Latin American Literature Commons^™

Untangling Memories Of Violence: The Khipu In El Rincón De Los Muertos (Alfredo Pita), Jonathan J. Oliveri

Living in Languages

This research proposes a structural reading of El rincón de los muertos to decode and trace echoes to the khipu which are embedded throughout the novel. Contrary to a graphic writing system, the Incan empire’s khipu (khipu) was a mnemotechnic system—a three-dimensional communicative device, an archive of memory that recorded information using different colored strings, and a system of knots. Our concept of mnemonics is different than that of the indigenous communities who relied on oral tradition and specifically for khipu a khipukamayuq (reader of khipu), in a narrative and discursive manner, to reconstruct the message the khipu contained. …

Mapping Memory: Locational Memory In The First-Person Narrative Of Three Latinx Writers, Stephanie R. Beasley

Theses and Dissertations--Hispanic Studies

Locational memory, which relies upon our natural inclination to store and recall images, adds spatial orientation to a narrative, and provides an accessible framework for the recreation of the past in first-person narrative. The power of locational imagery as a device of memory is both historically and scientifically supported. It is essential to the system of artificial memory that the ancient Greeks called a memory palace, described by both Mary Carruthers and Paul Ricouer. Scientifically, studies show that the strongest autobiographical memories are based on visual imagery and that recall of specific locations provides a cognitive basis for the recreation …

Memoria Y Fractura Social En El Ruido De Las Cosas Al Caer De Juan Gabriel Vásquez, Luis Mora-Ballesteros

Publications and Research

El presente trabajo tiene como objetivos el análisis de algunas características de la memoria en la novela El ruido de las cosas al caer de Juan Gabriel Vásquez, establecer vínculos entre la novela y la narrativa de la sicaresca colombiana y caracterizar el trauma experimentado por algunos de sus personajes. Se trata de una novela con características que la incluyen dentro de la ficción contemporánea colombiana que a su vez forma parte de la sicaresca: un concepto clave sobre violencia, criminalidad, derechos humanos y narcotráfico expresados en la novela colombiana.

Las Verdades De La Muerte: Discurso Oficial Y Literatura Peruana Durante La Guerra Interna (1980–2000), Alberto Valdivia Baselli

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the productions of official truth in the positivist paradigm of the social sciences and those of literary truth in the context of the most recent Peruvian internal war (1980-2000), between the state and the subversive groups of the Communist Party of Peru-Shining Path (SL) and the Túpac Amaru Revolutionary Movement (MRTA).

It has been essential to analyze these truths, its hegemony of power and its cultural phenomena, to study the discursive forms produced in the literary archive. Hence, this research has examined multiple ways in which literary discourse has materialized during and after the war period. Thus, …

Más Allá De La Comisión De La Verdad Y Reconciliación: Memoria, Cuerpo Y Producción Cultural De Mujeres En El Perú (2005–2013), Otilia M. Mendiolaza

Dissertations, Theses, and Capstone Projects

This dissertation examines literary and cinematographic works concerning the war between the Peruvian Armed Forces and the Peruvian Communist Party Shining Path (1980-2000) produced by contemporary women artists. In particular, it analyzes how these works reveal topics overlooked by the report of the Truth and Reconciliation Commission of Peru (CVR) published on August 28, 2003. To do so, it studies the socio-political and cultural factors that contributed to the violation of human rights during the internal military conflict, especially of women, focusing on questions of memory, identity, and the body. The dissertation analyzes Rocío Silva Santisteban’s poetry collection Las hijas …

Lost In Violence : Forging Memories From Legacies Of Neglect In Spanish And Peruvian Contemporary Novels, Jonathan James Oliveri

Legacy Theses & Dissertations (2009 - 2024)

This dissertation constitutes an examination and approximation of neglected violent pasts through an analysis of a selection of contemporary Spanish and Peruvian novels. The Spanish novels in question are as follows: Las leyes de la frontera (2012) written by Javier Cercas; Talco y bronce (2017) authored by Montero Glez; Yonqui (2014) and Cuando gritan los muertos (2018) written by Paco Gómez Escribano; and lastly Lumpen (2015) co-authored by Gómez Escribano and Luis Gutiérrez Maluenda. Additionally, the Peruvian novels which play a fundamental role in the present study are: Lituma en los Andes by Mario Vargas Llosa (1993); El cazador ausente …

“La Culpa Es De Los Tlaxcaltecas”: Gender, The Burden Of Blame, And A Re-Examination Of The Myth Of La Malinche, Erin M. Lanza

Student Publications

This paper explores Elena Garro’s short story “La culpa es de los tlaxcaltecas.” Supplementing close readings with analyses drawn from relevant authors and theorists, I highlight the key ideas regarding gender, identity, memory, and history that Garro weaves into her text, and I consider Garro’s emphasis on patriarchal control, the internalization of female culpability for the Spanish Conquest of Mexico, and women’s role in constructing and reconstructing historical discourses. By travelling into her own and Mexico’s past, Laura Aldama, one of the main female protagonists in the story, not only challenges gendered histories but also reveals how patriarchal thought continues …

Identidad, Exilio Y Memoria En La Narrativa De Tres Autoras Argentinas (Luisa Futoransky, Tununa Mercado Y Luisa Valenzuela), Elsa Menendez Della Torre

Wayne State University Dissertations

Se investiga la narrativa de Luisa Futoransky, Tununa Mercado y Luisa Valenzuela y la influencia del alejamiento de Argentina, afectaron sus perspectivas e identidad. Sus narrativas se posicionan en el movimiento literario posmoderno por su rompiemiento con los cánones narrativos convencionales. La metodología utilizada para este proyecto incluye teorías de Phillipe Lejeune y Silvia Molloy (autobiografia), Serge Doubrovsky (autoficcion) y Julia Kristeva (exilio y feminismo) entre otros. Se consideran también los acercamientos de diversos críticos y psicólogos en lo que respecta al exilio y a la memoria. Posteriormente se analiza la obra narrativa de Luisa Futoransky y su aproximación a …