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Full-Text Articles in Theatre and Performance Studies

Influences Of Morality In Theatre For Children, Ashleigh Merle Lutes Jan 2011

Influences Of Morality In Theatre For Children, Ashleigh Merle Lutes

Theses Digitization Project

The purpose of this thesis is to examine current practices and suggest strategies and support for effective ways to teach morality with and through theatre. Using theatre as a moral training ground creates opportunities for children to learn to make positive choices throughout their lives.


A Handbook For Using Creative Drama And Readers Theatre Concepts To Better Prepare Second Graders For The California Standards Test In English Language Arts, Pilar Alvarez Jan 2011

A Handbook For Using Creative Drama And Readers Theatre Concepts To Better Prepare Second Graders For The California Standards Test In English Language Arts, Pilar Alvarez

Theses Digitization Project

The proposed project provides early literacy intervention that will put attending second graders at an advantage in the future while taking their yearly English Language Arts (ELA) California Standards Tests (CSTS). More importantly it could improve its participants knowledge of English Language Arts content standards. The program described in this handbook uses creative drama and readers theatre concepts that have been shown to enhance second grade students' ability to recognize and understand words, comprehend texts, think critically, and express their ideas in writing.


The Engagement Practices Of Performing Arts-Makers: A Phenomenological Case Study Of Prometheus Bound, The Rock Musical: A Dissertation, Peter J. Cormier Jan 2011

The Engagement Practices Of Performing Arts-Makers: A Phenomenological Case Study Of Prometheus Bound, The Rock Musical: A Dissertation, Peter J. Cormier

Educational Studies Dissertations

This phenomenological case study explored the lived experiences of performing arts-makers, who participated in the engagement practices utilized in Prometheus Bound, the rock musical produced by the American Repertory Theater in 2011. Engagement practices are actions employed to deepen the impact of the artistic experience, which may involve the creative use of physical space, choreography, physical contact, social justice, community collaboration, and other aspects of a live performance. Engagement practices occur in the liminal zone; the neutral space between performing arts-makers and audience members that is conducive to deep empathetic reflection since the boundary between arts-maker and audience is transformed …


Circus: An Integrated Curriculum Unit, Institute For The Development Of Gifted Education, Ricks Center For Gifted Children, University Of Denver Jan 2011

Circus: An Integrated Curriculum Unit, Institute For The Development Of Gifted Education, Ricks Center For Gifted Children, University Of Denver

Ricks Curriculum Units Series

An integrated curriculum is an instructional approach that connects the disciplines to an underlying theme or topic. Immersing students in an integrated-thematic unit provides the backdrop for experiences to occur across the disciplines. Shaping coursework around integrated themes is especially appropriate for gifted students, however using an integrated-thematic curriculum is appropriate for all learners as it develops students' abilities to make connections, to solve problems by looking at multiple perspectives, and to integrate information from different fields of experience. An integrated-thematic curriculum permits students to be active participants in their own learning as they design their own explorations and take …


The Performance Production Process Of An Outstanding High School Choir, Kathy K. Rolsten Jan 2011

The Performance Production Process Of An Outstanding High School Choir, Kathy K. Rolsten

USF Tampa Graduate Theses and Dissertations

Despite the interest in and importance of producing high quality choral performance, the question "How is superior performance produced?" has not been addressed in a holistic and naturalistic way. A synthesis of previous research findings suggests that a combination of actions, interactions, relationships, and conditions produce superior choral performance. Yet a holistic examination of this multi-faceted production process has not been conducted. In order to identify all factors contributing to the production of superior performance and how these factors work together, I comprehensively examined an extreme case of superior performance. This extreme case of superior performance was one high school, …


Multilingual Theatre: Community Value And Future Education Necessity, Diana Milree Garles Jan 2011

Multilingual Theatre: Community Value And Future Education Necessity, Diana Milree Garles

Honors Program Theses

This project is the culmination of my two passions: theatre and language. For me, these two things are priceless pieces of human identity, whether used consciously or not. I imagine there are very few people who have never played a role, or portrayed a certain character to embody a facet of their personality. I believe this research presents a natural, practical option for community and educational development through the use of theatre techniques. Language is a supporting element in theatre, and theatre can use language as an educational tool for exposure and for further understanding of many different cultures and …


A Streetcar Named Desire Nov 2010

A Streetcar Named Desire

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2010 performance of A Streetcar Named Desire by Tennessee Williams.

A Streetcar Named Desire follows the story of southern belle, Blanche DuBois, who has gone through a series of personal losses and moves in with her sister Stella and brother-in-law Stanley in a dilapidated New Orleans tenement.


We Will Not Be Silent Oct 2010

We Will Not Be Silent

Taylor Theatre Playbills

The playbill for Taylor University’s October 2010 performance of We Will Not Be Silent. by William Gebby.

During the darkest days of WWII, a handful of German college students distributed thousands of anti-Nazi leaflets and worked toward unifying resistance across Germany. They called themselves the White Rose, and their faith drew them to engage in a fight that would cost them their lives. William Gebby’s brand new play celebrates the lives of these brave young people who would not and will not be silent.

Performed by the Taylor Touring Company.


The Bald Soprano Oct 2010

The Bald Soprano

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2010 performance of The Bald Soprano by Eugène Ionesco.

The Bald Soprano: An Anti-Play follows the events of a traditional couple who invite over another couple, and are later joined by their maid and the maid’s lover. The characters engage in meaningless banter that becomes even more nonsensical as time goes on.

In this adaptation the actors play the actresses’ roles and the actresses play the actor’s roles.


Doubt Sep 2010

Doubt

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2010 performance of Doubt by John Patrick Shanley.

Doubt: A Parable is the story of a fictional Catholic school in Bronx and the clash between the parish priest, Father Flynn, and school’s principal, Sister Aloysius, over the suspicion that Flynn molested an alter boy.

This play is performed by the faculty and staff of Taylor University.


Making Connections: Improving Movement Skills By Integrating Knowledge From Dance Disciplines, Amy D. Howton Aug 2010

Making Connections: Improving Movement Skills By Integrating Knowledge From Dance Disciplines, Amy D. Howton

Faculty Articles

Dance specialist Rebecca Enghauser (2003) has emphasized that, in the dance class, motor learning begins when the student replicates the movements presented. Demonstration is usually a necessary accompaniment to verbal instructions, suggesting that dancers routinely engage in multiple learning styles, including visual, auditor/, and kinesthetic. Enghauser also addressed "random practice," where movement appears in different combinations that then produce better and longer-lasting skill learning. Therefore, relating similar movement from different disciplines should help produce long-term learning. The analysis required when processing these similar, although perhaps outwardly different, movements provides additional and more enduring learning opportunities. Enghauser also addressed "random practice," …


Instruction And Direction Of A Process Drama At Valley View Elementary School, Mindy Curtis Jun 2010

Instruction And Direction Of A Process Drama At Valley View Elementary School, Mindy Curtis

Master of Theater Production Graduate Projects

This project entailed the selection, research, structuring, implementation, documentation, and post-production analysis of an original theatrical work created through process drama at Valley View Elementary School. Documentation includes research, structure, implementation, and evaluation of the process for the Valley View Elementary School music program.


Acting Out In The Classroom, Kim Noel Daelhousen May 2010

Acting Out In The Classroom, Kim Noel Daelhousen

Sandanona

The use of theater strategies and activities in the language classroom provides a space for students, like actors, to play and thus more deeply incorporate elements of the target language. Participants will be “playing” along with the presenter to explore various theater-based activities.


Worlds Apart: Tracing The Transition Of The Young Dancer From Studio To College, Roger Lee Apr 2010

Worlds Apart: Tracing The Transition Of The Young Dancer From Studio To College, Roger Lee

Dance Honors Papers

In 1932, dance educator Martha Hill created the first accredited dance major Bachelors of Arts degree at Bennington College. Since then, dance has grown into a popular course of study for undergraduate students, and seen major developments in dance science, kinesiology, dance injury prevention and technologies. In this research paper I will trace the development of young dancers from competitive studio training into liberal arts dance programs by exploring the aesthetics and training methods of both dance environments. As a senior dance major at Ursinus College, I have witnessed a pattern that takes place each year where incoming freshmen dancers …


Crimes Of The Heart Apr 2010

Crimes Of The Heart

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Crimes of the Heart by Beth Henley.

Crimes of the Heart tells the story of the three Magrath sisters, Meg, Babe, and Lenny, who reunite at their grand father’s home in Mississippi after Babe shoots her abusive husband.


Dramatophobia To Theatrophilia, Dennis Bates Apr 2010

Dramatophobia To Theatrophilia, Dennis Bates

Touchstone

No abstract provided.


Hippolytus Feb 2010

Hippolytus

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Hippolytus by Euripides.

Hippolytus is the illegitimate son of Theseus, the king of Athens. The play tells how the goddess of love, Aphrodite, maliciously enacts vengeance on Hippolytus for his oath to chastity and service to the goddess of the hunt, Artemis.


Acting For Transformation: An Esl Teacher And Her Adult Immigrant Students Dramatize The Students’ Life Stories, Dana Horstein Jan 2010

Acting For Transformation: An Esl Teacher And Her Adult Immigrant Students Dramatize The Students’ Life Stories, Dana Horstein

MA TESOL Collection

This paper documents the implementation of a year-long drama project that was conducted with adult immigrant English as a Second Language (ESL) students at Asian Human Services, a community-based organization in Chicago. Throughout the year, during the fall, winter, and spring terms, three classes of students dramatized their life stories. This paper provides background for the project by explaining the history and role of drama in language education. It also considers the teacher’s motivations for the project and its design; its ultimate challenges and successes; as well as the insights that it provides about what it means to be a …


Using The California Content Standards With Readers Theatre In The Classroom, Arlene Frances Delgado Jan 2010

Using The California Content Standards With Readers Theatre In The Classroom, Arlene Frances Delgado

Theses Digitization Project

The focus of this project is to use readers theatre to enhance the language arts skills of the low socio-economic student population and the Hispanic population in the classroom. The author created some of her own activities and incorporated them with readers theatre to increase the critical thinking skills of her students in order to score proficient and advance in the assessments used in this project.


The Artistry Of Teaching: Commedia Dell'arte's Improvisational Strategies And Its Implications For Classroom Participation, Jean Artemis Vezzalini Jan 2010

The Artistry Of Teaching: Commedia Dell'arte's Improvisational Strategies And Its Implications For Classroom Participation, Jean Artemis Vezzalini

Theses Digitization Project

The purpose of this study was to determine if instructor improvisation affects student participation in the classroom. The participants in this project were professors/instructors at Cal State University San Bernardino (CSUSB) and the CSUSB Palm Desert Campus.


Pinch Play Puppet Project, Carolyn Faye Mattson Jan 2010

Pinch Play Puppet Project, Carolyn Faye Mattson

Theses Digitization Project

The project was designed to investigate issues and ideas of developing a play adapted from a children's book to bring "history to life" for a modern family. The research model was designed to be a tool for the evaluation of the material presented. It was constructed to allow student practitioners to participate in the exploration and discovery of the creative process and improve their understanding of implementing theatre practices to teach required subjects.


Affirmative Acts: The Need For American Black Theatre In The Classroom, Angela Batrice Brooks-Van Niel Jan 2010

Affirmative Acts: The Need For American Black Theatre In The Classroom, Angela Batrice Brooks-Van Niel

Theses Digitization Project

The purpose of this study is to reveal that racial inequality in American Theatre is still in existence: that while our country has gained some level of integration, several societal and artistic echelons evidence a remaining tendency towards discrimination--a separatist sense of culture that unfortunately informs elementary and secondary classrooms all across the United States as well as still exists in the general arts.


Ua100/2/2 Training School & College High Departments, Wku Archives Jan 2010

Ua100/2/2 Training School & College High Departments, Wku Archives

WKU Archives Collection Inventories

Records created by and about Training School / College High departments which inlude Athletics, Classes, English, Library, Music and Theatre.


Ua1b1/1 Rodes-Helm Lecture Series, Wku Archives Jan 2010

Ua1b1/1 Rodes-Helm Lecture Series, Wku Archives

WKU Archives Collection Inventories

These records were created by and about the Rodes-Helm Lecture Series which invited distinguished, and prominent individuals from the spheres of politics, economics, and the arts, to lecture at the university. The records include programs, and recordings of lectures.


The Effectiveness Of The University Interscholastic League One-Act Play Competition As An Extracurricular Activity, David Christopher Rout Jan 2010

The Effectiveness Of The University Interscholastic League One-Act Play Competition As An Extracurricular Activity, David Christopher Rout

Open Access Theses & Dissertations

In Texas the University Interscholastic League has had a significant impact in Theatre Education through their annual competitive One-Act Play Competition. In educational climates dominated by No Pass-No Play and TAKS Testing some schools may question the effectiveness of the UIL competition as an effective activity. This paper addresses this concern, a measurement of how effective UIL One Act Play is how FERPA is impacting research into UIL events.


Rhythms Of Rebellion: Artists Creating Dangerously For Social Change, Susan J. Erenrich Jan 2010

Rhythms Of Rebellion: Artists Creating Dangerously For Social Change, Susan J. Erenrich

Antioch University Dissertations & Theses

On December 14, 1957, after winning the Nobel Prize for literature, Albert Camus challenged artists attending a lecture at the University of Uppsala in Sweden to create dangerously. Even though Camus never defined what he meant by his charge, throughout history, artists involved in movements of protest, resistance, and liberation have answered Camus’ call. Quite often, the consequences were costly, resulting in imprisonment, censorship, torture, and death. This dissertation examines the question of what it means to create dangerously by using Camus’ challenge to artists as a starting point. The study then turns its attention to two artists, Augusto Boal …


The Secret Garden Nov 2009

The Secret Garden

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2009 performance of The Secret Garden based on the book by Frances Hodgson Burnett with script and lyrics by Marsha Norman and music by Lucy Simon.

The Secret Garden tells the story of Mary Lennox, a young English girl from British Raj who is sent to live in Yorkshire, England with her relatives after her parents die in a cholera outbreak. As she works in a neglected hidden garden with a young gardener she begins to grow and begins to influence her sickly cousin and uncle.


Footprints Of A Pilgrim Oct 2009

Footprints Of A Pilgrim

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2009 performance of Footsteps of a Pilgrim based on the book by Ruth Bell Graham and adapted by Kerry Meads and Robert Smyth.

Footprints of a Pilgrim is the story of Ruth Bell Graham recounting the story of her childhood as the daughter of missionaries in China, her marriage to Reverend Billy Graham, and beyond.


An Exploration Of Playmaking Strategies Resulting In Youth Performance Scripts For Elementary School Audiences, Dana Marie Vazquez Jan 2009

An Exploration Of Playmaking Strategies Resulting In Youth Performance Scripts For Elementary School Audiences, Dana Marie Vazquez

Theses Digitization Project

The author has written four Meet the Masters scripts for schools in the Rim of the World school district in Lake Arrowhead, California. The goal of the performances is to employ children's theater techniques in order to teach elementary school students about an artist's life and work as well as improving learning and retention toward meeting the California State Board of Education Visual and Performing Arts content standards. The project is an important contribution to the field of Theater Education/ Theatre for Youth because it presents a method for utilizing the existing resources in a school district-middle school and and …


Theater: A Mission, Angela Marie Sanicola Jan 2009

Theater: A Mission, Angela Marie Sanicola

Theses Digitization Project

This project is designed with the specific goal of developing an intensely, realistic theater program for a target audience of young adults. The thesis will take the reader on a journey of development from page to stage with the transformation of John Bunyan's classic book Pilgrim's Progress.