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Articles 1 - 30 of 115
Full-Text Articles in Buddhist Studies
The Modal Catuṣkoṭi: Formalizing Emptiness In Classical Modal Logic, Chance Chapman
The Modal Catuṣkoṭi: Formalizing Emptiness In Classical Modal Logic, Chance Chapman
Comparative Philosophy
Nāgārjuna’s arguments in the Mūlamadhyamakakārikā rely extensively on modus tollens, yet this inference is invalid in the paraconsistent frameworks typically used to formalize the catuṣkoṭi. We develop a modal extension of Belnap-Dunn semantics to address this, expressed as: ¬□(v(P) = t) ∧ ¬□(v(P) = f) ∧ ¬□(v(P) = b) ∧ ¬□(v(P) = n). This formula applies self-reflexively, resolves longstanding interpretive debates regarding verses within Nāgārjuna’s Mūlamadhyamakakārikā and Vigrahavyāvartanī such as his “no thesis” defense, and bridges interpretive gaps between traditionally designated Eastern and Western logical traditions, providing a Western analytical translation of Indian dialectic into symbolic modal logic that …
Sacred Steps: Walking, Religion, And The Path To Peace, Francesca Benna
Sacred Steps: Walking, Religion, And The Path To Peace, Francesca Benna
International Journal of Religious Tourism and Pilgrimage
Walking is one of the simplest and most primordial human acts, yet it carries profound meanings that transcend cultures, religious traditions, and paths of individual and collective transformation. Walking is not merely a means of movement but a practice that fosters reconnection with oneself, the environment, and the community. Bruce Chatwin, in The Songlines (1987), highlights how nomadism is an inherent human condition, suggesting that movement is essential not only for physical survival but also for mental and spiritual well-being. In an era marked by environmental crises, conflicts, and increasing technological alienation, rediscovering the value of walking responds to a …
Candi Perwara Pada Percandian Ijo, Plaosan Lor, Dan Plaosan Kidul: Sebuah Kajian Arsitektur Dan Tinjauan Inskripsi, Dwi Ratna Sylvia Widyahastuti, Agus Aris Munandar
Candi Perwara Pada Percandian Ijo, Plaosan Lor, Dan Plaosan Kidul: Sebuah Kajian Arsitektur Dan Tinjauan Inskripsi, Dwi Ratna Sylvia Widyahastuti, Agus Aris Munandar
Paradigma: Jurnal Kajian Budaya
Temple or Candi are sacred Hindu and Buddhist buildings constructed in accordance with the prescriptions of the Vāstuśāstra, including subsidiary temple or candi perwara. This study examines the candi perwara of the Ijo, Plaosan Lor, and Plaosan Kidul Temple Complex to analyze their technical aspects, religious functions, and chronological positions within their respective temple complexes. Employing a descriptive-comparative method and a historical-archaeological approach supported by epigraphical review, the research identifies similarities in the roof forms and ornamental reliefs. Differences are observed in ground plans, stone materials, construction systems, vestibule, base forms, body variations, …
Contemplative Absence: Sacred Experience In Abbas Kiarostami’S The Wind Will Carry Us And The Aesthetics Of Slow Cinema, Hessam Abedini
Contemplative Absence: Sacred Experience In Abbas Kiarostami’S The Wind Will Carry Us And The Aesthetics Of Slow Cinema, Hessam Abedini
Journal of Religion & Film
This article examines how Abbas Kiarostami’s The Wind Will Carry Us (1999) creates sacred experience through systematic absence within contemporary slow cinema aesthetics. While previous scholarship has focused on religious content in spiritual cinema, this analysis demonstrates how formal techniques—particularly strategic concealment and extended duration—generate contemplative states without explicit religious references. Drawing on Paul Schrader’s transcendental style theory and recent slow cinema scholarship, the article traces how Kiarostami adapts Persian poetic traditions, particularly concepts of pardeh (veiling) and the interplay between bāṭin (hidden) and ẓāhir (manifest), to create meaning through what remains unseen. The dying woman who never appears, the …
Tolkien's Oriental Sources? Renunciation Of Immortality And Fairy Nature, Giovanni Carmine Costabile
Tolkien's Oriental Sources? Renunciation Of Immortality And Fairy Nature, Giovanni Carmine Costabile
Journal of Tolkien Research
Thompson motif F302.6.2.2. Fairy gives up her fairy nature and becomes mortal to be able to return to her mortal husband and its combination with H310. Suitor tests and H1010. Impossible tasks are Oriental motifs, to be found only in the Tibetan tale of The Boy with the Deformed Head in O'Connor's 1907 collection and in the 9th century CE Japanese Taketori Monogatari. In this light, it appears necessary, assuming that Tolkien had a source for his idea of Lúthien sacrificing her Elven immortality and Elven fate, that his source must be found in the aforesaid narratives, both available …
The Coherence Of Navayāna Pragmatism: Ambedkar And The Pragmatist Reconstruction Of Buddhist Philosophy, Danish Hamid
The Coherence Of Navayāna Pragmatism: Ambedkar And The Pragmatist Reconstruction Of Buddhist Philosophy, Danish Hamid
Comparative Philosophy
This paper examines the philosophical coherence of B.R. Ambedkar’s reconstruction of his (Navayāna) Buddhism in relation to John Dewey’s pragmatism. Building on Scott Stroud’s reading of Ambedkar as a Deweyan Pragmatist (2017, 2023), it argues that Dewey’s evolutionary naturalism, his conception of growth, and pragmatic redefinition of concepts provide Ambedkar with the methodological tools for a naturalistic and socially reconstructive reinterpretation of Buddhist doctrines such as anicca (impermanence), dhamma (Buddha’s teaching), nirvāṇa (enlightenment), karuna (compassion), etc. Ambedkar transforms impermanence from a metaphysics of flux into an ethics of progressive growth, and recasts dhamma as a social morality grounded in fraternity …
Martial Arts Studies: A Commentary On The Exploration Of Consciousness In Modern Martial Arts, James H. Sutton
Martial Arts Studies: A Commentary On The Exploration Of Consciousness In Modern Martial Arts, James H. Sutton
Journal of Conscious Evolution
The rapid globalization of martial arts has reconditioned how the beliefs, customs, and philosophies of traditionally based systems are interpreted and applied in modern practice. As contemporary scholarship struggles to accommodate the cultural histories, myths, and traditions that permeate the perception of martial arts in modern contexts, the focus of inquiry has shifted towards explaining cultural variations in practice rather than understanding the nature of self-awareness derived from self-practice. Consequently, the deeper meanings of martial arts as pathways to personal and transpersonal awareness are often invalidated in favor of objective and verifiable explications. In short, the role of consciousness is …
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Journal of Humanities and Social Sciences
The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …
Cinema Illuminating Reality: Media Philosophy Through Buddhism, Teng-Kuan Ng
Cinema Illuminating Reality: Media Philosophy Through Buddhism, Teng-Kuan Ng
Journal of Religion & Film
This is a book review of Victor Fan, Cinema Illuminating Reality: Media Philosophy through Buddhism (Minneapolis: University of Minnesota Press, 2022)
The Buddhist Recluse In The Late Heian (794–1185) And Early Kamakura (1185–1333) Periods As Seen Through Kamo-No-Chômei’S Hôjôki And The Poems Of Saigyô, Scott Lloyd
The Ozark Historical Review
Kamo-no-Chômei and Saigyô,two of Japan’s most well-known aesthete-recluses and open a window through their works not only into the life of the recluse as an individual but also into the broader culture. The following pages will attempt to shed light on the overall concept of reclusion and its importance by looking specifically at what they had to say about their own experiences: Saigyô through his collected poems, and Chômei through his seminal poetic essay Hôjôki “Ten-Foot- Square Hut”, written in 1212.
Memory, Music, Manuscripts: The Ritual Dynamics Of Kōshiki In Japanese Sōtō Zen, Junko Oba
Memory, Music, Manuscripts: The Ritual Dynamics Of Kōshiki In Japanese Sōtō Zen, Junko Oba
Yale Journal of Music & Religion
A book review is presented for Memory, Music, Manuscripts: The Ritual Dynamics of Kōshiki in Japanese Sōtō Zen, authored by Michaela Mross, by Junko Oba.
Cultural And Religious Perspectives On Suicide And Healing, Arielle Friedman
Cultural And Religious Perspectives On Suicide And Healing, Arielle Friedman
be Still
This essay is built off of a paper I wrote in a college global health course on culture and mental illness. I have always been fascinated by cultural interpretations of illness & believe that as a future physician, it is my responsibility to educate myself and others on the complex interplay between religious ideologies & recognition/management of biological disease in order to provide appropriate patient-centered care.
Mola: A Tibetan Tale Of Love And Loss, Dereck Daschke
Mola: A Tibetan Tale Of Love And Loss, Dereck Daschke
Journal of Religion & Film
This is a film review of Mola: A Tibetan Tale of Love and Loss (2025), dir. Martin and Yangzom Brauen.
Is Buddhist View Of Mental States In Consonance With The Foundational Tenets Of Their System?: Investigating Nyāya And Buddhist Debate On Perception In Jayanta Bhatta’S Nyāyamanjari, Ajay K. Verma
Comparative Philosophy
The first noble truth in Buddhism points toward a purely phenomenal experience. Though purely qualitative in nature, the experience of suffering has an existential aspect. As stated in the second noble truth, suffering has a cause that relates to our situatedness in the world. Notwithstanding, the cause of suffering has to be something external to the mental state of suffering itself. Some of the more recent studies on mental states suggest two different positions on the nature of mental states. One may view mental states as self-referential, reflexive and purely qualitative in nature; alternatively, one could view them as transitive …
40 Years Passing By In (A) “Heartbeat”, Christopher Janney
40 Years Passing By In (A) “Heartbeat”, Christopher Janney
Monsoon: South Asian Studies Association Journal
This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …
Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple
Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple
Monsoon: South Asian Studies Association Journal
Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.
Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff
Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff
Monsoon: South Asian Studies Association Journal
The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?
Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend
Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend
Monsoon: South Asian Studies Association Journal
This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).
The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …
Transformation Of Buddhist Musical Practices From The 7th-13th Centuries As A Response To Political And Social Disorder In Medieval India, Stephan Duran
Monsoon: South Asian Studies Association Journal
This article gives an account of the development of Buddhist musical practices on the Indian subcontinent from their earliest, datable instances, to the disappearance of Buddhist institutions from India proper, demonstrating the persistence of descendant traditions of Sanskrit Buddhist chant and song in contemporary Japanese, Tibetan, and Newar esoteric Buddhist communities. It is argued that the Buddhist musical theory and praxis of these three cultural spheres both preserve features of ancient and medieval Indian Buddhist music and sonically illustrate the transition from political and social order to de-centralized social organization, a shift that took place between the 7th and …
Sacred Recitation Of The Tibetan Yungdrung Bön Tradition: The Kharnatsang Collection Of Skad And The Arrangement Of The Three Heart Mantras, Christiane Strothmann
Sacred Recitation Of The Tibetan Yungdrung Bön Tradition: The Kharnatsang Collection Of Skad And The Arrangement Of The Three Heart Mantras, Christiane Strothmann
Yale Journal of Music & Religion
The digital age has long dawned in many of the Tibetan Monasteries in exile. Thus, the inclusion of internet platforms and the usage of digital communication technologies was naturally part of my ethnomusicological collaboration with the Tibetan Bön monastic chant leader and scholar Geshé Dawa Namgyal Kharnatsang on the sacred recitation of the Yungdrung Bön tradition of Menri Monastery in Dolanji, India. In this article I will offer insights into Kharnatsang’s and my motivation to develop a hybrid collaboration and discuss the role and impact of the digital technologies on the traditional chain of transmission. I will draw on two …
The Pig, The Snake And The Pigeon: A Buddhist Reimagination Of The Classic Tale Of Zhou Chu, Henry C.H. Shiu
The Pig, The Snake And The Pigeon: A Buddhist Reimagination Of The Classic Tale Of Zhou Chu, Henry C.H. Shiu
Journal of Religion & Film
This article examines the Buddhist inspirations underlying the contemporary reinterpretation of the classic, Zhou Chu Chu Sanhai (Zhou Chu Eliminates the Three Scourges) in the Taiwanese film entitled The Pig, the Snake, and the Pigeon. Beyond the obvious reinterpretation of the “three scourges” in the original tale as the “three poisons” of greed, hatred, and delusion in the film, one also finds a deeper connection with the notion of “skillful means” (upāya-kauśalya) and the Parable of the Burning House in the Lotus Sūtra as well as the tension between established religious beliefs and new religious …
Zeami's Buddhism And Noh In Kurosawa's Ikiru, Ronald S. Green
Zeami's Buddhism And Noh In Kurosawa's Ikiru, Ronald S. Green
Journal of Religion & Film
This paper explores the influences of Noh drama theorist Zeami Motokiyo on Akira Kurosawa's 1952 film Ikiru. While Kurosawa's adaptations of traditional Japanese arts are well documented, this study uniquely demonstrates how specific Noh aesthetics shaped this film. It analyzes how Kurosawa's direction of actor Takashi Shimura embodies Zeami's aesthetic principles of awareness of impermanence (mujō), profound mystery (yūgen), and no-mind (mushin), which are performative expressions of Buddhist philosophies. Kurosawa employs four methods developed by Zeami: the use of masks, sparseness in settings and costumes, singing, and the application of an …
Buddhism, Daoism, And Jeet Kune Do: A Contemporary Analysis Of Nondual Traditions In A New Age Martial Art, James H. Sutton
Buddhism, Daoism, And Jeet Kune Do: A Contemporary Analysis Of Nondual Traditions In A New Age Martial Art, James H. Sutton
Journal of Conscious Evolution
Traditional martial arts are known for their focus on spiritual cultivation through a combination of self-defense training and contemplative practices like meditation. Traditional martial art systems tend to utilize nondual traditions commonly associated with Buddhism and Daoism; however, modern martial art practices, particularly those of MMA, no longer place a strong emphasis on such traditions. In turn, this has led to the development of high-performance sport athletes who emphasize self-defense efficiency in combat (usually combat sports) over all other attributes while also mixing “arts” or “styles” as necessary for the individual’s own self growth. I dub these as “new age” …
Anātman & Lack: Between Nāgārjuna And Lacan, Carter Morris
Anātman & Lack: Between Nāgārjuna And Lacan, Carter Morris
The Confluence
The notion of the Self lies at the heart of subjectivity. This paper aims to analyze and compare two intellectual traditions that have their own subversive philosophies of the Self and subjectivity—these two traditions being Mādhyamaka Buddhism and Lacanian psychoanalysis. Beginning with primers on both Nāgārjuna’s philosophy and Jacques Lacan’s psychoanalytic theory, this paper will discuss the comparative psychologies and philosophies of subjectivity presented by the ideas of non-Self and Lack, respectively. Also briefly compared are the implied metaphysics of both Śūnyatā and Lacanian Lack. An examination of these comparisons’ weaknesses follows along with some closing remarks.
Agent Of Happiness, John C. Lyden
Agent Of Happiness, John C. Lyden
Journal of Religion & Film
This is a film review of Agent of Happiness (2024), directed by Arun Bhattarai and Dorottya Zurbó.
Associating Academic Identity With Language Socialization In Virtual Community: A Case Study Of A Chinese Graduate Student’S Learning Experiences In Religion Studies, Xiaolong Lu
The Qualitative Report
This longitudinal case study explored the academic identity and language socialization of a Chinese graduate student enrolled in an online religion course at a U.S. university during the COVID-19 pandemic. Data were collected via online classroom observations, oral interviews, and artifacts. The theoretical framework was taken from language socialization and identity, together with positioning theory. The study differs from previous research, arguing that instead of language competence, the constructed academic identity is occasionally crucial for the successful academic discourse socialization of international students in bilingual and virtual settings. Moreover, the inclination toward interactive positioning between students and instructors can arise …
Buddhist Music As A Contested Site: The Transmission Of Teochew Buddhist Music Between China And Singapore, Jie Zhang
Yale Journal of Music & Religion
In the Chaozhou City Gazetteer of Buddhism & Chaozhou Kaiyuan Monastery Gazetteer published in 1992, the then Abbot of the Kaiyuan Monastery, Shi Huiyuan 释慧原 heavily condemned the Qing Dynasty (1644–1911) monk Shi Kesheng 释可声 (date unknown) for "starting the sins among laities in the Chaozhou region who dared transgressing (the Buddhist doctrines) and became chant leaders in a flaming mouth ceremony.” Why was the Abbot so upset with a fellow monk back in history? What did Kesheng do, and what were the implications of him starting this "transgression"? This article investigates the history of the international traffic of Buddhist …
Depaul Digest
DePaul Magazine
College of Education Professor Jason Goulah fosters hope, happiness and global citizenship through DePaul’s Institute for Daisaku Ikeda Studies in Education. Associate Journalism Professor Jill Hopke shares how to talk about climate change. News briefs from DePaul’s 10 colleges and schools: Occupational Therapy Standardized Patient Program, Financial Planning Certificate program, Business Education in Technology and Analytics Hub, Racial Justice Initiative, Teacher Quality Partnership grant, Intimate Partner Violence and Brain Injury collaboration, School of Music Career Closet, Sports Photojournalism course, DePaul Migration Collaborative’s Solutions Lab, Inclusive Screenwriting courses. New appointments: School of Music Dean John Milbauer, College of Education Dean Jennifer …
Causality, Agency, And Moral Responsibility In Nikaya Buddhism, Soo Lam Wong
Causality, Agency, And Moral Responsibility In Nikaya Buddhism, Soo Lam Wong
Comparative Philosophy
In this paper, I aim to examine the relationship between the Buddhist notions of causality and agency, the questions of whether the Buddhist notion of causality affirms causal determinism and whether the Buddhist notion of agency affirms libertarian free will, the implications of the Buddhist notions of causality and agency for moral responsibility, and the implications of the Buddhist rejection of the metaphysical self for agency and moral responsibility. My claim is that although the question of whether the early Buddhist notions of causality and agency affirm causal determinism and libertarian free will respectively remains open, they are compatible with …
Dualism And Psychosemantics: Holography And Pansematism In Early Buddhist Philosophy, Federico Divino
Dualism And Psychosemantics: Holography And Pansematism In Early Buddhist Philosophy, Federico Divino
Comparative Philosophy
In the Indian philosophical debate, the relationship between the structure of knowledge and external reality has been a persistent issue. This debate has been particularly prominent in Buddhism, as evidenced by the earliest Buddhist attestations in the Pāli canon, where reality is described as a perceptual defection. The world (loka) is perceived through cognition (citta), and the theme of designation (paññatti) is central to the analysis of the Abhidhamma. Buddhism can be viewed as navigating between nominalism and cognitive normativism, as it deconstructs language, which is seen as an obfuscating element that separates the subject from the world. In this …