Renaissance Studies Commons^™

“I Am I”: The Allegorical Bastard In Shakespeare’S King John, Alaina Bupp

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Shakespeare’s King John provides readers with a particularly interesting, though relatively unexamined character: Philip Falconbridge, the bastard. This character exists somewhere between the allegorical forbears of medieval morality plays and the intensely interior specificity of the likes of Hamlet. Philip begins the play with a specific, though fictional, identity, but consciously decides to become allegorical. We can see this transformation at the intersection of text and context, of the words spoken by Philip as he becomes Bastard (the allegorical figure) and the First Folio’s construction of that transformation. Bastard employs particular rhetoric to firstly shed his old, specific identity and …

Is Geoffrey Chaucer’S Tale Of Sir Thopas A Rape Narrative? Reading Thopas In Light Of The 1382 Statute Of Rapes, Kristin Bovaird-Abbo

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Considering the tale’s placement between two narratives of violence—the Prioress’s Tale and the Tale of Melibee—it is surprising that the Tale of Sir Thopas has not merited more discussion of the potential for violence against feminine bodies. I argue that Chaucer the author introduces significant changes to the typical medieval romance, with the result that Thopas’s actions in the name of “love” conceal a rape narrative that engages late fourteenth-century debates as to what exactly constituted rape. As the transfer of property was a significant portion of such discussions, the 1382 Statute of Rapes prompted concerns about the ability …

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No abstract provided.

Allen D. Breck Award (2014)

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Kristin Bovaird-Abbo

The Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Causality In La Mort Le Roi Artu: Free Will, Accident, And Moral Failure, David S. King

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The thirteenth-century French La Mort le Roi Artu indicates forthrightly how the Arthurian world comes to an end, but the text leaves less clear what motivates the disaster. Many critics attribute the cause to an external force, God or the goddess Fortune, that obliges Arthur and others to pursue their own destruction. A few offer greater insight into the nature of causality in the romance. They see the characters as exercising some degree of free will or even complete liberty. But these critics err in alienating the notion of free choice from moral concerns. In their reading, the heroes suffer …

The Intersection Of Music Philosophy, Performance And Genre In The Middle English Breton Lay Sir Orfeo, Lisa Myers

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The Middle English romance Sir Orfeo is a dynamic and creative retelling of the classical Orpheus myth in which the wife of the English king, Orfeo, is abducted by fairies but eventually restored to her position and husband through Orfeo’s musical prowess. While any retelling of the Orpheus myth would necessarily contain references to music and would, therefore, likely use music as an important cue within the text, the poet of Sir Orfeo displays a sophisticated understanding of musical philosophy, composition and performance, as well as the Breton lay genre. The intersection of these elements all work together not only …

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No abstract provided.

The Pilgrim’S Intuitive Cognition In Pèlerinage De La Vie Humaine, David Strong

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This article maintains that the Pilgrim in Guillaume de Deguileville’s allegorical dream vision, Pèlerinage de la vie humaine, acquires a previously unrecognized importance through his cognitive abilities. Each personified figure’s significance depends not upon a general introduction, but the Pilgrim’s ability to identify those traits unique to their person. This mode of intellection mirrors the late Scholastic epistemology of intuitive cognition as championed by John Duns Scotus and William of Ockham. This theory allows the Pilgrim to grasp a particular object’s certitude without relying upon universals. Since this philosophy extols intellectual surety, it serves as a framework for interpreting the …

Visual Representations Of Prester John And His Kingdom, Michael E. Brooks

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The mythical figure of the priest-king known to late medieval and early modern Europeans as Prester John fascinated literate Europeans for many centuries. Historians have weighed in on textual depictions of the legendary figure, but visual interpretations by European artists of the physical appearance of this eastern potentate have not been examined in any significant depth. These portrayals primarily took the form of map and book illustrations, and this essay examines the evolving visual representations that European artists developed of Prester John. In general, there was a gradual evolution over time in European artistic depictions of the legendary Prester John, …

Public Shaming: Milton And The English People, Courtney O. Carlisle

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“Public Shaming: Milton and the English People” discusses the role of shame and its performance in John Milton’s First and Second Defence of the People of England. As Milton attempts to shame Salmasius and More, he focuses on bodies and their relationship to shame. For Milton, shame should be morally productive—it is meant to produce a sense of self-consciousness and an appropriate moral awareness. Milton argues that Salmasius and More are shameless and therefore not self-conscious or morally aware. Involved with shame and self-consciousness is a profound awareness of one’s body and its relationship to others and to the environment. …

The End Of An Era: John E. Wills Jr’S 1688: A Global History As A Capstone, Nikolas O. Hoel

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When designing a course, an appropriate question is how to end it. What great primary or secondary source will send students off into the larger academic world, outside the immediate class at hand with a better understanding of the period they had just been studying? The quandary is important in every medieval or early modern course; for example, does one end the medieval survey with Dante or Petrarch, or even Erasmus? The necessity for a capstone is no less great in classes that are entitled “England to 1688,” which populate many university course catalogues today. Many monographs and articles have …

Resolving Exeter Book Riddles 74 And 33: Stormy Allomorphs Of Water, Thomas Klein, William F. Klein, David Delehanty

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The following article argues that the idea of the allomorph is a productive way to view two “transformation” riddles from the Old English collection of riddles in the Exeter Book. In the view of the authors, Riddles 74 and 33 should both be solved generally as “water,” and specifically as “in the form of a thunderstorm.” Both riddles dramatize the multiple forms that water may take, and meditate on the divinely-ordained grandeur of the storm and the particular paradox of a thing being both immensely violent and necessary for life on earth. Understanding how these riddles play out these truths …

Was Frederick Barbarossa The First Holy Roman Emperor?, Thomas Renna

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Frederick Barbarossa (1152-90) was the first German emperor—later to be called the Holy Roman Emperor—who gave considerable attention to the three terms of the imperial title. His own registers and contemporary chronicles reveal frequent references to the three components of both his title and the Holy Roman Empire. I argue that Barbarossa was the first to attempt to integrate them into the German traditions of the empire, in particular the method of electing the king of the Romans, the historical ties with Charlemagne, and the concept of the empire as an amalgam of smaller principalities. He was the first to …

John Bale’S Kynge Johan As English Nationalist Propaganda, G. D. George

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John Bale is generally associated with the English Reformation rather than the Tudor government. It may be that Bale’s well-know protestant polemics tend to overshadow his place in Thomas Cromwell’s propaganda machine, and that Bale’s Kynge Johan is more a propaganda piece for the Tudor monarchy than it is just another of his Protestant dramas..

Delno C. West Award Winner (2014)

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David Strong

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

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No abstract provided.

On Reading Julian Of Norwich, Luke William Mills

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This essay focuses on Julian’s intended audience, claiming that it is more limited than one might at first assume. This leads to a discussion of Julian’s use of paradox, her abrupt changes in modes of discourse, and the conclusion that unless her work is read according to the Augustinian rubric of love, it will be misunderstood.

Teaching Witchcraft In The Digital Age: Adventures In An Online Village, Jennifer Mcnabb

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Perhaps nothing is more valued in the modern classroom than student engagement. Pedagogical strategies and exercises for encouraging active learning are both wide-ranging and plentiful. Among the most popular at present is Barnard College’s Reacting to the Past (RTTP) role-playing games: “Reacting to the Past (RTTP) consists of elaborate games, set in the past, in which students are assigned roles informed by classic texts in the history of ideas. Class sessions are run entirely by students; instructors advise and guide students and grade their oral and written work. It seeks to draw students into the past, promote engagement with big …

Full Issue

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No abstract provided.

Delno C. West Award (2013)

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Ginger L. Smoak

The Delno C. West Award recognizes the most distinguished paper presented by a senior scholar at the annual Rocky Mountain Medieval and Renaissance Association conference.

“Nothing But Sit, And Sit, And Eat, And Eat”: The Cantankerous Teacher In The Taming Of The Shrew, Eric L. De Barros

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By definition, all comedies must end by praising and/or celebrating the elimination of a serious threat to the patriarchy order, and Shakespeare sets up the final scene of The Taming of the Shrew, one of his earliest comedies, to do just that. In short, by the time we reach Lucentio and Bianca’s wedding banquet, Petruccio has effectively tamed Katherine of her shrewishness. However, despite this scene of and cause for celebration, Petruccio remains oddly dissatisfied, as he responds to Lucentio’s encouragement of the sitting, chatting, and eating appropriate to such a festive occasion with these mood-killing words: “Nothing but …

Aethelflaed: History And Legend, Kim Klimek

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This paper examines the place of Aethelflaed, Queen of the Mercians, in the written historical record. Looking at works like the Anglo-Saxon Chronicle and the Irish Annals, we find a woman whose rule acted as both a complement to and a corruption against the consolidations of Alfred the Great and Edward’s rule in Anglo-Saxon England. The alternative histories written by the Mercians and the Celtic areas of Ireland and Wales show us an alternative view to the colonization and solidification of West-Saxon rule.

Shylock And Joachim Gaunse: And A Real Jew, Michael T. Walton

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Joachim Gaunse, a Bohemian metallurgist, was brought to England to help evaluate the resources of the New World. During a visit to Bristol in 1589, he defended his Jewish rejection of Jesus. The reaction of those who heard this real Jew gives some indication of how theater audiences may have responded to Shakespeare’s Shylock.

The Several Faces Of Late-Gothic Eve: Gender And Marriage In The Mystery Creation And Fall Plays, Thomas Flanigan

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The critical drive to make fundamental, substantive distinctions between Catholic and Protestant dogma and culture has always been central to early modern English studies, but over the past fifty years a prominent contingent of literary and historical scholars has endeavored more specifically to identify and articulate significant differences between Catholic and Protestant perceptions of women and marriage. According to one familiar, now widely accepted theory advanced primarily by Miltonists, a relatively feminist and pro-marriage Protestant ethic emerged in response to the extreme, aggressively misogynistic attitudes attributed to late-medieval Catholic thought. This paper will seek to demonstrate, through a close comparative …

Imagining Pregnancy: The Fünfbilderserie And Images Of “Pregnant Disease Woman” In Medieval Medical Manuscripts, Ginger L. Smoak

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The Fünfbilderserie consists of anatomic schematics utilized in medical school dissections beginning in the thirteenth and fourteenth centuries. Anatomists would create these mnemonics to help students envision the internal systems of the body. Besides the standard five male pictures, an additional image, the “Pregnant Disease Woman” acted as a means to understand the reproductive system and organs of the pregnant woman. This paper argues, however, that despite the empirical observation of the anatomy of the gravid woman, they continued to visualize and “imagine” it, largely due to the existing classical ideas these anatomist retained about women, their natures, and their …

Holy Places & Imagined Hellscapes: Qualifying Comments On Loca Sancta Sermon Studies—Christian Conversion In Northern Europe & Scandinavia, C. 500-1300, Todd P. Upton

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The paper uses methods from medieval sermon studies to argue that an insularity in “monastic consciousness” can be traced to earlier centuries than the more generally discussed (and better documented) scholastic environments of 13th century monastic and cathedral schools. It assesses how a monastic discourse reliant on Biblical typologies informed the Christian conversion of northern Germanic and Scandinavian peoples (c. 500-1300, including the British Isles and Iceland). Moments of encounter between Christian missionaries and pagan cultures helped delineate this discourse, most apparent in extant records that reveal Christian and Norse perceptions of geography, holy places, deity worship, and eschatological expectations. …

Classifying Early Modern Sexuality: Christopher Marlowe, Edward Ii, And The Politics Of Sexuality, Michael John Lee

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This paper argues that Christopher Marlowe’s Edward II (1594) questions gender expectations and sexuality. The analysis finds that the same-sex attraction and affective relationship that develops between King Edward and Gaveston can be seen as neither simply sodomy nor exclusively as male friendship. Instead, the emotional bonds and marriage-like relationship between the king and his minion suggest that their identities are, in part, formed by their same-sex attraction.

Who Killed Lycidas?: Lycidas And The Spanish Tragedy, Clay Daniel

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In Lycidas, the protagonist searches for an explanation for why his virtuous friend has mysteriously died in a cultural-political landscape of unpunished, thriving, official corruption. Though Renaissance pastoral sometimes inveighed against corrupt authorities, pastoral elegy did not. What models, then, other than the Bible, would Milton have had for the swain’s search? Milton’s headnote calls his poem a monody, which within a literary context primarily is a speech in Greek tragedy. Milton then invites us to read the poem within a dramatic context. But which dramatic context? The Book of Revelation of course is one these contexts. But contemporary …

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No abstract provided.

Delno C. West Award (2012)

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Jessica Winston

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.