Buddhist Studies Commons^™

Martial Arts Studies: A Commentary On The Exploration Of Consciousness In Modern Martial Arts, James H. Sutton

Journal of Conscious Evolution

The rapid globalization of martial arts has reconditioned how the beliefs, customs, and philosophies of traditionally based systems are interpreted and applied in modern practice. As contemporary scholarship struggles to accommodate the cultural histories, myths, and traditions that permeate the perception of martial arts in modern contexts, the focus of inquiry has shifted towards explaining cultural variations in practice rather than understanding the nature of self-awareness derived from self-practice. Consequently, the deeper meanings of martial arts as pathways to personal and transpersonal awareness are often invalidated in favor of objective and verifiable explications. In short, the role of consciousness is …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

A Buddhist Critique Of Harmony, James Mark Shields

Faculty Contributions to Books

No abstract provided.

Cinema Illuminating Reality: Media Philosophy Through Buddhism, Teng-Kuan Ng

Journal of Religion & Film

This is a book review of Victor Fan, Cinema Illuminating Reality: Media Philosophy through Buddhism (Minneapolis: University of Minnesota Press, 2022)

The Buddhist Recluse In The Late Heian (794–1185) And Early Kamakura (1185–1333) Periods As Seen Through Kamo-No-Chômei’S Hôjôki And The Poems Of Saigyô, Scott Lloyd

The Ozark Historical Review

Kamo-no-Chômei and Saigyô,two of Japan’s most well-known aesthete-recluses and open a window through their works not only into the life of the recluse as an individual but also into the broader culture. The following pages will attempt to shed light on the overall concept of reclusion and its importance by looking specifically at what they had to say about their own experiences: Saigyô through his collected poems, and Chômei through his seminal poetic essay Hôjôki “Ten-Foot- Square Hut”, written in 1212.

Dragon Guitars And Sexy Zombies: Tracing The Meta-Motion Of The Naga Motif In Northeast Thailand, Aaron Michael Stanley

Dartmouth College Master’s Theses

Abstract

This thesis traces the evolving symbolism of the Naga motif (a mythic water serpent) in Northeast Thailand through a framework I call meta-motion, which maps symbolic persistence of this cultural signifier and boundary marker across four cultural horizons—animist (Z), Hindu–Khmer (B), Buddhist (A), and modern/global (C). Like electrons in quantum super position, symbolic motifs circulate as overlapping “waves” of potential meaning and are concretized into cultural “particles” only when recruited for specific ritual, commercial, or political purposes. I add a bookend extension to Chang’s Hindu-Buddhist (B/A) typology with the addition of Horizons Z and C in order to make …

Buddhism For Thinkers, Chang-Seong Hong, Sun Kyeong Yu

MSU Authors Collection

This book is an introduction to Buddhist philosophy. It uses the methods of analytic philosophy to approach the major topics of Buddhism.

The Uses Of Dramaturgical Research In Cinematic Storytelling, Asset Design, And Adaptation In Animation, Delaney L. Walker

All Theses

“The Black Hair” is a creative project that explores the convergence of cinematic adaptation, dramaturgical research, and animation design in retelling a traditional Japanese short folktale from the Heian Era. Rooted in the practice of theatrical dramaturgy, this thesis advocates for a research-driven creative pipeline by developing a culturally respectful and historically grounded approach to developing cinematic storyboards. By thoroughly examining the chronicles of history and the sociocultural context, the project seeks to foster deeper cultural appreciation while reintroducing a lesser-known narrative to modern audiences through a visual medium. The project draws stylistic and narrative inspiration from iconic Japanese filmmakers …

Sacral Glitch, Kareena Naresh Solanki

Masters Theses, 2020-current

Growing up in a multifaith environment in Mumbai, I witnessed many religious sites and people with diverse beliefs. My parents always remained open-minded to other faiths, and my house remained replete with idols of deities of different religions. I studied Nichiren Buddhism, particularly the Lotus Sutra, as my mother began practising it along with her faith in Hinduism. Philosophical studies became a part of my life at the age of nine. Catholic prayers turned into rituals in my convent school days, and Islamic prayers resonated from afar. I often reflect on the influence of multiple religions in shaping my approach …

Reinterpreting Catuṣkoṭi In Contemporary Philosophy: Tensions Between Non-Classical Logic And East Asian Buddhist Soteriology, Ronald S. Green

Philosophy and Religious Studies

This study aims to evaluate the reinterpretation of the concept of catuṣkoṭi (tetralemma) in contemporary philosophy, particularly within the discourse of non-classical logic, and to compare it with traditional interpretations found in East Asian Buddhism. The research addresses the tension between modern logical approaches—such as those proposing the addition of a fifth truth value (ineffability)—and soteriological frameworks within traditions like Mādhyamaka, which emphasise the function of liberating individuals from conceptual entanglements. This study employs qualitative methods, incorporating hermeneutic and comparative approaches, along with close textual analysis of classical primary sources, including the Mūlamadhyamakakārikā, and the works of East Asian Buddhist …

Memory, Music, Manuscripts: The Ritual Dynamics Of Kōshiki In Japanese Sōtō Zen, Junko Oba

Yale Journal of Music & Religion

A book review is presented for Memory, Music, Manuscripts: The Ritual Dynamics of Kōshiki in Japanese Sōtō Zen, authored by Michaela Mross, by Junko Oba.

Cultural And Religious Perspectives On Suicide And Healing, Arielle Friedman

be Still

This essay is built off of a paper I wrote in a college global health course on culture and mental illness. I have always been fascinated by cultural interpretations of illness & believe that as a future physician, it is my responsibility to educate myself and others on the complex interplay between religious ideologies & recognition/management of biological disease in order to provide appropriate patient-centered care.

Mola: A Tibetan Tale Of Love And Loss, Dereck Daschke

Journal of Religion & Film

This is a film review of Mola: A Tibetan Tale of Love and Loss (2025), dir. Martin and Yangzom Brauen.

The Valley Of The Wind And Buddhism, Grace Aulicino

CAFE Symposium 2025

Hayao Miyazaki’s Nausicaä of the Valley of the Wind is a philosophical exploration of fulfillment, rooted in Buddhist and Taoist principles. The film contrasts the destructive forces of greed and individualism, embodied by Kushana and the Tolmekians, with the harmonious collectivism of the People of the Valley of the Wind. Nausicaä, the film’s heroine, challenges traditional gender norms by being a strong, selfless leader who seeks peace and balance rather than power. Her journey reflects the Taoist ideal of surrender as a path to enlightenment, ultimately sacrificing herself to unite humanity and nature. Through stunning visuals and rich storytelling, Miyazaki …

Is “Sám Hối” An Adequate Form Of Apology?, Hien Vu Gia

CAFE Symposium 2025

This project studies a recent Buddhism scandal in Vietnam, examining whether the apology offered by the authorities was successful. From this, the project explores if “sám hối” (or repentance) could be considered a form of apology.

Is Buddhist View Of Mental States In Consonance With The Foundational Tenets Of Their System?: Investigating Nyāya And Buddhist Debate On Perception In Jayanta Bhatta’S Nyāyamanjari, Ajay K. Verma

Comparative Philosophy

The first noble truth in Buddhism points toward a purely phenomenal experience. Though purely qualitative in nature, the experience of suffering has an existential aspect. As stated in the second noble truth, suffering has a cause that relates to our situatedness in the world. Notwithstanding, the cause of suffering has to be something external to the mental state of suffering itself. Some of the more recent studies on mental states suggest two different positions on the nature of mental states. One may view mental states as self-referential, reflexive and purely qualitative in nature; alternatively, one could view them as transitive …

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Transformation Of Buddhist Musical Practices From The 7th-13th Centuries As A Response To Political And Social Disorder In Medieval India, Stephan Duran

Monsoon: South Asian Studies Association Journal

This article gives an account of the development of Buddhist musical practices on the Indian subcontinent from their earliest, datable instances, to the disappearance of Buddhist institutions from India proper, demonstrating the persistence of descendant traditions of Sanskrit Buddhist chant and song in contemporary Japanese, Tibetan, and Newar esoteric Buddhist communities. It is argued that the Buddhist musical theory and praxis of these three cultural spheres both preserve features of ancient and medieval Indian Buddhist music and sonically illustrate the transition from political and social order to de-centralized social organization, a shift that took place between the 7^th and …