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Articles 241 - 270 of 627
Full-Text Articles in Photography
Ua1c11/80 Wku Photo Album, Wku Archives
Ua1c11/80 Wku Photo Album, Wku Archives
WKU Archives Collection Inventories
WKU photograph album, available online at: https://digitalcommons.wku.edu/dlsc_ua_records/4210
Ua1c11/78 Rebelettes Photograph Collection, Wku Archives
Ua1c11/78 Rebelettes Photograph Collection, Wku Archives
WKU Archives Collection Inventories
Photographs removed from Rebellette scrapbooks.
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, Stephanie M. Huang
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, Stephanie M. Huang
Scripps Senior Theses
This paper examines nostalgia in photo-poetry book Nostos, and nostalgia’s existence as a theoretical global condition arising from displacement, looking at nostalgia specifically not as a yearning for home, but a yearning for a lost sense of feeling at home. It traces the lineage of image-text hybrid art practices and examines the significance of conveying meaning through both synergistically. It studies the psychoanalytic process of transforming loss into object, or absence into presence, ultimately using the object as a lens to view oneself and the way in which nostalgia manifests itself.
Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha
Antithetical Commentaries On X, Y And The Disruption Of Being, Eva Rocha
Theses and Dissertations
Through discursive essays and poetic narrative, Antithetical Commentaries on X, Y and the Disruption of Being explores the tenuous relationship between modes of measurement and the struggle for human relevance in the post-contemporary digital age. In the introductory essay, “Not the Feather, but the Bird”, I give an overview of the inherent problems of object-oriented ontology, and how it relates to aesthetics and social issues of our times. In the Developmental Overview, I detail how I developed my installation approach and techniques, particularly with regard to the three-way dynamic of the artist:work:viewer relationship and how it can encourage …
When Narrative Fails: Context And Physical Evidence As Means Of Understanding The Northwest Boundary Survey Photographs Of 1857–1862, James A. Eason
When Narrative Fails: Context And Physical Evidence As Means Of Understanding The Northwest Boundary Survey Photographs Of 1857–1862, James A. Eason
Journal of Contemporary Archival Studies
The photographs of the Northwest Boundary Survey, taken chiefly in 1860–1861, present many of the problems commonly encountered in the study of nineteenth-century photography. These views documenting the international border between modern British Columbia and the American Pacific Northwest provide a useful case study in the close reading of physical attributes of photographs. They afford an opportunity to compare imagery and evidence across known sets, and to draw conclusions from sequencing, variant captioning, and other physical evidence. These details will help archivists and other collection managers make good decisions about depth of cataloging, digital imaging choices, and interfaces for online …
"Pray For The People Who Feed You": Voices Of Pauper Children In The Industrial Age, Rebecca S. Duffy, Jill Ogline Titus
"Pray For The People Who Feed You": Voices Of Pauper Children In The Industrial Age, Rebecca S. Duffy, Jill Ogline Titus
Schmucker Art Catalogs
Following the Industrial Revolution in the late nineteenth and early twentieth centuries, countries such as the United States and England experienced a widening gap between the rich industrialists and the impoverished working class. As a result, poverty quickly shifted from a localized problem to a national epidemic. Each country was faced with the challenges of addressing and alleviating poverty on a national scale. With a limited amount of resources, questions arose about who should receive relief. What should it look like? How should it be administered? And how would poverty and policy affect political, economic, social and familial structures? [ …
Ruin Porn And Urban Representation In Photography: The Aesthetic And Politics Of Appropriation In "The Ruins Of Detroit", Elyse Remenapp
Ruin Porn And Urban Representation In Photography: The Aesthetic And Politics Of Appropriation In "The Ruins Of Detroit", Elyse Remenapp
Cultural Studies Capstone Papers
This project examines the politics of representation in The Ruins of Detroit, a book of photography by Yves Marchand and Romaine Meffre in order to understand Detroit as a privileged site of ruins photography, critically referred to as ruin porn. Examining the book as a representation of Detroit's decay reveals an implicit power dynamic which neglects Detroit's complex history and the lived experience of its residents. Paying particular attention to the dialectic of race and labor under capitalism, this project traces the urban history of Detroit in order to contextualize and reframe the state of ruin presented in the …
Friends Of Musselman Library Newsletter Spring 2015, Musselman Library
Friends Of Musselman Library Newsletter Spring 2015, Musselman Library
Friends of Musselman Library Newsletter
From the Director: Open Access (Robin Wagner)
Global Perspective: Library Participation in College’s Internationalization Efforts (Lucy Marinova ’12, Munya Choga ’12)
Remembering Gale Baker
Library wins 2014 Best in Show
Summer Reads 2015 Launches
Eisenhower Exhibit
Birds of a Feather: Photography Exhibit (Sandra Blair)
Heads Will Turn: Student Exhibit (Mark Warwick)
Edible Books
Audubon Print - Carolina Parrot (Geoffrey Jackson ’91)
Life in Photos: William H. Tipton exhibit
50th reunion Gift of First Editions (John E. Rogers, Jr. ’65)
Sharing the Past: Alumni Memorabilia (Jessica Casale ’18, Julia Hendon, Clara A. Baker ’30, Gary T. Hawbaker ’66)
19th …
Scouted: An Inadvertent Archive From The Search For A Cinematic Vegas, Catherine Borg
Scouted: An Inadvertent Archive From The Search For A Cinematic Vegas, Catherine Borg
Occasional Papers
This paper highlights the transformation of materials within the Mancuso Collection from utilitarian location scouting materials in the service of a film to historical record of the Vegas valley in 1994-95. Destined for disposal, these displaced artifacts are also an important record and reminder of the hidden labor and creative output of the many people who contribute to cultural products.
Ua12/2/2 2015 Talisman: Resurgence, Wku Student Affairs
Ua12/2/2 2015 Talisman: Resurgence, Wku Student Affairs
WKU Administration Documents
2015 Talisman yearbook.
- Osborne Sam. Into the Woods – Big To-Do Music & Arts Festival
- Spalding, Shelley. The Outliers – Greeks
- Badjie, Haddy. The Right to Live – Racism
- Gibson, Helen. Net Worth – Soccer
- Greer, John. Sustaining Seasons – Sustainability
- Wegert, Sally. Bloom – Eva Ross
- Cislo, Everett. Harvest – Hemp
- Kolb, William. Preserve – John All
- Voorhees, Jessica. Making Strides – Track & Field
- Greer, John. The Science Guy – Bill Nye
- Cole, Tanner. Lip Service – Rocky Horror Picture Show
- Belknap, Abby. Race to the Senate
- Gibson, Helen. Game of Loans – Student Financial Aid
- Belknap, Abby. …
Art, Artifact, Archive: African American Experiences In The Nineteenth Century, Shannon Egan, Lauren H. Roedner, Diane Brennan, Maura B. Conley, Abigail B. Conner, Nicole A. Conte, Victoria Perez-Zetune, Savannah Rose, Kaylyn L. Sawyer, Caroline M. Wood, Zoe C. Yeoh
Art, Artifact, Archive: African American Experiences In The Nineteenth Century, Shannon Egan, Lauren H. Roedner, Diane Brennan, Maura B. Conley, Abigail B. Conner, Nicole A. Conte, Victoria Perez-Zetune, Savannah Rose, Kaylyn L. Sawyer, Caroline M. Wood, Zoe C. Yeoh
Schmucker Art Catalogs
Angelo Scarlato’s extraordinary and vast collection of art and artifacts related to the Civil War, and specifically to the Battle of Gettysburg, the United States Colored Troops, slavery and the African American struggle for emancipation, citizenship and freedom has proved to be an extraordinary resource for Gettysburg College students. The 2012-14 exhibition in Musselman Library’s Special Collections, curated by Lauren Roedner ’13, entitled Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era and its corresponding catalogue provided a powerful and comprehensive historical narrative of the period.
This fall, students in my course at Gettysburg College “Art and Public …
Lenses Of Industry: The Rise Of Industrial Photography In The United States And The Lake Superior Mining District, 1880-1933, Robert Anthony
Lenses Of Industry: The Rise Of Industrial Photography In The United States And The Lake Superior Mining District, 1880-1933, Robert Anthony
Dissertations, Master's Theses and Master's Reports
This thesis, Lenses of Industry, examines how industrial companies and engineers adapted photography to their needs in the late nineteenth and early twentieth centuries. Innovations in camera and plate technologies marketed to a broad range of people contributed to a steep rise in the number of photographers in the United States. Recognizing the potential that photography held for industrial companies and engineers, a handful of experts advocated the idea that photography had the potential to make many aspects of business faster, and easier, as well as to make visual records more truthful and accurate. Likewise, innovations in halftone printing technology …
Marshall University Special Collections Photo Preservation Workshop, Caitlin Noelle Walker, Nat Debruin
Marshall University Special Collections Photo Preservation Workshop, Caitlin Noelle Walker, Nat Debruin
Librarian Research
Workshop presented at the West Virginia Library Conference in Flatwoods, WV on April 2, 2014. The workshop focused on the history of photography with an emphasis on identifying different types of photographic processes and images. The second half of the workshop provided the participants with knowledge about the environmental and chemical challenges to preserving photographic images and possible solutions to solving problems in their institution's collections.
A Living Image: Newspaper Sketches In The American Civil War, Bryan G. Caswell
A Living Image: Newspaper Sketches In The American Civil War, Bryan G. Caswell
The Gettysburg Compiler: On the Front Lines of History
Photography: the ability to capture a moment in time exactly as it appeared, to then preserve it for posterity, even mass produce it for a wide viewership. A relatively new concept by the beginning of the American Civil War, photography quickly came into its own in the hands of such legends as Matthew Bray and Alexander Gardner as they sought to document the furious storm which had swept over the land. Photographs of the Civil War are prolific, and for many the memory of the conflict is intertwined with black-and-white photographs of unsmiling men and corpses bloating in the sun. …
Ua1c11/36 Robert Johnston Photo Collection, Wku Archives
Ua1c11/36 Robert Johnston Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photographs donated by Robert Johnston.
Sites Of Memory, Tonya Schmehl, Sherry Dixon
Sites Of Memory, Tonya Schmehl, Sherry Dixon
OUR Journal: ODU Undergraduate Research Journal
Photo Essay.
Ua1c11/64 Anna & Betty Cook Photo Collection, Wku Archives
Ua1c11/64 Anna & Betty Cook Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photographs of Anna & Betty Cook removed from scrapbook.
Edward Steichen And Hollywood Glamour, Alisa Reynolds
Edward Steichen And Hollywood Glamour, Alisa Reynolds
Theses and Dissertations--Art and Visual Studies
As a word, glamour is hard to define, but is instantly recognizable. Its association with Hollywood movie stars fully emerged in the 1930s in the close-up celebrity portraits by photographers like George Hurrell. The aesthetic properties in these images that help create glamour are characterized by the Modernist style, known for sharp focus, high contrast, seductive poses, and the close-up (tight framing). My essay will explore the origins of the visual aesthetics of glamour, arguing that their roots can be found in the still life photographs of the 1910s, produced by fine art photographers such as Edward Steichen. This essay …
Memory, Truth And Justice: A Contextualisation Of The Uses Of Photographs Of The Victims Of State Terrorism In Argentina, 1972-2012: Communicating An Intersection Of Art, Politics And History, Richard Askam
Theses: Doctorates and Masters
Photographs of the victims of Argentine state terrorism from 1972 to 1983, and most prominently those of the detained-disappeared victims of the Proceso de Reorganización Nacional dictatorship (1976-1983), have had a significant role in elucidating the demands of human rights activists since the aftermath of the Trelew Massacre in 1972. In this thesis I examine the role of photographs of victims of state terrorism in the construction of unofficial, or counter, narratives critical of those produced by two dictatorships and by elected democratic administrations in the demand for truth and justice, and in the construction of social memory. I discuss …
Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris
Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris
School of Art, Art History, and Design: Theses and Student Creative Work
Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20th and 21st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.
This thesis comprises two sections. In the first section, the analysis is focused on the historical …
Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor
Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor
PCAL Publications
No abstract provided.
0813: Martha Joe Morehouse Collection, 1880s-1890s, Marshall University Special Collections
0813: Martha Joe Morehouse Collection, 1880s-1890s, Marshall University Special Collections
Guides to Manuscript Collections
This collection consists of thirty cabinet cards, mostly unidentified, of individuals taken by photographers in the Kansas City and St. Louis, Missouri area. Subject matter is primarily portraits, but also includes a small number of group and couple photographs. Also included are two small photographs that are not cabinet cards, but date to the same time period
To view materials from this collection that are digitized and available online, search the Martha Joe Morehouse Collection, 1880-1890 here.
Welcome To The Doll House, Francie Latour, Risd Xyz
Welcome To The Doll House, Francie Latour, Risd Xyz
RISD XYZ Fall/Winter 2013: Out of Bounds
From the Barbie dresses he made as a boy to his first splash in the New York art world, Martín Gutierrez 12 PR is working to perfect what he has always done naturally.
Why The "Harvest Of Death" Doesn't Matter (And Why It Does), John M. Rudy
Why The "Harvest Of Death" Doesn't Matter (And Why It Does), John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
I went on a tour a few Sundays ago. It was very tough to explain exactly what I had done (in sensible terms) with my coworkers when I came into the office the next Monday morning. Not just very tough, but embarrassingly tough.
THEM: "What did you do this weekend, John?"
ME: "Well, Sunday I went on a tour of places on the Gettysburg battlefield where one specific photo wasn't taken-"
THEM: *blank stare* [excerpt]
Castle Rushen, Valerie Dawn Hampton
Castle Rushen, Valerie Dawn Hampton
The Hilltop Review
This picture features Castle Rushen, the royal seat of the Kingdom of Man on the Isle of Man, UK, during the 12th-15th centuries. The Isle of Man is also home to the internationally renown TT races. The motorcyclist rounding the curve of Castle Rushen links a "modern knight" on mount with armor in a very historic setting.
"La Venus Se Fue De Juerga Por Los Barrios Bajos": Nacho López, Mass Culture, And Modernity, Jenifer L. Caneschi
"La Venus Se Fue De Juerga Por Los Barrios Bajos": Nacho López, Mass Culture, And Modernity, Jenifer L. Caneschi
Master's Theses
No abstract provided.
Practical Necromancy: Raising The Dead For Fun & Profit, John M. Rudy
Practical Necromancy: Raising The Dead For Fun & Profit, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Our profession is a unique and somewhat strange one. We are paid, fundamentally, to give voice to the voiceless. History is taking the people of the past and breathing into their lungs, letting them speak and act again even though they are long dead. [excerpt]
Ua1c11/12 Pershing Rifles Photo Collection, Wku Archives
Ua1c11/12 Pershing Rifles Photo Collection, Wku Archives
WKU Archives Collection Inventories
Digitized Images and newspaper clippings belonging to various members of the Pershing Rifles.
Ua1c11/21 Edgar Stansbury Photo Collection, Wku Archives
Ua1c11/21 Edgar Stansbury Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photograph collection compiled by Edgar Stansbury during his time as a student, assistant coach and his military career.
Visual Testimony: Lee Miller’S Dachau, Sharon Sliwinski
Visual Testimony: Lee Miller’S Dachau, Sharon Sliwinski
Data and Test Instruments
This essay examines images of the liberation of Dachau concentration camp taken by American war correspondent and photographer Lee Miller. Miller’s work is mobilized as an optic through which to grasp the shock of confronting the Nazi camps. Her images are read as a form of visual testimony. That is, although they fail to provide a transparent view of what occurred in the Nazi lagers, they are nevertheless inscribed with all that the photographerdid not knowof the events to which she bore witness. The nature of this strange unintelligibility is what the author pursues: the visual inscription of the unspeakable …