Photography Commons^™

A Photo Documentary: Exploring Queer Identities In Kwazulu-Natal, Nicholas Graves

Independent Study Project (ISP) Collection

Media can be a powerful tool in examining the structures of power that both hinder and advance LGBTQIA+ representation and subsequently, lived experiences. Therefore, being able to understand the varying feelings that everyday South Africans feel towards queer people, will be measured through the media that people consume. For the vast majority of South Africans, this would look like movies, TV soap operas, and discussions that take place on the radio. Understanding the role media plays within the country is vital to understanding the overall progress that has been made.

The media’s ability to reflect lived experiences within gay and …

Queer Bodies: Homoeroticism, Sensuality, And Erotica In Postmodern Fine Art Photography, Rosa Michel Pace

LSU Master's Theses

The queer body– describes the sum of assumptions and biases attributed to queer people, whereby a person’s own queer identity or expression is overshadowed by the generalizations, (mis)perceptions, and stereotypes that society imposes on that individual. Central to the scope of this thesis is the reality whereby the ostracization of queer people involves the association between the very body of the queer person with sexual acts deemed both deviant and immoral by a cis-heteronormative society. Society renders the queer body as pejoratively deviant simply on the basis of its existence alone, where any form of varied gender or sexual expression …

Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York

DU Undergraduate Research Journal Archive

Abstracts from the DU Undergraduate Showcase.

Tuwid: A Photo Series Depicting The Experiences Of Closeted Filipino Lgbtqia+ Youth, Francesca Marie R. Caguiat

DLSU Senior High School Research Congress

The artist-researcher used pastiche and technology incorporated with photography to depict the household experiences of lesbian, gay, bisexual, transgender, and queer+ youth in the Philippines. Six participants attended a focus group discussion which was used in art conceptualization. They shared common experiences of having internalized homophobia and fear of rejection because of their families’ religious beliefs. However, a few shared factors apart from religiosity such as the parents’ reaction in general and their personal view on the significance of coming out. The photo series applied references to famous religious paintings and the repetition of subjects. Elements of the photos were …

Spinning Plates, Anikó K.L. Sáfrán

Masters Theses, 2020-current

Spinning Plates is an intermedia exhibition based on multitasking, at times to an absurd level, to address the gendered division of care labor in a typical, heteronormative household. One hundred years into the pursuit of passing an Equal Rights Amendment, women are still taking on the majority of duties related to managing and caretaking the household and its children, even though most women have also joined the income-generating labor force. At the core of the exhibit are performance-based videos of the mother-artist multitasking, completing household chores, exercising, and creating art. Some of the artworks are action paintings, others are drawings …

Hall Family Collection - Index To Appendix 1, "Letters From The Attic" And Appendix 2, Postcards, Kyle Ainsworth

Librarian and Staff Presentations

The Hall Family Collection can generally be described in two parts. The first part is Letters from the Attic, which are more than 5,000 documents that Andrena Hall Brunotte transcribed into 16 volumes. Brunotte’s transcription project established an “original order” to this part of the collection that the processing archivist does their best to adhere to. All of these materials were found in one large steamer trunk and organized by Brunotte in chronological order. Boxes 1 to 4 of the collection house the paper transcriptions (3,330 pages). Boxes 5 to 13 contain the documents, which are in chronological order. The …

Missy, Issue 2 (2022), Grace Marion

Missy: LGBTQ+ Literary Magazine

• Managing Editor: Grace Marion
• Outreach Editor: Breyton Moran
• Associate Editor: Shayla Drzycimski
• Web Editor: Addison Ward
• Faculty Advisor: Tyler Gillespie
• Submissions Editor: Trey Herbert
• Staff: Alana Freimanis, Sarah May, Camryn Mason, Angeline Morgan, Nadia Sumlar

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Home Grown: Joys And Sorrows Of Domestic Life, Helena Black

MA Projects

Home Grown: Joys and Sorrows of Domestic Life highlights the work of contemporary female photographers who focus their practice on the depiction of domestic scenes. There is a long history of women drawing inspiration from the domestic sphere. For much of history, the exclusion of women from public life outside of the home influenced much of their work. Perhaps the most obvious example of this thematic focus can be seen in the work of female Impressionists. The Impressionist period is defined by the freedom of mobility allowed by new premixed paint tubes. Male artists, for whom it was socially acceptable …

Ua1c11/121 Susan Mason Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from a scrapbook probably belonging to Susan Mason.

An Intergenerational Photo Exploration Of Self Care Actions In Self-Identifying Strong Black Women, Vanessa Patrice Goodar

Dissertations

The current study sought to expand upon the Giscombé Superwoman Schema (2010) specifically exploring the role of vulnerability resistance and help obligation as potential barriers to changing comprehensive self-care health commitments in self-identifying Strong Black Women (SBW). The Superwoman Schema characteristics of vulnerability resistance and help obligation along with socio-economic factors of income, religious affiliation and marital status were assessed in the project using a visual-ethnography approach to Photo Voice methods and five intergenerational focus groups of SBW's born between 1946 and 2002. The collective self-care knowledge of these eighteen participants was analyzed using a participatory action research discussion framework …

Missy, Issue 1 (2021), Greg Parker

Missy: LGBTQ+ Literary Magazine

• Managing Editor: Greg Parker
• Associate Editors: Grace Marion, Michael Martella
• Outreach Coordinator: Emily Stewart
• Art Editor: Liz Parks
• Faculty Advisor: Tyler Gillespie

Distribution Struggle: Assembling A Media History Of J. Brian’S Enterprises With Court Proceedings And Public Records, Finley Freibert

Faculty and Staff Scholarship

This article introduces the concept of “distribution struggle”—the panoply of cultural and industrial conflicts that must be traced and accounted for in distribution histories—to sequence a primary-sourced media history of J. Brian’s gay media enterprises. In tracing this history, primary sources are surprisingly accessible, and provide new insights into J. Brian’s industrial operations. By triangulating archival records with secondary accounts, this article provides a more nuanced cultural and industrial portrait of J. Brian. It argues that media industry historiography must frame historical narratives by accounting for the cultural and industrial struggles that culminated in the available archival sources, in this …

Searching For Sapphistries: An Archive Of Felt Photographs, Lauren Fisher

Theses and Dissertations

Using the holdings of the Peter J. Cohen Collection in New York City as a platform from which to engage the queer impulse of feeling backward, this thesis posits that vernacular photographs can be included in sapphistry through the creation of a counterarchive of “felt photographs,” where a reading of photographs is animated by a queer positionality and knowing.

Things Will Never Be The Same: How Corona Further Exposed Our System "Documenting The Pandemic Through Highlighting Community Mutual Aid Efforts", Pico Villa

Chamisa: A Journal of Literary, Performance, and Visual Arts of New Mexico and the Greater Southwest

No abstract provided.

Do You Want To Be Tender?, Leah Grant

Graduate Theses and Dissertations

In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.

Made Of Water, Covered In Mud, Nicole Norman

Graduate Theses and Dissertations

My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …

And Everything Nice, Elizabeth Black

Honors Scholars Collaborative Projects

Over the last year, due to the pandemic of COVID-19, I have had a novel opportunity to spend much of my time and energy reflecting on my connection to femininity. Across social media platforms, individuals have shared their own personal reflections about gender and this content has led me to think deeply about what femininity and masculinity mean to me. There are feminine norms and behaviors I identify with, and other conventions that I reject. Additionally, I admire forms of feminine expressions, but feel like I neither physically nor mentally can achieve them. The more time I spent with this …

The Losses, The Heartbreaks, The Hungers..., Nestor Perez-Moliere

Theses and Dissertations

The Losses, The Heartbreaks, The Hungers… is a photographic body of work in which I engage in a conversation with myself on mental health and self-compassion. I am able to exist with myself within the same frame through the use of compositing techniques that depict a multiplicity of selves. In the work, I dwell in an isolated, psychological space that is constructed through a claustrophobic framing of the camera and black and white film imagery that accentuates the shadows and the light. The interactions with myself are of mixed nature: at times I am abusive to myself, but other times …

Ua1c11/116 Shirley Risher Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs donated by Shirley Risher.

The Boy In The Mirror: A Tale Of Radical Queer Muslim Liberation, Shariq I. Farooqi, Khansa Noor

sprinkle: an undergraduate journal of feminist and queer studies

This photo-series & its connected narrative captures the ornate reality of identifying as a Queer Muslim of color. The photos were beautifully curated by a photographer and dear friend of mine, Khansa Noor. The images are meant to visually conceptualize how queerness can manifest outwardly in one's bodily expressions and demeanor. The guilt, shame, and relief that I described in the narrative translates intimately in my brown skin and my movements. Both pieces merge to illustrate the layers of queer Muslim survival in concealing one's queerness while simultaneously remaining unequivocally bold in queer spaces.

Ua1c11/109 Linda Johnson Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from athletic scrapbooks.

• 1987 WKU Athletics Scrapbook, D7003
• 1968-1985 WKU Athletics Scrapbook, D7004
• 1985-1987 WKU Athletics Scrapbook, D7005

Her Story: Ecuadorian Women In New York City, Benjamin Chambers

Capstones

My Capstone Project is an 80-photo reportage about women of Ecuadorian origin living in New York City, including text and video elements. The project is broken down into a general introduction; four photo stories each with captions and story text; and two videos. The project is entitled:

HER STORY: ECUADORIAN WOMEN IN NEW YORK CITY

https://www.chambersphotojournalist.com/capstone/

Visual Weimar: The Iconography Of Social And Political Identities, Kerry Wallach

German Studies Faculty Publications

In the Weimar Republic, images were perceived to be as unreliable as they were powerful. They helped create and codify difference while simultaneously blurring lines within the categories of gender and race. Visual culture provided a wild playground for discourses about gender presentation and sexuality that encompassed veterans, athletes, criminals, the New Woman, and androgynous figures. Despite the growing prominence of images in race science, it was widely held that images could not be trusted to convey accurate information about race. The propagandistic use of images for political purposes had the potential to be equally ambiguous. It was ultimately up …

Glut And Guzzle, Ashley Kay Gardner

Graduate Theses and Dissertations

In Glut and Guzzle I explore my relationship with my partner, our sexualities and how to navigate these outside of the LDS faith of my childhood, and their struggles with gender, sexual expression and mental illness. This exploration landed on seductive and repulsive imagery of food and body. I use color, texture and size as a tool similar to visual tools of advertising to seduce my viewer. This is an exploration of how gender norms and the visual language of advertising that infiltrates daily lives and through media and religion can shape identity and gender roles. I utilize advanced 3D …

Pleasure Is All Mine, Lola Ogbara

Graduate School of Art Theses

One’s identity is shaped by many factors such as race, culture, physical appearance, nationality, and religion—amongst many more. As an artist, the subjugation of identity in the context of race, gender, and sexuality is a world I examine closely. Subverting myths of sexual deviancy and racial inferiority that perpetually pathologizes Black feminine sexuality, I often use and reference my own body to create avenues of power through physical and intellectual pleasure. Through material use of clay, metal, photography, and installation, I emphasize on how contemporary Black social cultures are able to write their own narratives in order to further progressions …

"A Place For Us", Dillon M. Bryant

Honors Thesis

“A place for us” explores constructions of the home in relation to the LGBT+ experience through reappropriated and recontextualized found images sourced from articles of print culture such as newspapers, advertisements, publications such as Better Homes and Gardens, National Geographic, Time and others printed from the 1960’s onward. As of 2020, there are no federal laws that provide universal protections against housing or employment discrimination faced by LGBT+ people in the United States. LGBT+ youth and elders struggle with securing housing and this is compounded for LGBT+ people of color. Homelessness increases exposure to trauma, drug abuse, developmental …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Alexis Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Mara Dzolan, Marija Maracic, Josipa Karaca

SICANJE

No abstract provided.

Marta Sarcevic & Mara Burecic, Maracic Marija, Josipa Karaca

SICANJE

No abstract provided.