Theatre and Performance Studies Commons^™

Babes In Arms, Otterbein University Theatre And Dance Department

2009-2010 Season

One of the quintessential “Hey, let’s put on a show” musicals, which boasts one of the most beautiful scores ever written, by Richard Rodgers and Lorenz Hart, including such timeless standards as “The Lady is a Tramp”, “Where Or When”, “My Funny Valentine”, and “I Wish I were In Love Again”.

A group of teenagers are left to their own devices as their parents leave for the summer to hit the vaudeville circuit. However, problems arise when the local sheriff vows to send them to a work farm unless they prove their mettle. Within two weeks, the group pushes forward …

Providence College Department Of Theatre, Dance & Film 2009-2010 Season Program, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

2009-2010 season program

Cast And Crew Of The Blackfriars Dance Concert, Blackfriars Theatre Box Office

Playbill and Production

Providence College Department of Theatre, Dance & Film

Memo to the cast and crew of the Blackfriars Dance Concert regarding two complimentary tickets to the concert.

Flamenco Y Género: ¿Amigos O Enemigos? = Gender In Flamenco: Friends Or Enemies?, Maya Hislop

Independent Study Project (ISP) Collection

For the past few months I have attended classes of flamenco dance at a gymnasium near the Alcampo. The class is one hour long, every Tuesday and Thursday night and the name of the dance teacher is Isabel Madrid. The class usually consists of nine female students, although the number changes every now and then. The majority of the female students are older than age 40 except for myself and another exchange student from Quebec, Canada. The class serves as an excellent introduction to flamenco dance because the professor teaches three relatively easy dances every class: 1) paso doble 2) …

Martin, Meredith (Fa 454), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid for Folklife Archives Project 454. Transcripts of four telephone interviews conducted with dance educator and choreographer Forrest W. Coggan by Meredith Martin, a graduate student in Western Kentucky University's Folk Studies Department.

Interviews With Forrest Winston Coggan (Fa 454), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcripts of four interviews (Click on "Additional Files" below) with Forrest Winston Coggan, dance educator and choreographer. The telephone interviews were conducted in 2006-2007 by Meredith Martin, a graduate student in Western Kentucky University's Folk Studies Department.

2009 - 2010 Season Brochure, Otterbein University Theatre And Dance Department

Theatre and Dance Annual Brochures

Annual promotional piece of the upcoming season's shows.

The Last Night Of Ballyhoo, Otterbein University Theatre And Dance Department

2009 Summer Theatre

The Last Night of Ballyhoo takes place in Atlanta, Georgia, in December of 1939. Gone with the Wind is having its world premiere, and Hitler is invading Poland, but Atlanta's elitist German Jews are much more concerned with who is going to Ballyhoo, the social event of the season. Events take several unexpected turns as the characters face where they come from and are forced to deal with who they really are.

https://www.dramatists.com/cgi-bin/db/single.asp?key=2480

Altar Boyz, Otterbein University Theatre And Dance Department

2009 Summer Theatre

Altar Boyz is the hilarious story of a struggling Christian boy-band trying to make it big in New York City. Five talented heartthrobs from Ohio do their best to spread the word of God through pop music. However, can they resist the temptations of the Big Apple? The show is presented in real time as a concert, the last concert of their national "Raise the Praise" tour.

https://stageagent.com/shows/musical/2422/altar-boyz

Don't Talk To The Actors, Otterbein University Theatre And Dance Department

2009 Summer Theatre

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The best laid plans go awry when the cast and crew of a Broadway-bound play resort to manipulation, diva-like behavior, and chaotic abandon to get what they want. Fledgling playwright Jerry Przpezniak and his fiancee are a couple of Buffalo greenhorns suddenly swept up in the whirlwind of New York's theater scene when Jerry's play is optioned for the big money, ego-driven world of Broadway. It's a young playwright's dream, but the crazy characters and dilemmas they encounter are the things theatrical nightmares are made of.

https://www.playscripts.com/play/1869

June 2009 - Volume Viii, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VIII Number 2 includes pictures of the first year of operation of the Doudna Fine Arts Center.

Nine, Otterbein University Theatre And Dance Department

2008-2009 Season

Guido Contini, famous Italian film director, has turned forty and faces double crises: he has to shoot a film for which he can't write the script, and his wife of twenty years, the film star Luisa del Forno, may be about to leave him if he can't pay more attention to the marriage. As it turns out, it is the same crisis. https://en.wikipedia.org/wiki/Nine_(musical)

In Passing, Julia Allisson Cost

Scripps Senior Theses

My intentions for "In Passing" were to build the beginnings of an education philosophy through a richly varied choreographic process. I wanted my dancers to come away from this work with a heightened eagerness to explore the unfamiliar and an increased confidence in their ability to support one another and be supported, and I wanted to learn to more effectively and tenderly lead a group of many different personalities through a long-term creative experience. I think we have been successful.

One Flew Over The Cuckoo's Nest, Otterbein University Theatre And Dance Department

2008-2009 Season

First published as a book by Ken Kesey in 1962, One Flew Over the Cuckoo's Nest was inspired by Kesey's job as an orderly at a veteran's hospital and by the 1960s counterculture movement touting such themes as freedom, rebellion and fearlessness.It's the classic anti establishment tale of one man asserting his individuality in the face of a repressive, conformist system.

Spring Dance Concert Student Choreography Showcase 2009 Poster, Jillianne Liotta '09

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Spring Dance Concert Student Choreography Showcase 2009

April 25, 2009, 8pm

April 26, 2009, 2pm

Poster design: Jillianne Liotta '09

Spring Dance Concert Student Choreography Showcase 2009 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Spring Dance Concert Student Choreography Showcase 2009

April 25, 2009, 8pm

April 26, 2009, 2pm

Director, Wendy Oliver

Lighting Design, Sarah Randles

Choreographers: Maggie McDermott, Nicole Cirilli, Caroline Cruise, Remy Charlip, Jillianne Liotta, Melissa Cusack, Lindsay Maurio, Katelyn Uyehara, Pearl Primus, Sarah Mosca, Sara McCormack, Class of '09 Dancers

Dancers: Caroline Brown '12, Casey Caliendo '12, Alyssa Catjakis '11, Nicole Cirilli '09, Caroline Cruise '09, Kelly Cummings '11, Melissa Cusack '10, Kaitlin Elliott '12, Shannon Hoey '11, Joelle Hogan '10, Theresa Hurton '11, Jillianne Liotta '09, Jaclyn …

Spring Dance Concert (April 16-18, 2009), Lindenwood University

Student Dance Programs & Brochures

Program for the Spring Dance Concert (April 16-18, 2009).

Shake It: A Study Of Traditional Dance And Drumming In Tanzania With The African Traditional Dance Group, Megan Browning

Independent Study Project (ISP) Collection

This study was conducted from April 11th 2009 to May 1st 2009 about Tanzanian traditional dance and drumming focusing specifically on the African Traditional Dance Group, ATDG, a well-established group in Arusha, Tanzania. The study aimed to gain perspectives on the role of traditional dance and drumming in Tanzania and how it is changing today in the face of westernization and globalization, and additionally to learn more about the personal histories of the artists in ATDG. Methods included participant observation, in the form of dance and drumming lessons and participation in group rehearsals, a semi-structured key informant interview, and semi-structured …

Dance 2009: To Each His Own, Otterbein University Theatre And Dance Department

2008-2009 Season

No abstract provided.

An Absolute Turkey, Otterbein University Theatre And Dance Department

2008-2009 Season

Georges Feydeau, master of farce, displays all his tricks of the trade in this witty, seamless and acutely funny play. An Absolute Turkey was a West End hit following its London premiere at the Globe Theatre in 1993. https://www.samuelfrench.com/p/9770/an-absolute-turkey/

The Problem Of Tempo: Too Slow, Too Fast, And Just Right, Andrew Vorder Bruegge

College of Visual and Performing Arts Faculty Publications

Examination of several sixteenth century Italian court balli that demonstrate the balance between gravitas and sprezzatura and how that balance dictates musical tempo for the accompaniment.

Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng

Faculty Scholarship

Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …

The Success And Sustainability Of Improvisation In A Live Performance Context, Ashleigh Rose Berry

Theses : Honours

I am interested in investigating the value improvisation holds when placed in a live dance performance context. I am discussing improvisation in terms of it being an individual exploration of one's movement potential to create a personal movement language. Within this, I place focus on the body as a source of knowledge and the embodied movement possibilities that inevitably make up each individual dancer's personal movement language. I am also interested in the audience's perceptions of what defines successful dance and the dancer and audience relationship that forms during the duration of a performance. Can the practice of improvising be …

Constellations, Pathways Through The Body : An Exploration Creating New Movement Pathways Using Dual Patterning, Gemma Laing

Theses : Honours

This research paper is an exploration of the creation of movement using dual patterning, which is the tracing of two patterns simultaneously as a dual task. This piece of writing discusses practitioners Twyla Tharp, Trisha Brown and Lisa Kraus in their experiments with altering bodily habit. It also discusses patterns, imagery, bodily knowledge, and coordination to help facilitate the experiment. Thoughts and findings from the studio are discussed from the process to gain understanding of the experiment. Utilizing bodily intelligence or bodily knowledge, the body initially experiences a separation of hemispheres or halves of the body to enable the process …

Historical And Cultural Paradigms In The Evolution Of Dance In Ireland : Signifiers In The Works Of Siamsa Tire, Sharon A. Phelan

Theses

This thesis examines historical and cultural paradigms in dance in Ireland. Initially, the Introduction establishes the post-colonial matrix within which the thesis is written. This section interprets stages in the development of dance using cultural and educational theorists. It also highlights where the dance repertoire and teaching system at Siamsa Tire operate as signifiers.

Chapter One focuses on dance during the colonial era. Post-Colonial theorists have queried the validity of the coloniser/ colonised concept highlighting that it simplifies the long ago. The heterodox origins of the Irish dance master system and canon support this notion as they recognise a cross-fertilisation …

The Communicating Dance, Alison Plevey

Theses : Honours

Does dance have the ability to communicate universally to all observers at some level of human engagement? This paper discusses theatre dance as a human communicative medium, the characteristics of how it communicates and to a certain degree why and what it communicates. In doing so the intentions of the communicating dancer and choreographer are considered alongside that of the receptive and responsive audience. The thesis compiles a survey of textual sources pin pointing the unique communicative abilities of dance, as an artistic, expressive and meaningful form of non-verbal communication establishing suggestions of the ways it may be universally communicable.

'Youth Ventures Into The Unknown' Developing An Individual Style Of Dance Making, Kate Herron

Theses : Honours

As a new emerging dancer and artist who is highly interested in the form of choreography, the search for knowledge and understanding of where choreography has come from as well as how to generate works have been at the forefront of my personal journey in dance. My thesis looks at and asks how the formal choreographic elements and approaches can assist new choreographers in developing an individual style of dance making? This question leads to the various approaches and elements taken from famous choreographers over time, and assesses how new emerging artists can draw from these examples as a way …

Architects Of The Identity Of Dance: Gender Inequity In Achievement And Acknowledgment In Australian Contemporary Dance, Quindell Orton

Theses : Honours

Evidence suggests that males receive more opportunities, awards and dominate the dance scene in terms of artistic directorship of high visibility, large budget contemporary dance companies within Australia. This research investigates why and how males have come to be the architects of the identity of dance and the factors which may inhibit a counterpart female's likelihood of assuming the same role. Much of this paper deals with constructing hypotheses for how gender disparities in contemporary dance may have come about. In order to devise informed hypotheses, I have gathered data on government funding and national dance awards. In addition interviews …

The Relationship Between Working Memory Capacity And Movement Memory Of Dancers, Katrina Louise Muller-Townsend

Theses : Honours

Working memory capacity span tasks are suggested to predict complex cognitive behaviour across varied domains (Conway et al., 2005). However, it has been criticised that expert skills are highly situational and domain specific (Marteniuk, 1974). The current research aimed to investigate whether general memory span was related to movement span, and furthermore, whether this can predict dance learning. It was expected that memory for movement would be positively correlated with measures of working memory, due to the specific components of working memory, such as the capacity of the phonological loop. Furthermore, it was expected on the basis of previous research …

Dreaming In Motion: Maintaining Community, Culture And Identity Of First Australians, Ian R.T. Colless

Theses : Honours

No abstract provided.