African American Studies Commons^™

Oral History Project: Black Families Of Yalobusha County, Jessica Wilkerson

About the Project

Document presented to persons interested in participating in the oral history project. Sections included: who we are, what is oral history?, what happens during an interview?, and contact information.

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

Ua12/2/1 College Heights Herald, Vol. 95, No. 1, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news. This issue contains articles:

• Dobbs, Jack. WKU Launches Comprehensive Investigation Into Student Fees
• Burris, Lily. A Persistent Force – Ann Mead
• Burris, Lily. 4 Big Topics Students Missed This Summer – Reorganization, Construction, Administrators, Retirements
• Same Money, More Problems – Terry Ballman
• Freshman Frenzy – MASTER Plan
• Fletcher, Griffin. Fit for Duty – Tim Gray, WKU Police
• Deppen, Laurel. WKU Alumnus Fronts Narrative-driven Band – Jordan Allen
• Kieser, Nick. Alumnus Helps Little League Team Honor Fallen Teammate – Matt Idlett
• Wells, Elliott. WKU Shows Tenacity During Opening Weekend
• Gaylord, …

Yeezus Is Jesuz: Examining The Socio-Hermeneutical Transmediated Images Of Jesus Employed By Kanye West, Daniel White Hodge

Journal of Hip Hop Studies

Kanye is enigmatic in many ways. His continuous reference to deity while still embracing a person like 452 makes him worth the study and effort to explore his contribution and effect in the Hip Hop cultural continuum. This article investigates, Kanye West from a theological and spiritual standpoint to provide insights from his theological aesthetics. While the ever-growing field of Hip Hop studies begins to explore religion in Hip Hop, the present work seeks to address this and develop new theologies/theories that fit both a Hip Hop and Black theology context. While the formal discipline of theology in the United …

I’M So Self-Conscious: Kanye West’S Rhetorical Wrestling With Theodicy And Nihilism, Conā S. M. Marshall

Journal of Hip Hop Studies

Whether Kanye’s plea to God is to intervene because “the devil’s trying to break [him] down,” or that he (Kanye) is “tryna keep [his] faith,” Kanye West’s lamentations communicate his wrestling of succumbing to sufferings within the world. Despite the twelve-year span between “Jesus Walks” and “Ultralight Beam,” Kanye West’s rhetoric in both songs attempt to make meaning of theodicy—suffering; while simultaneously combating nihilism—the lack of hope. As a professed Christian who articulates the multiplicity of God through Jesus and himself (Kanye West), affirmed on his 2013 album Yeezus track, “I am God,” West complicates religiosity and self-consciousness. He does …

Foreword, Joshua K. Wright

Journal of Hip Hop Studies

No abstract provided.

I Gotta Testify: Kanye West, Hip Hop, And The Church, Joshua K. Wright, Adria Y. Goldman, Vanatta S. Ford

Journal of Hip Hop Studies

The goal of this project, “I Gotta Testify: Kanye West, Hip Hop, and the Church,” is to add a new perspective to the scholarly discourse on Hip Hop and Christianity within classrooms, religious institutions, and popular culture by focusing on Kanye. We chose to focus on Kanye because he has been one of Hip Hop’s most influential artists in the past decade. Furthermore, Kanye is one of the most polarizing celebrities in America and across the globe. His music, fashion, political views, and family (which includes the Kardashians) dominate discourse on social media, blogs, television, and other forms of mass …

Introduction - Enigma Embodied: The Curious Complexity Of Kanye West, Daniel White Hodge

Journal of Hip Hop Studies

“There’s no way Hip Hop and religion work. No way!” “I just can’t see anything coming out of religion and Hip Hop. It’s like the two don’t even go together.” “Rap music is of the devil. To say there is any God in it is blasphemous!” These were direct quotes I received when I began my journey into the field of Religion and Hip Hop. I was met with firm opposition and the very notion of combining Hip Hop and religion left many angered, bewildered, confused, but definitely not speechless. It was a trifling time and the very thought of …

Meditation - On Millennials, Hip Hop, And Faith, Larrin Robertson

Journal of Hip Hop Studies

No abstract provided.

The Prosperity Gospels Of Superstardom: Kanye’S Philosophy, Catherine John, Leroy Myers, Zachary Leacock

Journal of Hip Hop Studies

No abstract provided.

Poem - Untitled, Jasmine Mans

Journal of Hip Hop Studies

No abstract provided.

Poem – Footnotes For Kanye, Jasmine Mans

Journal of Hip Hop Studies

No abstract provided.

Meditation – Yeezy’S (Impossible) Love In Fugitivity’S Strings: A Meditation On “Runaway”, James Manigault-Bryant, Lerhonda Manigault-Bryant

Journal of Hip Hop Studies

No abstract provided.

Meditation – We Killed Kanye: A Manifesto To The Old Kanye Fans, Tari Wariebi

Journal of Hip Hop Studies

No abstract provided.

Meditation - Losing Kanye, Cynthia Estremera

Journal of Hip Hop Studies

No abstract provided.

Meditation - Kanye West’S “Jesus Walks,” Black Suffering, And The Problem Of Evil, Angela M. Nelson

Journal of Hip Hop Studies

No abstract provided.

For Colored Girls And Boys Who Have Considered Suicide/ When Prayer And Good Music Weren’T Enough, Joshua K. Wright

Journal of Hip Hop Studies

April Adams, a 22-year-old Christian graduate student at Howard University, struggled with mental illness for years. Like so many blacks, April expected her faith to serve an elixir for her problems, including depression. However, her prayers were not sufficient. When she was unable to find solace in the church, she sought out an alternative source: the music of Kanye West. She shared her story in a 2016 article, “How An Ultralight Beam Helped My Dark Depression,” which she published in Abernathy magazine. April’s story speaks to the disconnect that many millennials have with the church. Nowhere in her article did …

Meditation - “Ultralight Beam”: The Gospel According To Kanye West, Jeffrey Mccune

Journal of Hip Hop Studies

No abstract provided.

Meditation From Rev. Nathaniel Yates, Metropolitan Youth Pastor, Nathaniel Yates

Journal of Hip Hop Studies

No abstract provided.

“How Great:” Reflections On Kanye’S Best Prodigy, Chance The Rapper, Joshua K. Wright

Journal of Hip Hop Studies

No abstract provided.

Closing Thoughts, Vanatta S. Ford, Adria Y. Goldman

Journal of Hip Hop Studies

No abstract provided.

Contributors

Journal of Hip Hop Studies

No abstract provided.

Preserving Our History To Help Us Understand The Past And Present: Launching Phase Ii, Outstanding Black Women Of Yalobusha County; From The Ole Miss Classroom To The Yalobusha Community, Dottie Chapman Reed, Jessica Wilkerson

About the Project

Articles from North Mississippi Herald, August 22, 2019, describe the benefit of, and plans for, and oral history project to capture the stories of Black families in Yalobusha County.

Antioch Missionary Baptist Church, Alvin D. Jackson

Tour Programs

No abstract provided.

Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet

The Journal of Purdue Undergraduate Research

This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …

On Her Own: A Qualitative Study On The College-To-Career Transition Of Black Second-Generation Alumnae, Ladessa Y. Mitchell

USF Tampa Graduate Theses and Dissertations

The purpose of this qualitative study was to describe the college-to-career transition of Black second-generation alumnae in the development phase of emerging adulthood using Schlossberg’s (2011) Transition Model. As the researcher, I collected data from Black second-generation alumnae of predominantly White public universities in Florida to examine how their intersecting identities (i.e., race, gender, and educational status) and use of metaphorical capital (i.e., social, cultural, and human capital) influence their transition. The conceptual framework for this study is based on the 4 S’s of Schlossberg’s Transition Model as well as emerging adulthood, forms of capital, and the intersecting identities of …

Ua12/2/1 The Hill In Review, Wku Student Affairs

WKU Administration Documents

Newsletter recapping the top stories of the week.

2019 Black Votes Matter Tour: Comprehensive Report With Data Detail Breakout, Preston Love Jr.

Black Studies Faculty Publications

Background: The seed for the Black Votes Matter Youth initiative is as a response to the lack of knowledge of the black history and the civil rights movement. In order for our youth to become effective leaders, they must learn and have respect for their own history. The Black Votes Matter Tour was designed to address this void. Students are chosen from nominations made by various grassroots organizations serving youth, such as the HOPE Center, Avenue Scholars, 100 Black Men, Urban League, Big Brothers Big Sisters and more. In addition to individual donations, we received significant grants from The Sherwood …

Mothers Of Intention: Women In The Ku Klux Klan And Massive Resistance, 1954-1968, Michele R. Johnson

Graduate Theses and Dissertations

This dissertation examines women in the Massive Resistance movement and the Ku Klux Klan of the classic Civil Rights period, 1954-1968. Specifically, it illustrates the way in which these women used their assigned gender roles as women, and specifically as mothers, to further white supremacist goals. White women have been an integral part of white supremacy in the United States from the beginning, yet are rarely portrayed as such. White supremacist movements are most often viewed through a male lens and gender in white supremacy is most often focused on how white men perform gender within the movements. While that …