16 No. 1, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 16 (1993): Pacific Studies Full Issue 1

Ua1f Wku Archives Vertical File - Dinner Theater, Wku Archives

WKU Administration Documents

Digitized vertical file materials regarding WKU Theatre & Dance dinner theater program.

“It’S The Same Old Song But With A Different Meaning”: Community And Ethnicity In Sikaiana Expressive Culture, William W. Donner

Pacific Studies

No abstract provided.

The Theater Of Politics: Contrasting Types Of Performance In Melanesia, Dorothy K. Billings

Pacific Studies

No abstract provided.

Epilogue: States Of The Arts, Adrienne L. Kaeppler

Pacific Studies

No abstract provided.

Dancing Defiance: The Politics Of Pohnpeian Dance Performances, Glenn Petersen

Pacific Studies

No abstract provided.

Celebrations Of Government: Dance Performance And Legitimacy In The Federated States Of Micronesia, Eve C. Pinsker

Pacific Studies

No abstract provided.

Pulapese Dance: Asserting Identity And Tradition In Modern Contexts, Juliana Flinn

Pacific Studies

No abstract provided.

Politicization Of La Culture Ma‘Ohi: The Creation Of A Tahitian Cultural Identity, Karen Stevenson

Pacific Studies

No abstract provided.

Heteroglossia In Samoan Oratory, Alessandro Duranti

Pacific Studies

No abstract provided.

The Monster (A Fantasy): A One-Act Play, With An Interview With The Playwright, Vilsoni Hereniko

Pacific Studies

No abstract provided.

Comic Theater In Samoa As Indigenous Media, Caroline Sinavaiana

Pacific Studies

No abstract provided.