Photography Commons^™

Polaroids From Heaven: Experiential Learning With Special Collections, Jillian M. Ewalt

Marian Library Faculty Presentations

This presentation covers an experiential learning collaboration between the Marian Library and the course Alternative Photography at the University of Dayton. Instructors developed a series of hands-on sessions in which students interacted with the Marian Apparitions photograph collection to inform the image-making process.

Ridged Pots: A Studio Investigation, R. Preston Saunders

Bridgewater Review

No abstract provided.

Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright

Journal of Religion & Film

John Ford’s The Grapes of Wrath (1940) visualizes conventions of the apocalypse genre to represent not simply a particular historical setting, the Great Depression, but also a vision of history to be interpreted in terms of eschatology. Expressionistic photography transforms the characters’ experiences into enigmatic visions that invite and guide interpretation. A comparison of montage sequences in Ford’s The Grapes of Wrath and Pare Lorentz’s The Plow That Broke The Plains (1936), a Farm Security Administration documentary, clarifies how Ford’s narrative film aligns spectators within and outside the mise-en-scène.

Selah, Jennifer C. Cormack

CLAMANTIS: The MALS Journal

No abstract provided.

Covehead Lighthouse, Jennifer C. Cormack

CLAMANTIS: The MALS Journal

No abstract provided.

North Rustico Beach On Prince Edward Island, Jennifer C. Cormack

CLAMANTIS: The MALS Journal

No abstract provided.

Baker, Edward Ting

CLAMANTIS: The MALS Journal

No abstract provided.

Jellyfish Nebula, Edward Ting

CLAMANTIS: The MALS Journal

No abstract provided.

Francesca, Madison B. Jones

2020 Symposium Creative Works

Created using instant film, this piece was taken apart and destroyed before a new image was formed. Looking at the image from the back and scraping and sanding at the layers of chemicals was an attempt at finding some remnant of the original image. It is delving into the idea of the importance of content within an image and explores the resurrection of an image in a new way.

Noah Fidlin Senior Art Portfolio, Noah J. Fidlin

Senior Art Portfolios

An art, photography and design magazine that combines analog and digital media.

Changing Perceptions Of The Carceral Space Through Photography: The Tehachapi Project By Jr, Alexi Butts

Scripps Senior Theses

“Can art change the world?”

In his global art practice, French artist JR transforms overlooked communities into valued canvases. With an approach rooted in collaboration, JR’s large-scale public photographic installations integrate the built environment into a visual experience of human life.

In October, 2019, JR and his team entered the maximum security prison in Tehachapi, California to embark on a new collaborative project: “Tehachapi.” This paper explores the impact of “Tehachapi” as it extends beyond the physical photograph wheat-pasted on the floor of the prison’s courtyard to touch on issues of humanity, power and accessibility. Created as a collage of …

The Positive And Negative Effects Of Photography On Wildlife, Joy Smith

Undergraduate Honors Theses

No abstract provided.

Visual Literacy Lesson Plan: Color Photography, Ian Mcdermott

Open Educational Resources

This session focuses on building subject knowledge in photography and finding background information on an artist. The lesson begins with students closely examining a photograph, following the Visual Thinking Strategies model (https://vtshome.org/). Following the exercise, students are divided into groups and select a monograph on a photographer. As a group, they research the photographer using the book and other library resources (subscription databases) and open web resources (artist’s website, museum websites). The session ends with student groups giving 2-5 minute presentations on a photographer.

Plausible Expositions With Possible Expeditions, Nikolaus D. James

College of Graduate Studies: Theses & Dissertations

Influenced by video games and cinema, in this body of work, Plausible Expositions with Possible Expeditions, I use objects to create scenarios that suggest a narrative. The scenes are then photographed and displayed through cathode-ray tube televisions and viewers use their own knowledge and ideas about the objects to create that narrative. Each of these objects has is own data set, and the most common have a universal data set—information surrounding the object that is widely recognized, much like how a crowbar is commonly associated with crime. Similar to playing a video game, an algorithm is used when viewing my …

Buffalo Renaissance: The Northern Plains Tribes' Path To Self-Determination, Elizabeth Louise Johns

Graduate Student Theses, Dissertations, & Professional Papers

This long-form journalistic story and photo essay is about the Blackfoot Tribes in the United States and Canada and their efforts to restore bison to their land, their diet, and their culture. In 2014, ten tribes from the United States and Canada came together at Blackfeet Nation in Browning, Montana to sign the Buffalo Treaty, a commitment to bringing wild buffalo back to parts of their historical range. The Treaty signing marked the first time in more than 150 years that a diverse group of tribes, some historical enemies, came together in the name of restoring the animal they evolved …

'Ekolu Pua (Three Flowers), Pamela Love

AWE (A Woman’s Experience)

No abstract provided.

Kavana: Photography, Jewish Storytelling, And Memory, Hannah Altman

Theses and Dissertations

Jewish thought suggests that the memory of an action is as primary as the action itself. This is to say that when my hand is wounded, I remember other hands. I trace ache back to other aches - when my mother grabbed my wrist pulling me across the intersection, when my great-grandmother’s fingers went numb on the ship headed towards Cuba fleeing the Nazis, when Miriam’s palms enduringly poured water for the Hebrews throughout their desert journey - this is how the Jew is able to fathom an ache. Because no physical space is a given for the Jewish diaspora, …

(In)Equality., Jongin Choi

Graduate Theses and Dissertations

(in)Equality. centers around my experiences as a transnational person and those around me who have affected my current concept of equality and cultural histories. My visual methodologies cover digital photography and editing, inkjet printing, and laser engraving: multimedia in a process of new discovery, translation between analog and digital, and rearticulation. The exhibition includes portraits peering down from above, illuminated by projected patterns and manipulated messages from Nike’s “Equality.” (2017). The purpose of this thesis paper is to describe the elements of identity, marginalization, and personal reaction to advertising, as well as the and theories which have shaped this project. …

An Uncertain Line: Making Art About Photographs Of American War And Violence., Cassidy Meurer

College of Arts & Sciences Senior Theses

Photography’s power in capturing a moment in history is indisputable, but inevitably flawed. Assumptions of objectivity and truth are made that do not count for the bias of the photographer, or the bias of the viewer. These assumptions do not explain the warped effect of freezing life at a fraction of a second. Information is left outside the frame; stories are fragmented in their retelling. Certain historical photographs have become iconic over time. My interest lies in images of American battle, violence, and trauma; those that have political and propagandic weight. Coded, controversial, and inherently emotional, these photographs have become …

Blaze, Meg Roussos

Electronic Theses and Dissertations

The photographer discusses her work in “BLAZE,” a Master of Fine Arts thesis exhibit held at the Tipton Gallery from September 16th through October 4th, 2019. The exhibition consists of 11 archival inkjet prints, two photographic artist books, a nine-channel video installation, representing the artist’s exploration of how to experience the landscape. Using non-traditional approaches to photographic imagery, experimental exhibition layout, the artist forms questions around themes of walking and landscape. The artist investigates sculptural land art installations represented through photographic documentation. A catalog of the exhibit is included at the end of this thesis.

Roussos examines formal and conceptual …

Cheer Up Luv: An Examination Of The Activistic Efforts Of Eliza Hatch, Jasper (Kirsten) Boyd

Faculty Curated Undergraduate Works

This paper examines the efforts put forth by Eliza Hatch, who is an established photojournalist and activist, which pertain to women’s rights and sexual harassment all over the world. Hatch has a multitude of projects dealing with sexual harassment and the unequal treatment of women all across the globe. She is mainly based in London and New York, but has also completed projects in Sri Lanka. Through her activistic career, which began in 2017, she has garnered ample media attention and has raised awareness regarding the issues she tackles in her projects. Through her photo-sets, documentaries, and talks at universities, …

Photographic (Over) Exposures In The Nuclear Age In Joyce Carol Oates’S You Must Remember This, Sonia Weiner

Bearing Witness: Joyce Carol Oates Studies

Joyce Carol Oates’s novel, You Must Remember This, examines themes of memory, time, and nostalgia through verbal descriptions of iconic and fictional photographs (such as Rocky Marciano, Holocaust Victims, Atomic Mushroom Clouds, Rita Hayworth). An analysis of the photographic imagery in the novel reveals discrepancies between surface appearances and embedded social and cultural ideological contexts within the work. Photographs are shown to undermine the overt conformity and conservatism of postwar America by exposing its underlying uncertainties and tensions. These tensions are explored through the perspective of a rebellious adolescent female, whose struggles highlight Oates’s critique of power, violence, and postwar …

Phote Essay - Behind The Lens, Melissa Santos

Bridgewater Review

No abstract provided.

“Polaroids From Heaven”: Collaboration Between The Marian Library And The Course, Alternative Photography, Jillian M. Ewalt, Carrie K. Chema

Marian Library Faculty Presentations

This presentation covers a collaborative project between the Marian Library and the Department of Art and Design at the University of Dayton.

Memories Of Life On The Farm: Through The Lens Of Pioneer Photographer J. C. Allen, Frederick Whitford, Neal Harmeyer

The Founders Series

John Calvin Allen, professionally known as J. C., worked as a photographer for Purdue University from 1909-1952, and operated his own photography business until his death in 1976. The J. C. Allen photographs represent a historical account of the transition from pioneer practices to scientific methodologies in agriculture and rural communities. During this major transitional period for agriculture, tractors replaced horses, hybrid corn supplanted open-pollinated corn, and soybeans changed from a novelty crop to regular rotation on most farms. During this time, purebred animals with better genetic pedigrees replaced run-of-the-mill livestock, and systematic disease prevention in cattle, swine, and poultry …

Kazua Melissa Vang, Justin Beales

Asian American Art Oral History Project

Kazua Melissa Vang is a Hmong American filmmaker, visual artist, photographer, teaching artists, production manager, and producer based in Minnesota. Melissa is currently a lead artist as well as a teaching artist for In Progress. Her most two most recent photography works were showcased at In Progress under the exhibit, “NEXUS: Honoring the Self-Taught Photographic Artist” (2016), and “Hmong Tattoo,”(2017). Her current photography project is taking portraits of Hmong refrigerators and freezers. From her collection “F R I D G E S,” was featured in the exhibit, “Foodway”(Summer 2018) at the Minneapolis College of Art and Design and is currently …

Kai Duc Luong Interview, Stuart Hutson

Asian American Art Oral History Project

Artist Bio Born in 1975 in Phnom-Penh, KAI-DUC LUONG fled the oppressive Khmer Rouge regime from Cambodia to Vietnam to France, where his family settled in Paris, in 1978. KAI-DUC operates between Chicago and Paris. His artistic projects include video (art / doc / film), photography, and mixed media installations. His unconventional path as a self-taught outsider artist, trained in digital communication & systems engineering, gives him a unique perspective, at times questioning subject matters through the understanding of transmission and systems (e.g. the primary emotions, the five senses, the stages of grief, the art industry). His works have been …

Youngsun Choi Interview, Adam Martinez

Asian American Art Oral History Project

Artist Bio: YoungSun Choi was born in Seoul, South Korea and is currently living in Chicago, IL. She received her Master of Fine Arts degree from the School of Art Institute of Chicago (SAIC) in 2018 and her Bachelor of Arts from San Francisco State University majoring in Studio Art with an emphasis in Photography in 2015 where she was awarded the Strauss Scholarship for Photography as well as the Sher-Right Art Scholarship.

Kelvin Burzon Interview, Maya Boustany

Asian American Art Oral History Project

Kelvin Burzon is a Filipino-American artist whose work explores intersections of sexuality, race, gender and religion. He was born on March 26, 1989, in Bataan, Philippines. As a child growing up in a Filipino culture, Burzon’s initial ambition was to become a Catholic Priest. “I have always been interested in the religion’s role in culture and familial relationships and have been drawn to the religion’s traditions, imagery, theatricality, and its psychological vestige.” His work is inspired by cerebral influences growing up in and around the church. “My cultural and familial identity, my memories as a child, cannot be separated from …

Shale Play: Poems And Photographs From The Fracking Fields By Julia Spicher Kasdorf And Steven Rubin, Kelly Shepherd

The Goose

Review of Julia Spicher Kasdorf and Steven Rubin's Shale Play: Poems and Photographs from the Fracking Fields