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2012

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Articles 91 - 120 of 168

Full-Text Articles in Photography

Nautical, Sarah Muse Apr 2012

Nautical, Sarah Muse

The Messenger

No abstract provided.


The Messenger, Spring 2012 Apr 2012

The Messenger, Spring 2012

The Messenger

No abstract provided.


Matrix Determination Of Reflectivity Of Hidden Object Via Indirect Photography, Simon S. Ferrel Mar 2012

Matrix Determination Of Reflectivity Of Hidden Object Via Indirect Photography, Simon S. Ferrel

Theses and Dissertations

Indirect photography is a recently demonstrated technique which expands on the principles of dual photography and allows for the imaging of hidden objects. A camera and light source are collocated with neither having line-of-sight access to the hidden object. Light from the source, a laser, is reflected off a visible non-specular surface onto the hidden object, where it is reflected back to the initial non-specular surface and collected by the camera. This process may be repeated numerous times for various laser spot positions to yield slightly different camera images due to a variation in the illumination of the object. These …


Hope, Elba Marcell Rivera Rodriguez Feb 2012

Hope, Elba Marcell Rivera Rodriguez

The Hilltop Review

This drawing—painted on the surface of one of the interior doors located in the first floor at East Hall—shows the preoccupation of people about the uncertain future of East Campus. In one way or another, it has kept awake my sensibility toward how educational institutions can affect community not only academically, but also personally, and how people consider education as a one of the foremost elements for progress. Location: East Hall, First Floor. Original painting by unknown artist.


The Art And Beauty Of Flight, Edmond Ing Huang Tan Feb 2012

The Art And Beauty Of Flight, Edmond Ing Huang Tan

The Hilltop Review

This picture nicely represents the art and gracefulness of flight with the beauty of sunset in a tranquil setting. In the picture is a powered paragliding, also known as paramotoring in the plains of Nebraska. The ability to fly both low and slow safely, the 'open' feel, the minimal equipment and maintenance costs, the portability, minimally regulated and requires no license are claimed to be this type of flying's greatest merits. Paramotors can be flown during any season of the year anywhere but not in high wind conditions which typically means at low Sun azimuths as shown in the picture …


Wmu Sunseeker Solarcar, Edmond Ing Huang Tan Feb 2012

Wmu Sunseeker Solarcar, Edmond Ing Huang Tan

The Hilltop Review

This picture was taken, at the racetrack the evening before the start of the North American Solar Challenge 2008 race in Plano, Texas. In this picture is the Sunseeker, Western Michigan University’s solar powered car that will race in the 2 week long, 2400miles long race from Plano, Texas to Calgary, Canada. Sunseeker was the only car in that race that feature a 2 electric motor drive system than the standard one electric motor drive system. Western Michigan University Sunseeker team brought back the sportsmanship award that year.


Voodoo, Melissa Mitchell Feb 2012

Voodoo, Melissa Mitchell

SPECS journal of art and culture

No abstract provided.


Expansion As Relief, Jac Jemc Feb 2012

Expansion As Relief, Jac Jemc

SPECS journal of art and culture

No abstract provided.


Van De Kamps, Shannon O’Brien Feb 2012

Van De Kamps, Shannon O’Brien

SPECS journal of art and culture

No abstract provided.


Self Portrait In Flux, Maria Jones Feb 2012

Self Portrait In Flux, Maria Jones

SPECS journal of art and culture

No abstract provided.


Phoom! Kaleidoscopic Point: Los Angeles River Of Words, Karen Holden Feb 2012

Phoom! Kaleidoscopic Point: Los Angeles River Of Words, Karen Holden

SPECS journal of art and culture

No abstract provided.


Kitty, Melissa Mitchell Feb 2012

Kitty, Melissa Mitchell

SPECS journal of art and culture

No abstract provided.


Practical Necromancy: Raising The Dead For Fun & Profit, John M. Rudy Feb 2012

Practical Necromancy: Raising The Dead For Fun & Profit, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Our profession is a unique and somewhat strange one. We are paid, fundamentally, to give voice to the voiceless. History is taking the people of the past and breathing into their lungs, letting them speak and act again even though they are long dead. [excerpt]


M16 Globular Cluster, By Anabella Gaposchk, 1911 (Baking Soda), Mariana Tres Feb 2012

M16 Globular Cluster, By Anabella Gaposchk, 1911 (Baking Soda), Mariana Tres

SPECS journal of art and culture

No abstract provided.


Tornado, Matthew Albanese Feb 2012

Tornado, Matthew Albanese

SPECS journal of art and culture

No abstract provided.


Booth Penny, Pete Froslie Feb 2012

Booth Penny, Pete Froslie

SPECS journal of art and culture

No abstract provided.


Exhume / Consume, Nader Sadek Feb 2012

Exhume / Consume, Nader Sadek

SPECS journal of art and culture

No abstract provided.


Junk Food, Lesley Silvia Feb 2012

Junk Food, Lesley Silvia

SPECS journal of art and culture

No abstract provided.


No Swimming, Lesley Silvia Feb 2012

No Swimming, Lesley Silvia

SPECS journal of art and culture

No abstract provided.


My Barbies, Anoushka Van Velzen Feb 2012

My Barbies, Anoushka Van Velzen

SPECS journal of art and culture

No abstract provided.


Attentional Landscapes Klompching Gallery, Odette England Feb 2012

Attentional Landscapes Klompching Gallery, Odette England

SPECS journal of art and culture

No abstract provided.


Re-Enactment Casualties, Philip Ewe Feb 2012

Re-Enactment Casualties, Philip Ewe

SPECS journal of art and culture

No abstract provided.


Schizophrene, Bhanu Kapil, Rohini Kapil Feb 2012

Schizophrene, Bhanu Kapil, Rohini Kapil

SPECS journal of art and culture

No abstract provided.


Motionless Monotony: New Nowheres In Irish Photography, Colin Graham Feb 2012

Motionless Monotony: New Nowheres In Irish Photography, Colin Graham

Articles

‘But my mind was too confused … so with a kind of madness growing upon me, I flung myself into futurity … What strange developments of humanity, what wonderful advances upon our rudimentary civilization, I thought, might not appear when I came to look into the dim elusive world that raced and fluctuated before my eyes. I saw great and splendid architecture rising about me, more massive than any buildings of our own time, and yet, it seemed, built of glimmer and mist … the earth seemed very fair. And so my mind came round to the business of stopping.’ …


Dotphotozine Issue 2, 2012, Students Of The Csusb Art Department, Thomas Mcgovern Jan 2012

Dotphotozine Issue 2, 2012, Students Of The Csusb Art Department, Thomas Mcgovern

Dotphotozine

No abstract provided.


Linvel Barker: Works From The Collection Of Rita Biesiot, Linvel Barker, Rita Biesiot, Kentucky Folk Art Center Jan 2012

Linvel Barker: Works From The Collection Of Rita Biesiot, Linvel Barker, Rita Biesiot, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2012 Kentucky Folk Art Center exhibition catalog of artist Linvel Barker.


2 X 20: Works By 20 Of Kentucky's Finest Working Folk Artists, Minnie Adkins, Barbara Burton, Jo Ann Butts, Brent Collinsworth, Joan Dance, Tad Desanto, Marvin Francis, Tim Lewis, Jance Miller, Lonnie Money, Twyla Money, Robert Morgan, Bruce New, Janice Harding Owens, Jim Gary Phillips, Thaddeus Pinkney, Monica Pipia, Willie Rascoe, Eileen Stockham, Donny Tolson, Lavon Van Williams, Kentucky Folk Art Center Jan 2012

2 X 20: Works By 20 Of Kentucky's Finest Working Folk Artists, Minnie Adkins, Barbara Burton, Jo Ann Butts, Brent Collinsworth, Joan Dance, Tad Desanto, Marvin Francis, Tim Lewis, Jance Miller, Lonnie Money, Twyla Money, Robert Morgan, Bruce New, Janice Harding Owens, Jim Gary Phillips, Thaddeus Pinkney, Monica Pipia, Willie Rascoe, Eileen Stockham, Donny Tolson, Lavon Van Williams, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2012 Kentucky Folk Art Center exhibition catalog of the twenty finest working folk artists.


Upon Reflection: Photographs By Judy Ellis Glickman, Center For Ethics In Action, University Of New England Art Gallery Jan 2012

Upon Reflection: Photographs By Judy Ellis Glickman, Center For Ethics In Action, University Of New England Art Gallery

Exhibition Catalogues

Upon Reflection: Judy Ellis Glickman is the catalogue from the University of New England Art Gallery’s June 26–Sept 30, 2012 exhibition of photographs made by Judy Ellis Glickman over a 35-year period. Best known among these are the powerful black and white images from “Holocaust, the Presence of the Past” and her strong portraits of “Resistance and Rescue: Denmark’s Response to the Holocaust.” Well represented with other work, among a broad range of subjects, are images of Maine, exotic ones of her extensive international travel, and her latest abstract images in color.


Southwinds - Spring 2012 Jan 2012

Southwinds - Spring 2012

Southwinds: The Literary and Arts Magazine of Missouri S&T

THE LITERARY MAGAZINE OF MISSOURI UNIVERSITY OF SCIENCE AND TECHNOLOGY SPRING 2012 Southwinds is sponsored by the Department of English & Technical Communication


Ua12/2/16 Spirit Masters Scrapbook, Wku Spirit Masters Jan 2012

Ua12/2/16 Spirit Masters Scrapbook, Wku Spirit Masters

Student Organizations

Scrapbook of WKU Spirit Masters activities in 2011-2012.