Photography Commons^™

Busy Watching, Catherine Sigman

The Echo

No abstract provided.

Preface & Table Of Contents

The Echo

No abstract provided.

Cover

The Echo

No abstract provided.

Echo 2019 - Complete Issue

The Echo

No abstract provided.

Autopathography, Aurora Berger

CGU MFA Theses

For centuries the stories of disabled people were not our own to tell. We were silenced by politics and power dynamics beyond our control, and when we succeeded it was “in spite of” our disabilities. I am interested in the reframing of this narrative and discovering my place in this historic trajectory.

I am a disabled artist. I have claimed this identity. It is critical that this identity remains tied to my work as I navigate the worlds of fine art, academia, and critical theory. My art is intrinsically tied to my academic work. They are inseparably bonded through my …

Restorative, Mallory Trecaso

School of Art, Art History, and Design: Theses and Student Creative Work

The series of photographs in Restorative examines intimate views of home interiors that metaphorically embody my physical self. Emergency surgery left me with new marks, scars, and a patchwork of temporary solutions, and a heightened understanding of my own physicality. I use the familiar subject of the home to talk about my body. Looking through the lens of the home as a metaphor gives the viewer a different framework to view, rather confronting one’s self directly. Like a home, a body records time through markings, imperfections, discoloration, and cracks. Some, like a broken window or a scratch, happen suddenly while …

Seeing Every Corner Of Tangier: A Photographic Collection Going Beyond The Media Sphere, Cynthia J. Coleman

Independent Study Project (ISP) Collection

Tangier is an iconic city, with an image recognized internationally. Its image is created, not only by the city itself, but by its representation in the media. That said, it is worth considering, how true to Tangier is its image? This study considers this issue by addressing the following question: how does the image of Tangier, as represented in photographs, compare with that portrayed in the media? To accomplish this, a collection of 18 photographs over the area of Tangier, an area of 44 square miles, was taken. The photos were taken to as objectively as possible represent the city …

Now Was Too Late, Kaleigh Rusgrove

MFA Statements

No abstract provided.

Recipe For Disaster, Zac Travis

MFA Thesis Exhibit Catalogs

Today’s rapid advances in algorithmic processes are creating and generating predictions through common applications, including speech recognition, natural language (text) generation, search engine prediction, social media personalization, and product recommendations. These algorithmic processes rapidly sort through streams of computational calculations and personal digital footprints to predict, make decisions, translate, and attempt to mimic human cognitive function as closely as possible. This is known as machine learning.

The project Recipe for Disaster was developed by exploring automation in technology, specifically through the use of machine learning and recurrent neural networks. These algorithmic models feed on large amounts of data as a …

A Vestige Of Architectural History: The Lansell Laboratory Building, Michael J. Leach

The Transdisciplinary STEAM+ Journal

The Lansell Laboratory Building is a beautiful heritage edifice located in the grounds of the old Bendigo Hospital in my hometown of Bendigo, Australia. I once worked in the Lansell Laboratory Building in my role as Data & Quality Specialist with the Loddon Mallee Integrated Cancer Service. I took this photograph of the building as I left it for the last time late one afternoon, just before moving to an office in the new Bendigo Hospital across the road. I felt as though the shadows falling across the building at this time of day were marking the end of an …

Perspectives Of High School Photography Teachers Regarding Visual Literacy, Kristi Oliver

Educational Studies Dissertations

This qualitative study investigated the perspectives of high school photography teachers regarding visual literacy. A qualitative methodology that used a phenomenographic research design was employed to gain understanding about the perspectives of high school photography teachers in their conceptualization, perceptions, and experiences surrounding visual literacy. A survey/ questionnaire was used to explore participants’ paths towards becoming a high school photography teacher, the amount of years they have been teaching, and their geographic location. Participants perception of school demographics such as school size, community contexts, racial, ethnic, and economic diversity were also collected. Additional prompts were designed to investigate curricular influences, …

My Sight's Shadow, Lili Jamail

Theses and Dissertations

The story in the photographs I am showing is not about a person, but about the span of experience and emotion presented through time. I am looking into things that stand alone, and things that stand together — the idea of sharing space and experience with something or someone or being by yourself. One thing that draws me to photography as a medium is the way that photographs are able to tell a story or explain something without words. Photographs offer a unique perspective which, by their nature, alters reality. There is always some amount of truth that lies in …

Access Point: Yuan Dongping’S Mental Patients In China And The State Of Chinese Documentary Photography In The 1990s, Sheung Ng

Theses and Dissertations

An investigation of the biographical, political, art historical, and social factors that could affect the discrepancy between the intention and reception of Chinese photographer Yuan Dongping’s Mental Patients in China photobook published in 1996, providing insight into the state of Chinese documentary photography publishing in the 1990s.

A Humanitarian Lens: The World War Ii-Era Photo Books Of Thérèse Bonney And David Seymour, Jane H. Pierce

Theses and Dissertations

This thesis analyzes two World War II-era photo books, one by Thérèse Bonney, and the other by David Seymour. Both depict children in dire situations throughout Europe. Published in 1943 and 1949 respectively, these two photo books divulge many themes and tropes that reflect the humanitarian trends of their times.

While Nothing Lasts, Edward Cushenberry, Special Collections, Fleet Library

Photography

120 unnumbered pages : all color illustrations ; 33 cm. While nothing lasts, is a collection of intimate and sometimes intrusive photographs of my very close friends and family. This project started four years ago at a party, when I made a picture of my friend crying after she told me she wanted to break up with her boyfriend. After that night, I felt compelled to document every moment of my friends and familys livesthe good and the bad. I wanted to do this to better understand how we collectively cope with life, love, heartbreak and death. Since this project …

At No Point In Between, Zora J. Murff, Special Collections, Fleet Library

Photography

100 unnumbered pages : illustrations (some color). Inserted are two small photograph reproductions and one pamphlet First hardcover edition of 165. Design and cover production by Shawn Bush. Printed in Milwaukee, WI by The Fox Co. "At No Point In Between prompts inquiry into the antinomy that exists in recorded violence: how documentation of anti-black violence was used to shame black individuals, but how we have used those same images inversely to interrupt the collective belief of a racial hierarchy. Murff accomplishes this by challenging the photographs use as an objective document; addressing the convergence of the physical and social …

Yanjie / 顏姐: Combing For Ice And Jade, Kurt Tong, Special Collections, Fleet Library

Photography

246 unnumbered pages : color illustrations (some folded). 1st edition. Combing for Ice and Jade is a love note from Kurt Tong to his nanny, who was one of the last remaining self combed women left in China. An early form of Feminism, the comb up ceremony granted women great autonomy at a great cost. Kurt Tong has worked closely with his nanny over a period of nearly 7 years. Having only 8 photographs of herself, the book is an exploration of her extraordinary life. Her story is slowly revealed through the book, combined with Kurts family archive, found photographs …

Were It Not For, Michael Ashkin, Special Collections, Fleet Library

Photography

256 unnumbered pages : chiefly illustrations. "Michael Ashkin works across a range of media--painting, photography, sculpture, video, and text. Uniting these diverse practices is a conceptual focus on the way that notions of space and place, landscape and self, are shaped by wider political and economic forces. "Were it not for" is combining a 670-line text with 218 photographs of the Mojave Desert. This combination creates a powerful sense of unease throughout the document, which is exploring the idea of fear and haunting as an effect of the violent legacies contained within the landscape, and as a function of the …

Se Te Subio El Santo | Are You In A Trance?, Tiona Mcclodden, Special Collections, Fleet Library

Photography

94 unnumbered pages : illustrations, portraits ; 21 cm. Se Te Subio El Santo is a collection of self-portraits taken by the artist directly after she awoke every morning while away on a week-long residency in Iowa City, IA at the Center for Afrofuturist Studies in Spring 2016. This daily practice confronts notions of the artist's interests in rendering a full self implicit of gender, race, sexuality, and spirituality while challenging and collapsing the intersections of each identity as well. Includes an essay by Akwaeke Emezi. Offset printing. Sewn, case binding.

The Afronauts, Cristina De Middel, Special Collections, Fleet Library

Photography

88 unnumbered pages : color illustrations, facsimiles. Title from spine, and page [2] of cover. Publication information from colophon. [3rd] Edition of 1000 copies. First published 2012 ; 2nd edition 2016. Photobook by Cristina De Middel inspired by the short-lived Zambia space program started by school teacher Edward Makuka Nkoloso in 1964. Bound photobook of digital prints, with inserts including a map, artwork, letters, reproductions of vintage photographs and newspaper article. Some of the inserts are single and double gate-fold sheets printed on one side of translucent paper.

Black Box 2019, Shane C. Baskit, Jon Haass, Alan Malnar, Ryan Mahoney, Eileen Landis-Groom, Tom Perkins, Gary L. Griffith, Patricia Watkins, Courtney Turner-Rathbone, Hugo Fonck, Kelvin Russell, Martin Kurkchubasche, Jordan King

Black Box

The Black Box is a student based creative publication serving the Embry-Riddle Prescott campus. It is our goal to provide a showcase for the creativity and talent of the Embry-Riddle students. Creative works by members of Embry-Riddle's faculty and staff are included.

Photography, Visual Culture, And The (Re)Definition/Queering Of The Male Gaze, David Nicholas Martin

Theses and Dissertations--Art and Visual Studies

The traditional notion of the Male Gaze, first conceptualized by feminist film critic Laura Mulvey in 1975, focused on the objectification of women through depictions structured to gratify a male heterosexual perspective. In this chapter we will revisit this concept and investigate how that gaze may have shifted away from a primarily heterosexual perspective to a socially dominant male perspective (maleness here referring to dominance rather than specific gender, just as “whiteness” might refer to privilege rather than race). With gender roles in an increasingly global and mobile society becoming more fluid and complex, opening up visibility to LGBTQ communities, …

"And Nothing She Needs": Victoria's Secret And The Gaze Of "Post-Feminism", Marc Ouellette

English Faculty Publications

A study of the Victoria’s Secret catalogues, which frames the period 1996-2006, reveals that the models’ poses and postures manipulate the formulaic gaze of objectification with seemingly empowering themes. Instead of the indeterminate, averted looks that Berger (1972) and Mulvey (1989) considered in their analyses, the more recent versions of Victoria’s Secret photographs confront viewers with pouts, glares, and stares of defiance. In this essay, I contribute to current conversations regarding mixed messages that concern post-feminism and third-wave feminism (Duffy, Hancock, & Tyler, 2017; Glapka, 2017; McAllister & DeCarvalho, 2014; McRobbie, 2009). In this regard, the Victoria’s Secret catalogues constitute …

The Wild Beasts, Peter Cochrane

Theses and Dissertations

The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the character of each friend and also to …

John R. Schorb Papers - Accession 206, John R. Schorb

Manuscript Collection

The John R. Schorb Papers include 49 prints and over 200 glass plate negatives, daguerreotypes, ambrotypes, and tin types taken by John Schorb and his son George. The images vary in size and subject. Most are portraits, but there are also images of various family members, scenes around York, South Carolina, and self portraits. The images range in date from the late 1850s to the early 1900s. The collection also includes genealogical information relating to Schorb’s life in York, South Carolina; correspondence; papers relating to Schorb’s student days at Hamilton College, Clinton, New York; information concerning his photography teacher, Charles …

The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore

Master's Theses

This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …

Untitled, Joslyn Fox

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Ready For Shipment, Caleigh Bubala

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Hikari To Kage, Keisuke Ohtani

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch

Genocide Studies and Prevention: An International Journal

Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution …