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Articles 241 - 270 of 648
Full-Text Articles in Rhetoric and Composition
Family Affairs: Complicity, Betrayal, And The Family In Hisham Matar's In The Country Of Men And Nadine Gordimer's My Son's Story, Lital Levy
CLCWeb: Comparative Literature and Culture
This essay undertakes a comparative reading of the dynamics of complicity and resistance in two contemporary Anglophone novels, Nadine Gordimer’s My Son’s Story (1990) and Hisham Matar’s In the Country of Men (2006). My analysis pursues three main lines of inquiry: the ostensible public/ private and political/ personal divides; loyalty and betrayal in the family; and the ambiguous status of the child as a witness and a political subject. I argue that in their respective portrayals of the protagonists’ struggles against South African apartheid and authoritarian rule in Libya, both authors use the device of the child narrator to expose …
Facing The Ruler, Facing The Village: On The Roads To Complicity Following Mengzi And Benda, Zvi Ben-Dor Benite
Facing The Ruler, Facing The Village: On The Roads To Complicity Following Mengzi And Benda, Zvi Ben-Dor Benite
CLCWeb: Comparative Literature and Culture
In his article, “Facing the Ruler, Facing the Village,” Zvi Ben-Dor Benite seeks to broaden the boundaries of the discussion about complicity by taking it away from late 20th-century and contemporary debates about it. At the same time, he wishes to highlight the many faces that the problem of complicity could have in different historical moments. Following Czesław Miłosz, this article understands that there are many roads to complicity that have been articulated in different ways across time and space. This article is, therefore, an integrated meditation on complicity bringing together two radically distant approaches to the question. Reading the …
Remnants Of Dissent, Thomas Docherty
Remnants Of Dissent, Thomas Docherty
CLCWeb: Comparative Literature and Culture
In his article, “Remnants of Dissent,” Thomas Docherty explores the relation of dissent to guilty complicity in post-war Europe. The article opens with a consideration of the position of Karl Jaspers in 1945 and examines how Jaspers worked through the various modes of guilt that flowed from diverse modes of living under Nazism. Of particular interest is the status of silence in the face of tyrannical Nazi oppression and murders. The essay explores how the workings of language, and its manipulations by the Nazis, helps to normalize such tyranny and to make resistance to it both dangerous and difficult. The …
Introduction: Complicity And Dissent, Or Why We Need Solidarity Between Struggles, Nitzan Lebovic
Introduction: Complicity And Dissent, Or Why We Need Solidarity Between Struggles, Nitzan Lebovic
CLCWeb: Comparative Literature and Culture
Growing pressure from politicians and corporations has thrown into question the very legitimacy of opposition and critique. A language of political affirmation has confused and misled the public, driving many to adopt a cynical attitude to politics. The result has been a rapid decline of legitimate critique, the rise of populism, and a growing tendency to squelch civil disobedience with a militarized police force. The introduction to the special issue considers the role of the complicit/dissenting intellectual in history and literature, politics and law. It explores the genealogy of the terms, as well as conditions for their appearance in our …
Class, Capital And Colonies In India And Palestine/Israel, Amir Locker-Biletzki
Class, Capital And Colonies In India And Palestine/Israel, Amir Locker-Biletzki
CLCWeb: Comparative Literature and Culture
The article “Class, Capital and Colonies in India and Palestine/Israel” studies the way Indian and Israeli Communist intellectuals conceptualized and understood European Colonialism. In contrast to present day settler-colonial theories – that disregarded Marxist critic of European expansion – Indian and Israeli Communists developed a Bolshevik colonial thinking. For Communists the triple forces of imperialism, capital and class devastated the “archaic” native way of life. In doing so they clear a path for European domination, settlement and class differentiation of both colonizers and colonized. The article traces Bolshevik colonial thinking to its origins in Marx’s and Lenin’s writings. It continuous …
Israeli Literature And The Time Of "Post-Post-Zionism", Oded Nir
Israeli Literature And The Time Of "Post-Post-Zionism", Oded Nir
CLCWeb: Comparative Literature and Culture
In this essay, I argue that contemporary Israeli literature possesses a more “advanced” historical imaginary than that of contemporary “post-post-Zionist” Israeli historiography, and I relate this gap to the neoliberalization of the Israeli economy. I begin by arguing that contemporary literature’s historical imaginary marks a departure from its 80s and 90s postmodern predecessors. I show that this departure is evident in contemporary Israeli literature’s explicit recognition of an inability to relate subjective experience to larger history. This recognition constitutes a dialectical overcoming of Israeli postmodernism’s playful dismantling of the national historical narrative. I then argue that Israeli “post-post-Zionist” historiography constitutes …
"You Prefer Your Enemies Simple And Well Defined": Reading Anton Shammas’ Arabesques As A Novel That Strategically Resists Interpellation, Yiftach Ashkenazi, Omri Grinberg
"You Prefer Your Enemies Simple And Well Defined": Reading Anton Shammas’ Arabesques As A Novel That Strategically Resists Interpellation, Yiftach Ashkenazi, Omri Grinberg
CLCWeb: Comparative Literature and Culture
Anton Shammas’s 1986 novel Arabesques has been the subject of much literary criticism and on-going discussions in Hebrew literature circles. This article argues that existing interpretations of this work share a fundamental similarity to the extent that they assume Arabesques to be a novel whose primary aim is to depict a certain kind of subject, in accordance with the complicated emplacement of Shammas as a Palestinian writing in Hebrew. Against such interpretations, we suggest that Arabesques is better understood as a text that resists the process of subject formation as linked to Althusser’s notion of ideology. Instead, Shammas explores the …
The Materiality And Embodiment Of Violence: Ronit Matalon’S Poetics Of Responsibility, Shiri Goren
The Materiality And Embodiment Of Violence: Ronit Matalon’S Poetics Of Responsibility, Shiri Goren
CLCWeb: Comparative Literature and Culture
In her essay “The Materiality and Embodiment of Violence: Ronit Matalon’s Poetics of Responsibility” Shiri Goren discusses Matalon’s novel Bliss (Sarah-Sarah, 2000) as a complex and bleak account of domestic and political decline. On the backdrop of the first Intifada, a Tel Avivian marriage falls apart and a lifelong powerful and intimate friendship between two women ends abruptly. In another geographical location and slightly different timeframe, early November 1995, a French-Jewish family prepares for the cremation of one of its sons, who died of AIDS. Rejecting potential interpretations of national allegory, Goren argues that one of the foundational …
Subjectivity, Institutions And Language In Contemporary Israeli Film, Ari Ofengenden
Subjectivity, Institutions And Language In Contemporary Israeli Film, Ari Ofengenden
CLCWeb: Comparative Literature and Culture
In his article "Subjectivity, Institutions and Language in Contemporary Israeli Film" Ari Ofengenden analyzes the transnational characteristics of contemporary Israeli films (from 2000 until today). He claims that a new regime of globally networked production and distribution of Israeli film has articulated a specific kind of subjectivity presented in these films. In this article, he will concentrate on two characteristics of this subjectivity: the relations of protagonist with social institutions and use of language. Relations with social institutions starts with the highly prevalent representations of a sensitive and individualist protagonist who suffers under collective and coercive institutions like the army, …
Watching Fight Club In Tel Aviv: Or The 2011 Social Protests In Israel, A Political Postmortem, Eran Kaplan
Watching Fight Club In Tel Aviv: Or The 2011 Social Protests In Israel, A Political Postmortem, Eran Kaplan
CLCWeb: Comparative Literature and Culture
In his article “Watching Fight Club in Tel Aviv: Or The 2011 Social Protests in Israel, a Political Postmortem,” Eran Kaplan provides an analysis of the ideological underpinnings of the social protests that swept Israel in 2011 and the failure of these protests to bring about actual political change. The article draws on the manner by which David Fincher’s film Fight Club exposes the ideological dimensions of modern, neoliberal consumerist society as a way to understand the driving forces behind the Israeli protests and to suggest a possible way out of the ideological quagmire that the protesters and their leaders …
Coping With Fear: Frontier Kibbutzes And The Syrian-Israeli Border War, Orit Rozin
Coping With Fear: Frontier Kibbutzes And The Syrian-Israeli Border War, Orit Rozin
CLCWeb: Comparative Literature and Culture
In her article "Coping with Fear: Frontier Kibbutzes and the Syrian-Israeli Border War,” Orit Rozin discusses the practices and norms of border kibbutzes coping with daily hostilities. The Israel-Syrian border was a constant point of friction. Hostilities erupted over the cultivation and the control of the demilitarized zones and over water resources. Northern Kibbutzes both took part in triggering Syrian violence and were victims of that violence. Covering the interwar period 1956-1967, Rozin traces the subjective emotional reaction of kibbutz members exposed to Syrian violence. Focusing on fear and employing Barbara Rosenwein’s concept of emotional communities, she shows that members …
The Catastrophic Horizon: Contemporary Israeli Cinema's Critique Of Neo-Liberal Israel, Yael Munk
The Catastrophic Horizon: Contemporary Israeli Cinema's Critique Of Neo-Liberal Israel, Yael Munk
CLCWeb: Comparative Literature and Culture
In her article, Munk analyzes the gradual decline in social solidarity of the once-socialist Israeli society has become discernible in arts and society alike. This process has been voiced in films that described the dangers of a segregated society in a graphic manner, pointing an accusing finger at what Israeli society has become. In these films, the prolonged Israeli occupation of the Palestinian territories considered by some as the source of all evil, has been removed from the intellectual foreground in order to provide by a deeper look into the catastrophic outcomes of the social dead end Zionism has reached. …
Suburban Realities: The Israeli Case, Tamar Berger
Suburban Realities: The Israeli Case, Tamar Berger
CLCWeb: Comparative Literature and Culture
In her article "Suburban Realities: The Israeli Case" Tamar Berger discusses the nature of the new building in Israel in the last 3-4 decades. Israel, she claims, has been going through a process of massive suburbanization, which is drastically changing the face of the country. Some of the features of the new space are similar to those of other places, globally, but it has its particularity, the result of both the local spatial history and the nature of Israeli society. Suburbs in general are hard to define. Still, a set of typical features of the Israeli suburbs can be noted: …
Irony, Revenge, And The Naqba In Yehuda Amichai’S Early Work, Hannan Hever
Irony, Revenge, And The Naqba In Yehuda Amichai’S Early Work, Hannan Hever
CLCWeb: Comparative Literature and Culture
This article offers a materialist reading of the poetry of Yehuda Amichai, the most well-known Israeli poet outside Israel. The article explores the political role of irony in Amichai’s early work, situating him as a prominent member of the “State Generation” poetry. Challenging accepted readings, the essay argues that Amichai’s poems that deal with the 1948 war, should be read as a post-traumatic response, which uses irony and rich and bold metaphorical devices to distance itself from the horrors of the war, and therefore also form the political and ethical meanings of the Naqba. That Amichai’s poetry translates the language …
Introduction: Israeli Critical Reflection After Post-Zionism, Or The Opening As Interpretive Horizon, Oded Nir, Ari Ofengenden
Introduction: Israeli Critical Reflection After Post-Zionism, Or The Opening As Interpretive Horizon, Oded Nir, Ari Ofengenden
CLCWeb: Comparative Literature and Culture
This essay attempts to situate this special issue as an intervention, from a materialist perspective, in the field of Israeli cultural studies. We interrogate the common periodizations of Israeli culture, and its contemporary characterization as “post-post-Zionist.” We try to show that the latter betrays an unacknowledged failure of historical narration, present throughout Israeli cultural production. We then argue that rather than being satisfied with this failure, the goal of Israeli cultural critique today should be to search for new ways to narrate “big” history, to reassert the indispensability of relating personal experience of the present, in all its details, to …
Serious Interactive Fiction: Constraints, Interfaces, And Creative Writing Pedagogy, Robert Terry, Lisa Dusenberry
Serious Interactive Fiction: Constraints, Interfaces, And Creative Writing Pedagogy, Robert Terry, Lisa Dusenberry
Journal of Creative Writing Studies
To better understand how serious interactive fiction (IF) fits into creative writing pedagogy, we first consider how interface offers both affordances and constraints to the writer. Second, we discuss the ways teaching serious IF foregrounds the benefit of digital tools for creative writing. Third, we examine the interrelationship among research, interface, and procedural rhetoric. Fourth, we present findings from our research study by summarizing and discussing examples from roundtable feedback. We focus on students’ perception of serious IF’s affordances, concluding with how serious IF provides productive constraints for creative writing practice.
From Vatican Radio To Inter Mirifica And Beyond - 20th Century Popes On [Im]Media.Pdf, Jon Radwan, Dennis Mahon
From Vatican Radio To Inter Mirifica And Beyond - 20th Century Popes On [Im]Media.Pdf, Jon Radwan, Dennis Mahon
CHDCM Publications
[Im]mediacy, a meaningful encounter or contact where there is no space between participants, is a central concept in understanding how 20th century Popes have learned to communicate. The 20th century was characterized by extensive growth of mass media technologies. Modern papal approaches to communication developed from an instrumental to an [im]mediate contact orientation. Where media were originally seen as important tools for sending messages, John Paul II made interpersonal contact the focal point of papal communication via his nearly continuous world tour. The tour itself is mass mediated for the world to see, and each pastoral event is an immediate …
Subverting The Patriarchy And Its Ties To Feminism: Du Maurier And Her Adaptations, Samantha Koller
Subverting The Patriarchy And Its Ties To Feminism: Du Maurier And Her Adaptations, Samantha Koller
KUCC -- Kutztown University Composition Conference
This paper describes the common (mis)reading of Daphne Du Maurier's Rebecca as upholding Victorian patriarchal values and attempts to demonstrate that the novel is indeed feminist and acts as a critique and subversion of those patriarchal standards; it then examines the film and stage adaptations of Rebecca, demonstrating via comparison to the original medium that feminism has begun to affect other cultural interpretations and depictions of the narrator, Mrs. Danvers, and Rebecca herself.
Zemlja And Pioneer Day, Natalie D-Napoleon
Zemlja And Pioneer Day, Natalie D-Napoleon
Landscapes: the Journal of the International Centre for Landscape and Language
Poems: Zemlja and Pioneer Day by West Australia born author Natalie D-Napoleon.
Snorkel Virgin, Emma J. Young
Snorkel Virgin, Emma J. Young
Landscapes: the Journal of the International Centre for Landscape and Language
Snorkel Virgin
Plunging Down Under, Ian Smith
Plunging Down Under, Ian Smith
Landscapes: the Journal of the International Centre for Landscape and Language
Plunging Down Under
Complete Issue 1, Volume 9
Landscapes: the Journal of the International Centre for Landscape and Language
The complete issue 1 of volume 9, Landscapes Journal.
Motherhood, Vulnerability And Resistance In The Elysium Testament By Mary O’Donnell, María Elena Jaime De Pablos
Motherhood, Vulnerability And Resistance In The Elysium Testament By Mary O’Donnell, María Elena Jaime De Pablos
CLCWeb: Comparative Literature and Culture
Mary O’Donnell’s novel The Elysium Testament (1999) narrates the story of Nina, an accomplished grotto restorer, but a neglectful wife and mother according to the Irish patriarchal symbolic order –the “register of regulatory ideality” (Butler, Bodies that Matter 18). Estranged from her husband, Neil, she sends him a series of letters, her “testament,” where some of the most significant aspects of her life are exposed. Readers discover that Nina’s and Neil’s marriage begins to crumble after the birth of their second child, Roland, to whom Nina attributes a frightening dual nature, which she tries to control through physical and psychological …
Chase Riboud’S Hottentot Venus (2003) And The Neo-Victorian: The Problematization Of South-Africa And The Vulnerability And Resistance Of The Black Other, Maria Isabel Romero Ruiz
Chase Riboud’S Hottentot Venus (2003) And The Neo-Victorian: The Problematization Of South-Africa And The Vulnerability And Resistance Of The Black Other, Maria Isabel Romero Ruiz
CLCWeb: Comparative Literature and Culture
This article touches upon issues of captivity, suppression, misrepresentations and exclusion of black people from a historical and cultural point of view through the analysis of Chase-Riboud’s neo-Victorian novel Hottentot Venus (2003). It also focuses on the implications and consequences for contemporary South Africa of situations of slavery and exploitation of African descended peoples. Notions of identity and moral and legal inclusion of black women into past and contemporary societies and communities will be also discussed from the point of view of postcolonial and gender and sexuality studies. The complexities of blackness and the violation of human rights as a …
The Commodified Body And Post/In Human Subjectivities In Frears’S Dirty Pretty Things And Romanek’S Never Let Me Go, Rocio Carrasco
The Commodified Body And Post/In Human Subjectivities In Frears’S Dirty Pretty Things And Romanek’S Never Let Me Go, Rocio Carrasco
CLCWeb: Comparative Literature and Culture
Following new materialist analysis, this article takes the body as the central locus of analysis, and relates it to broader questions such as ethics, ideology, power and/or technologies. Specifically, it revolves around the idea of embodied subjectivity as articulated by scholars Rosi Braidotti, Sherryl Vint or Cary Wolfe, whereby body and subjectivity are indissolubly and interestingly connected. Stephen Frears’s Dirty Pretty Things (2002) and Mark Romanek’s Never Let Me Go (2010) exploit the idea of the commodified body, understood here as a vulnerable body, a disposable commodity at the service of powerful and/or wealthy people. Victims of the cruelties inflicted …
Introduction, Maria Isabel Romero Ruiz, Manuela Coppola
Introduction, Maria Isabel Romero Ruiz, Manuela Coppola
CLCWeb: Comparative Literature and Culture
This special issue addresses contemporary representations of “vulnerable” bodies in transit in Anglophone literature and culture and explores their strategies of resistance. The use of the expression “bodies in transit” in this issue has to be understood both as a reference to the materiality of diasporic, exiled, migrating, trafficked bodies, and as an allusion to the metaphorical transition of these marginalized subjects from alienation to regeneration in multiple contexts. The interdisciplinary contributions in this special issue tackle vulnerability as a marginal(ized) and potentially enabling condition entailing the crossing of bodily, sexual, mental, ethical, cultural, and national borders. Ranging from literature …
The Image Of Adventure In Literature, Media, And Society: 2019 Sassi Conference Proceedings, Society For The Academic Study Of Social Imagery, Thomas G. Endres
The Image Of Adventure In Literature, Media, And Society: 2019 Sassi Conference Proceedings, Society For The Academic Study Of Social Imagery, Thomas G. Endres
Society for the Academic Study of Social Imagery
These papers have been selected from among those presented at the spring 2019 conference of the Society for the Academic Study of Social Imagery (SASSI), devoted to the theme of THE IMAGE OF ADVENTURE in Literature, Media, and Society. The theme – and keynote address, delivered by UNC English chair Andreas Mueller – was selected in honor of the 300th anniversary of Defoe’s Robinson Crusoe. As the following papers demonstrate, this is a rich and provocative topic with interesting and surprising implications.
Jet Magazine: Celebrating Black Female Beauty, Jazmyn Shepherd
Jet Magazine: Celebrating Black Female Beauty, Jazmyn Shepherd
XULAneXUS
Once referred to as, “the Negro bible” by famed actor and comedian Redd Foxx[1], Jet has continued to be a pioneer in representing Black Americans as beyond the stereotypes to which they are so often relegated. The magazine has not only provided accurate coverage throughout momentous Black historical movements such as the Civil Rights Movement in the 1950s, the Black is Beautiful movement of the late 1960s, and the Natural Hair Movement of the 2000s, but it has also catered to the daily interests of Black Americans, such as fashion and beauty, lifestyle advice, dating advice, politics, health …
Teaching Visual Literacies: The Case Of The Great American Dust Bowl, Mary F. Rice, Ashley K. Dallacqua
Teaching Visual Literacies: The Case Of The Great American Dust Bowl, Mary F. Rice, Ashley K. Dallacqua
SANE journal: Sequential Art Narrative in Education
Teachers and students require a range of tools to engage with visual texts. Using The Great American Dust Bowlby Don Brown (2013) as an exemplar text, we outline four conceptions of visual literacy: rhetorical, instructional, industrial and visuo-spatial and discuss their use in our literacy education practice. In addition, we provide a brief model of a second text, The Arrival (Tan, 2013) and a list of suggested texts for students at different levels (elementary, middle, and high school). We argue that these tools have the potential to deepen conceptions of visual literacies and empower teachers and students to understand …
Poison Ivy's Green Screen Debut: A Rhetorical Criticism On Erasing Identity On Screen, Jennifer Baney
Poison Ivy's Green Screen Debut: A Rhetorical Criticism On Erasing Identity On Screen, Jennifer Baney
University of the Pacific Theses and Dissertations
This project investigates the loss of power on screen for female comic book characters. Specifically, I investigate how scenes create narratives using heteronormativity and over-sexualization of female characters. The artifact of analysis included in this project is Batman and Robin (1997). This text focuses on Poison Ivy, including the background of the character before dissecting her role in the film. Turning to Sonja J. Foss (2009) and her feminist critique as a guide to understanding the implications of this research. Using feminist criticism, I argue that Poison Ivy was put in a lesser position, removed of her power, and was …