Open Access. Powered by Scholars. Published by Universities.®
Other Rhetoric and Composition Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Creative making (10)
- Creative writing (9)
- Creative writing as creative making (9)
- Teaching (5)
- DIY (4)
-
- Adjunct (3)
- Adjuncts (3)
- App (3)
- Basho (3)
- Children’s literature (3)
- Civic participation (3)
- Collaboration (3)
- Crowdsourced (3)
- Digital civics (3)
- Digital literature pedagogy (3)
- Disruptive Creation (3)
- Distributed learning (3)
- Fanfic (3)
- Fanfiction (3)
- Game (3)
- Gift economy (3)
- Harry Potter (3)
- Hermione (3)
- Instructional design (3)
- Media literacy (3)
- Nature (3)
- Netprov (3)
- Occupy movement (3)
- Performative criticism (3)
- Procedural rhetoric (3)
- Publication
- Publication Type
Articles 1 - 23 of 23
Full-Text Articles in Other Rhetoric and Composition
Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola
Lifelong Movie Goers, Hardworking Filmmakers, And Oscars Discourse, Haley Kamola
Student Scholar Symposium Abstracts and Posters
This paper focuses on the discourse surrounding the Academy Awards, often referred to as the Oscars. The differences in discourse between people working in the film industry and those who watch movies are analyzed, as they represent the supplier and recipient of films and filmmaking. These two groups offer varied perspectives on the topic. The discourse of another group, a group in-between–student filmmakers–is also analyzed. To many people, what makes a film “good” is quite subjective, so the Academy Awards are often a subject of discourse. One particular focus of discourse will be the 2024 Academy Awards. There were a …
Narrating Madness: Building Narratives Against Privileged Identity, Kristin Santa Maria
Narrating Madness: Building Narratives Against Privileged Identity, Kristin Santa Maria
All Dissertations
This dissertation examines how competing narratives related to madness and mental health can provide insight into the inconsistencies of preconceived biases that tie into privilege and power. These biases relate to identities associated with race, gender, class, and embodiment. By exploring madness narratives, we can see how madness often becomes a quality used to isolate and “other” people that act against typical societal and cultural norms. Works of fiction and nonfiction that pertain to madness narratives can either be used to perpetuate stereotypes of normalcy or as a vehicle to allow for a more open and frank discussion of madness …
The Gay Agenda: Being Accepted In Children’S Media, Tiffany Wells
The Gay Agenda: Being Accepted In Children’S Media, Tiffany Wells
Honors College Theses
For many LGBTQ+ children, there is a lack of representation of their identities in the television shows they see growing up. We turn to objects, like television characters, to help “find our way,” which becomes limited for individuals who are part of the minority (Ahmed 1). When television shows reflect a variety of lived experiences, they can increase cultural competence in their viewers. While LGBTQ+ representation in children’s media has increased, it is still difficult to implement such representation. This thesis we will discuss three shows, Gravity Falls, Steven Universe, and The Owl House, that have struggled with the implementation …
"Unbowed, Unbent, Unbroken": Ontological Insecurity In "Game Of Thrones" And Other Fantastic Transmedial Storyworlds, Nicole I. Chavannes
"Unbowed, Unbent, Unbroken": Ontological Insecurity In "Game Of Thrones" And Other Fantastic Transmedial Storyworlds, Nicole I. Chavannes
All HCAS Student Capstones, Theses, and Dissertations
Both rhetoric and composition and transmedia studies contain ongoing examinations of the complexity of author-audience relationships. This thesis utilizes the transmedial concept of ontological security in post-object fandom to examine the various ways "authors" of popular storyworlds and franchises affect narrative stability, and by extension fan and fandom stability, in an increasingly circulated and commercially-driven media landscape. To better understand disruptions in viewers' ontological security, I use HBO's Game of Thrones as a case study, examining the varied ways in which audiences respond to transmediated science fiction and fantasy storyworlds, and the ways in which authors attempt to anticipate or …
Statement Of Creative Practice: Creative Making And Vr Literature, Mez Breeze
Statement Of Creative Practice: Creative Making And Vr Literature, Mez Breeze
Journal of Creative Writing Studies
Editor's Note
Mez Breeze authored her artist’s statement in virtual reality. You can view Mez’s artist’s statement even without a VR headset. Just click this link: https://bit.ly/2Kov372
You’ll need this password to access it: XR_PlayG
Abstract
Constructing creative writing in XR (aka Extended Reality: an umbrella term that covers Augmented Reality, Virtual Reality, Mixed Reality, and a fourth category called Synthetic Reality), and VR in particular, is an exciting and recent phenomenon in the Electronic Literature field. This proposed Statement of Creative Practice will examine the scope and reach of XR artforms while focusing in particular on the subset of …
Basho & Friends Literacy Game For Tablet, Joshua Korenblat
Basho & Friends Literacy Game For Tablet, Joshua Korenblat
Journal of Creative Writing Studies
Basho & Friends is an in-progress prototype for an interactive children’s book. Here, children ages 8-13 collaborate with young Basho, the legendary founder of haiku poetry, to become poets themselves. This project exemplifies a “convivial tool,” defined by philosopher Ivan Illich as a platform designed to promote creative expression. Here, we imagine new possibilities for reading, sensemaking, and creative writing based on past forms and ideas. Through poetry, Basho promotes meaningful principles of literacy and sustainability today. Children can engage with Basho’s story in an historical context and practice haiku to see themselves as authors of their life stories.
Fanfiction As Performative Criticism: Harry Potter Racebending, Khaliah A. Petersen-Reed
Fanfiction As Performative Criticism: Harry Potter Racebending, Khaliah A. Petersen-Reed
Journal of Creative Writing Studies
Fanfiction anatomizes a text and in this textual nakedness fanfiction writers recognize gaps in their chosen source texts and seek to supplement these deficiencies through literary disruption. This essay focuses on the kind of fanfiction that critically disrupts through artistic cultural production—a practice that I am labeling performative criticism. I look at Racebending fanfiction that intervenes in the gaps of the Harry Potter series—specifically the gaps related to race. Using fanfiction produced by Harry Potter fans, I will show that by reading and writing fanfiction these writers are blurring demarcation between creative writing and literary criticism.
This Is (Not) A Game: The Adjunct Experience As Playable Fiction, Lee Skallerup Bessette
This Is (Not) A Game: The Adjunct Experience As Playable Fiction, Lee Skallerup Bessette
Journal of Creative Writing Studies
How can a never-ending running 8-bit game be a piece of protest art? In examining her own experience in a related netprov protesting the treatment of adjuncts, the artist explores issues of agency, exploitation, and the very nature of games and playing in her artist’s statement on her game, Adjunct Run: https://adjunctrun.readywriting.org/.
Machine Co-Authorship(S) Via Translative Creative Writing, Aaron Tucker
Machine Co-Authorship(S) Via Translative Creative Writing, Aaron Tucker
Journal of Creative Writing Studies
This paper argues that machine translation and a symbiotic ecosystem of authorship are central to the poetic works of Aaron Tucker and reveal larger ethical paths for machine-human relationships. In particular, the elements of chance alongside the intersemiotic translative acts that are the nature of human-computer relationships give space to a potential futurity that challenges a human-centric understanding of “reading” and “writing” and generates a type of literature that encourages a reader to better understand their own interactions within their daily digital environments.
The Many Authors Of The Several Houses Of Brian, Spencer, Liam, Victoria, Brayden, Vincent, And Alex: Authorship, Agency, And Appropriation, Zach Whalen
Journal of Creative Writing Studies
The Several Houses of Brian, Spencer, Liam, Victoria, Brayden, Vincent, and Alex is a computer-generated children’s book of 53,651 words and 350 unique illustrations arranged over 800 pages. The text is a cumulative poem in the style of the nursery rhyme “This is the House that Jack Built,” but with a house for each of the eponymous seven individuals, and with each of their houses containing many more types of things. These houses, these things, and these words were chosen by a Python script that I wrote, and the resulting novel--which can be viewed on my Github repository--is …
Atari, Creative Making & Zombie Computers: Robbo. Solucja., Piotr Marecki
Atari, Creative Making & Zombie Computers: Robbo. Solucja., Piotr Marecki
Journal of Creative Writing Studies
In 1989, Janusz Pelc wrote the game Robbo on an 8-bit Atari, one of the first personal computers, which enjoyed a cult-like status in Poland before the fall of the Berlin Wall in 1989. Robbo, a small robot, collects screws and has to get through 56 planets. The game has achieved cult status, spawning hundreds of remixes and modifications. Beginning in the 1980s, fans (once mainly young boys, today adult men) played this game, collecting screws and running away from enemies such as bats, flying eyes, devils etc., while drinking beer, smoking cigarettes, eating crisps and telling jokes. One …
Digital Participatory Poetics And Civic Engagement In The Creative Writing Classroom, Liza D. Flum, Emily Oliver
Digital Participatory Poetics And Civic Engagement In The Creative Writing Classroom, Liza D. Flum, Emily Oliver
Journal of Creative Writing Studies
This article explores the ways a team-taught course, “Public Poetry in a Digital World,” supported community-building through participatory action and digital creative making. Using digital texts responding to current events, this course fostered students’ civic imagination and invited them to make connections among their own lives, their communities and poetic civic media. This class facilitated critical community engagement through digital pedagogy and final projects in which students performed public scholarship. Ultimately, this course serves as a case study of how teaching born-digital texts with digital tools can expand the capacity of the creative writing classroom.
Toward Disruptive Creation In Digital Literature Instruction, Michael D. Clark
Toward Disruptive Creation In Digital Literature Instruction, Michael D. Clark
Journal of Creative Writing Studies
Given the multimodal and collaborative nature of digital literature along with the ways it often embodies the theories informing its artistic production, approaches to exploring both the creation and study of the form must abandon legacy pedagogies in favor of disruptive, student-driven course experiences. This work must further include explorations of digital culture, means of production, multimodal literacies, and connections with various definitions of literature ranging from print to auditory to visual forms. To accomplish this, instructors must move from more traditional hierarchical roles to those of facilitator and participant, committing consistently to returning decision-making work to the students.
Creative Writing Across Mediums And Modes: A Pedagogical Model, Saul B. Lemerond Phd
Creative Writing Across Mediums And Modes: A Pedagogical Model, Saul B. Lemerond Phd
Journal of Creative Writing Studies
This is a creative practice (pedagogy) paper outlining the current formulation of my multimodal introduction to creative writing course. In this paper, I describe the course in detail, address the tensions, tradeoffs, and workarounds inherent in abandoning the traditional workshop model, describe instances of student engagement and success to illuminate this process, and endeavor to explain why high amounts of engagement and enthusiasm I get from my students concerning the content of my course is justified. My multimodal course is a generative course where my students are required to produce work in different creative modes on a near weekly basis. …
Introduction: What Is “Creative Making As Creative Writing”?, Kathi Berens
Introduction: What Is “Creative Making As Creative Writing”?, Kathi Berens
Journal of Creative Writing Studies
This special issue of the Journal of Creative Writing Studies centers on how creative writing changes when writers actively engage computers as nonhuman collaborators in “creative making.” Using examples from McGurl’s The Program Era, Emily Dickinson, and the crowdsourced “translation” of Melville’s classic into Emoji Dick, Berens suggests that creative writing methods have long been procedural and technologic.
There are many forms of creative making. This special issue features creative writers that
- Write code to output novels
- Redefine how we think of writing’s “container”
- Demonstrate aspects of the digital-first, multimodal writing classroom
- Modify or remix existing artworks
Berens supplies three …
Rhetoric In Film: Three Explorations Of Influence In Documentaries And Digital Stories, Emily Knapp
Rhetoric In Film: Three Explorations Of Influence In Documentaries And Digital Stories, Emily Knapp
Masters Theses, 2010-2019
This thesis is made up of three distinct articles, two written with the intention of publication while the third consists of a digital story and subsequent reflection on the process of creation. The first article serves to answer the question “Do documentary films inspire activism?” by analyzing data gained after surveying 266 members of the James Madison University community. The results suggest that viewers are moved to emotion when witnessing struggle but that they are moved to action when said action directly impacts their own life. The second article is a rhetorical analysis of the 2013 documentary film Blackfish. …
The Mythological Perspective Of Modern Media: Cross-Cultural Consciousness And Modern Myths, Rebecca E. Evans
The Mythological Perspective Of Modern Media: Cross-Cultural Consciousness And Modern Myths, Rebecca E. Evans
Senior Honors Projects, 2010-2019
This piece assesses the cultural implications of modern narratives that incorporate classical mythology, specifically focusing on the hero’s journey. When the similarities of different myths across different cultures are analyzed, it becomes clear that there are modern analogs that incorporate mythic qualities and cultural values. These mythic foundations are analyzed here in popular works like Harry Potter, Star Trek, and Legend of Zelda, where the hero’s journey becomes an almost universal experience that inspires cross-cultural consciousness. The hero’s journey has evolved from a simple literary tool into a cross-cultural touchstone that shapes narratives into familiar works of cultural significance across …
Blackfish-Ing For Buzz: The Rhetoric Of The Real In Theme Parks And Documentary, Steven W. Schoen
Blackfish-Ing For Buzz: The Rhetoric Of The Real In Theme Parks And Documentary, Steven W. Schoen
Faculty Publications
In 2014, a year of record tourism in the state of Florida, SeaWorld saw a drop of one million visitors to its theme park in Orlando. The decline followed Gabriela Cowperthwaite’s 2013 documentary film Blackfish, which presented the circumstances of orcas, or “killer whales,” held in captivity at parks like SeaWorld as cruel to the animals and dangerous to their trainers. In 2016, SeaWorld announced it will stop breeding orcas, and phase out its orca theatrical shows by 2019, a move widely attributed in the press to the impact of Cowperthwaite’s film. This article examines the film Blackfish as a …
Magic At The Crossroads: The Rise Of The Video Essay, Morganne Tinsley August
Magic At The Crossroads: The Rise Of The Video Essay, Morganne Tinsley August
Theses and Dissertations
This thesis examines the birth, rise in popularity, and evolution of the video essay, a subgenre of the essay found recently in online literary journals. Chapter one provides a brief history of the alphabetic essay as it expands to include photo essays, audio essays, and essay-films. The second chapter outlines the history of the online literary journal and John Bresland’s role in the introduction of the video essay as it appears in online journals. Chapter three contains an examination of the way image, text, and sound function in video essays and the tools and strategies essayists are using to create …
Multi-Timescale Dynamics Of Land Surface Temperature, Peng Fu
Multi-Timescale Dynamics Of Land Surface Temperature, Peng Fu
All-Inclusive List of Electronic Theses and Dissertations
Spatial and temporal patterns of land surface temperature (LST) have been used in studies of surface energy balance, landscape thermal patterns and water management. An effective way to investigate the landscape thermal dynamics is to utilize the Landsat legacy and consistent records of the thermal state of earth’s surface since 1982. However, only a small proportion of studies emphasize the importance of historical Landsat TIR data for investigating the relationship between the urbanization process and surface thermal properties. This occurred due to the lack of standardized LST product from Landsat and the unevenly distributed remote sensing datasets caused by poor …
Nonfiction, Documentary And Family Narrative: An Intersection Of Representational Discourses And Creative Practices, Kristine T. Weatherston
Nonfiction, Documentary And Family Narrative: An Intersection Of Representational Discourses And Creative Practices, Kristine T. Weatherston
Theses and Dissertations
Nonfiction, Documentary, and Family Narrative: An Intersection of Representational Discourses and Creative Practices explores the role of personal memory, family history, and inter-generational storytelling as the basis for making a nonfiction film. The film, American Boy, tells the story of my mother’s immigration to the United States after the failed Hungarian Revolution of 1956, opening a discussion of four generations of my family life in the context of historical events, exile, self re-invention, and identity formation. As a media producer and nonfiction author, I narrate my understanding of these events to my infant son, as a way of communicating …
The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri
The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri
LSU New Orleans Theses and Dissertations
As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …
And They Lived Happily For All Eternity, Kyndra Price
And They Lived Happily For All Eternity, Kyndra Price
Communication Studies
This paper focuses on the four novels of Twilight and what it is about it that has made it become so popular. Also looks into Stephenie Meyer's religion, Mormonism, and the influences and parallels from it in Twilight.