Theatre and Performance Studies Commons^™

Spring Dance Concert 2010 Poster, Providence College, John Vaghi

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Spring Dance Concert 2010

April 23rd, 8:00 p.m.

April 24th, 8:00 p.m.

Poster Design: John Vaghi

Crimes Of The Heart

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Crimes of the Heart by Beth Henley.

Crimes of the Heart tells the story of the three Magrath sisters, Meg, Babe, and Lenny, who reunite at their grand father’s home in Mississippi after Babe shoots her abusive husband.

The Creative Process As Applied To Choreography, Mysha Corb

Undergraduate Research Conference

No abstract provided.

A Biomechanical Analysis Of The Jete Dessus Using Dartfish Motion Analysis Software, Beatrice Turrubiartes

Undergraduate Research Conference

No abstract provided.

Spring Dance Concert (April 21-24, 2010), Lindenwood University

Student Dance Programs & Brochures

Program for the Spring Dance Concert (April 21-24, 2010).

Spring Dance Concert 25th Anniversary Poster, Department Of Theatre, Dance & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Spring Dance Concert 25th Anniversary informational poster.

Spring Dance Concert Media Release, Susan Werner

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Spring Dance Concert media release

March 2009 (*incorrect date, should be 2010)

Identidad And Mejicanidad: Dance Transference Through Mexican Folklórico, Azteca, And Flamenco Dance, Erica Ocegueda

Theatre & Dance ETDs

Identidad and Mejicanidad examines cultural identity and dance through the lens of 'owners,' 'borrowers,' and 'renters'. I examine how non-professional participants of these dance forms are beacons for cultural expression and serve to explore the fringe of the sense of cultural knowing through Mexican Folklórico, Azteca, and Flamenco dance. Through these dance forms I interrogate how cultural identity frames questions of authenticity and identity. Ownership of cultural identity and issues of authenticity are a source of ire for many underrepresented groups of people. Maintaining who is 'in control' of a cultural expressions' evolution is a common dispute. The legacy of …

You Can't Take It With You, Otterbein University Theatre And Dance Department

2009-2010 Season

Grandpa Vanderhof and his wacky family, the Sycamores, have been happily living their zany lives in his house by Columbia University in New York for many years. This family (and their friends) are a madcap group of eccentrics, marching to the beat of their own drum, with pride and joy. Their hobbies include collecting snakes, building fireworks in the basement, writing a myriad of plays that never get published, and taking ballet lessons. Things like stress, jobs, and paying taxes to the government are for other people, not for them! But when practical young Alice Sycamore becomes engaged to her …

Hippolytus

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Hippolytus by Euripides.

Hippolytus is the illegitimate son of Theseus, the king of Athens. The play tells how the goddess of love, Aphrodite, maliciously enacts vengeance on Hippolytus for his oath to chastity and service to the goddess of the hunt, Artemis.

Dancing Power: Examining Identity Through Native American Powwow, Kresta-Leigh Opperman

Electronic Theses and Dissertations

This study considers how inter-tribal Indian identity formed though historic circumstances and how it is negotiated and maintained by contemporary Native Americans. Specifically, it considers identity formation and negotiation through the inter-tribal dance event, powwow. Further, it considers how and if men and women participate in this identity formation and negotiation differently. Finally, it considers how this identity is useful for urban Indian populations living outside of tribal lands and who, in some cases, have little involvement in more traditional, or tribal, settings.

Forum Theatre Empowering Students To Speak, Act, And Know, Kaitlen M. Osburn

Mahurin Honors College Capstone Experience/Thesis Projects

During the political turmoil of 1960s Brazil, theatre artist Augusto Boal created a new form of theatre to fight back against the oppressive government. Theatre of the Oppressed has now spread to almost every country in the world and has empowered many spect-actors (Boal‘s term for audience-turned-actors) to resist oppression. Boal‘s seminal text Theatre of the Oppressed opened the door to future expansions of Theatre of the Oppressed that combine drama therapy and politics with an already powerful arsenal of techniques. Combining this innovative methodology with education, I facilitated two Forum Theatre workshops at Warren Central High School and Warren …

The Changes In Irish Dance Since Riverdance, Angelika Masero

Mahurin Honors College Capstone Experience/Thesis Projects

During the past 15 years, traditional Irish step dance experienced dramatic changes. As a traditional dance form, Irish step dance lends itself to and is dependent upon innovation and change; it is a living and flexible art form, and thus, change is expected and necessary to keep it novel, fresh and progressive. However, its “traditional” signature is now a focus of debate as its “modern” signature gets explored and as traditional Irish dance scholars study the impact touring Irish dance shows have caused. The seven-minute interval act Riverdance during the 1994 Eurovision Song Contest ignited the debate. Moreover, the rate …

Remixed Practice: Bollywood Dance And The Global Indian, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.

Dance Matters: Performing India, Pallabi Chakravorty, N. Gupta

Dance Faculty Works

This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.. Written by eminent and emergent scholars and practitioners of Indian dance, the articles make dance a foundational socio-cultural and aesthetic phenomena that reflects and impacts upon various cultural intercourses -- from art and architecture to popular culture, and social justice issues. They also highlight the interplay of various …

The Dancing Imagination: How Does Imaginative Imagery Facilitate Movement Qualities In Dance Training And Performance?, Rachel Perica

Theses : Honours

The purpose· of this case study was to explore how imagery facilitates movement quality in dance training and performance. A literature review on classifications of direct and indirect imagery and imagery in relation to neuroscience, was investigated to firstly define imagery. The confusion over defining movement quality led to a literature review on Kinesiology and Gaga methods and how these dance-training methods utilise imagery in different ways to enhance the movement quality of dance in training and performance. Qualitative research methodology was used in this case study. The case study used a purposeful sample of eight subjects who were undergraduate …

Dancing With Risk: Risk-Taking As A Performance Practice In Contemporary Dance, Gemma Dawkins

Theses : Honours

Why is risk intentionally cultivated in contemporary dance? What purpose does it serve, for performers, choreographers and audiences? This thesis explores the ways in which risk-taking affects the meaning and significance of a dance work. It seeks to question whether the use of risk can render a dance more powerful, affecting or confronting, or whether intentional risk overshadows and, thus, detracts attention away from the aesthetic content. I also ask how being 'at risk' affects the performer. Can it engender investment and authenticity? The risks explored in this thesis include both physical and emotional or intellectual risks. I refer to …

The Ephemerality Of Dance, Abby Frances Johnson

Theses : Honours

"A dancer is bound to the given form of the human body" (Hamalainen, 2009, p. 107). As an art form, dance relies on the movement of these bodies. Dance is not fixed but can leave a lasting impression on the viewer. As a performance art, dance is truly ephemeral- a term that has been defined as "lasting for only a short period of time and leaving no permanent trace" (Encarta®, 2009). As a dance performer and spectator, I am affected by this ephemerality on a daily basis. Within this thesis, I initially outline what constitutes dance as ephemeral. I then …

Historically And In The Context Of Globalisation, How Do Western European Perceptions Of Folk/ Traditional Dance Pervade And Shape The Field Of Dance?, Emma Fishwick

Theses : Honours

With the international dance community becoming increasingly globalised, how do Western European perceptions of folk/ traditional dance pervade and shape the field of dance? This paper will discuss Western European perspectives towards traditional and folk dance and investigate the origins of such perspectives, if they do indeed exist. In doing so the reasoning of Western European perspectives will be examined, considered and questioned alongside that of non-Western European perspectives. The thesis is compiled from a wide range of textual sources that explore Western European world views in relation to non-Western European perspectives to argue that such perspectives do, to a …

Weaving Through Reality: Dance As An Active Emblem Of Fantasy In Performance Literature, Tara Maylyn Frankel

CMC Senior Theses

Literature uses dance to reveal underlying messages of fantasy through the themes of the central narrative of female characters. Examining the original texts with respect to their varying adaptations for film and stage, performance literature reveals how directors relate a three-dimensional story to an audience from a two-dimensional world. Hans Christian Andersen’s “The Red Shoes” shows an underlying semiotic code where transitioning from the black and white of reality to the red of fantasy is only accomplished through dancing. Oscar Wilde’s Salome displays an eroticization of the exotic solo-improvised dance that provides a semblance of control for the main character. …

Blackfriars Dance Concert 2009 Playbill, Providence College

Playbill and Production

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2009

December 4 & 5, 2009

Directed by: Wendy Oliver

Choreographed by: Lise Brody, Nikki Carrara, Lindsay Guarino, Jamie Jewett, Eva Marie Pacheco, Wendy Oliver

Lighting Design: Tim Cryan

Dancers: Caroline Brown, Joelle Hogan, Callie Kovack Christina Martinez, Kaitlyn Order, Grantis Peranda, Claire Pevoto, Erica Tuccero, Shannon Hoey, Amy McCormack, Lauren Spagnuolo, Stephanie Wong, Kelly Cummings, Melissa Cusak, Kaitlin Elliott, Theresa Hurton, Jaqueline Longo, Krissy Phillipino, Jennifer Robinson, Jamie Jewett, Michelle Struckholz, Casy Caliendo, Alyssa Catjakis, Brianna Munoz, Kate Piquette, Katelyn Uyehara

Blackfriars Dance Concert 2009 Promotional Card, Providence College

Playbill and Production

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2009

December 4 & 5, 2009

Blackfriars Dance Concert 2009 Poster, Providence College, Alex Fiedler

Playbill and Production

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2009

December 4 & 5, 2009

Blackfriars Dance Concert Media Release, Susan Werner

Playbill and Production

Providence College Department of Theatre, Dance & Film

Blackfriars Dance Concert media release

December 2009

December 2009 - Volume Ix, Number 1, Theatre Arts Department

Sides (Newsletter)

This issue includes items about Theatre Alumni Reunions, Dedication of the Green Room at the Doudna Fine Art Center (named after Lucille and E. Glendon Gabbard), and December Graduates.

Damner Le Damier Ou Rédimer La Danse De La Terre Dans Le Meurtre Du Samedi Gloria De Raphaël Confiant, Hanétha Vété-Congolo

Présence Francophone: Revue internationale de langue et de littérature

The value of the “damier”, a traditional dance from Martinique, is significant because it evokes cohesion, order and balance and symbolizes distinctive attributes from Martinique’s society at large. Martinique enters in a new era which characteristics are defined by regional development. This development is a break between the past and the present or with population’s intelligible referents and landmarks, and is represented between tradition and modernity, as a transformation led by urbanization. Traditions become shaky and in the novel, the city is unable to take on those rural values, symbolized by the “damier”.

Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film

Playbill and Production

Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of the Blackfriars Dance Concert.

November 12, 2009

The Secret Garden

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2009 performance of The Secret Garden based on the book by Frances Hodgson Burnett with script and lyrics by Marsha Norman and music by Lucy Simon.

The Secret Garden tells the story of Mary Lennox, a young English girl from British Raj who is sent to live in Yorkshire, England with her relatives after her parents die in a cholera outbreak. As she works in a neglected hidden garden with a young gardener she begins to grow and begins to influence her sickly cousin and uncle.

Fall Dance Concert (October 22-24, 2009), Lindenwood University

Student Dance Programs & Brochures

Program for the Fall Dance Concert (October 22-24, 2009).

Footprints Of A Pilgrim

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2009 performance of Footsteps of a Pilgrim based on the book by Ruth Bell Graham and adapted by Kerry Meads and Robert Smyth.

Footprints of a Pilgrim is the story of Ruth Bell Graham recounting the story of her childhood as the daughter of missionaries in China, her marriage to Reverend Billy Graham, and beyond.