Latin American Literature Commons^™

William J. Nichols And H. Rosi Song, Eds. Toward A Cultural Archive Of La Movida. Back To The Future. Madison: Fairleigh Dickinson Up, 2014., Jorge Gonzalez Del Pozo

Studies in 20th & 21st Century Literature

Review of William J. Nichols and H. Rosi Song, eds. Toward a Cultural Archive of La Movida. Back to the Future. Madison: Fairleigh Dickinson UP, 2014.

Jobst Welge. Genealogical Fictions: Cultural Periphery And Historical Change. Baltimore: Johns Hopkins Up, 2015., Patrick R. Young

Studies in 20th & 21st Century Literature

Review of Jobst Welge. Genealogical Fictions: Cultural Periphery and Historical Change. Baltimore: Johns Hopkins UP, 2015.

Martin Munro. Writing On The Fault Line: Haitian Literature And The Earthquake Of 2010. Liverpool: Liverpool University Press, 2014., Linda Alcott

Studies in 20th & 21st Century Literature

Review of Martin Munro. Writing on the Fault Line: Haitian Literature and the Earthquake of 2010. Liverpool: Liverpool University Press, 2014.

Tom Burns, Elcio Cornelson, Volker Jaeckel, And Luis Gustavo Vieira, Eds. War And Literature: Looking Back On 20th Century Armed Conflicts. Stuttgart: Ibidem Verlag, 2014., Paul R. Schue

Studies in 20th & 21st Century Literature

Review of Tom Burns, Elcio Cornelson, Volker Jaeckel, and Luis Gustavo Vieira, eds. War and Literature: Looking Back on 20^th Century Armed Conflicts. Stuttgart: Ibidem Verlag, 2014.

Representing Modern Female Villain: On Feminine Evil, Perverse Nationhood, And Opposition In Rómulo Gallegos’ Doña Bárbara And Salman Rushdie’S Midnight’S Children, Barbara Guerrero

Electronic Thesis and Dissertation Repository

This thesis aims to contribute to the scholarship on modern female villainy by further exploring the ways in which 20^th century female villains are represented as well as the functions they carry out in the text. In this study, I look at Rómulo Gallegos’ doña Bárbara from Doña Bárbara (1929) and Salman Rushdie’s Indira Gandhi from Midnight’s Children (1981). I argue that both villains are a combination of already-existing forms of evil in more recognizable contexts as well as a rejection of and opposition to modern values. Firstly, I examine how the villains both conform and resist the formula …

The Crafting Of The Self In Private Letters And The Epistolary Novel: El Hilo Que Une, Un Verano En Bornos, Ifigenia, Querido Diego, Te Abraza Quiela, And Cartas Apócrifas, Angelica A. Nelson

FIU Electronic Theses and Dissertations

The inherent flexibility of the letter form or epistolary mode of writing frees the writer within the framework of salutations and closings to use vocabulary and language to create, to omit or to invert conventional constraints imposed on women by a patriarchal society. The letter begins as a blank page but becomes the space for writing one’s personal thoughts and emotions to the absent other in a communicative effort to minimize the separation.

This dissertation examines the female narrator in actual letters written during the Spanish emigration to the New World in the sixteenth century and four epistolary novels written …

“The Hour Of The Furnaces: Collaborative Cinema’S Fragmentary Form”, Eunha Choi

Dissidences

Cinematic structure remains constitutively collaborative. While critics like André Bazin have described cinema as mixed or impure, this article advances the concept of cinema as collaborative aesthetics. The conventional understanding of collaboration is that it represents aggregation, namely the gradual growth toward a total and completed whole. After all, collaborative practice generally works toward identifiable goals. Conversely, I argue here that The Hour of the Furnaces shows us how cinematic collaboration also operates by subtractions, unresolved dissonances, unfinished instances, and contradictions rather than syntheses or cohesive totality. Despite the filmmakers’ express intentions, I contend that their political documentary film lacks …

Colonialab: A Collaborative Workshop For The Digital Edition Of Colonial Latin American Texts, Clayton Mccarl, Karthikeyan Umapathy, Cameron Adelsperger, Kathlina Brady, Krysten Ross

DHI Digital Projects Showcase

No abstract provided.

On The Hispanophone Caribbean Question, Vanessa Pérez-Rosario

Publications and Research

This essay introduces the special section “The Idea of Hispanophone Caribbean Studies” with a focus on hispanopone Caribbean literature and how it is situated in the region and in the diaspora. The essay suggests the need for creating spaces of dialogue and communication, translation and multilingualism, that are interdisciplinary and intertextual, if we are to deepen our critical frames of reference and complicate and invigorate new creative and analytic discourses.

La Visión Del Colombiano En La Hojarasca, El Coronel No Tiene Quien Le Escriba Y Crónica De Una Muerte Anunciada, De Gabriel García Márquez, Luz S. Valencia Galvis

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

El presente trabajo tiene el propósito de analizar la construcción identitaria del colombiano en las obras La hojarasca, El coronel no tiene quien le escriba y Crónica de una muerte anunciada de Gabriel García Márquez. Bajo esta perspectiva, se indagará sobre algunos aspectos que intervienen en la configuración y expresión de la identidad cultural del colombiano representado en los personajes de cada obra, como el lenguaje, las costumbres sociales y culturales, los estereotipos en su lugar/época. Con lo antes indicado, intento esclarecer la visión del colombiano según García Márquez. Asimismo, se realizará una descripción de la evolución de los …

Espacio, Movimiento Y Afecto En Lumpérica Y Vaca Sagrada, De Diamela Eltit, Alberto Lopez Martin

Dissidences

En este trabajo analizo dos de las novelas más significativas de la autora chilena Diamela Eltit, Lumpérica y Vaca sagrada. Presto especial atención a la forma en que la autora plasma en su prosa el uso del cuerpo como significante y la conceptualización del lenguaje como espacio, al tiempo que aporto ejemplos textuales de la noción de zonas de dolor, acuñada por la propia Eltit. Si bien la crítica se ha referido a sus novelas como ficciones elusivas de su cualidad representativa, ningún trabajo hasta la fecha las ha estudiado desde la teoría no-representacional de Nigel Thrift, sumamente relevante …

Figuras De Carlos En Missing (Una Investigación), De Alberto Fuguet: Nuevas Declinaciones De La Novela Latinoamericana, María-José Furió Sancho

Dissidences

Una exploración de las figuras simbólicas que encarna el personaje Carlos, protagonista de la novela Missing, de Alberto Fuguet: el huérfano, el desaparecido, el abandonado, lo abyecto, el cimarrón blanco, el loser...

En Missing. Una investigación, el escritor y cineasta chileno Alberto Fuguet desarrolla una variación sobre el tema de la búsqueda del progenitor desaparecido. Al principio, dice, se proponía novelar la conflictiva relación con su padre; al encontrar a su tío Carlos encuentra simultáneamente la historia de la relación de éste con su progenitor (el abuelo del novelista), y del mismo con esa otra autoridad suprafamiliar que …

Heroísmo Y Conciencia Racial En La Obra De La Poeta Afro-Cubana Cristina Ayala, Maria A. Aguilar

Languages, Literatures and Cultures Faculty Scholarship

This article examines the poetry of Cuban writer Cristina Ayala emphasizing the political value of her use of a rhetoric of heroism, a discursive device that masks her demands for recognition of women’s rights and those of Afro-Cubans. The analysis of her poetry suggests that the symbolic manipulation of the “hero” and the representation of “colored” women as intellectuals and “heroes” expressed her desire to intervene in the public arena. By positioning herself within a political discourse that reconstructed slavery’s past, she narrated the revolutionary vicissitudes and created a utopian vision of the future for the Afro-Cuban community. Ayala expresses …

[Review Of] La Estética De Lo Mínimo: Ensayos Sobre Microrrelatos Mexicanos, Ed. Pablo Brescia, Cheyla Samuelson

Faculty Publications

A review of Brescia, Pablo, ed. La estética de lo mínimo: Ensayos sobre microrrelatos mexicanos. Guadalajara: Universidad de Guadalajara, 2013. 166 pp.

"Só Para Mulheres" (Just For Women): Alfonsina Storni's And Clarice Lispector's Transgression Of The Women's Page, Mariela Méndez

Latin American, Latino and Iberian Studies Faculty Publications

This article considers the contributions of Argentinean poet Alfonsina Storni (1892–1938) and Brazilian novelist Clarice Lispector (1920–1977) to the women’s column of newspapers and journals in their respective countries. The women’s column or page was a section entirely dedicated to women’s concerns, addressed specifically to a female readership, and generally authored by a woman or a female persona. As such, it operated under specific parameters of form and content. This article argues that both writers’ transgression of this discursive space can be seen as resignifying gender meanings and potentially transforming readers’ perception of female subjectivity. Analyzing selected pieces from the …

(Sub)Versions Of Banditry: Ferréz’S Re-Appropriation And Redefinition Of The Marginal Identity, Marissel Hernández-Romero

Dissertations, Theses, and Capstone Projects

This study examines how Ferréz’s work is related to the 19^th and early 20^th century banditry narrative. The current study examines the evolution of the work of Ferréz and discusses his relevance in Brazilian and Latin America literature. However, this dissertation examines in what extent Ferréz’s work transgresses the genre in that he breaks its rules and departs from its traditions. Rather than being the voice of the elite put into the mouth of a lower-class bandit character, Ferréz’s bandits speak with the voice of the oppressed and subversively criticize the elite. His work is not viewed through …

Posthumous Voices In The Antología De La Literatura Fantástica: Santiago Dabove, Horacio Quiroga, And Edgar Allan Poe, Jose J. Alvarez

Jose Alvarez

Este artículo reconstruye el concepto de lo fantástico esbozado en el prólogo de Adolfo Bioy Casares a la Antología de la literatura fantástica y examina algunas de las inclusiones y omisiones más representativas de la colección. Debido a que Bioy incurre en imprecisiones y contradicciones al teorizar lo fantástico, este trabajo parte del análisis de un ejemplo concreto, “Ser polvo”, de Santiago Dabove. Aunque Dabove emplea varias de las estrategias que Bioy condena y recurre a fuentes que la Antología no admite, su narración es ejemplar, especialmente cuando se compara con “Más allá”, de Horacio Quiroga. El análisis de las …

“La Modernización Y Sus Fantasmas: Violencia, Exceso Y Ritual En ‘La Gata De Mi Madre’ De Carlos Fuentes, Jose J. Alvarez

Jose Alvarez

Carlos Fuentes ha observado que la literatura mexicana entr6 en un acelerado proceso de renovaci6n durante la decada de los 50. La publicaci6n de El laberinto de la soledad de Octavio Paz marca-afirmaba Fuentes en 1971-el salto de la literatura mexicana mas alla de sus fronteras geograficas (Tiempo 85-6). Pero este novelista no es solo un te6rico de dichos cambios, sino tambien, uno de sus mas conspicuos artifices. Aludiendo a su rol en dicho proceso, Georgina Garcia-Gutierrez afirma que "en 1958, [Fuentes] y su primera novela [La region mds transparente] inauguraron una epoca literaria identificada con la modernidad ... la …

Eugenia En Su Contexto: Utopía Y Proyecto Alterno De Nación, Miguel García

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

En fechas recientes la novela Eugenia: esbozo novelesco de costumbres futuras (Mérida, 1919), escrita por el doctor, funcionario público y pedagogo Eduardo Urzaiz, se ha vuelto una pieza clave para entender la ciencia ficción mexicana y latinoamericana, al ser uno de los ejemplos tempranos de especulaciones futuristas y por integrar en su discurso a la eugenesia, una ciencia alrededor de la cual se desarrolló un movimiento global cuyos alcances se siguen mapeando hoy en día. Sin embargo, dos problemas principales han impedido el entendimiento cabal de la novela: 1) una insuficiente comprensión de la relevancia de las ideas eugenésicas …

“La Receta” Como Literatura Del Progreso: La Primera Novela De Anticipación Científica De Ecuador, Iván Rodrigo-Mendizábal Irm

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

El artículo versa sobre la primera obra de anticipación científica de Ecuador, la novela-folleto La Receta, relación fantástica (1893) de Francisco Campos Coello. A partir de un viaje extraordinario en el tiempo, posibilitado por una receta mágica, un hombre del XIX va a finales del XX para constatar los cambios dados en su ciudad. El autor, siguiendo la estética de Jules Verne, usa la novela para fabular una fantasía utópica, así como hacer un balance prospectivo del progreso alcanzado en Ecuador, gracias a una política pública y educativa que ha beneficiado a la nación. Se discute hasta qué punto la …

Televisual Subjectivities In Pepe Rojo’S Speculative Fiction From Mexico: 1996-2003, Stephen C. Tobin

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Pepe Rojo, a key author often tied to the Mexican cyberpunk movement of the 1990s, has been most effective in articulating a kind of visual dystopia in the country that focuses upon television as a key site for constructing dislocated subjectivities. His writing reacts to larger shifts occurring in the country’s field of vision that have been catalyzed by the neoliberal political-economic policy changes and have altered the way in which the mass media culture industry in Mexico functioned in the 1990s. This brought a multitude of changes in how the media industry functioned both internally and externally, ultimately becoming …

Poetic Illiteracy And Cultural Insularity: The Crisis Of Cultural Nationalism In Virgilio Piñera's La Isla En Peso, Stephen A. Cruikshank

The Quiet Corner Interdisciplinary Journal

The twentieth-century Cuban poet Virgilio Piñera was both a radical and rebellious writer who wrote against the national discourses of his time. In his acclaimed poem La isla en peso Piñera challenges the Neobaroque discourse of Cuban identity by describing Cuba as 'insular' rather than innovative. The following article argues that La isla en peso, like a prophetic letter, seems to have foreseen seventy years earlier what the modern literary critic Abraham Acosta has recently described as a "threshold of illiteracy," that is, a disruption or illiterate interference of one's critical reading by exposing the contradictions of cultural nationalism. …

Travesía De Zorros En La Última Novela De José María Arguedas, El Manuscrito Huarochirí Y Los Cuentos Orales De Los Andes Meridionales, Blanca Aranda Gómez García Ph.D

Modern & Classical Languages

A partir del seguimiento del personaje del zorro en la novela El zorro de arriba y el zorro de abajo (1971) de José María Arguedas, este ensayo reconstruye una red intertextual que va más allá del texto escrito conectando la novela con el manuscrito del siglo XVI Dioses y hombres de Huarochirí y con los cuentos orales sobre el zorro en la región de los Andes meridionales. A través de esta lectura comparada, este artículo reconstruye el carácter cómico del personaje del zorro y confirma la relación entre la oralidad y la escritura en la región de los Andes. El …

La Quebrada Y La Costa Peruanas En Voces Narrativas A Mediados Del Siglo Xx: María Rosa Macedo Y Sara María Larrabure, Ricardo N. Fernández

Dissertations, Theses, and Capstone Projects

Each of the two female writers at the crux of this dissertation, María Rosa Macedo (1909-1991) and Sara María Larrabure (1921-1962), wrote an unparalleled novel: respectively, Rastrojo (1944) and Rioancho (1949). Their primary and complementary narratives overlap in the sociocultural, historical and political context of the first half of 20^th-century Peru. This study proposes to demonstrate how the given premise of their link, particularly in portraying the coastal region they both know intimately, is in line with what Antonio Cornejo Polar (1989) calls "La totalidad literaria como totalidad social". To what extent these two authors contribute to such …

Global Ecologies And The Environmental Humanities: Postcolonial Approaches Edited By Elizabeth Deloughrey, Jill Didur, And Anthony Carrigan, Joshua Bartlett

The Goose

Review of Elizabeth Deloughrey, Jill Didur, and Anthony Carrigan's Global Ecologies and the Environmental Humanities: Postcolonial Approaches.

Nepantla As Her Place In The Middle: Multilingualism And Multiculturalism In The Writings Of Sor Juana Inés De La Cruz, Nicole Lynn Gomez

Doctoral Dissertations

In this dissertation, I analyze a selection of Sor Juana’s works in the context of bilingual and bicultural studies. I infer that the author’s language acquisition and cultural sensitivity were interrelated, both affecting the other and influencing her writing. I argue that her bilingualism correlated with her cultural sensitivity and sympathy towards marginalized groups. In her works, the author employs a variety of strategies to denounce discrimination and repression as well as rhetoric that promotes tolerance of other cultures and resistance to oppression. I explore these strategies in her texts and apply relevant theory in order to fully analyze their …

Ciudad Letrada Y Poder En La Novela Del Caribe Hispánico Contemporáneo: La Noche Oscura Del Nino Avilés, Bachata Del Ángel Caído Y La Cazadora De Astros, Amilkar Ernesto Caballero

Graduate Theses and Dissertations

This dissertation analyzes Edgardo Rodríguez Julia’s La noche oscura del Niño Avilés, Pedro Antonio Valdez’s Bachata del ángel caído, and Zoé Valdes’s La cazadora de Astros from the perspective of the intersection between intellectuality and power. Its main thesis is that these three writers are “political” writers who postulate “possible worlds” to reconfigure the divisions of the Social world carried out by power vectors in their respective nations. These reconfigurations are based on “detour” strategies that attempt to deconstruct the canonical aesthetic forms and the discourses of truth established by those vectors. The first chapter analyzes the way the three …

Stranger In A Strange Land: The Discourse Of Alienation In Gómez De Avellaneda's Abolitionist Novel Sab, Stacey Schlau

Stacey Schlau

No abstract provided.

Origén E Influencia De La Figura De Simón Bolívar En Los Escritores Modernistas Hispanoamericanos, Wilson Anaya

Dissertations, Theses, and Capstone Projects

The purpose of my thesis is to examine the various ways in which the writers of Latin America’s Modernist movement were influenced by Simon Bolivar’s ideology. At the same time, I will illustrate how these authors utilized throughout their literary discourse the image of the most important and iconic historical figure of South America’s independence wars against Spain. Throughout this thesis I will evaluate several literary works of modernist Latin-American authors such as the Cuban José Martí, the Venezuelans Rufino Blanco Fombona, Manuel Diaz Rodriguez, César Zumeta, the Colombians José Asunción Silva, Guillermo Valencia and José María Rivas Groot, the …

Fragmentation And Multiplicity In Cuban-American Identity: In Cuba I Was A German Shepherd By Ana Menéndez And Memory Mambo By Achy Obejas, Daimys E. Garcia

Dissertations, Theses, and Capstone Projects

Maria Lugones offers a new way of perceiving the world, which makes visible that fragmentation is not a valuable and transgressive understanding of identity, as Western philosophy and some political theory suggests. What Lugones believes in, as a strategy of resistance to the dominant gaze, is multiplicity – mestizaje. Using Lugones’s framework, this thesis will look at the different aspects of Cuban-American characters in In Cuba I was a German Shepherd by Ana Menéndez and Memory Mambo by Achy Obejas. Each novel offers insight into how characters develop and understand themselves (and others) when they use language that shows that …