Photography Commons^™

Chapel Walk, Stepping Logs, Barbara Marincel

Obsculta

Photograph taken in October on a walk out to the Stella Maris Chapel at Saint John's University

Tree That Bites, Garrett S. "Faustino" Miller Oblsb

Obsculta

No abstract provided.

Emmaus Sundown, Garrett S. "Faustino" Miller Oblsb

Obsculta

No abstract provided.

Viewed Sexton Uncommons, Garrett S. "Faustino" Miller Oblsb

Obsculta

No abstract provided.

Pathway, Myrissa Donaldson

Obsculta

No abstract provided.

Chaotic Mooers: Rural Immersion 2025, Garrett S. "Faustino" Miller Oblsb

Obsculta

No abstract provided.

Frog Friends, Myrissa Donaldson

Obsculta

No abstract provided.

Presentation Of Frank House Snow, Garrett S. "Faustino" Miller Oblsb

Obsculta

No abstract provided.

Chapel Walk, Lake Sagatagan, Barbara Marincel

Obsculta

Photograph taken in October on a walk out to the Stella Maris Chapel at Saint John's University

Community - Volume 11

be Still

No abstract provided.

Asclepius, Lia M. Smerina

be Still

No abstract provided.

Namaste, Kem Chho, Jason Nguyen

be Still

No abstract provided.

The Geography Of Faces, Faith Abraham

be Still

The Geography of Faces takes its title from the idea that a face, seen across decades, becomes a kind of landscape—something you learn to read not at a glance but through accumulated return visits. For Dr. Vasquez, an older physician who has seen so much, her patients' faces are the territory she has spent a lifetime learning to navigate.

The patients are chosen to represent different dimensions of that longevity. They show affection built on years of small battles, continuity across a family, autonomy that is respected. Together, these patients make the case that primary care is less about problems …

Stronger Together: Healing Through Joy, Archana Banda, Nupur S. Kumar

be Still

Volunteering as Family Pals at Boggy Creek throughout medical school has reinforced the profound impact of communities united under a shared vision of uplifting one another. This organization cultivates a supportive camp environment for children with chronic medical conditions. One of the most meaningful aspects of these weekend adventures has been meeting children with conditions such as Type 1 Diabetes and VACTERL courageously navigating the challenges of their diagnoses while discovering new passions through activities including woodcraft, air hockey, boating, fishing, and archery.

Many times these children are excluded from normal camp experiences due to their special needs such as …

Colorblocks, Marianne Koleng

be Still

The use of several colors to highlight the facial features in the portrait represents the various communities to which an individual belongs, including, but not limited to, their family, their school, religion, career, ethnicity, and more. Each color is used in many shapes within the face to evoke the shared importance of each community in creating identity, one is not superior to the other, and without each of them, we would not have the entire face.

The Making Of Man, Marianne Koleng

be Still

The Making of Man is an abstract ink drawing depicting an individual's face, but at closer look, it is the intricacies that compose it. This goes to show that behind every individual, there is a community holding them together, even if it is not immediately apparent.

Side By Side, Elena L. Richardson

be Still

This photograph captures what I came to understand as the true wealth of Mota Fofalia. In a place with few material resources, community was not just present - it was everything. These boys, arms slung around each other, smiling without hesitation, reflect a kind of belonging that doesn’t depend on circumstance. During my eight weeks there, I realized that while so much was limited, connection was abundant - and it was enough.

What She Carries, Elena L. Richardson

be Still

This image captures the quieter side of community—the unseen labor that sustains it. Though she walks alone, everything she carries reflects a life woven into others: provision, responsibility, continuity. In rural Gujarat, I came to understand that community is not only found in togetherness, but in the everyday acts that hold it up.

Creations Collide, Arpita M. Raman

be Still

I have always found it amazing how the creations of nature and of humans can blend together to form beautiful sceneries and structures, melding two seemingly clashing elements into one harmonious picture. I took this picture near Harper's Ferry while on a hike, and I was struck by how the old bridge and railway seemed to grow right out of the mountainside. Sometimes we think of buildings and nature as opposites, but seeing them tucked together like that reminded me that they can tell a wonderful story when they coexist. I find myself drawing parallels between symbolism in the world, …

A Community That Always Welcomes Me Back Like I Never Left, Bibi Chaterpateah

be Still

No abstract provided.

Rooted In Resilience, Pranita Talukder

be Still

This poem reflects my evolving understanding of community—not as a fixed place, but as something shaped by loss, memory, and rebuilding. It draws from my experience of displacement and the quiet search for belonging in unfamiliar spaces.

Through simple, fragmented imagery, I wanted to capture the feeling of being untethered, and the slow, intentional process of finding connection again. The poem moves between past and present, holding both absence and presence at once.

Ultimately, it is about realizing that community is not something we return to, but something we carry and create, wherever we are.

Reframing Kabyle Resistance In Marc Garanger's Femmes Algériennes 1960, Lea Wong

Journal of Amazigh Studies

This article examines the identity photographs taken by Marc Garanger as a site of Kabyle women’s resistance in the Algerian War. Over the course of 1960, Garanger moved between various wartime displacement camps across Kabylia, photographing indigenous people for the production of identity cards––a crucial from of colonial population control. Since its publication, Garanger’s Femmes algériennes has become an ambiguous symbol of resistance in the Algerian War, largely due to the subjects’ perceived antagonistic posture and gaze. This article takes a forensic approach to analyzing Kabyle women’s wartime adornment, uncovering a new framework for conceptualizing Algerian women’s agency grounded in …

Untitled, Naiomi Lundman

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Naiomi is a quiet Wisconsite who spends evenings at home in a dark room plotting to take over the world.

Untitled (Back Cover), Eli Haddad

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Eli worries us. He likes explosives and burying himself in the sand. A little dangerous, eh?

Untitled (Front Cover), Mike Brooks

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Mike is currently restrained in the basement of an as yet unnamed greek house. He was unavailable for comment.

Untitled (Inside Back Cover), Lisa Camp

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Lisa is a promising young photogrpaher from Indiana. Leave while you still can Lisa.

Untitled, Tara Karasch

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Tara, from Bloomington, Minnesota, wants to be sure that we are all aware of the fact that Fargo is in North Dakota. Yeah, we were confused too.

Untitled, Amber Bowers

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Amber is from Brazil. Yet another Indiana town that wishes it wasn't where it is.

Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges

Artizein: Arts and Teaching Journal

This article extends She-Hero through an inquiry into drawing as a creation-centred practice of continuance. Five drawings are engaged as aesthetic encounters through which relational and perceptual shifts become perceptible, allowing inner authority to emerge as a cultivated capacity to remain responsive to what is unfolding. Drawing is approached as a site of metramorphic reconfiguration where imagination, memory, and embodied sensing participate in the decolonizing of perceptual habits and the restoration of relational ways of knowing.

Showing It! Art Matters. But Why? How?, Holly Edwards

Artizein: Arts and Teaching Journal

This article addresses the agency of art with reference to an exhibition entitled “The Nature of Spirit”.  That show appeared in the local public library, resonating strongly with notions of “heartwork”.  My first Artizein publication was written in response to 9/11, and this one maintains comparable urgency, seeking solace in art precisely when the world seems to be sliding into lunacy. The prose explores the powers of art in traumatizing times with words, while the images offer the reader insight and support energetically.