Photography Commons^™

Abuelita's Hands = Justice, Jaelyn Demaria

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

Justice occupies space, mentally and physically and is the result of multiple, constantly evolving struggles for balance in Xicanx communities. It is not a one-dimensional conceptual theory of law, but, rather, it is visible, tangible, and experiential movement. To me justice resides is my grandmother’s hands. The seeds that were given to us by our ancestors, who developed a relationship with them over time, allows us to put those seeds in the ground and watch them grow. However, the muddy handprints on the walls of the abandoned adobe in the Sangre de Cristo Land Grant in New Mexico clearly communicate …

Things Will Never Be The Same: How Corona Further Exposed Our System "Documenting The Pandemic Through Highlighting Community Mutual Aid Efforts", Pico Villa

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Missing, Murdered, Indigenous, Matthew Bollinger

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.

Surplus City, Claudio Nolasco

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Do You Want To Be Tender?, Leah Grant

Graduate Theses and Dissertations

In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.

Made Of Water, Covered In Mud, Nicole Norman

Graduate Theses and Dissertations

My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …

In-Between Spaces, Trinity Kai

Graduate Theses and Dissertations

In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.

The Space Between: A Photographic Exploration Of Identity And Place As An Act Of Self-Determination And Social Consciousness, Iris Brito Stevens

Literary and Intercultural Studies | Senior Theses

This project is an online photographic exhibit and exploration of “identity and place.” Its premise is centered on the importance of knowing and understanding one’s personal family history and ancestral lineage for two reasons: that it empowers one to determine their identity for themselves rather than being defined by society, and that an appreciation of our own unique backgrounds encourages our ability to embrace the stories of others and the diversity of our collective identity as humans. Research for this project was based on my own history as a daughter of Mexican immigrants growing up in California. It is centered …

Amateur Photography: Finding New Perspectives And Seeking Authenticity, Stephanie Swart

Honors Theses

This paper acts as a detailed research and understanding of amateurism within the photographic medium and practice. The research serves to unveil the influence that the turn of the 19th century amateurs in America and beyond have on contemporary photographers utilizing aspects of amateurism. The history of amateur photography is discussed as a precursor to the introduction of two contemporary photographers who utilize amateurism to varying degrees. This paper exists as a way to learn from the amateur mindset and embrace the spontaneity and magical whim of pointing and shooting. In order to satisfy the varying elements of amateurism in …

To Shake, To Shatter, Sydney Whitten

Honors Scholars Collaborative Projects

To Shake, To Shatter is a photography project about memory, family and relationship with one’s self. All images are taken on large format film, in Nashville Tennessee and Whitten’s home town of Carlock, Illinois.

For this series, Whitten explored her family archives to gather film stills from her childhood. She turned those stills into 30 x 40 inch prints, which would later be placed around Nashville to be photographed. These stills provided a way for the past to entangle itself with the present. She found theses still to interact hauntingly and romantically with the light and the shadows of the …

With Kindest Regards To You And Miss Sparks, Claire E. Kelly

Honors Scholars Collaborative Projects

This work explores the life of a woman, Katherine Josephine Sparks, who lived in Nashville from 1910 to 1993. Vignettes of her life are revealed through the Katherine Sparks Collection at the Nashville Archives, in which over 18,000 items including letters, photographs, memorabilia, and legal documents house parts of her family’s story. Katherine lived an unassuming life, she never married, and she had no children. There is very little documentation of her life left other than what is held in this archival collection. Without the archive, this record would be lost—a small part of history that would go undiscovered and …

The Messenger

The Messenger

forward

onward so as to make progress; toward a successful conclusion.

“There is a way forward

and yes

it is with a broken

heart

but it is our own way

collectively convened,

pondered,

Shared.”

Alice Walker

Movement In Stillness, Shalini Chaliki

HCA Healthcare Journal of Medicine

These images feature the Lower Antelope Canyon which was originally called Hasdestwazi, a Navajo word that means “spiral rock arches.” After hundreds of years, monsoons, winds, and flash floods eroded the slot canyon into the geological wonder that it is today. It enchants tourists and engulfs visitors as it flows around them in every direction. Just east of Page, Arizona, the massive sandstone formation is sacred to the Navajo Nation for its representation of Mother Nature’s many gifts and the passage to time; it is also a reminder that things are larger and greater than ones’ self. While these photos …

Pod + College Crusade Photo Journaling 2021, Project Open Door

Project Open Door + Onward We Learn

Participating artists: Ashley, Claudia, Daniel, Izenia, Jennifer, Keyleth, Musta'an, and Perla.

Photography is a tool that can help us to “SEE.” What does this mean? If we are not visually impaired, we can, of course, physically see. But how much do we miss seeing? How much do we take for granted unless we take the time to look? With assignments that hope to inspire careful observation, we can use the camera to observe things in our familiar surroundings in quite extraordinary ways. Photography can help us become more observant and help us have a fulfilling visual life. During this time …

Pod + Onward We Learn (College Crusade) Photo Journaling 2021, Project Open Door

Publications + Documents + Videos

Participating artists: Ashley, Claudia, Daniel, Izenia, Jennifer, Keyleth, Musta'an, and Perla.

POD partnered with Onward We Learn (formerly known as College Crusade) to provide unique and engaging virtual summer workshop experiences during the COVID-19 pandemic. In this online workshop, students were given daily photo challenges to create portraits and still life photographs. They found textures, shapes, colors, numbers, and letters through photographic explorations of their familiar surroundings. In doing so, students created an individual photo journal over the week.

Photography is a tool that can help us to “SEE.” What does this mean? If we are not visually impaired, we …

Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi

Theses and Dissertations

In this text, I consider my identity as a Japanese immigrant in the United States during a global pandemic and its impact on my understanding of home as a liminal space. In particular, I discuss notions of home in relation to my work as an artist including two works that utilize the home-sharing platform Airbnb and three works that deal with the dichotomy of inside and outside.

The Losses, The Heartbreaks, The Hungers..., Nestor Perez-Moliere

Theses and Dissertations

The Losses, The Heartbreaks, The Hungers… is a photographic body of work in which I engage in a conversation with myself on mental health and self-compassion. I am able to exist with myself within the same frame through the use of compositing techniques that depict a multiplicity of selves. In the work, I dwell in an isolated, psychological space that is constructed through a claustrophobic framing of the camera and black and white film imagery that accentuates the shadows and the light. The interactions with myself are of mixed nature: at times I am abusive to myself, but other times …

What Moves You?: Georges Didi-Huberman’S Arts Of Passage And Pittsburgh Stories Of Migration, Alexandra Irimia

Languages and Cultures Publications

Contemporary art historian, critic, and theorist Georges Didi-Huberman thinks of images not as static objects, but as movements, passages, and gestures of memory and/or desire. For the French “historian of passing images,” as he has been called, “all images are migrants. Images are migrations. They are never simply local” (D2017). His book, Passer, quoi qu'il en coûte ("To Pass at Any Price"), co-written with the Greek poet and director Niki Giannari, takes on precisely the visual dynamics of passages, passengers, and passageways in the context of contemporary migration flows. In April 2018, only several months after the launching of the …

Moonlight: A Photo Essay, David A. Westbrook

Natural Resources Journal

No abstract provided.

The Richard Hansen Kidnappings, Sarah Lacey

Williams Honors College, Honors Research Projects

Richard Hansen, 43 at the time of his arrest, kidnapped two young girls aged nine and ten from Lorain, Ohio in 2013. He kept them in his home for five years where he repeatedly raped them and denied their basic needs. One girl, Jess Foster, died in captivity after less than a year due to improper care. The other girl, Maya Narvaez, escaped in 2018 and exposed Hansen’s actions which led to his arrest and imprisonment. Richard Hansen sits in prison to this day serving a life sentence plus 1,000 years with no chance of parole.

I heard about this …

In/Visible, Raymond Thompson Jr

Graduate Theses, Dissertations, and Problem Reports (ETD)

My MFA thesis and supporting exhibition focus on challenging the United States’ photographic archive that often left out African-American people. The work, through the use of appropriation and alternative photographic processes, disrupts America’s historical visual archive and notions that surround the white gaze. Through the unsettling of this visual space, new speculative narratives can be created to help imagine new futures. This work is the beginning of a process of mourning histories I have never known and reclaiming a place for myself and my family in the American landscape that is free of racial trauma.

We’Re All On This Spaceship Earth, Nancy Si

HCA Healthcare Journal of Medicine

The photo features the geodesic sphere at Epcot, Disney World in Orlando, FL. Inside the dome, there was an iconic ride called “Spaceship Earth”, which has since been shut down for refurbishment. This photo was taken November 2019, approximately 6 months before it was shut down. Much like how the ride emphasized the progress that human civilization has made in the last several hundred years and hopes to make in years to come, the current pandemic has shown us how far we have come in the medicine and other STEM fields. We hope only to do better and be better …

The Asian Diaspora, A Storytelling Project, Kevin Truong

Capstones

The Asian Diaspora, a storytelling project, is a collection of photographs, video and personal essays documenting racism and hate experienced by Asians and Asian Americans. www.theasiandiaspora.com

Black Box 2020, Patricia Watkins, Rami C., Eileen Landis-Groom, Gabrielle Pingleton, Daniel Nunez, Audree Davis, Zachary Felton-Priestner, Jordan King, Caleb T. Williams, Keith Tanner, Alexa Pacheco Olguin Embry-Riddle Aeronautical University, Jennifer James, Marta Verdun Li Bassi, Mark Sinclair

Black Box

The Black Box is a student based creative publication serving the Embry-Riddle Prescott campus. It is our goal to provide a showcase for the creativity and talent of the Embry-Riddle students. Creative works by members of Embry-Riddle's faculty and staff are included.

Visual Weimar: The Iconography Of Social And Political Identities, Kerry Wallach

German Studies Faculty Publications

In the Weimar Republic, images were perceived to be as unreliable as they were powerful. They helped create and codify difference while simultaneously blurring lines within the categories of gender and race. Visual culture provided a wild playground for discourses about gender presentation and sexuality that encompassed veterans, athletes, criminals, the New Woman, and androgynous figures. Despite the growing prominence of images in race science, it was widely held that images could not be trusted to convey accurate information about race. The propagandistic use of images for political purposes had the potential to be equally ambiguous. It was ultimately up …

Seeds, Sophie Friis

The Echo

No abstract provided.

Bedrock, Jordan Winiski

The Echo

No abstract provided.

Enough, Ella Morton

The Echo

No abstract provided.

Unoduhi, Brandon Barney

The Echo

No abstract provided.

Golden Field, Caroline Bass

The Echo

No abstract provided.