Buddhist Studies Commons^™

Selections From The Milindapañha (Section On The Simile Of Fire), Maksim Astashinskiy

Faculty Papers and Publications

The Pāḷi text of 3. Tejaṅgapañha from the Milindapañha is anthologized in The Buddhist Era 2500 Great International Council Pāḷi Tipiṭaka: 40 Volume Edition in Roman Script B.E. 2548 (M.L. Maniratana Bunnag Dhamma Society Fund, 2005), https://suttacentral.net/ms. An English translation is available under Section 7.4.3: Fire in SuttaCentral; the translation is adapted from “The Questions of King Milinda,” trans. T.W. Rhys Davids in The Sacred Books of the East Vol. XXXVI ed. Max Müller (Oxford: The Clarendon Press, 1894), 311–312, https://www.sacred-texts.com/bud/sbe36/sbe3611.htm.

Martial Arts Studies: A Commentary On The Exploration Of Consciousness In Modern Martial Arts, James H. Sutton

Journal of Conscious Evolution

The rapid globalization of martial arts has reconditioned how the beliefs, customs, and philosophies of traditionally based systems are interpreted and applied in modern practice. As contemporary scholarship struggles to accommodate the cultural histories, myths, and traditions that permeate the perception of martial arts in modern contexts, the focus of inquiry has shifted towards explaining cultural variations in practice rather than understanding the nature of self-awareness derived from self-practice. Consequently, the deeper meanings of martial arts as pathways to personal and transpersonal awareness are often invalidated in favor of objective and verifiable explications. In short, the role of consciousness is …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

A Buddhist Critique Of Harmony, James Mark Shields

Faculty Contributions to Books

No abstract provided.

The Buddhist Recluse In The Late Heian (794–1185) And Early Kamakura (1185–1333) Periods As Seen Through Kamo-No-Chômei’S Hôjôki And The Poems Of Saigyô, Scott Lloyd

The Ozark Historical Review

Kamo-no-Chômei and Saigyô,two of Japan’s most well-known aesthete-recluses and open a window through their works not only into the life of the recluse as an individual but also into the broader culture. The following pages will attempt to shed light on the overall concept of reclusion and its importance by looking specifically at what they had to say about their own experiences: Saigyô through his collected poems, and Chômei through his seminal poetic essay Hôjôki “Ten-Foot- Square Hut”, written in 1212.

Memory, Music, Manuscripts: The Ritual Dynamics Of Kōshiki In Japanese Sōtō Zen, Junko Oba

Yale Journal of Music & Religion

A book review is presented for Memory, Music, Manuscripts: The Ritual Dynamics of Kōshiki in Japanese Sōtō Zen, authored by Michaela Mross, by Junko Oba.

Cultural And Religious Perspectives On Suicide And Healing, Arielle Friedman

be Still

This essay is built off of a paper I wrote in a college global health course on culture and mental illness. I have always been fascinated by cultural interpretations of illness & believe that as a future physician, it is my responsibility to educate myself and others on the complex interplay between religious ideologies & recognition/management of biological disease in order to provide appropriate patient-centered care.

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Transformation Of Buddhist Musical Practices From The 7th-13th Centuries As A Response To Political And Social Disorder In Medieval India, Stephan Duran

Monsoon: South Asian Studies Association Journal

This article gives an account of the development of Buddhist musical practices on the Indian subcontinent from their earliest, datable instances, to the disappearance of Buddhist institutions from India proper, demonstrating the persistence of descendant traditions of Sanskrit Buddhist chant and song in contemporary Japanese, Tibetan, and Newar esoteric Buddhist communities. It is argued that the Buddhist musical theory and praxis of these three cultural spheres both preserve features of ancient and medieval Indian Buddhist music and sonically illustrate the transition from political and social order to de-centralized social organization, a shift that took place between the 7^th and …

The Provenance Of A Pali- And Thai-Language Manuscript At The Rollins College Library: A Buddhist Book Of Merit And Its Long Journey From Southeast Asia To America, Wenxian Zhang

Faculty Publications

Through researching the provenance of a Buddhist manuscript written in the Pali and Thai languages currently held at Rollins, this article seeks to answer the question of how a religious document created in Thailand ended up in a liberal arts college library in America. Regarded as an act of devotion by many Buddhist followers in Southeast Asia, the use of folding manuscripts (samut khoi) has been observed for centuries. The folding manuscripts served as handbooks and chanting manuals for Buddhist monks, who often recited in religious ceremonies while paying tributes to the deceased, with the hope of reincarnation in a …

Buddhism In Thailand: Why Don’T The Youth Believe In Buddhism?, Nutnicha Teekatanasuk

Master's Theses

In Thailand, Buddhism is now known as a Buddhist country. Almost 96% of people in Thailand believe in Buddhism but it is declining every single day. Technology has made many people change their minds and not believe in Buddhism. Surprisingly, people who have been involved in Buddhism since they were born don’t believe, especially the young generation. The number of believers is declining every single day and many people have changed their minds and don’t believe in Buddhism. Surprisingly, people who have been involved in Buddhism since they were born don’t believe anymore. This might be because of Thai monks’ …

Houses Built For Gods: Articulations Of Urban Hokora In Kyoto, Steele Engelmann

Anthropology Undergraduate Honors Theses

Amidst the urban landscape of Kyoto, Japan, there are thousands of hokora, small neighborhood shrines. This study uses social theories of pilgrimage and space to examine the articulation of hokora, community, and personal desire. As sites of local pilgrimage, hokora form networks of communal, but also individual, aspirations across the urban spiritual landscape of the city. This thesis argues that communities are connected to the larger social structures of Kyoto through hokora. As such, neighborhoods are reproduced and displayed through their hokora’s entanglements with the urban, social, and religious landscapes of Kyoto. Therefore, this study deploys an ethnographic approach to …

Buddhist Music As A Contested Site: The Transmission Of Teochew Buddhist Music Between China And Singapore, Jie Zhang

Yale Journal of Music & Religion

In the Chaozhou City Gazetteer of Buddhism & Chaozhou Kaiyuan Monastery Gazetteer published in 1992, the then Abbot of the Kaiyuan Monastery, Shi Huiyuan 释慧原 heavily condemned the Qing Dynasty (1644–1911) monk Shi Kesheng 释可声 (date unknown) for "starting the sins among laities in the Chaozhou region who dared transgressing (the Buddhist doctrines) and became chant leaders in a flaming mouth ceremony.” Why was the Abbot so upset with a fellow monk back in history? What did Kesheng do, and what were the implications of him starting this "transgression"? This article investigates the history of the international traffic of Buddhist …

Local Manifestation Of Global Heritage: The Role Of Local Communities In The Management Of ‘Somapura Mahavihara’ – A World Heritage Site Of Buddhist Origin In Bangladesh, Pushpita Eshika

Student Theses and Dissertations

Somapura Mahavihara, an 8th-century Buddhist monastery in Bangladesh, is a world heritage site. Measuring 22 hectares, the layout of the monastery is quadrangular shaped, reaching a height of approximately eighty feet above ground level. Physically this monastery provides an excellent example of the workmanship and design principles of the Pala Dynasty of 8th-century Bengal. The monastery’s architectural elements have been the center of academic studies on architecture, building morphology, ornamentation, and archeological excavation of this monastery. Yet significant research is still needed regarding the heritage dialogue between this ancient monastery and its local non-Buddhist population. Buddhism disappeared from Bengal in …

Kāliṅgaraṭṭha And Its Buddhist Connections, Karam Tej Sarao, Jyoti Dwivedi

The Indian International Journal of Buddhist Studies

Invasion of the kingdom of Kāliṅga (Kāliṅgaraṭṭha) by King Aśoka and his consequent Dhamma policy is a recurrent theme in the Buddhist folk lore. In fact, the Kāliṅga event is often cited as an example in Buddhism of a cruel king becoming a righteous king by taking shelter in Buddhism. The long term consequences of the Kāliṅga War as well as the motive of Aśoka behind the war and its subsequent justificatory politics have been debated by historians. In this paper an attempt has been made to understand Aśoka’s reason for invading Kāliṅga as well as Kāliṅga’s importance in the …

Pop Spirituality In The Context Of Nepal, Kalinda Benson

Independent Study Project (ISP) Collection

In this research report, Pop Spirituality in the Context of Nepal, I look to add clarity to what it means to be “spiritual” and how that has been applied historically in context of Nepal. This paper focuses on what has led up to our modern day perceptions on spirituality. In the first section of the paper, I briefly describe what I mean when I say, “pop spirituality” or a “modern spirituality.” I define spirituality and how it differs from religion, a religion, and what secularization is. I want to acknowledge that there are many types of spirituality that exist of …

A Century Of Critical Buddhism In Japan, James Mark Shields

Faculty Contributions to Books

This chapter introduces the central arguments of Critical Buddhism as a lens by which to view the course of “modern” Buddhism in Japan, particularly as it relates to politics. It traces philosophical and political precedents for Critical Buddhism in the context of Japanese modernity, by focusing on several progressive Buddhist figures movements from mid-Meiji through early Shōwa, including the New Buddhist Fellowship and the Youth League for Revitalizing Buddhism. I argue that previous attempts to centralize criticism as a basic Buddhist precept were unsuccessful in part do to an inability to distinguish the Buddhistic components of their thought and practice, …

Book Review: Animal Care In Japanese Tradition: A Short History, James Stone Lunde

Asia Pacific Perspectives

No abstract provided.

Editor’S Note, Deepak Shimkhada

Monsoon: South Asian Studies Association Journal

This special issue of Monsoon is dedicated to the studies honoring the goddess traditions in South Asia. The onset of the Monsoon Season in South Asia typically commences in June and continues until late August and early September. The publication of this issue, therefore, has been strategically timed to coincide with that season, which is a vital source of sustenance for millions of individuals in this part of the world. This anthology consisting of five papers—written by scholars with expertise in the field of goddess and women studies—speak unequivocally about the goddesses or women for their strength, beauty, wisdom, and …

Constructing Jain Goddess Padmavātī In Gujarati Literature, Venu Mehta

Monsoon: South Asian Studies Association Journal

Worship of the goddess Padmāvatī emerged more than a thousand years ago. This article explores three songs about her in Gujarati by Paṇḍit Vīrvijayajī (1773-1852). By analyzing the style and form of his work, one learns a great deal about devotional liturgies that commemorate goddess Padmāvatī’s protection of the Jina Pārśvanātha and, in turn, his protection of her.

Women’S Voices From History: Gond Rani Durgawati And Rani Lakshmibhai, Nandini Sengupta, Moupia Basu

Monsoon: South Asian Studies Association Journal

Two strong women are compared and contrasted in this article. Gond Rani Durgawati (1524-1564) led a resistance movement in Jabalpur against the Mughal rule of Akbar. Rani Lakshmibai (1828-1858) organized the people of Jhansi against Sir Hugh Rose, an officer defending the interests of the British East India Company. Both women continue to be remembered for their bravery and their loyalty to the people they ruled.

Mai Bhago And Amrita Devi Bishnoi: Women Of Strength, Sowmya Ayyar

Monsoon: South Asian Studies Association Journal

Mai Bhago (1670-1720), also known as Bhag Kaur, distinguished herself on the battlefield to defend the Sikh faith. Amrita Devi Bishnoi (d. 1730) is said to have sacrificed her life with 362 others to protect the Khejari trees in the Rajasthan desert. Both women continue to inspire social justice and ecological activism.

An Examination Of Gandhian Economic And Political Thought And Its Relevance To The Empowerment Of Women, Purnima Mehta Bhatt

Monsoon: South Asian Studies Association Journal

Mahatma Gandhi (1869-1948) sought to alleviate poverty and empower women. His commitment to nonviolence and the economic ideal of “small is beautiful” continue to inspire grassroots movements around the globe. This article discusses the Chipko movement of northern India, the protection of rain forests in Kerala’s Silent Valley, the Self Employed Women’s Association (SEWA), and Medha Patkar’s valiant though ultimately futile attempt to save the Narmada River from a massive government damming project. The ongoing legacy of these movements can be found in AWAG, the Ahmedabad Women’s Action Group and Women’s Shanti Sena (Peace Force).

Indigenous Stitch-Arts Of India: Tradition And Revival In A Global Age, Punam Madhok

Monsoon: South Asian Studies Association Journal

Stitch art allows for the creative expression and economic support of countless women throughout India. This article examines four notable styles: chikankari, flora and fauna stitched in white thread on fine white cotton, rabari, the stitching of mirrors into colorful cloth, phulkari, resplendent flowery motifs sewn into shawls in Punjab, and kantha, Bengali patch work yielding quilts and seating mats. In addition to describing each technique, this article discusses how women have been economically empowered through this art by such organizations as Self-Help Enterprise (SHE) in Kolkata and Adithi, a women’s cooperative, in Bihar.

Identities Of Women In Indian Art And History, Nalini Rao

Monsoon: South Asian Studies Association Journal

The stereotypical image of Indian women portrayed in the art of stone sculpture is often interpreted as images of beauty that are sensuous, religious as well depict social life. There are historical reasons for depicting her as such. This paper inquires into the changing depiction and social forces that influenced feminine imagery. This paper examines the portrayal of beauty through idealization of female body which has evolved over the centuries in India. It also aims to understand their changing status and explores issues of feminine identity, status, and empowerment largely in ancient and medieval India. It also provides a brief …

Zen Internationalism, Zen Revolution: Inoue Shūten, Uchiyama Gudō And The Crisis Of (Zen) Buddhist Modernity In Late Meiji Japan, James Mark Shields

Faculty Contributions to Books

In addition to the birth and development of “Imperial Way Zen,” late Meiji Japan witnessed the emergence of a number of young lay Buddhist scholars, priests and activists who attempted, with varying success, to reframe Buddhism along progressive and occasionally radical political lines. While it is true that groups such as the New Buddhist Fellowship (Shin Bukkyō Dōshikai, 1899–1915) were made up mainly of young men associated with the two branches of the Shin (True Pure Land) sect, several of its members did affiliate themselves with Zen, such as Suzuki Daisetsu (1870–1966) and Inoue Shūten (1880–1945). While the former’s work …

From Post-Pantheism To Trans-Materialism: D. T. Suzuki And New Buddhism, James Mark Shields

Faculty Contributions to Books

In modern Western thought, pantheism remains a powerful if controversial undercurrent. Recent re-evaluations of the work of Baruch Spinoza (1632–1677) point to pantheism’s radical implications for metaphysics, epistemology, ethics and politics. Pantheism (Jp. hanshinron 汎神論) also has significant valence within Japanese Buddhist modernism, particularly in the work of scholars and lay activists who articulated the outlines of a New Buddhism (shin bukkyō 新仏教) from the 1880s through the 1940s. For these thinkers, pantheism provided a “middle way” between materialism and idealism, as well as between theism and atheism. In the postwar period, lapsed radical turned Buddhist Sano Manabu …