Photography Commons^™

2024 Forces, Collin College

Forces

No abstract provided.

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

[Archive] Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Through The Lens Of Time: Capturing The Ephemeral Magic Of The Circus, Rebecca Fitzsimmons

Faculty and Staff Publications – Milner Library

Images in the Charles Clarke Circus Photographs Collection document the Ringling Bros. and Barnum & Bailey Circus in the 1920s. Clarke, a leaper in the world-renowned aerial act, The Clarkonians, would have been in a relatively unique position to capture views of the circus from the vantage point of an insider. The resulting images carry the weight of that perspective. The photographs document important aspects of the circus, showing performers like Lillian Leitzel and May Wirth, spectacle wardrobe, practices and performances in the ring, and quieter moments behind the big top.
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"This Other Way": Photography At Black Mountain College, Kyle Canter

Theses and Dissertations

Relying on the photographic collections of the Western Regional Archives in Asheville, NC, as well as oral histories, personal correspondence, course notes, official college records, and other archival material, this thesis examines the history and pedagogy of photography at Black Mountain College.

Behind The Lens, Jolie M. Adams Miss

[Archive] Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Sporarts: The Artistic Representation Of Athleticism, Joe Kraus

Capstone Showcase

This paper aims to describe the artistic value of sports photography. This paper includes academic theories and themes like the halo effect, theories of seeing (scopophilia, Laura Mulvey, male gaze, sporting gaze, gaze theory), and medium theory. Creative themes include architecture, gender in sports (Title IX), and film, digital, and experimental photography. Sports discussed include men's and women's ice hockey, baseball, american football, men's basketball, and men's soccer.

Multitudes, Madison Otter

Master's Theses or Doctor of Nursing Practice

Identity is a fluid and layered experience enriched by contradictions, the power of interpersonal relationships, and continuous growth. Recognizing oneself as a blend of opposing traits—strong and tender, contemplative and restless—reveals that humanity is anything but black and white. With each passing day, we evolve, bringing new perspectives and insights with us. As Walt Whitman wrote, "[we] contain multitudes.''

Although no single artistic medium can fully capture this for me, using multiple modes of expression allows me to explore and approximate it. This realization was the origin of my thesis.

The process of creation itself, whether quick or deliberate, is …

How To Forget, Jesse D. Hoyle

Theses and Dissertations

How To Forget was born from a need to give tangible form to the psychic residue left behind by a life lived. Through the use of silk-screening of red clay mud onto ink-jet photographs, archival textiles, and site-specific installations, I attempt to tie and/or divorce myself from my own and my family's extended history and examine the function of memory within the dynamics of the archive. How To Forget takes a non-linear, non-chronological approach to this examination, compressing decades of time and space through the manipulation of the archive and my own self-portraiture, designed specifically to deny myself from its …

Anamnesis, Kristian Thacker

Graduate Theses, Dissertations, and Problem Reports (ETD)

My work examines the duality of living in Appalachia and cherishing its picturesque environment; while being complicit in its ongoing destruction via industry and resource extraction. Composed of my own photographs and selections from the Farm Security Administration archives, this body of work presents a vision of the region that’s purpose extends beyond value judgments. Rather, it considers the manmade and natural environments of Appalachia holistically, each one integral to the experience and understanding of the other. Following the same aesthetic choices I make in my professional practice as a photojournalist, I blur the boundary between art and documentation. In …

Exposing The Camera: The Pedagogical Possibilities Of Critical Camera-Based Arts Curriculum, Oscar Keyes

Theses and Dissertations

Cameras are a ubiquitous part of our everyday lives, especially in schools, found in students’ smartphones and state-of-the-art surveillance systems. This research project emerged from an iterative redesign process of a Photography for Art Education course, structured around the camera’s dual nature as a tool for creative expression and social control. While cameras have long been used to address social issues through documentary techniques; this critical eye can be turned onto the apparatus itself. This study drew heavily upon the historical work of Allan Sekula (1986), who observed how easier access to cameras resulted in both democratization (for the People) …

Envisioning Futures: A Photovoice Study On How An Urban Afterschool Program Empowers Caregivers To Be Agents Of Change In Their Community, Ellen Mays

Antioch University Dissertations & Theses

As part of comprehensive whole-family out-of-school-time programming, parent engagement and education play an important role in addressing achievement and opportunity gaps in low-income neighborhoods. Parent groups have the potential to be a unique space of social justice work by creating supportive, innovative spaces to build social capital and organize around common action goals. This photovoice study looks specifically at “Parent University,” a parent out-of-school-time meeting group that focuses on empowerment education by providing opportunities for parents to meet, engage in rich consciousness raising dialogue, identify areas in need of change, and create and implement action for social change. This study …

Subjectivity In Circulation: Jean Baudrillard And The Image As Objective Reality, Jacob Crawley

Honors Undergraduate Theses

The intent of this thesis is to examine Jean Baudrillard’s theory of the image in both historical and philosophical terms and propose that his understanding of the image as disconnected from any sort of objective reality is an important starting point for further discussion of the photographic image. This thesis seeks to answer the question – how does Baudrillard’s theory of the photographic image shape our contemporary understanding of images, and what are the implications of his removal of the referent to reality within photographic images on mass culture, society, and the current state of image creation? This paper seeks …

North Florida Trees, Joshua M. Kuss

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

I began exploring manipulation and fabrication in the darkroom after a workshop in Alexander Diaz’s Introduction to Photography course. I have always had an affinity for nature, especially trees. I was especially moved by the barren trees seen during a cold North Florida winter. Growing up in Florida, I’m used to seeing the vast greenery brought by these trees, but there was just something about their emptiness during winter that really struck me. I wanted to capture and print them in a way that emphasized these qualities. Black and white film paired with splattering in the darkroom was …

Older Women’S Stories Of Covid-19 Loss: Communicated Narrative Sense-Making Through Photography, Anne Walker

Electronic Theses and Dissertations

The diverse array of challenges associated with the COVID-19 pandemic make it difficult to assess the full impact of this global health crisis. More than 300,000 older Americans died, leaving a nation of grieving survivors in their absence. This profound loss of life will undoubtedly inform the field’s understanding of grief and grieving for many years to come. Pre-pandemic, older women in the United States understood grief to be part of their life stage; COVID-19 amplified the grief experience through both cumulative losses and the isolation particular to the novel coronavirus response. However, few qualitative studies explore older women’s grief, …

Something Beautiful Is Going To Happen, Eric Neumann

The Echo

No abstract provided.

Each Other's Nerves/Pile Of Flesh/Fuse, Emily Clancey

The Echo

No abstract provided.

After Little Women, To Amy March, Alex Aradas

The Echo

No abstract provided.

Winter Begin-Ter, Kayla Burrell

The Echo

No abstract provided.

My Sister, Caroline Prewitt

The Echo

No abstract provided.

Catch, Gabriella Williams

The Echo

No abstract provided.

Pocket Change, Emily Clancey

The Echo

No abstract provided.

Good Girls, Bad Girls, Macy Petty

The Echo

No abstract provided.

Cloudfall, Gabriella Williams

The Echo

No abstract provided.

Cries From The Tall Grass, Gabriella Williams

The Echo

No abstract provided.

Motherhood, Laura Dame

The Echo

No abstract provided.

For The Girl Who Had A Snake In Her Apartment Last Night, Alice Tyszka

The Echo

No abstract provided.

Setae, Gabriella Williams

The Echo

No abstract provided.

Trees That Burn At Night, Kayla Burrell

The Echo

No abstract provided.

Linear Reflections, Anna Timbes

The Echo

No abstract provided.

Waiting, Ciaran Francis

The Echo

No abstract provided.