Race, Ethnicity and Post-Colonial Studies Commons^™

Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Comes Of Age, Aria S. Halliday, Ashley N. Payne

Journal of Hip Hop Studies

This special issue is dedicated to the bad bitches. The ratchet women. The classy women. The hood feminists. The “feminism isn’t for everybody” feminists. Those women, femmes, and girls who continuously (re)present and (re)construct Black girl/womanhood. The creatives, the innovators, the women that are “often imitated, but never duplicated.” This issue is dedicated to you and the ways in which you challenge us to (re)define what it means to be Black girls/women in this world and what it means to reclaim power over your own representation and images. This issue is for you, defined by you, and inspired by you.

Victim Silencing, Sexual Violence Culture, Social Healing: Inherited Collective Trauma Of World War Ii South Korean Military “Comfort Women”, Mijin Cho

VCU Phi Kappa Phi Award Winners

The unresolved reconciliation process for WWII South Korean military “comfort women” presents a case of nationally inherited collective trauma, in which South Koreans far removed in time and space from the historical tragedy feel its implications and obligations for reparations and social healing. In examining the South Korean comfort women redress movement and systemic concealment of WWII military sexual slavery, this study investigates a pattern of victim silencing, characterized by institutional patriarchy and ineffective government involvement, from 1945 to 2019. Following the South Korean government’s formal rejection of the 2015 agreement with Japan regarding a final and irreversible conclusion to …

I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche

Theses and Dissertations

I Hope My Black Skin Don't Dirt This White Tuxedo is a series of works--sculpture, installations, and performances--that explore themes of shame, failure, commodity, ephemerality, ritual, resilience, erasure, race, and death. The research and interest in these themes stem from a page of the Trinidad and Tobago Slave Registry. I use the research that surrounds this document to highlight different moments in history, in my personal life, and to imagine near futures.

Against The Eyes Of God And Man: The Suicide And Alcohol Intoxication Deaths Of Enslaved People In Alexandria And Henrico County, Virginia, 1805-1829, Peighton L. Young

Theses and Dissertations

The purpose of this thesis is to provide a compressive examination of suicide and self-destructive behaviors within specific enslaved populations in early republic Virginia localities. I use coroners’ inquests as the primary means for identifying notable causes of death and potential behavioral patterns amongst the enslaved people presented in this study. I focused my investigation on two causes of death, demographics, and localities respectively: the drowning suicides committed by enslaved women along the Potomac River waterfront in Alexandria between 1807 and 1824 and the alcohol intoxication-related deaths of enslaved men in Henrico County between 1805 and 1829. Stepping away from …

...And Yet The Devil Exists, John Hee Taek Chae

Theses and Dissertations

...And Yet the Devil Exists is a project that explores the ways in which ideology determines reality. It is an installation that plots and connects the historical and personal narratives that have defined my sense of identity–narratives in which perceptions of reality shatter, mutate, or hybridize when confronted with power, opportunity, or coercion. The installation component of the project consists of three parts. The first is an infrastructure made of wooden beams upon which paintings and images are installed; I call this the lantern. In the center of this is a round table on top of which is a nonsensical …

Precarity In Feminism And Feminist Art Education: Decentering Whiteness Through Reproductive Justice Activism, Michelle Bae-Dimitriadis, Olga Ivashkevich

Journal of Social Theory in Art Education

The article addresses precarity in mainstream feminism and feminist art education as a systemic dismissal and exclusion of the critical concerns and voices by disenfranchised women of color from its narratives and agendas. It draws on a case of the reproductive justice feminist activism to illustrate how the mainstream pro-choice feminist movement neglected the urgent and often life threatening reproductive concerns by Black, Brown, Indigenous and immigrant women, which led to an establishment of the reproductive justice coalitions by activists of color. The reproductive justice movement is an important call to action to challenge and decenter Whiteness in mainstream feminism …

Chupa Chuparosas Y Chupacabras, Ruben U. Rodriguez

Theses and Dissertations

A Rascuache Nahual that uses therianthropy on the border between the US and Mexico border.

The Politics Of Annexation: Oligarchic Power In A Southern City, John V. Moeser, Rutledge M. Dennis

The Politics of Annexation

This Open Access Edition of The Politics of Annexation presents a newly formatted version of the original 1982 edition. The text itself has been edited only for non-substantive style changes and corrections. The Preface, the new Introduction (“Fifty Years Later”), and the index were prepared especially for this edition. The original edition was published by Schenkman Publishing Company, Cambridge, Massachusetts, and is available online through the UR Scholarship Repository at https://scholarship.richmond.edu/bookshelf/307/

The Politics of Annexation examines the process of American cities using annexation of suburban areas as a tool to increase their tax base and generate new revenue. The authors …

A Story About A Girl With Snakes For Hair, Kate M. Turner

Theses and Dissertations

My work is autobiographical. I use various art making processes to create a visual archive of my life. By abstracting these memories and experiences, I can examine how culture works surrounding issues of identity. This is my story.

The Program, Aaron Douglas Estrada

Theses and Dissertations

In my work, I explore the engineering of identity and socioeconomics that are programed into Black and Brown communities. I refer to this as “The Program”. The Program validates, breaks, codes, and critiques the system that divided us. The Program is identifying with the struggle of growing up in a system that is programmed to see you fail. So if you get caught up in that system it’s a natural death within the program. But you can break and make your own program. If you stick to the program.

The paper's use of language is coded. Text has been written …

Robert Cowley: Living Free During Slavery In Eighteenth-Century Richmond, Virginia, Ana F. Edwards

Theses and Dissertations

This thesis examines the life of Robert Cowley, a formerly enslaved man living free during slavery in eighteenth-century Richmond, Virginia. The first chapter examines Cowley’s enslaved life through the records of others. The data collectors and historians of early America did not intend to capture the truth of Black people’s American experiences, except as defined their enslavement--people in service to the wealth-building capacity of the nation. Yet the lives of Black people who lived in proximity to prominent whites can be glimpsed in a variety of records and writings from account books to deeds, from private letters to newspaper advertisements. …

A Longitudinal Test Of Mexican Teen Mothers’ Cultural Characteristics And Children’S Language Skills Via Mothers’ Language, Arlenis A. Santana

Theses and Dissertations

The current study includes 204 Mexican teen mothers and their children from a larger study who were interviewed when children were 3 years old (Wave 4; W4), 4 years old (W5), and 5 years old (W6). The current study is guided by the integrative model of developmental competencies (García Coll et al., 1996), which suggests that parents’ adaptive cultural characteristics and exchanges with their children inform children’s developmental competencies. Thus, the current study examined whether teen mothers’ adaptive cultural characteristics (i.e., familism values, language competency pressures, and involvement in Mexican culture and U.S. mainstream culture) at W4 informed mothers’ Spanish …

”I Speak Hip Hop”: An Informative Interview About Generation Hip Hop And The Universal Hip Hop Museum, Tasha Iglesias, Travis T. Harris

Journal of Hip Hop Studies

”I Speak Hip Hop” is an interview of members of Generation Hip Hop and the Universal Hip Hop Museum. This primary source highlights two Hip Hop organizations with chapters around the world. Tasha Iglesias and Travis Harris posits that Hip Hop scholars have not fully uncovered Hip Hop's history around the world. As such, in addition to being a primary source, "I Speak Hip Hop" reveals the need for more scholarly attention on the dynamic expansion of Hip Hop cultures.

The Dame Of Liberty, Ikeogu Oke

Journal of Hip Hop Studies

Eighth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Dear Mama, Ikeogu Oke

Journal of Hip Hop Studies

Third of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

“I Got The Mics On, My People Speak”: On The Rise Of Aboriginal Australian Hip Hop, Rhyan Clapham, Benjamin Kelly

Journal of Hip Hop Studies

In this paper, an Aboriginal rapper and settler-Australian Indigenous Studies lecturer collaborate to provide an overview of the Aboriginal Australian Hip Hop scene. We contextualize the development of Aboriginal Hip Hop as part of a long postcolonial tradition of Aboriginal engagement with Black transnationalism. By analysing rap lyrics, Hip Hop videos, and related commentary, we demonstrate the ways in which Aboriginal hip hoppers have adapted elements of Hip Hop culture to suit their own cultures, histories, and structural position as a colonized minority under the rule of a modern settler-colonial state. We conclude by considering Aboriginal engagement with Hip Hop …

(Global) Hip Hop Studies Bibliography, Travis T. Harris, Travis Terrell Harris

Journal of Hip Hop Studies

This bibliography documents Hip Hop scholarship outside of America, including scholarly works that may be US centric, yet expands its analysis to other parts of the world. Hip Hop Studies outside the boundaries of the United States stretches as far and wide as Hip Hop itself. This scholarship started in 1984, and the amount of scholarship beyond American boundaries has continued to grow up through present day. The first wave, before Mitchell's Global Noise (2001), includes a wider range of scholarly works such as conference presentations and books written by journalists, in addition to traditional academic sources such as books …

Better Days, Ikeogu Oke

Journal of Hip Hop Studies

Fifth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

If I Ruled The World: Putting Hip Hop On The Atlas, Travis T. Harris, Simran Singh, Daniel White Hodge

Journal of Hip Hop Studies

“If I Ruled the World: Putting Hip Hop on the Atlas” contends for a third wave of Global Hip Hop Studies that builds on the work of the first two waves, identifies Hip Hop as an African diasporic phenomenon, and aligns with Hip Hop where there are no boundaries between Hip Hop inside and outside of the United States. Joanna Daguirane Da Sylva adds to the cipha with her examination of Didier Awadi. Da Sylva's excellent work reveals the ways in which Hip Hoppa Didier Awadi elevates Pan-Africanism and uses Hip Hop as a tool to decolonize the minds of …

Dedication To Ikeogu Oke, Travis T. Harris

Journal of Hip Hop Studies

This short article describes why this special issue is dedicated to Ikeogu Oke. He transitioned while we were completing the special issue.

Foreword, Travis T. Harris

Journal of Hip Hop Studies

This is the Foreword to the special issue. It provides a broad overview of the special issue, a description of the context it is written in and acknowledgment of all those who contributed to "If I Ruled the World."

Can It Be Bigger Than Hip Hop?: From Global Hip Hop Studies To Hip Hop, Travis T. Harris

Journal of Hip Hop Studies

Global Hip Hop Studies has grown tremendously since it started in 1984. Scholars from a number of disciplines have published numerous journal articles, books, dissertations and theses. They have also presented at multiple academic conferences and taught classes on global Hip Hop. “Can It Be Bigger Than Hip Hop?: From Global Hip Hop Studies to Hip Hop Studies” traces this history and examines the key authors, intellectual interventions, methods, and theories of this field. I used an interdisciplinary methodology entailing participant observations of local Hip Hoppas and the examination of more than five hundred scholarly texts that I assembled into …

Good Thing Going, Ikeogu Oke

Journal of Hip Hop Studies

Sixth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

I Beg Of You, Honey, Ikeogu Oke

Journal of Hip Hop Studies

First of 10 poems written by the late and great Nigerian poet Ikeogu Oke

Whither World?, Ikeogu Oke

Journal of Hip Hop Studies

Second of ten poems written by the late and great Nigerian poet Ikeogu Oke.

Negotiating French Muslim Identities Through Hip Hop, Mich Yonah Nyawalo

Journal of Hip Hop Studies

In The French Melting Pot: Immigration, Citizenship, and National Identity, Gérard Noiriel contends that in France, the modern idea of the nation emerged as a means to subvert the dominant influence of the nobility, whose rule was underwritten by the aristocratic idea that “the nation was founded on ‘blood lineage.’”1 Noiriel posits that “the revolutionary upheaval discredited not only the old order but everything that harked back to origins, so much so that the first decrees abolishing nobility were also directed against names that evoked people’s origins: an elegant name is still a form of privilege; its credit must be …

Watching The World, Ikeogu Oke

Journal of Hip Hop Studies

Fourth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Native Son, Ikeogu Oke

Journal of Hip Hop Studies

Ninth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Reclaiming Our Subjugated Truths—Using Hip Hop As A Form Of Decolonizing Public Pedagogy: The Case Of Didier Awadi, Joanna D. Da Sylva

Journal of Hip Hop Studies

This paper explores how Senegalese Hip Hop pioneer, Didier Awadi, uses Hip Hop as a form of decolonizing public pedagogy that renders the contributions of Pan-African leaders visible to Africa and the world, contributions that are often omitted and vilified by mainstream history. I argue that Awadi’s work provides a strategy for reclaiming oral literature, particularly storytelling, as a legitimate way of knowing, teaching and learning history. In his album Présidents d’Afrique, Didier Awadi uses rap and traditional African music to retell the story of our resistant past through an African frame of reference. The data is comprised of …

Book Review Of Hip Hop In Africa: Prophets Of The City And Dustyfoot Philosophers, Camea Davis

Journal of Hip Hop Studies

Dr. Davis provides an analysis of Hip Hop in Africa: Prophets of the City and Dustyfoot Philosophers (2018). Dr. Camea Davis is a poet, educator and educational researcher with a heart for urban youth and communities. She earned her doctorate in educational policy studies with minors in curriculum and instruction and educational technology from Ball State University. She currently works as a Post-Doctoral Research Associate as Georgia State University in the Department of Middle and Secondary Education.