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Articles 151 - 168 of 168
Full-Text Articles in Photography
Choosing An Instrument, Allison Marsh
Choosing An Instrument, Allison Marsh
Section 5: Imaging at the Nano Scale
No abstract provided.
Conclusion Panel, Allison Marsh
Commonthought (2012), Commonthought Staff
Commonthought (2012), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Capturing Motion, Allison Marsh
Capturing Motion, Allison Marsh
Section 3: Imaging the Fast Moving
No abstract provided.
Faulkner's Literary Historiography: Color, Photography, And The Accessible Past, Peter Lurie
Faulkner's Literary Historiography: Color, Photography, And The Accessible Past, Peter Lurie
English Faculty Publications
This paper looks at changes in visual representation in the 1930s as a means of understanding Faulkner's newly historiographic methods in this decade. The advent of Kodachrome® in 1935 as the first widely used color film stock presaged the turn toward the black-and-white documentary mode so important to the nation's efforts to "countenance," or see, the economic crises of the period. Faulkner's descriptive and representational practices in the period 1929-36 also shifted from a more pervasive use of coloration to a style like the silver halide photos prevalent in the middle nineteenth century--the period of the past-tense events in Absalom, …
The 'Nevergiveups' Of Grandmothers Against Poverty And Aids: Scholar-Journalism-Activism As Social Documentary, Eric Miller, Jo-Anne Smetherham, Jennifer Fish
The 'Nevergiveups' Of Grandmothers Against Poverty And Aids: Scholar-Journalism-Activism As Social Documentary, Eric Miller, Jo-Anne Smetherham, Jennifer Fish
Women's & Gender Studies Faculty Publications
This article traces our collective experiences as a photographer, a journalist and an academic engaged in the process of documenting the lives of South Africa’s grand-mothers – who are confronting the HIV/AIDS pandemic while carrying an immense history of social struggle in the apartheid era. We set out with individual aspirations to record, in visual and narrative forms, the life stories and lived experiences of members of the Grandmothers Against Poverty and AIDS (GAPA) organization based in Khayelitsha, Cape Town. Over the course of three years of building relationships and working with leaders of this organisation, we developed a social …
What You Could Know, Becca Wyant
My Time, Becca Wyant
Fleeting, Christopher Garcia
Fleeting, Christopher Garcia
Digressions: Literary & Art Journal
No abstract provided.
Untitled, Sophia Gourgiotis
Soul, Natalie Hernadez
Iguana, Sophia Gourgiotis
Capturing The Cape : A Photographic Case Study Of The Cape Range Bioregion Of Northwest Australia ; Straight Lines : A Photographic Case Study Of The Cape Range Bioregion Of Northwest Australia, David J. Bradley
Theses : Honours
In Australia, as with much of the world, landscape photography has played a significant role in raising awareness of human impact on the environment. For the most part, this awareness raises questions of conservation and preserving the natural world. Landscape photography commonly depicts environmental issues in one of two ways: the damaging effects of humanity’s mastery over the environment; or the sublime wonder of nature. In effect, the messages sent by landscape photography are singular, describing either nature, or culture. However, with an intention to develop a more sustainable viewpoint concerning humanity’s relationships with the environment, landscape photography could be …
A Weirdness In The Backyard, Dana Shiroma
Consumnes, Ashley Richards
The Colorful Corrosion, Dana Shiroma
Continuum: 2,500 Pebbles, Shiloh Gastello
Uncertain Surrenders: The Coexistence Of Beauty And Menace In The Maternal Bond And Photography, Toni Wilkinson
Uncertain Surrenders: The Coexistence Of Beauty And Menace In The Maternal Bond And Photography, Toni Wilkinson
Theses: Doctorates and Masters
This creative inquiry is grounded in my maternal experiences and situated within a feminist approach to photography that develops a discussion of maternal passion and acknowledges the conflicting dynamics of the maternal relationship. The research includes a book of photographs of my children, Georgia and Henry, titled Uncertain surrenders, and a written component explicating the theoretical imperatives that motivated the project. I suggest that the coexistence of beauty and menace within the photographic portraits exquisitely represents the complexity of maternal passion. Julia Kristeva (2005) says, “we lack a reflection on maternal passion” in Western culture because it is an ambiguous …